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Okinawan music

January 01, 1970

Okinawan music (沖縄音楽, Okinawa ongaku) is the music associated with the Okinawa Islands of southwestern Japan. In modern Japan, it may also refer to the musical traditions of Okinawa Prefecture, which covers the Miyako and Yaeyama Islands in addition to the Okinawa Islands. It has its roots in the larger musical traditions of the Southern Islands.

Genres edit

A dichotomy widely accepted by Okinawan people is the separation of musical traditions into koten (classical) and min'yō (folk). Okinawa was once ruled by the highly centralized kingdom of Ryūkyū. The samurai class in the capital of Shuri developed its high culture while they frequently suppressed folk culture in rural areas. Musicologist Susumu Kumada added another category, "popular music", to describe songs that emerged after the kingdom was abolished in 1879.[1]

Classical music edit

 
Uzagaku

Ryukyuan classical music (琉球古典音楽, Ryūkyū koten ongaku) was the court music of Ryūkyū. Uzagaku (御座楽) was the traditional chamber music of the royal palace at Shuri Castle. It was performed by the bureaucrats as official duties.

The texture is essentially heterophonic using a single melodic line. Pitched accompaniment instruments each play a simultaneous variation on the vocal line.[2][3][4]

Folk music edit

Traditionally seen as "low culture" by the samurai class, folk music gained positive evaluation with the rise of folkloristics led by Yanagita Kunio. Folk music is described by the Japanese term min'yō. Since the kingdom was abolished, some members of the former samurai class spread Shuri-based high culture to other areas of Okinawa. Some of such new elements are today seen as part of folk culture.[1]

Okinawa's folk songs are generally accompanied by one (or more) sanshin.

The suffixes -ondo and -bushi (both meaning "song" or "melody") may also be attached to the title of folk songs, however songs named without these clarifiers are more common.[citation needed] Eisā and kachāshī are Okinawan dances with specific music styles that accompany them.

Warabi uta

Warabi uta (童歌) is a general term for nursery rhymes and children's songs.

Popular music edit

New folk songs edit

"New min'yō" (新民謡, shin min'yō), composed in the style of traditional Okinawan min'yō, have been written by several contemporary Okinawan folk musicians such as Rinshō Kadekaru, Sadao China, Shoukichi Kina, Seijin Noborikawa, and Tsuneo Fukuhara. These songs are often heard in contemporary pop music arrangements. Haisai ojisan (ハイサイおじさん), with music and lyrics by Shōkichi Kina, is typical of this genre.

Okinawa's (new) folk songs are sometimes referred to as shima-uta. The term is not native to Okinawa but was borrowed from its northern neighbor, the Amami Islands, in the 1970s. The application of the term to Okinawan music is disfavored by people who see shima-uta as a regional brand of the Amami Islands.[5]

Okinawa pop edit

The music of Okinawa came under the influence of American rock music beginning with the end of World War II. Many musicians began to blend the Okinawan folk music style and native instruments with those of American popular and rock music. This is called "Uchinaa pop". One example is Ryukyu Underground, who combine both classical and folk music with modern Dub music.

Instrumentation edit

The instrument that defines Okinawan music is the sanshin (shamisen). It is a three-stringed lute, very similar to the Chinese sanxian and a precursor to the Japanese shamisen. The body is covered in snake skin and it is plucked with a plectrum worn on the index finger.

Okinawan folk music is often accompanied by various taiko drums such as shime-daiko (締太鼓), hira-daiko (平太鼓), and pārankū (パーランクー). Pārankū, a small hand-held drum about the size of a tambourine, is often used in eisā dancing.

Other percussion instruments such as sanba (三板), yotsutake (四つ竹) and hyōshigi (拍子木) can often be heard in Okinawan music. Sanba are three small, flat pieces of wood or plastic that are used to make rapid clicking sounds, similar to castanets. Yotsutake are two sets of rectangular bamboo strips tied together, one set held in each hand, clapped together on the strong beat of the music. Traditionally they have been used in classical music, but recently they have been used in eisā dancing.[6]

A group of singers called a hayashi (囃子) often accompanies folk music, singing the chorus or interjecting shouts called kakegoe (掛け声). Also finger whistling called yubi-bue (指笛) is common in kachāshī and eisā dance tunes.

Additional instruments are often used in classical music, and sometimes incorporated in folk music:[3]

  • Kutu (箏, クトゥ) – an Okinawan version of the koto; often called Ryūkyū sō (琉球箏) or Okinawa goto (沖縄箏)
  • Kūchō (胡弓, クーチョー) – an Okinawan version of the kokyū
  • Fue (笛) – an Okinawan transverse flute; also called fansō (ファンソー) or ryūteki (琉笛)

Tonality edit

The following is described in terms used in Western disciplines of music.

