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Olsen and Johnson

January 29, 2023

John Sigvard "Ole" Olsen (November 6, 1892 – January 26, 1963) and Harold Ogden "Chic" Johnson (March 5, 1891 – February 26, 1962) were American comedians of vaudeville, radio, the Broadway stage, motion pictures and television. Their shows were noted for their crazy blackout gags and orchestrated mayhem ("anything can happen, and it probably will"). Their most famous concept, Hellzapoppin, has become show-business shorthand for freewheeling, anything-goes comedy.

Olsen and Johnson
MediumStand-up, television, film, vaudeville, radio
NationalityAmerican
GenresSlapstick, musical comedy

Comedy teams traditionally had a straight man and a stooge. However, Olsen and Johnson both took on the comic role, goodnaturedly chuckling their way through the steady barrage of gunshots, explosions, props plummeting to earth, intrusions from other performers, and input from the audience.

Early career

Ole Olsen and Chic Johnson began as musical entertainers: Olsen played the violin and Johnson played ragtime piano. They met in 1914 when Olsen hired Johnson to replace the pianist in his College Four quartet. Ole and Chic hit it off immediately and joined forces for a vaudeville act. No joke was too old, no song too corny for Ole and Chic, and the two engaging comics became a minor sensation in the Midwest. Radio enlarged their audience and led to appearances in early talkie movies for Warner Bros. and two more minor features for Republic Pictures. The movies of the 1930s, though, were much too confining for Olsen and Johnson's special brand of nut humor. Ole and Chic recited their lines and played off each other well, but their scripts were too formal, leaving the team little room for their nonsensical comedy. During the summer of 1932, they were featured each week on NBC's (radio) Red Network's Fleischmann's Yeast Hour. Based on surviving samples, Rudy Vallee did not interact with them on-air. The intense and fast-paced segments were titled "The Padded Cell of the Air". As 1932 was a presidential election year, they nominated Mickey Mouse for president. The "Padded Cell" segments are clearly a predecessor of Hellzapoppin, the revue they mounted in 1938.

 
Left to right: Chic Johnson, Harry Langdon, Ole Olsen.

Hellzapoppin

Although Olsen and Johnson were a leading act in vaudeville, their greatest achievement was their "legitimate theater" production of Hellzapoppin. Assembled and produced by Olsen and Johnson, Hellzapoppin opened at New York's 46th Street Theatre on September 22, 1938, and ran for 1,404 performances, transferring to the Winter Garden Theatre mid-run.[1]

The show had its start in a revue called Monkey Business wherein the team began developing their signature style of observing and commenting on the lunacy taking place around them. The gags and comic premises were borrowed from classic variety entertainment, but Olsen and Johnson put an original spin on the material through their inspired improvisation in live performance.

Described as a rule-breaking exercise in hysteria, Hellzapoppin was a comic amalgam of the best—or worst—of vaudeville and burlesque. It gloried in the broadest type of comedy, with no sketch too lowbrow to be included. Technically a musical because it included a score by lyricist Charles Tobias and composer Sammy Fain, it was best known for its crazy combination of comedy acts, which included clowns, midgets, and animals. Stylistically, the show consistently broke the fourth wall, using cast members planted in the audience or in the aisles, and zany audience-participation gags. It also made heavy use of prop comedy, including rubber snakes, breakaway pants and skirts, clotheslines filled with laundry, and even electric buzzers hidden inside some of the theater seats.[2]

Sophisticated Broadway audiences were unprepared for such chaos: stray props came out of nowhere, comic characters in the audience disrupted the action, Olsen and Johnson dashed on and off the stage in crazy costumes and indulged in cheerfully earthy humor, chorus girls lost their skirts, and vaudeville acts did their trick specialties. The show never played the same way twice. On some nights songs would be preempted by jokes, and on others jokes would be interrupted by songs.

