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Nettwerk

February 16, 2024

Not to be confused with Network Records.

Nettwerk Music Group is the umbrella company for Nettwerk Records, Nettwerk Management, and Nettwerk One Publishing.[1]

Nettwerk Music Group.
Founded1984 (1984)
FounderTerry McBride, Mark Jowett, Ric Arboit, Dan Fraser
GenreAlternative rock, indie rock, electronica
Country of originCanada
LocationVancouver, B.C.
Los Angeles, California
New York, New York
London, U.K.
Hamburg, Germany
Official websitenettwerk.com

Established in 1984, the Vancouver-based company was created by principals Terry McBride and Mark Jowett[1] as a record label to distribute recordings by the band Moev, but the label expanded in Canada and internationally.[1] Specializing in electronic music genres including alternative dance and industrial,[1] the label also became a major player in pop and rock in the late 1980s and 1990s. Their label and management clients include Coldplay, Sarah McLachlan, Dido, and Barenaked Ladies.

Nettwerk has on its label, management and publishing rosters Perfume Genius, The Veils, fun., Passenger, Christina Perri, Guster, Family of the Year, Leisure, Beta Radio, and Ólafur Arnalds.

History edit

In 1984, Terry McBride and his friend Mark Jowett attended — and both dropped out of — the University of British Columbia. McBride had studied civil engineering while Jowett took classes in creative writing, theater and English. The two met at a house party where Jowett's electronic music band Moev was performing.[2]

Once out of college, McBride began managing Moev, for whom Jowett played guitar. Moev was signed to Go Records, a small San Francisco label that went bankrupt, leaving the band without distribution.[3] They'd spend time at his small apartment with friends such as the members of the electro-industrial band Skinny Puppy, and soon he and Jowett starting putting out their records, along with Moev's and The Grapes of Wrath.[4]

McBride had previously started a label, Noetix, and though it was unsuccessful, he and Jowett were willing to give the record business another try. The company officially opened its doors in 1985. Their first release was The Grapes of Wrath's self-titled EP followed by their full-length, September Bowl of Green. It piqued the attention of Capitol Records, and paved the way for a distribution deal for the band and Nettwerk as a label in 1986.[5] Also in 1986, Nettwerk brought on Ric Arboit as a third partner and managing director.[6]

Despite having an eclectic initial roster of artists,[3] Nettwerk gained a reputation as an industrial dance label, an assumption bolstered by the label's roster of homegrown and licensed industrial acts including Skinny Puppy, Severed Heads, SPK, Manufacture, and Single Gun Theory. On this point, George Maniatis, one of the label's early promotion managers, stated: "'Remission' (Skinny Puppy's mini-album), which was one of our first releases, grabbed everybody by the you-know-whats... Because of it, everybody assumed we were just industrial dance. But we never set out in that direction — It's just that they hit first."[7]

Regardless of intent, the industrial dance and electronic genres proved lucrative and resulted in many international cross-licensing deals. Among them: Belgium's Play It Again Sam label running the Nettwerk Europe imprint in exchange for Nettwerk licensing Front 242 in Canada; licensing Tackhead's North American distribution rights from England's On-U Sound; and cross-licensing with Australia's Volition label which brought Severed Heads and Single Gun Theory to North America.[7] Cross-licensing, including distribution through the majors (Capitol for Skinny Puppy and Atlantic for Moev), and respectable club chart performances (including singles by Manufacture, Severed Heads, and Moev) all contributed to significant visibility and growth for the label at the close of the 1980s.[6]

The label's reputation as a strictly electronic dance imprint would soon change. At a show in Halifax, McBride met nineteen-year-old singer-songwriter named Sarah McLachlan[8] – he'd been introduced to her music through Jowett, and tried to recruit her to front Moev. Her parents initially rejected the idea, saying she was too young,[8] but by then she had her moved out of her parents home and rented an apartment down the street while in her first year of art school. McBride offered McLachlan a five-record deal, and she agreed, saying “Ok. Sure. Why not?"[9]

At this point, McBride and Jowett had moved Nettwerk into a new office, and McLachlan relocated to Vancouver to write, finishing her debut, Touch, in 1988. The first single, "Vox", was a hit, and led to her signing a worldwide deal with Arista Records (Nettwerk retained her for Canada). She followed up with Solace in 1991 and Fumbling Towards Ecstasy in 1993. Surfacing in 1997 contained two hit singles: "Building a Mystery" and "I Will Remember You", and winning two Grammy Awards.