Music from Okinawa uses tonal structure that is different in music from mainland Japan and Amami in particular the intervalic content of the scales used.

The chief pentatonic scale used in mainland Japan, for example, uses scale degrees 1, 2, 3, 5, and 6, also known as Do, Re, Mi, So, and La in the Kodály system of solfeggio. This structure avoids half step intervals by eliminating the fourth and seventh scale degrees.

In contrast, music from Okinawa is abundant in the half steps. Common structures used in Okinawan music are a pentatonic scale utilizing scale degrees 1, 3, 4, 5, 7, or Do, Mi, Fa, So, Ti, or a hexatonic scale with the addition of the second scale degree, 1, 2, 3, 4, 5, 7, or Do, Re, Mi, Fa, So, Ti. Half steps occur between the third and fourth (Mi and Fa), and also the seventh and first (Ti and Do) scale degrees. In particular, the interval from 7 to 1, or Ti to Do is very common. A folk tune can often be recognized as being Okinawan by noting the presence of this interval.

Notable Okinawan songs edit

Title Okinawan name Notes
"Tinsaku no hana"

"Tinsagu nu Hana"
"Chinsagu nu hana" 		天咲の花
てぃんさぐぬ花
天咲ぬ花 		"The Balsam Flowers"; a warabe uta; Okinawan children would squeeze the sap from balsam flowers to stain their fingernails. The lyrics of the song are Confucian teachings.
Ishinagu no uta
Ishinagu 		石なぐの歌
石投子 		"Pebble Song"; a ryūka poem written by Gushikawa Chōei; It is known for its thematic similarity to Kimigayo, the national anthem of Japan. It uses the same melody as Kajyadifu.
"Tanchamee" 谷茶前 a song originating in the village of Tancha in Onna, Okinawa
"Tōshin dōi" 唐船どーい "A Chinese Ship Is Coming"; The most famous kachāshī dance song, it is often performed as the last song of an Okinawan folk music show.[7]
"Nākunī" なーくにー a lyrical song expressing deep longing
"Haisai ojisan" ハイサイおじさん a "new min'yō", music and lyrics by Shoukichi Kina
"Bye-bye Okinawa" バイバイ沖縄 music and lyrics by Sadao China
"Tiidachichinuhikari"
"Okinawan Amazing Grace" 		太陽月ぬ光
アメイジング・グレイス『沖縄方言ヴァージョン』 		a song about the Okinawan religion to the tune of Amazing Grace
"Akata Sun dunchi"
"Akata Sundunchi" 		赤田首里殿内 "Inside Shuri Temple in Akata Village", a traditional song about Maitreya Boddhisatva. It has become a popular children's song.
"Bashōfu" 芭蕉布 Bashoofu is Okinawan banana cloth.
"Kādikū" 嘉手久 a courtship kachāshī dance song
"Shichi-gwachi eisā" 七月エイサー an eisā dance song
"Warabi-gami" 童神 a lullaby
"Shima nu hito" 島ぬ女 "Island Woman"
"Nishinjō bushi" 西武門節 written in 1933 by Matsuo Kawata (川田松夫)[7]
"Kajadifū bushi"
"Kagiyadefī bushi" 		かじゃでぃ風
かぎやで風節 		a classical (koten) Okinawan dance song; Also called "Gojin fuu" (御前風), it was played before kings. It is commonly sung with an accompanying dance at Okinawan weddings today.[8]
"Jin jin"
"Jing jing" 		ジンジン a warabe uta; The title means "firefly"; the lyrics implore the firefly to "come down and drink". Shoukichi Kina and Champloose's version of this song, with slide guitar by Ry Cooder, was a minor hit in British discos. Takashi Hirayasu and Bob Brozman released a 2000 collaboration album by the same title that is a collection of various Okinawan songs or nursery rhymes. Their song "Jin Jin" is track 6 on this album.
"Ten'yō bushi" てんよー節 A common song involving red and white flags played at the Obon Festival.
"Nada Sōsō" 涙そうそう "Great Tears Are Spilling", 2000 single with music by Begin, lyrics by Ryoko Moriyama
"Hana – Subete no hito no kokoro ni hana o" 花~すべての人の心に花を~ music and lyrics by Shoukichi Kina
"Kudaka" 久高
"Ninjōbushi" にんじょー節
"Futami Jōwa" ふたみじょーわ

Okinawan musicians and musical ensembles edit

Traditional (Classical/Koten Ongaku) edit

  • Choichi Terukina -Living National Treasure
  • Kishun Nishie -Living National Treasure

Traditional (Folk/Min'yô) edit

Pop edit

Media edit

 
"Tinsagu nu Hana"
The traditional Okinawan song "Tinsagu nu Hana"
Problems playing this file? See media help.