Olsen and Johnson at Universal Pictures

In 1941, Universal Pictures decided to commit Hellzapoppin' to film (unlike the musical, including an apostrophe in the title), with plenty of crazy and sometimes innovative gags. A cab driver literally goes to hell, with Olsen and Johnson as his reluctant passengers. A serious song by Robert Paige and Jane Frazee is interrupted when a title card crashes on the screen, advising one Stinky Miller to go home. Man-chasing Martha Raye pursues Mischa Auer, who finds himself suddenly stripped down to his underwear and running a mock track meet. The film goes out of frame, and Olsen and Johnson try to correct the problem themselves. The action is interrupted by scenes from someone else's movie, and Olsen and Johnson complain to the projectionist. Despite Universal's insistence on a then-customary romance and a "serious plot," somewhat diluting the Olsen and Johnson onslaught, Hellzapoppin' is still fresh and funny. Copyright issues involving the original stage production have forced the film version out of general circulation in the United States, although a European DVD has been released.

The film version treated the show as a work in progress: Olsen and Johnson step out of the picture, stop the action to interact with the audience, and sabotage their own show-within-the-movie by using optical movie effects. This creative use of the film medium got Hellzapoppin' listed by theyshootpictures.com as one of the 1,000 most innovative films ever made.[3]

Pleased with the film's boxoffice performance, Universal signed the team for three more features. Crazy House (1943) had Olsen and Johnson running amok through the Universal studio and evacuating the staff, including Universal regulars Basil Rathbone and Nigel Bruce, Johnny Mack Brown, Leo Carrillo, and Andy Devine. When Olsen and Johnson present themselves at the head office with the announcement "Universal's most sensational comedy team outside!", the studio chief replies, "Oh, Abbott and Costello! Send them right in!"[4] The chief refuses to deal with Olsen and Johnson again, so Ole and Chic decide to make their own movie. The cast of Crazy House includes many of Universal's stars and featured players: Allan Jones, Shemp Howard, Robert Paige, Franklin Pangborn, and Martha O'Driscoll, among others.

Both Hellzapoppin' and Crazy House had been very expensive productions, on a par with Universal's popular Abbott and Costello comedies. For the remaining two films on Olsen and Johnson's contract, the studio decided to economize, using its salaried contract players and less elaborate staging and settings.[5] In Ghost Catchers (1944), Ole and Chic help singer Gloria Jean make her Carnegie Hall debut despite strange happenings in a spooky old house. See My Lawyer (1945) was a patchwork of vaudeville acts, with Olsen and Johnson noticeably absent from most of the proceedings.

Other Broadway productions

Olsen and Johnson kept working on the Broadway stage during the 1940s, making occasional trips to Hollywood to fulfill their movie commitments.

Olsen and Johnson's shows were so popular that the team franchised them, with road companies headlining similar vaudeville acts and comedians. The 1942 road company of Hellzapoppin starred Jay C. Flippen and Happy Felton in the Olsen and Johnson roles. The 1949 Australian revival of Hellzapoppin starred Don de Leo and George Mayo (as "Olsen and Johnson").

In December 1941, Olsen and Johnson returned to Broadway with a new revue, Sons O' Fun, which offered the same frenzied assortment of old gags and new songs. After this show had run its course, Olsen and Johnson mounted yet another variation on Hellzapoppin, this one titled Laffing Room Only (1944). Their final Broadway show was the 1950 production Pardon Our French, introducing their "discovery," French singer Denise Darcel. Unlike the previous Olsen and Johnson hits, Pardon Our French ran only three months, closing on January 6, 1951. However, Olsen and Johnson continued to perform in tours and revivals, including a 1959 production at Flushing Meadows in Queens, NY, called "Hellz-a-Splashin': An Aqua-cade."[6]

Television

 
On the set of Fireball Fun for All

In 1949 NBC Television hired Olsen and Johnson to star in an ambitious variety show, Fireball Fun for All, sponsored by Buick and its Fireball 8 engine. It was hard to adapt Olsen and Johnson's unpredictable, prop-laden humor to a rigid time slot. Surviving kinescopes of the expensive, short-lived show demonstrate just how hard everyone tried to recapture the old, large-scale Hellzapoppin magic under the limitations of live television. At least the series reflected on the stars' achievement: they had now performed in every form of popular entertainment. The team tried TV again, appearing semi-regularly on NBC's All-Star Revue.[7] Their last regular TV series was ABC's 1957 children's series Popsicle Five Star Comedy. Seen Saturday evenings, the brief series also featured ventriloquists Paul Winchell and Senor Wences and cartoonist-storyteller Bob Bean.[8]

Olsen and Johnson continued to preside over rowdy revues into the 1950s, mostly in Las Vegas.