In 1994, Nettwerk switched its distribution from Capitol–EMI to Sony Music, later Sony BMG.

Lilith Fair was initially McLachlan's idea;[10] she was tired of the standard touring, and wanted to do something different, something inventive. Though McBride was resistant at first, he pushed forward, and they assembled a lineup that they then were told was "suicidal": Paula Cole, Aimee Mann, Patti Smith, Lisa Loeb and McLachlan to close.[11] It was a success, and the next summer they launched a touring version; it grossed $16 million, a large portion of which was donated to women's charities.[10] Founded by McLachlan, McBride, Nettwerk co-owner Dan Fraser and New York talent agent Marty Diamond, Lilith Fair was the top-grossing festival tour of 1997 and ranked 16th among the year's Top 100 Tours. In 1998, Lilith Fair grossed just over $6 million and remained the top-grossing summer concert package tour of the season.[12]

Nettwerk then signed Barenaked Ladies, at the time viewed as a novelty act.[13] After steady radio promotion, McBride booked the band for a show at City Hall Plaza in Boston to launch their album Stunt.[14] The concert drew 80,000 fans, and the first single, "One Week", reached number one on the charts, also earning the band a Grammy nomination and a Juno Award for Best Pop Album. They have since gone on to sell over 10 million albums.

Nettwerk brought on Dido in 1999, as well as Sum 41. Avril Lavigne was sixteen when she walked into the Nettwerk offices; Arista had sent her to McBride, hoping to figure out what to make of her.[15] Though Lavigne would release her records through Arista, she continued with Nettwerk for her management.[16]

In 2000, EMI decided against a North American release for the album of a new signing by their British sub-label Parlophone. This album, Parachutes by the band Coldplay, was picked up by Nettwerk for release in Canada and the United States.

Nettwerk embraced new digital formats.[17] McBride studied reports showing the sea change in fan preference, and realized that he'd rather cater to the growing MP3 culture rather than work against it. In 2005, Nettmusic became one of the first major music companies to sell MP3s free of DRM (digital rights management),[18] and supported the consumer case in the battle against the Recording Industry Association of America. Nettwerk has offered to pay the legal fees of a teenager in Texas who is being sued for downloading songs.[19]

At the same time, Nettwerk continued to focus on other new, innovative and both artist-and-fan friendly models. McBride conceived of a concept he called "collapsed copyright", set to revolve around a new business model that empowered artists themselves and not just the corporations. The premise allowed artists to release music under their own label (therefore retaining the intellectual property), marketed and promoted through Nettwerk.[20]

On June 9, 2010, Nettwerk announced that for its distribution and marketing in the United States, it would depart from Sony Music and its catalogue would now be distributed by WMG's Alternative Distribution Alliance.[21] In 2013, Nettwerk raised $10.25 million in equity financing to sign artists and purchase catalogs.[22]

In July 2016, Nettwerk sold its publishing catalog to KobaltInvestment Fund, an independent investment fund established in 2011.[23]

In September 2017, Nettwerk Records announced that The Ballroom Thieves joined the label roster.[24]

Nutone edit

In 2008, Nettwerk founder Terry McBride revived a retired sub-label of Nettwerk called Nutone Records, with the objective of releasing devotional, chant and world music. He also launched a chain of wellness centers in Canada called YYoga.[25]

Nettwerk roster edit

Music roster edit

Management roster edit

Publishing roster edit

Artists edit

Writers edit

See also edit

Sources edit

  • Ryan, Denise (2010). Nettwerk: 25 Years of Music We Love. John Wiley & Sons Canada, Ltd. ISBN 978-0-470-67844-2.