References edit

  1. ^ a b Kumada Susumu 久万田晋 (2011). "Okinawa ni okeru minzoku geinō kenkyū" 沖縄における民俗芸能研究. Okinawa no minzoku geinō ron 沖縄の民俗芸能論 (in Japanese). Borderink. pp. 7–35.
  2. ^ Malm, William P. (1959). Japanese Music and Musical Instruments. Rutland, Vermont and Tokyo, Japan: Charles E. Tuttle Company. p. 245. ISBN 0-8048-0308-0.
  3. ^ a b Tokita, A. & D. Hughes (2008). "The Music of Ryukyu (ch.13, by Robin Thompson)". The Ashgate Research Companion to Japanese Music. Farnham, UK: Ashgate. p. 446. ISBN 978-0-7546-5699-9.
  4. ^ Gillan, Matthew (2012). Songs from the Edge of Japan: Music-Making in Yaeyama and Okinawa. Farnham, UK: Ashgate. p. 238. ISBN 978-1-4094-2404-8.
  5. ^ Takahashi Miki 高橋美樹 (2002). ""Shimauta" ni matsuwaru sho-gainen no seiritsu katei: Okinawa o chūshin to shite" 「しまうた」にまつわる諸概念の成立過程: 沖縄を中心として. Okinawa bunka 沖縄文化 (in Japanese). 37 (2): 1–54.
  6. ^ Yotsutake: Okinawa Daihyakka 沖縄大百科 (in Japanese)
  7. ^ a b 西角井, 正大 (1990) [1972]. Folk Songs of Okinawa (沖縄の民謡 Okinawa no minyō) (CD booklet). Tokyo, Japan: Victor Musical Industries.
  8. ^ Kaneshiro, Atsumi (1991). Music of Okinawa (南海の音楽・沖縄 Nankai no ongaku – Okinawa) (CD booklet). Tokyo, Japan: King Record Company.