On June 21, 1953, they appeared together as the "mystery guests" on What's My Line?. Every time the blindfolded panelists guessed the wrong comedy team, Johnson glared at them with mock anger and silent epithets.

In the late 1950s illness forced Johnson to retire from the hectic show-business lifestyle, while Olsen continued to work as a solo performer. When Milton Berle was hosting NBC's Jackpot Bowling, Ole Olsen was on hand to play straight to Berle's antics. This was actually a surprise for Olsen, as his live comic routine was interrupted by Ralph Edwards and a This Is Your Life tribute. The flabbergasted Olsen greeted family and friends, with frequent breaks for time-honored O & J sight gags. The final guest was Chic Johnson, who ran on-camera in his familiar stage costume and joyfully reunited with his old friend and partner.

Johnson died in 1962; Olsen, less than a year later. The two partners had always been close and their final resting places (in Las Vegas) are adjacent.

Revivals

Olsen and Johnson's comedy style has often been imitated (most successfully by Rowan and Martin's Laugh-In). Expo 67 in Montreal, Quebec, Canada, featured a stage presentation of Hellzapoppin featuring comics Soupy Sales and Will B. Able; the show closed after only a few performances. A one-shot TV revival in 1972 was produced by ABC and co-starred Jack Cassidy and Ronnie Schell.[9] Jerry Lewis secured the stage rights and NBC planned to telecast his version of Hellzapoppin' live in 1980. The show closed prematurely, however, and never aired on television.

Films

Sources

  • Frank Cullen, Vaudeville Old & New: An Encyclopedia of Variety Performers in America, Vol. 2, Taylor & Francis Group Publishing, 2007.
  • Leonard Maltin, Movie Comedy Teams, Signet, 1970, revised 1985. (Chapter about Olsen and Johnson)

References

  1. ^ Anthony Slide, The Vaudevillians, Arlington House, 1981, p.111.
  2. ^ Frank Cullen, Vaudeville Old & New: An Encyclopedia of Variety Performers in America, Vol. 2, Taylor & Francis Group Publishing, 2007; pg. 846
  3. ^ "The 1,000 Greatest Films," They Shoot Pictures, Don't They? (2021), https://www.theyshootpictures.com/gf1000_h-l.htm
  4. ^ Frank Cullen, op. cit., pg. 848.
  5. ^ Scott MacGillivray and Jan MacGillivray, Gloria Jean: A Little Bit of Heaven, iUniverse, 2005, p. 146.
  6. ^ Fearnow, Mark (1997). The American Stage and the Great Depression: A Cultural History of the Grotesque. Cambridge University Press. p. 140. ISBN 0521561116.
  7. ^ Vincent Terrance, The Complete Encyclopedia of Television Programs: 1946 to 1979, Arlington House, 1979 (revised ed).
  8. ^ George Woolery, Children's Television: The First 35 Years: Live, Taped and Filmed Shows, Scarecrow Press, 1991.
  9. ^ "Hellzapoppin (1972) - Overview". TCM.com. Retrieved 2014-06-03.

