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Paško Vučetić

Paško Vučetić (Serbian Cyrillic: Пашко Вучетић; 1871–1925) was one of the two most prominent Dalmatian Serb artists of the first half of the 20th century.[1]

Biography edit

Paško Vučetić was born in Split, at the time in the Kingdom of Dalmatia. He completed his grade school and high school education in Split before leaving for Belgrade where he enrolled in an atelier run by Rista and Beta Vukanović, then he went to study in Trieste in 1886 and then in art academies in Venice (1893–1895) and Munich (1895–1898). At the end of the 19th century, he held his first exhibition in 1901 in Trieste.[2] When the war First World War broke out he joined the Serbian Army and was assigned to paint the action on the battlefront. During the winter retreat of 1915 over the treacherous Albanian mountains, his health failed and he was forced to spend his convalescence at Corfu, and later in Italy, where he attended art schools in Florence and Rome (later at the Academy of Fine Arts in Munich, Germany).[3] Although older than most of the war artists, Vučetić accepted their style and painted venues of Rome in 1916, which shine with orange buildings, blue sky and violet shades. His art also included sculpture and copying fresco paintings (as a member of the staff of the National Museum in Belgrade). Vučetić also assisted Nadežda Petrović in organizing the First Serbian Artists' Colony.

In 1909, Vučetić received the first prize in the competition for a monument to Karadjordje on Kalemegdan Park. The sculptural composition consisted of a mansion with a flag, soldiers, a woman with a child, Karadjordje's uprising and a guslar, bronze pieces were made in Rome and were assembled in Belgrade. The monument was originally located on Kalemegdan near the "Monument of Gratitude" to France. The ceremonial opening of the monument followed the Second Balkan War, however, in the next few years the monument was destroyed in 1916 during the Austrian occupation of Belgrade.[4]

He exhibited his artworks as a part of Kingdom of Serbia's pavilion at International Exhibition of Art of 1911.[5]

During the Balkan Wars and the First World War, Vučetić completed the cycle of "Belgrade Defense", several war-themed drawings and portraits of politicians and military leaders.[6]

At the National Bank of Serbia he made decorative plastic, painted decoration of walls and vaults.[7] In 1911, Vučetić was hired by Đorđe Vajfert to make an iconostasis for the original church of St. George in Bor. The church was moved to the village of Brestovac near Bor due to the extension of the surface mine. The only icon preserved from the original iconostasis is the icon of Holy Procopius. The icon depicts the founders of the Bor Mine, Đorđe Vajfert, his nephew Ferdinand Gramberg and Franjo Schistek. Apart from painting, sculpture, Vučetić was engaged in pedagogical work, for a time he worked at the National Museum in Belgrade. Many of Vučetić's paintings hang in the National Museum, some are in galleries and others are at auction houses.

He died in Belgrade, at the time in the Kingdom of Serbs, Croats and Slovenes.

Gallery edit

See also edit

References edit

  1. ^ stranica Arte[permanent dead link]
  2. ^ stranica Arte[permanent dead link]
  3. ^ stranica Arte[permanent dead link]
  4. ^ Beogradske šetnje, blog
  5. ^ Elezović, Zvezdana (2009). "Kosovske teme paviljona Kraljevine Srbije na međunarodnoj izložbi u Rimu 1911. godine". Baština. 27.
  6. ^ Zvanična stranica Arte
  7. ^ . Archived from the original on 2017-01-19. Retrieved 2020-04-01.

paško, vučetić, serbian, cyrillic, Пашко, Вучетић, 1871, 1925, most, prominent, dalmatian, serb, artists, first, half, 20th, century, contents, biography, gallery, also, referencesbiography, edit, born, split, time, kingdom, dalmatia, completed, grade, school,. Pasko Vucetic Serbian Cyrillic Pashko Vuchetiћ 1871 1925 was one of the two most prominent Dalmatian Serb artists of the first half of the 20th century 1 Contents 1 Biography 2 Gallery 3 See also 4 ReferencesBiography editPasko Vucetic was born in Split at the time in the Kingdom of Dalmatia He completed his grade school and high school education in Split before leaving for Belgrade where he enrolled in an atelier run by Rista and Beta Vukanovic then he went to study in Trieste in 1886 and then in art academies in Venice 1893 1895 and Munich 1895 1898 At the end of the 19th century he held his first exhibition in 1901 in Trieste 2 When the war First World War broke out he joined the Serbian Army and was assigned to paint the action on the battlefront During the winter retreat of 1915 over the treacherous Albanian mountains his health failed and he was forced to spend his convalescence at Corfu and later in Italy where he attended art schools in Florence and Rome later at the Academy of Fine Arts in Munich Germany 3 Although older than most of the war artists Vucetic accepted their style and painted venues of Rome in 1916 which shine with orange buildings blue sky and violet shades His art also included sculpture and copying fresco paintings as a member of the staff of the National Museum in Belgrade Vucetic also assisted Nadezda Petrovic in organizing the First Serbian Artists Colony In 1909 Vucetic received the first prize in the competition for a monument to Karadjordje on Kalemegdan Park The sculptural composition consisted of a mansion with a flag soldiers a woman with a child Karadjordje s uprising and a guslar bronze pieces were made in Rome and were assembled in Belgrade The monument was originally located on Kalemegdan near the Monument of Gratitude to France The ceremonial opening of the monument followed the Second Balkan War however in the next few years the monument was destroyed in 1916 during the Austrian occupation of Belgrade 4 He exhibited his artworks as a part of Kingdom of Serbia s pavilion at International Exhibition of Art of 1911 5 During the Balkan Wars and the First World War Vucetic completed the cycle of Belgrade Defense several war themed drawings and portraits of politicians and military leaders 6 At the National Bank of Serbia he made decorative plastic painted decoration of walls and vaults 7 In 1911 Vucetic was hired by Đorđe Vajfert to make an iconostasis for the original church of St George in Bor The church was moved to the village of Brestovac near Bor due to the extension of the surface mine The only icon preserved from the original iconostasis is the icon of Holy Procopius The icon depicts the founders of the Bor Mine Đorđe Vajfert his nephew Ferdinand Gramberg and Franjo Schistek Apart from painting sculpture Vucetic was engaged in pedagogical work for a time he worked at the National Museum in Belgrade Many of Vucetic s paintings hang in the National Museum some are in galleries and others are at auction houses He died in Belgrade at the time in the Kingdom of Serbs Croats and Slovenes Gallery edit nbsp Entrance to a Jewish quarter National museum in Nis 1907 nbsp Monument in Porta 1912 nbsp Portrait of Aca Stojanovic National museum in Nis 1923See also editList of Serbian painters Stamenko Djurdjevic Dragomir Arambasic Jovan Pesic Đorđe Jovanovic Risto Stijovic Sreten Stojanovic Simeon RoksandicReferences edit stranica Arte permanent dead link stranica Arte permanent dead link stranica Arte permanent dead link Beogradske setnje blog Elezovic Zvezdana 2009 Kosovske teme paviljona Kraljevine Srbije na međunarodnoj izlozbi u Rimu 1911 godine Bastina 27 Zvanicna stranica Arte Zvanicna stranica Narodne banke Srbije Archived from the original on 2017 01 19 Retrieved 2020 04 01 Retrieved from https en wikipedia org w index php title Pasko Vucetic amp oldid 1168648402, wikipedia, wiki, book, books, library,

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