External links edit

  • Chicago Okinawa Kenjinkai: Okinawan Music – audio selections

January 01, 1970
okinawan, music, 沖縄音楽, okinawa, ongaku, music, associated, with, okinawa, islands, southwestern, japan, modern, japan, also, refer, musical, traditions, okinawa, prefecture, which, covers, miyako, yaeyama, islands, addition, okinawa, islands, roots, larger, mu. Okinawan music 沖縄音楽 Okinawa ongaku is the music associated with the Okinawa Islands of southwestern Japan In modern Japan it may also refer to the musical traditions of Okinawa Prefecture which covers the Miyako and Yaeyama Islands in addition to the Okinawa Islands It has its roots in the larger musical traditions of the Southern Islands Contents 1 Genres 1 1 Classical music 1 2 Folk music 1 3 Popular music 1 3 1 New folk songs 1 3 2 Okinawa pop 2 Instrumentation 3 Tonality 4 Notable Okinawan songs 5 Okinawan musicians and musical ensembles 5 1 Traditional Classical Koten Ongaku 5 2 Traditional Folk Min yo 5 3 Pop 6 Media 7 References 8 External linksGenres editA dichotomy widely accepted by Okinawan people is the separation of musical traditions into koten classical and min yō folk Okinawa was once ruled by the highly centralized kingdom of Ryukyu The samurai class in the capital of Shuri developed its high culture while they frequently suppressed folk culture in rural areas Musicologist Susumu Kumada added another category popular music to describe songs that emerged after the kingdom was abolished in 1879 1 Classical music edit nbsp Uzagaku Ryukyuan classical music 琉球古典音楽 Ryukyu koten ongaku was the court music of Ryukyu Uzagaku 御座楽 was the traditional chamber music of the royal palace at Shuri Castle It was performed by the bureaucrats as official duties The texture is essentially heterophonic using a single melodic line Pitched accompaniment instruments each play a simultaneous variation on the vocal line 2 3 4 Folk music edit Traditionally seen as low culture by the samurai class folk music gained positive evaluation with the rise of folkloristics led by Yanagita Kunio Folk music is described by the Japanese term min yō Since the kingdom was abolished some members of the former samurai class spread Shuri based high culture to other areas of Okinawa Some of such new elements are today seen as part of folk culture 1 Okinawa s folk songs are generally accompanied by one or more sanshin The suffixes ondo and bushi both meaning song or melody may also be attached to the title of folk songs however songs named without these clarifiers are more common citation needed Eisa and kachashi are Okinawan dances with specific music styles that accompany them Warabi uta Warabi uta 童歌 is a general term for nursery rhymes and children s songs Popular music edit New folk songs edit New min yō 新民謡 shin min yō composed in the style of traditional Okinawan min yō have been written by several contemporary Okinawan folk musicians such as Rinshō Kadekaru Sadao China Shoukichi Kina Seijin Noborikawa and Tsuneo Fukuhara These songs are often heard in contemporary pop music arrangements Haisai ojisan ハイサイおじさん with music and lyrics by Shōkichi Kina is typical of this genre Okinawa s new folk songs are sometimes referred to as shima uta The term is not native to Okinawa but was borrowed from its northern neighbor the Amami Islands in the 1970s The application of the term to Okinawan music is disfavored by people who see shima uta as a regional brand of the Amami Islands 5 Okinawa pop edit The music of Okinawa came under the influence of American rock music beginning with the end of World War II Many musicians began to blend the Okinawan folk music style and native instruments with those of American popular and rock music This is called Uchinaa pop One example is Ryukyu Underground who combine both classical and folk music with modern Dub music Instrumentation editThe instrument that defines Okinawan music is the sanshin shamisen It is a three stringed lute very similar to the Chinese sanxian and a precursor to the Japanese shamisen The body is covered in snake skin and it is plucked with a plectrum worn on the index finger Okinawan folk music is often accompanied by various taiko drums such as shime daiko 締太鼓 hira daiko 平太鼓 and paranku パーランクー Paranku a small hand held drum about the size of a tambourine is often used in eisa dancing Other percussion instruments such as sanba 三板 yotsutake 四つ竹 and hyōshigi 拍子木 can often be heard in Okinawan music Sanba are three small flat pieces of wood or plastic that are used to make rapid clicking sounds similar to castanets Yotsutake are two sets of rectangular bamboo strips tied together one set held in each hand clapped together on the strong beat of the music Traditionally they have been used in classical music but recently they have been used in eisa dancing 6 A group of singers called a hayashi 囃子 often accompanies folk music singing the chorus or interjecting shouts called kakegoe 掛け声 Also finger whistling called yubi bue 指笛 is common in kachashi and eisa dance tunes Additional instruments are often used in classical music and sometimes incorporated in folk music 3 Kutu 箏 クトゥ an Okinawan version of the koto often called Ryukyu sō 琉球箏 or Okinawa goto 沖縄箏 Kuchō 胡弓 クーチョー an Okinawan version of the kokyu Fue 笛 an Okinawan transverse flute also called fansō ファンソー or ryuteki 琉笛 Tonality editThe following is described in terms used in Western disciplines of music