External links

  • Ole Olsen Memorial Theatre
  • "Fleischmann's Yeast Hour", July 7, 1932, Radio program with appearances by Olsen & Johnson at Internet Archive
  • "Fireball Fun-For-All", October 27, 1949 Olsen & Johnson TV episode at Internet Archive
  • "All Star Review", March 1, 1952 TV episode with Olsen & Johnson at Internet Archive

January 29, 2023
olsen, johnson, john, sigvard, olsen, november, 1892, january, 1963, harold, ogden, chic, johnson, march, 1891, february, 1962, were, american, comedians, vaudeville, radio, broadway, stage, motion, pictures, television, their, shows, were, noted, their, crazy. John Sigvard Ole Olsen November 6 1892 January 26 1963 and Harold Ogden Chic Johnson March 5 1891 February 26 1962 were American comedians of vaudeville radio the Broadway stage motion pictures and television Their shows were noted for their crazy blackout gags and orchestrated mayhem anything can happen and it probably will Their most famous concept Hellzapoppin has become show business shorthand for freewheeling anything goes comedy Olsen and JohnsonMediumStand up television film vaudeville radioNationalityAmericanGenresSlapstick musical comedyComedy teams traditionally had a straight man and a stooge However Olsen and Johnson both took on the comic role goodnaturedly chuckling their way through the steady barrage of gunshots explosions props plummeting to earth intrusions from other performers and input from the audience Contents 1 Early career 2 Hellzapoppin 3 Olsen and Johnson at Universal Pictures 4 Other Broadway productions 5 Television 6 Revivals 7 Films 8 Sources 9 References 10 External linksEarly career EditOle Olsen and Chic Johnson began as musical entertainers Olsen played the violin and Johnson played ragtime piano They met in 1914 when Olsen hired Johnson to replace the pianist in his College Four quartet Ole and Chic hit it off immediately and joined forces for a vaudeville act No joke was too old no song too corny for Ole and Chic and the two engaging comics became a minor sensation in the Midwest Radio enlarged their audience and led to appearances in early talkie movies for Warner Bros and two more minor features for Republic Pictures The movies of the 1930s though were much too confining for Olsen and Johnson s special brand of nut humor Ole and Chic recited their lines and played off each other well but their scripts were too formal leaving the team little room for their nonsensical comedy During the summer of 1932 they were featured each week on NBC s radio Red Network s Fleischmann s Yeast Hour Based on surviving samples Rudy Vallee did not interact with them on air The intense and fast paced segments were titled The Padded Cell of the Air As 1932 was a presidential election year they nominated Mickey Mouse for president The Padded Cell segments are clearly a predecessor of Hellzapoppin the revue they mounted in 1938 Left to right Chic Johnson Harry Langdon Ole Olsen Hellzapoppin EditAlthough Olsen and Johnson were a leading act in vaudeville their greatest achievement was their legitimate theater production of Hellzapoppin Assembled and produced by Olsen and Johnson Hellzapoppin opened at New York s 46th Street Theatre on September 22 1938 and ran for 1 404 performances transferring to the Winter Garden Theatre mid run 1 The show had its start in a revue called Monkey Business wherein the team began developing their signature style of observing and commenting on the lunacy taking place around them The gags and comic premises were borrowed from classic variety entertainment but Olsen and Johnson put an original spin on the material through their inspired improvisation in live performance Described as a rule breaking exercise in hysteria Hellzapoppin was a comic amalgam of the best or worst of vaudeville and burlesque It gloried in the broadest type of comedy with no sketch too lowbrow to be included Technically a musical because it included a score by lyricist Charles Tobias and composer Sammy Fain it was best known for its crazy combination of comedy acts which included clowns midgets and animals Stylistically the show consistently broke the fourth wall using cast members planted in the audience or in the aisles and zany audience participation gags It also made heavy use of prop comedy including rubber snakes breakaway pants and skirts clotheslines filled with laundry and even electric buzzers hidden inside some of the theater seats 2 Sophisticated Broadway audiences were unprepared for such chaos stray props came out of nowhere comic characters in the audience disrupted the action Olsen and Johnson dashed on