New Interfaces for Musical Expression

New Interfaces for Musical Expression, also known as NIME, is an international conference dedicated to scientific research on the development of new technologies and their role in musical expression and artistic performance.

New Interfaces for Musical Expression
Abbreviation	NIME
Discipline	Electronic music
Publication details
History	2001–present
Website	www.nime.org

Three musicians playing hydraulophone, an instrument that is similar to a woodwind instrument but makes sound from incompressible fluid (water) rather than compressible fluid (air). Photo from concert programme of the NIME-07 conference in New York City.

History

The conference began as a workshop (NIME 01) at the ACM Conference on Human Factors in Computing Systems (CHI) in 2001 in Seattle, Washington, with the concert and demonstration sessions being held at the Experience Music Project museum. Since then, international conferences have been held annually around the world:

NIME Location by Year

Year	Host Institution	City	Country
2001	ACM CHI'01 and Experience Music Project	Seattle	USA
2002	Media Lab Europe	Dublin	Ireland
2003	McGill University	Montreal	Canada
2004	Shizuoka University of Art and Culture	Hamamatsu	Japan
2005	University of British Columbia	Vancouver	Canada
2006	IRCAM	Paris	France
2007	Harvestworks Digital Media Arts Center, New York University's Music Technology Program and the Interactive Telecommunications Program in the Tisch School of the Arts	New York City	USA
2008^[1]	Infomus Lab at the University of Genova	Genoa	Italy
2009	Carnegie Mellon School of Music	Pittsburgh	USA
2010^[2]	University of Technology, Sydney	Sydney	Australia
2011	University of Oslo	Oslo	Norway
2012^[3]	University of Michigan	Ann Arbor	USA
2013	Graduate School of Culture Technology at KAIST (Korea Advanced Institute of Science and Technology)	Daejeon;Seoul	South Korea
2014	Goldsmiths University	London	UK
2015^[4]	Louisiana State University	Baton Rouge	USA
2016^[5]	Griffith University	Brisbane	Australia
2017^[6]	Aalborg University	Copenhagen	Denmark
2018^[7]	Virginia Tech and the University of Virginia	Blacksburg	USA
2019^[8]	Federal University of Rio Grande do Sul	Porto Alegre	Brazil
2020^[9]	Royal Birmingham Conservatoire	virtual conference, due to COVID-19
2021^[10]	NYU Shanghai	Shanghai; virtual	China
2022^[11]	University of Auckland	Auckland; virtual	New Zealand
2023^[12]	Monterrey Institute of Technology and Higher Education and Universidad Autónoma Metropolitana	Mexico City; virtual	Mexico

Areas of application

The following is a partial list of topics covered by the NIME conference:

• Design reports on novel controllers and interfaces for musical expression
• Performance experience reports on live performance and composition using novel controllers
• Controllers for virtuosic performers, novices, education and entertainment
• Perceptual & cognitive issues in the design of musical controllers
• Movement, visual and physical expression with sonic expressivity
• Musical mapping algorithms and intelligent controllers
• Novel controllers for collaborative performance
• Interface protocols for musical control (e.g. Open Sound Control)
• Artistic, cultural, and social impact of new performance interfaces
• Real-time gestural control in musical performance
• Mapping strategies and their influence on digital musical instrument design
• Sensor and actuator technologies for musical applications
• Haptic and force feedback devices for musical control
• Real-time computing tools and interactive systems
• Pedagogical applications of new interfaces - Courses and curricula

Other related conferences

Other similarly themed conferences include

• International Computer Music Conference (ICMC);
• ACM Multimedia
• Sound and music computing (SMC)

See also

• Live coding
• List of electronic music festivals
• Experimental musical instrument – about several alternative instruments.

References

1. . Archived from the original on 2008-11-07. Retrieved 2008-12-03.
2. "NIME++ 2010 International Conference". Educ.dab.uts.edu.au. Retrieved 28 June 2022.
3. . Archived from the original on 2014-07-18. Retrieved 2011-09-16.
4. "EMDM » NIME 2015". Emdm.cct.lsu.edu. Retrieved 28 June 2022.
5. . Archived from the original on 2016-01-11. Retrieved 2016-01-04.{{cite web}}: CS1 maint: archived copy as title (link)
6. "NIME 2017 | New Interfaces for Musical Expression". Nime2017.org. Retrieved 28 June 2022.
7. "NIME Conference 2018". Nime2018.icat.vt.edu. Retrieved 28 June 2022.
8. "New Interfaces for Musical Expression | NIME 2019". Ufrgs.br. Retrieved 28 June 2022.
9. "NIME2020". Nime2020.bcu.ac.uk. Retrieved 2021-02-10.
10. "NIME 2021". Nime2021.org. Retrieved 2021-02-10.
11. "NIME 2022". Nime2022.org. Retrieved 2024-02-24.
12. "NIME 2023". Nime2023.org. Retrieved 2024-02-24.

Further reading

• Jensenius, Alexander Refsum; Lyons, Michael, eds. (2017). A NIME Reader: Fifteen Years of New Interfaces for Musical Expression. Current Research in Systematic Musicology. Vol. 3. Springer. doi:10.1007/978-3-319-47214-0. ISBN 978-3-319-47214-0.
• Allen, Jamie. “.” Computer Music Journal 30/1 (Spring 2006).
• Taylor, Gregory. "On the Road: NIME 2017"
• Lehrman, Paul D. “Tomorrow's Virtuosi & What They’ll Be Playing: A report from the fifth New Interfaces for Musical Expression conference, in Vancouver, British Columbia, Canada, May 2005 2015-03-21 at the Wayback Machine.” Sound on Sound.
• Poupyrev, Ivan, Lyons, Michael J., Fels, Sidney, Blaine, Tina (Bean). "New Interfaces for Musical Expression." ACM CHI'01, Extended Abstracts, pp. 491–492, 2001.
• Pritchard, Bob. “[Report] NIME 2010.” eContact! 12.4 — Perspectives on the Electroacoustic Work / Perspectives sur l’œuvre électroacoustique (August 2010). Montréal: CEC.
• Richardson, Patrick. “Innovative New Digital Instruments: NIME Conference Multimedia Mega-Report.” Extensive report on NIME07. Create Digital Music blog. Posted 25 June 2007.

External links

 

Wikimedia Commons has media related to New Interfaces for Musical Expression.

• Official website
• Index to NIME Conference Proceedings. From Trier University’s DBLP database.