References edit

  1. ^ a b c d Michael, Barclay; Jack, Ian A.D.; Schneider, Jason (2011). Have Not Been the Same: The Can-Rock Renaissance 1985-1995. ECW Press. ISBN 978-1-55022-992-9.
  2. ^ Newman, Melinda (14 March 2015). "Nettwerk To Success". Billboard. Cincinnati: Prometheus Global Media. 127 (7): 55–60. ISSN 0006-2510.
  3. ^ a b Young, Kevin (Summer 2011). "Finding strength in diversity". Words & Music. Canada, Don Mills: SOCAN. 18 (2): 11. ISSN 1195-8316.
  4. ^ Ryan 2010, p. 33.
  5. ^ Ryan 2010, p. 50.
  6. ^ a b LaPointe, Kirk (6 May 1989). "Young Nettwerk Coming Of Age". Billboard. Cincinnati: Prometheus Global Media. 101 (18): 77. ISSN 0006-2510.
  7. ^ a b Bessman, Jim (4 Mar 1989). "Nettwerk Dances To A Different Beat". Billboard. Cincinnati: Prometheus Global Media. 101 (9): 31. ISSN 0006-2510.
  8. ^ a b Ryan 2010, p. 65.
  9. ^ Ryan 2010, p. 69.
  10. ^ a b Ryan 2010, p. 151.
  11. ^ Ryan 2010, p. 152.
  12. ^ Freydkin, Donna. "Lilith Fair: Lovely, lively and long overdue". CNN. Retrieved 25 March 2013.
  13. ^ Condran, Ed. "Barenaked Ladies avoids the novelty act label". phillyburbs.com. Archived from the original on 11 April 2013. Retrieved 25 March 2013.
  14. ^ Ryan 2010, pp. 140–143.
  15. ^ Ryan 2010, p. 165.
  16. ^ Eliscu, Jenny (20 March 2003). "Little Miss Can't Be Wrong". Rolling Stone.
  17. ^ Deighton, John A; Kornfeld, Leona (March 2012). "Nettwerk: Digital Marketing in the Music Industry". Harvard Business School Case Study. 510–055.
  18. ^ Ryan 2010, p. 213–215.
  19. ^ "Canadian Record Label Blasts RIAA Over File-Sharing Lawsuits". MTV.
  20. ^ Howe, Jeff. "No Suit Required". Wired.
  21. ^ "Warner signs distribution pact with Nettwerk". Los Angeles Times. 2010-06-09.
  22. ^ Peoples, Glenn. "Exclusive: Nettwerk Music Group Raises $10.25 Million". Billboard. Retrieved 17 December 2014.
  23. ^ "Nettwerk sells 30-year-old publishing catalogue to Kobalt investment fund". Music Business Worldwide. 2016-07-24. Retrieved 2017-05-10.
  24. ^ "The Ballroom Thieves Joins Nettwerk Records - Music Connection". www.musicconnection.com. Retrieved 2017-11-10.
  25. ^ Shaw, Gillian. . The Vancouver Sun. Archived from the original on 2013-07-22. Retrieved 2013-03-25.
  26. ^ "Nettwerk Records". Retrieved Dec 17, 2014.
  27. ^ "Nettwerk Management". Retrieved Dec 17, 2014.
  28. ^ "Publishing Roster". Nettwerk. Retrieved 19 December 2014.