and off the stage in crazy costumes and indulged in cheerfully earthy humor chorus girls lost their skirts and vaudeville acts did their trick specialties The show never played the same way twice On some nights songs would be preempted by jokes and on others jokes would be interrupted by songs Olsen and Johnson at Universal Pictures EditIn 1941 Universal Pictures decided to commit Hellzapoppin to film unlike the musical including an apostrophe in the title with plenty of crazy and sometimes innovative gags A cab driver literally goes to hell with Olsen and Johnson as his reluctant passengers A serious song by Robert Paige and Jane Frazee is interrupted when a title card crashes on the screen advising one Stinky Miller to go home Man chasing Martha Raye pursues Mischa Auer who finds himself suddenly stripped down to his underwear and running a mock track meet The film goes out of frame and Olsen and Johnson try to correct the problem themselves The action is interrupted by scenes from someone else s movie and Olsen and Johnson complain to the projectionist Despite Universal s insistence on a then customary romance and a serious plot somewhat diluting the Olsen and Johnson onslaught Hellzapoppin is still fresh and funny Copyright issues involving the original stage production have forced the film version out of general circulation in the United States although a European DVD has been released The film version treated the show as a work in progress Olsen and Johnson step out of the picture stop the action to interact with the audience and sabotage their own show within the movie by using optical movie effects This creative use of the film medium got Hellzapoppin listed by theyshootpictures com as one of the 1 000 most innovative films ever made 3 Pleased with the film s boxoffice performance Universal signed the team for three more features Crazy House 1943 had Olsen and Johnson running amok through the Universal studio and evacuating the staff including Universal regulars Basil Rathbone and Nigel Bruce Johnny Mack Brown Leo Carrillo and Andy Devine When Olsen and Johnson present themselves at the head office with the announcement Universal s most sensational comedy team outside the studio chief replies Oh Abbott and Costello Send them right in 4 The chief refuses to deal with Olsen and Johnson again so Ole and Chic decide to make their own movie The cast of Crazy House includes many of Universal s stars and featured players Allan Jones Shemp Howard Robert Paige Franklin Pangborn and Martha O Driscoll among others Both Hellzapoppin and Crazy House had been very expensive productions on a par with Universal s popular Abbott and Costello comedies For the remaining two films on Olsen and Johnson s contract the studio decided to economize using its salaried contract players and less elaborate staging and settings 5 In Ghost Catchers 1944 Ole and Chic help singer Gloria Jean make her Carnegie Hall debut despite strange happenings in a spooky old house See My Lawyer 1945 was a patchwork of vaudeville acts with Olsen and Johnson noticeably absent from most of the proceedings Other Broadway productions EditOlsen and Johnson kept working on the Broadway stage during the 1940s making occasional trips to Hollywood to fulfill their movie commitments Olsen and Johnson s shows were so popular that the team franchised them with road companies headlining similar vaudeville acts and comedians The 1942 road company of Hellzapoppin starred Jay C Flippen and Happy Felton in the Olsen and Johnson roles The 1949 Australian revival of Hellzapoppin starred Don de Leo and George Mayo as Olsen and Johnson In December 1941 Olsen and Johnson returned to Broadway with a new revue Sons O Fun which offered the same frenzied assortment of old gags and new songs After this show had run its course Olsen and Johnson mounted yet another variation on Hellzapoppin this one titled Laffing Room Only 1944 Their final Broadway show was the 1950 production Pardon Our French introducing their discovery French singer Denise Darcel Unlike the previous Olsen and Johnson hits Pardon Our French ran only three months closing on January 6 1951 However Olsen and Johnson continued to perform in tours and revivals including a 1959 production at Flushing Meadows in Queens NY called Hellz a Splashin An Aqua cade 6 Television Edit On the set of Fireball Fun for All In 1949 NBC Television hired Olsen and Johnson to star in an ambitious variety show Fireball Fun for All sponsored by Buick and its Fireball 8 engine It was hard to adapt Olsen and Johnson s unpredictable prop laden humor to a rigid time slot