Music from Okinawa uses tonal structure that is different in music from mainland Japan and Amami in particular the intervalic content of the scales used The chief pentatonic scale used in mainland Japan for example uses scale degrees 1 2 3 5 and 6 also known as Do Re Mi So and La in the Kodaly system of solfeggio This structure avoids half step intervals by eliminating the fourth and seventh scale degrees In contrast music from Okinawa is abundant in the half steps Common structures used in Okinawan music are a pentatonic scale utilizing scale degrees 1 3 4 5 7 or Do Mi Fa So Ti or a hexatonic scale with the addition of the second scale degree 1 2 3 4 5 7 or Do Re Mi Fa So Ti Half steps occur between the third and fourth Mi and Fa and also the seventh and first Ti and Do scale degrees In particular the interval from 7 to 1 or Ti to Do is very common A folk tune can often be recognized as being Okinawan by noting the presence of this interval Notable Okinawan songs editTitle Okinawan name Notes Tinsaku no hana Tinsagu nu Hana Chinsagu nu hana 天咲の花 てぃんさぐぬ花 天咲ぬ花 The Balsam Flowers a warabe uta Okinawan children would squeeze the sap from balsam flowers to stain their fingernails The lyrics of the song are Confucian teachings Ishinagu no uta Ishinagu 石なぐの歌 石投子 Pebble Song a ryuka poem written by Gushikawa Chōei It is known for its thematic similarity to Kimigayo the national anthem of Japan It uses the same melody as Kajyadifu Tanchamee 谷茶前 a song originating in the village of Tancha in Onna Okinawa Tōshin dōi 唐船どーい A Chinese Ship Is Coming The most famous kachashi dance song it is often performed as the last song of an Okinawan folk music show 7 Nakuni なーくにー a lyrical song expressing deep longing Haisai ojisan ハイサイおじさん a new min yō music and lyrics by Shoukichi Kina Bye bye Okinawa バイバイ沖縄 music and lyrics by Sadao China Tiidachichinuhikari Okinawan Amazing Grace 太陽月ぬ光アメイジング グレイス 沖縄方言ヴァージョン a song about the Okinawan religion to the tune of Amazing Grace Akata Sun dunchi Akata Sundunchi 赤田首里殿内 Inside Shuri Temple in Akata Village a traditional song about Maitreya Boddhisatva It has become a popular children s song Bashōfu 芭蕉布 Bashoofu is Okinawan banana cloth Kadiku 嘉手久 a courtship kachashi dance song Shichi gwachi eisa 七月エイサー an eisa dance song Warabi gami 童神 a lullaby Shima nu hito 島ぬ女 Island Woman Nishinjō bushi 西武門節 written in 1933 by Matsuo Kawata 川田松夫 7 Kajadifu bushi Kagiyadefi bushi かじゃでぃ風 かぎやで風節 a classical koten Okinawan dance song Also called Gojin fuu 御前風 it was played before kings It is commonly sung with an accompanying dance at Okinawan weddings today 8 Jin jin Jing jing ジンジン a warabe uta The title means firefly the lyrics implore the firefly to come down and drink Shoukichi Kina and Champloose s version of this song with slide guitar by Ry Cooder was a minor hit in British discos Takashi Hirayasu and Bob Brozman released a 2000 collaboration album by the same title that is a collection of various Okinawan songs or nursery rhymes Their song Jin Jin is track 6 on this album Ten yō bushi てんよー節 A common song involving red and white flags played at the Obon Festival Nada Sōsō 涙そうそう Great Tears Are Spilling 2000 single with music by Begin lyrics by Ryoko Moriyama Hana Subete no hito no kokoro ni hana o 花 すべての人の心に花を music and lyrics by Shoukichi Kina Kudaka 久高 Ninjōbushi にんじょー節 Futami Jōwa ふたみじょーわOkinawan musicians and musical ensembles editTraditional Classical Koten Ongaku edit Choichi Terukina Living National Treasure Kishun Nishie Living National Treasure Traditional Folk Min yo edit Sadao China Rinshō Kadekaru Misako Koja Nenes Seijin Noborikawa Misako Oshiro Pop edit The Boom rock band from Yamanashi Prefecture known for the song Shima Uta Cocco High and Mighty Color HY Shoukichi Kina amp Champloose Mongol800 Rimi Natsukawa Orange Range Rinken Band Ryukyu Underground A duo fusing traditional Okinawan music with Electronica genres such as Dub DA PUMP Fuzzy Control RYUU unit Ryukyudisko Fujiko ShuriMedia edit nbsp Tinsagu nu Hana source source source The traditional Okinawan song Tinsagu nu Hana Problems playing this file See media help References edit a b Kumada Susumu 久万田晋 2011 Okinawa ni okeru minzoku geinō kenkyu 沖縄における民俗芸能研究 Okinawa no minzoku geinō ron 沖縄の民俗芸能論 in Japanese Borderink pp 7 35 Malm William P 1959 Japanese Music and Musical Instruments Rutland Vermont and Tokyo Japan Charles E Tuttle Company p 245 ISBN 0 8048 0308 0 a b Tokita A amp D Hughes 2008 The Music of Ryukyu ch 13 by Robin Thompson The Ashgate Research Companion to Japanese Music Farnham UK Ashgate p 446 ISBN 978 0 7546 5699 9 Gillan Matthew 2012 Songs from the Edge of Japan Music Making in Yaeyama and Okinawa Farnham UK Ashgate p 238 ISBN 978 1 4094 2404 8 Takahashi Miki 高橋美樹 2002 Shimauta ni matsuwaru sho gainen no seiritsu katei Okinawa o chushin to shite しまうた にまつわる諸概念の成立過程 沖縄を中心として Okinawa bunka 沖縄文化 in Japanese 37 2 1 54 Yotsutake Okinawa Daihyakka 沖縄大百科 in Japanese a b 西角井 正大 1990 1972 Folk Songs of Okinawa 沖縄の民謡 Okinawa no minyō CD booklet Tokyo Japan Victor Musical Industries Kaneshiro Atsumi 1991 Music of Okinawa 南海の音楽 沖縄 Nankai no ongaku Okinawa CD booklet Tokyo Japan King Record Company External links editChicago Okinawa Kenjinkai Okinawan Music audio selections Retrieved from https en wikipedia org w index php title Okinawan music amp oldid 1194853862, wikipedia, wiki, book, books, library,

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