External links edit

  • Official website

February 16, 2024
nettwerk, confused, with, network, records, music, group, umbrella, company, records, management, publishing, music, group, founded1984, 1984, founderterry, mcbride, mark, jowett, arboit, frasergenrealternative, rock, indie, rock, electronicacountry, origincan. Not to be confused with Network Records Nettwerk Music Group is the umbrella company for Nettwerk Records Nettwerk Management and Nettwerk One Publishing 1 Nettwerk Music Group Founded1984 1984 FounderTerry McBride Mark Jowett Ric Arboit Dan FraserGenreAlternative rock indie rock electronicaCountry of originCanadaLocationVancouver B C Los Angeles CaliforniaNew York New YorkLondon U K Hamburg GermanyOfficial websitenettwerk wbr comEstablished in 1984 the Vancouver based company was created by principals Terry McBride and Mark Jowett 1 as a record label to distribute recordings by the band Moev but the label expanded in Canada and internationally 1 Specializing in electronic music genres including alternative dance and industrial 1 the label also became a major player in pop and rock in the late 1980s and 1990s Their label and management clients include Coldplay Sarah McLachlan Dido and Barenaked Ladies Nettwerk has on its label management and publishing rosters Perfume Genius The Veils fun Passenger Christina Perri Guster Family of the Year Leisure Beta Radio and olafur Arnalds Contents 1 History 2 Nutone 3 Nettwerk roster 3 1 Music roster 3 2 Management roster 3 3 Publishing roster 3 3 1 Artists 3 3 2 Writers 4 See also 5 Sources 6 References 7 External linksHistory editIn 1984 Terry McBride and his friend Mark Jowett attended and both dropped out of the University of British Columbia McBride had studied civil engineering while Jowett took classes in creative writing theater and English The two met at a house party where Jowett s electronic music band Moev was performing 2 Once out of college McBride began managing Moev for whom Jowett played guitar Moev was signed to Go Records a small San Francisco label that went bankrupt leaving the band without distribution 3 They d spend time at his small apartment with friends such as the members of the electro industrial band Skinny Puppy and soon he and Jowett starting putting out their records along with Moev s and The Grapes of Wrath 4 McBride had previously started a label Noetix and though it was unsuccessful he and Jowett were willing to give the record business another try The company officially opened its doors in 1985 Their first release was The Grapes of Wrath s self titled EP followed by their full length September Bowl of Green It piqued the attention of Capitol Records and paved the way for a distribution deal for the band and Nettwerk as a label in 1986 5 Also in 1986 Nettwerk brought on Ric Arboit as a third partner and managing director 6 Despite having an eclectic initial roster of artists 3 Nettwerk gained a reputation as an industrial dance label an assumption bolstered by the label s roster of homegrown and licensed industrial acts including Skinny Puppy Severed Heads SPK Manufacture and Single Gun Theory On this point George Maniatis one of the label s early promotion managers stated Remission Skinny Puppy s mini album which was one of our first releases grabbed everybody by the you know whats Because of it everybody assumed we were just industrial dance But we never set out in that direction It s just that they hit first 7 Regardless of intent the industrial dance and electronic genres proved lucrative and resulted in many international cross licensing deals Among them Belgium s Play It Again Sam label running the Nettwerk Europe imprint in exchange for Nettwerk licensing Front 242 in Canada licensing Tackhead s North American distribution rights from England s On U Sound and cross licensing with Australia s Volition label which brought Severed Heads and Single Gun Theory to North America 7 Cross licensing including distribution through the majors Capitol for Skinny Puppy and Atlantic for Moev and respectable club chart performances including singles by Manufacture Severed Heads and Moev all contributed to significant visibility and growth for the label at the close of the 1980s 6 The label s reputation as a strictly electronic dance imprint would soon change At a show in Halifax McBride met nineteen year old singer songwriter named Sarah McLachlan 8 he d been introduced to her music through Jowett and tried to recruit her to front Moev Her parents initially rejected the idea saying she was too young 8 but by then she had her moved out of her parents home and rented an apartment down the street while in her first year of art school McBride offered McLachlan a five record deal and she agreed saying Ok Sure Why not 9 At this point