Surviving kinescopes of the expensive short lived show demonstrate just how hard everyone tried to recapture the old large scale Hellzapoppin magic under the limitations of live television At least the series reflected on the stars achievement they had now performed in every form of popular entertainment The team tried TV again appearing semi regularly on NBC s All Star Revue 7 Their last regular TV series was ABC s 1957 children s series Popsicle Five Star Comedy Seen Saturday evenings the brief series also featured ventriloquists Paul Winchell and Senor Wences and cartoonist storyteller Bob Bean 8 Olsen and Johnson continued to preside over rowdy revues into the 1950s mostly in Las Vegas On June 21 1953 they appeared together as the mystery guests on What s My Line Every time the blindfolded panelists guessed the wrong comedy team Johnson glared at them with mock anger and silent epithets In the late 1950s illness forced Johnson to retire from the hectic show business lifestyle while Olsen continued to work as a solo performer When Milton Berle was hosting NBC s Jackpot Bowling Ole Olsen was on hand to play straight to Berle s antics This was actually a surprise for Olsen as his live comic routine was interrupted by Ralph Edwards and a This Is Your Life tribute The flabbergasted Olsen greeted family and friends with frequent breaks for time honored O amp J sight gags The final guest was Chic Johnson who ran on camera in his familiar stage costume and joyfully reunited with his old friend and partner Johnson died in 1962 Olsen less than a year later The two partners had always been close and their final resting places in Las Vegas are adjacent Revivals EditOlsen and Johnson s comedy style has often been imitated most successfully by Rowan and Martin s Laugh In Expo 67 in Montreal Quebec Canada featured a stage presentation of Hellzapoppin featuring comics Soupy Sales and Will B Able the show closed after only a few performances A one shot TV revival in 1972 was produced by ABC and co starred Jack Cassidy and Ronnie Schell 9 Jerry Lewis secured the stage rights and NBC planned to telecast his version of Hellzapoppin live in 1980 The show closed prematurely however and never aired on television Films EditOh Sailor Behave Warner Bros 1930 68 minutes Fifty Million Frenchmen Warner Bros 1931 68 minutes Gold Dust Gertie Warner Bros 1931 66 minutes Country Gentlemen Republic 1936 66 minutes Cinema Circus Metro Goldwyn Mayer 1936 Technicolor short subject 20 minutes All Over Town Republic 1937 58 minutes Boy Friend 20th Century Fox 1939 70 minutes Ole Olsen appeared in uncredited role as a taxi driver Hellzapoppin Universal 1941 84 minutes with Shemp Howard of The Three Stooges Crazy House Universal 1943 80 minutes with Percy Kilbride sequel to Hellzapoppin Ghost Catchers Universal 1944 67 minutes with Gloria Jean See My Lawyer Universal 1945 67 minutes with Stanley Clements Johnny at the Fair Sterling 1947 short subject 12 minutes Sources EditFrank Cullen Vaudeville Old amp New An Encyclopedia of Variety Performers in America Vol 2 Taylor amp Francis Group Publishing 2007 Leonard Maltin Movie Comedy Teams Signet 1970 revised 1985 Chapter about Olsen and Johnson References Edit Anthony Slide The Vaudevillians Arlington House 1981 p 111 Frank Cullen Vaudeville Old amp New An Encyclopedia of Variety Performers in America Vol 2 Taylor amp Francis Group Publishing 2007 pg 846 The 1 000 Greatest Films They Shoot Pictures Don t They 2021 https www theyshootpictures com gf1000 h l htm Frank Cullen op cit pg 848 Scott MacGillivray and Jan MacGillivray Gloria Jean A Little Bit of Heaven iUniverse 2005 p 146 Fearnow Mark 1997 The American Stage and the Great Depression A Cultural History of the Grotesque Cambridge University Press p 140 ISBN 0521561116 Vincent Terrance The Complete Encyclopedia of Television Programs 1946 to 1979 Arlington House 1979 revised ed George Woolery Children s Television The First 35 Years Live Taped and Filmed Shows Scarecrow Press 1991 Hellzapoppin 1972 Overview TCM com Retrieved 2014 06 03 External links EditOlsen and Johnson The Zaniest of the Zanies Ole Olsen Memorial Theatre Fleischmann s Yeast Hour July 7 1932 Radio program with appearances by Olsen amp Johnson at Internet Archive Fireball Fun For All October 27 1949 Olsen amp Johnson TV episode at Internet Archive All Star Review March 1 1952 TV episode with Olsen amp Johnson at Internet Archive Retrieved from https en wikipedia org w index php title Olsen and Johnson amp oldid 1124089410, wikipedia, wiki, book, books, library,

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