McBride and Jowett had moved Nettwerk into a new office and McLachlan relocated to Vancouver to write finishing her debut Touch in 1988 The first single Vox was a hit and led to her signing a worldwide deal with Arista Records Nettwerk retained her for Canada She followed up with Solace in 1991 and Fumbling Towards Ecstasy in 1993 Surfacing in 1997 contained two hit singles Building a Mystery and I Will Remember You and winning two Grammy Awards In 1994 Nettwerk switched its distribution from Capitol EMI to Sony Music later Sony BMG Lilith Fair was initially McLachlan s idea 10 she was tired of the standard touring and wanted to do something different something inventive Though McBride was resistant at first he pushed forward and they assembled a lineup that they then were told was suicidal Paula Cole Aimee Mann Patti Smith Lisa Loeb and McLachlan to close 11 It was a success and the next summer they launched a touring version it grossed 16 million a large portion of which was donated to women s charities 10 Founded by McLachlan McBride Nettwerk co owner Dan Fraser and New York talent agent Marty Diamond Lilith Fair was the top grossing festival tour of 1997 and ranked 16th among the year s Top 100 Tours In 1998 Lilith Fair grossed just over 6 million and remained the top grossing summer concert package tour of the season 12 Nettwerk then signed Barenaked Ladies at the time viewed as a novelty act 13 After steady radio promotion McBride booked the band for a show at City Hall Plaza in Boston to launch their album Stunt 14 The concert drew 80 000 fans and the first single One Week reached number one on the charts also earning the band a Grammy nomination and a Juno Award for Best Pop Album They have since gone on to sell over 10 million albums Nettwerk brought on Dido in 1999 as well as Sum 41 Avril Lavigne was sixteen when she walked into the Nettwerk offices Arista had sent her to McBride hoping to figure out what to make of her 15 Though Lavigne would release her records through Arista she continued with Nettwerk for her management 16 In 2000 EMI decided against a North American release for the album of a new signing by their British sub label Parlophone This album Parachutes by the band Coldplay was picked up by Nettwerk for release in Canada and the United States Nettwerk embraced new digital formats 17 McBride studied reports showing the sea change in fan preference and realized that he d rather cater to the growing MP3 culture rather than work against it In 2005 Nettmusic became one of the first major music companies to sell MP3s free of DRM digital rights management 18 and supported the consumer case in the battle against the Recording Industry Association of America Nettwerk has offered to pay the legal fees of a teenager in Texas who is being sued for downloading songs 19 At the same time Nettwerk continued to focus on other new innovative and both artist and fan friendly models McBride conceived of a concept he called collapsed copyright set to revolve around a new business model that empowered artists themselves and not just the corporations The premise allowed artists to release music under their own label therefore retaining the intellectual property marketed and promoted through Nettwerk 20 On June 9 2010 Nettwerk announced that for its distribution and marketing in the United States it would depart from Sony Music and its catalogue would now be distributed by WMG s Alternative Distribution Alliance 21 In 2013 Nettwerk raised 10 25 million in equity financing to sign artists and purchase catalogs 22 In July 2016 Nettwerk sold its publishing catalog to KobaltInvestment Fund an independent investment fund established in 2011 23 In September 2017 Nettwerk Records announced that The Ballroom Thieves joined the label roster 24 Nutone editIn 2008 Nettwerk founder Terry McBride revived a retired sub label of Nettwerk called Nutone Records with the objective of releasing devotional chant and world music He also launched a chain of wellness centers in Canada called YYoga 25 Nettwerk roster editMusic roster edit Aaron Espe Aisha Badru Alayna Alex the Astronaut Alexander William Andrew McMahon Angel Snow Angus amp Julia Stone Anna Mieke Aunty Social Axel Flovent Beta Radio Boy amp Bear Canyon City citation needed cehryl Christopher Elliott darkDARK Davis John Patton Didirri Dylan Dunlap DYLYN Eddie Berman Emma Frank Findlay Brown Finn Andrews Freyr Garrett Kato Graeme James Grizfolk Harrison Storm Hayden Calnin Hermitude Hollow Coves Ivan amp Alyosha Jack in Water Jack River Jaguar Jonze Japanese Wallpaper Jarle Skavhellen Jim and Sam Joe Alexander Shepherd John Butler Trio Jon Bryant Joshua Hyslop Joshua Radin Kesmar Kudu Blue Lawson Hull LEISURE Lily Kershaw Linying Luisa LLULLANAS Mallrat Mannequin Online Matt Maltese Mega Mountain Bird Mr Little Jeans Mree NAVA Neighborhood Libraries Nina June Ocie Elliott Old Sea Brigade Olive Klug OSKA Passenger Plasi Rhodes singer Riley Pearce Rosemary amp Garlic Roses amp Revolutions Sammy Rae Samuel Proffitt San Cisco Sense Six Missing Slotface St South Stu Larsen Sun Lo Attlas and Richard Walters SYML Ten Kills the Pack Terrible Sons The Ballroom Thieves The Franklin Electric The Harmaleighs The Paper Kites The Strike The Sweeplings The Veils The Woodlands Together Pangea Tolari Tom Speight Vacation Manor Vok WILD Wild Rivers William Fitzsimmons Woodlock 26 Management roster edit Alexi Murdoch Aoife O Donovan Ash Koley Austin Basham Chadwick Stokes Danny Black Dispatch Family of the Year Father John Misty fun Good Old War Guster Hem Hey Ocean I m with Her Joe Visciano Jon Bryant JordanXL Joshua Hyslop The LeeVees Lucius Mansionz Mike Posner MILCK Nate Ruess Nneka Radical Face Ria Mae State Radio Stereophonics SYML Twin Bandit Typhoon Wanting Qu Xavier Rudd 27 Publishing roster edit Aaron Keylock Alex Pangman Angel Snow Banners Brandi Disterheft Chadwick Stokes Courage My Love Findlay Brown Gojira Halie Loren Harrison Storm Jes Lorraine Klaasen Marianne Trudel Matt Herskowitz MountainBird Myriam Alter Natasha Zimbaro Old Sea Brigade Oliver Jones Ranee Lee Ria Mae The Outdoor Type Together PANGEA Twin Bandit 28 Artists edit Admiral Fallow Airbourne Alessi s Ark Andy Caldwell Ash Koley Austin Jenckes BC Camplight Beta Radio The Be Good Tanyas Caroline Pennell Chromeo Coves Current Swell Delerium Frazey Ford Front Line Assembly Gareth Dunlop Moraine Great Lake Swimmers Gruff Rhys H Hawkline Hadouken Hey Ocean Joanna Gruesome Joshua Hyslop The Kissaway Trail Ladytron Late of the Pier Los Campesinos MF Doom Olafur Arnalds The Pack A D Perfume Genius Peter Murphy Pint Shot Riot R Seiliog Raffi Royal Canoe Sea Lion Shawn Desman Sinead O Connor Super Furry Animals Wanting Qu William Fitzsimmons Winterpills Young Liars Yukon Blonde Paris Paloma Writers edit Aaron Espe Andy Hill Anthony Smith Archertown Austin Jenckes Chelcee Grimes Enton Mushi Fredrik Fredro Odesjo Gary Clark Greig Nori Jeff Dawson Jessie Jo Dillon Ken Harrison Mavie Marcos Michael Crawford Magnedo7 Mike Fiorentino Mike James Neil Mason Nicholas Krgovich Peter Wright Rachael Dahl Ramon Ibanga Sam Bisbee Shaznay Lewis Shelly Poole Sherry St Germain Stef Lang Troy SamsonSee also editList of record labelsSources editRyan Denise 2010 Nettwerk 25 Years of Music We Love John Wiley amp Sons Canada Ltd ISBN 978 0 470 67844 2 References edit a b c d Michael Barclay Jack Ian A D Schneider Jason 2011 Have Not Been the Same The Can Rock Renaissance 1985 1995 ECW Press ISBN 978 1 55022 992 9 Newman Melinda 14 March 2015 Nettwerk To Success Billboard Cincinnati Prometheus Global Media 127 7 55 60 ISSN 0006 2510 a b Young Kevin Summer 2011 Finding strength in diversity Words amp Music Canada Don Mills SOCAN 18 2 11 ISSN 1195 8316 Ryan 2010 p 33 Ryan 2010 p 50 a b LaPointe Kirk 6 May 1989 Young Nettwerk Coming Of Age Billboard Cincinnati Prometheus Global Media 101 18 77 ISSN 0006 2510 a b Bessman Jim 4 Mar 1989 Nettwerk Dances To A Different Beat Billboard Cincinnati Prometheus Global Media 101 9 31 ISSN 0006 2510 a b Ryan 2010 p 65 Ryan 2010 p 69 a b Ryan 2010 p 151 Ryan 2010 p 152 Freydkin Donna Lilith Fair Lovely lively and long overdue CNN Retrieved 25 March 2013 Condran Ed Barenaked Ladies avoids the novelty act label phillyburbs com Archived from the original on 11 April 2013 Retrieved 25 March 2013 Ryan 2010 pp 140 143 Ryan 2010 p 165 Eliscu Jenny 20 March 2003 Little Miss Can t Be Wrong Rolling Stone Deighton John A Kornfeld Leona March 2012 Nettwerk Digital Marketing in the Music Industry Harvard Business School Case Study 510 055 Ryan 2010 p 213 215 Canadian Record Label Blasts RIAA Over File Sharing Lawsuits MTV Howe Jeff No Suit Required Wired Warner signs distribution pact with Nettwerk Los Angeles Times 2010 06 09 Peoples Glenn Exclusive Nettwerk Music Group Raises 10 25 Million Billboard Retrieved 17 December 2014 Nettwerk sells 30 year old publishing catalogue to Kobalt investment fund Music Business Worldwide 2016 07 24 Retrieved 2017 05 10 The Ballroom Thieves Joins Nettwerk Records Music Connection www musicconnection com Retrieved 2017 11 10 Shaw Gillian Music mogul finds big market for yoga The Vancouver Sun Archived from the original on 2013 07 22 Retrieved 2013 03 25 Nettwerk Records Retrieved Dec 17 2014 Nettwerk Management Retrieved Dec 17 2014 Publishing Roster Nettwerk Retrieved 19 December 2014 External links editOfficial website Retrieved from https en wikipedia org w index php title Nettwerk amp oldid 1198295533, wikipedia, wiki, book, books, library,

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