Neo-noir is a revival of film noir, a genre that had originally flourished during the post-World War II era in the United States—roughly from 1940 to 1960. The French term, film noir,[1] translates literally to English as "black film", indicating sinister stories often presented in a shadowy cinematographic style. Neo-noir has a similar style but with updated themes, content, style, and visual elements.
The neologism neo-noir, using the Greek prefix for the word new, is defined by Mark Conard as "any film coming after the classic noir period that contains noir themes and noir sensibility".[2] Another definition describes it as later noir that often synthesizes diverse genres while foregrounding the scaffolding of film noir.[3]
"Film noir" was coined by critic Nino Frank in 1946 and popularized by French critics Raymond Borde and Etienne Chaumeton in 1955.[1] The term revived in general use beginning in the 1980s, with a revival of the style.
The classic film noir era is usually dated from the early 1940s to the late 1950s. The films were often adaptations of American crime novels, which were also described as "hardboiled". Some authors resisted these terms. For example, James M. Cain, author of The Postman Always Rings Twice (1934) and Double Indemnity (1944), is considered to be one of the defining authors of hard-boiled fiction. Both novels were adapted as crime films, the former more than once. Cain is quoted as saying, "I belong to no school, hard-boiled or otherwise, and I believe these so-called schools exist mainly in the imagination of critics, and have little correspondence in reality anywhere else."[4]
Typically American crime dramas or psychological thrillers, films noir had common themes and plot devices, and many distinctive visual elements. Characters were often conflicted antiheroes, trapped in a difficult situation and making choices out of desperation or nihilisticmoral systems. Visual elements included low-key lighting, striking use of light and shadow, and unusual camera placement. Sound effects helped create the noir mood of paranoia and nostalgia.[5]
Few major films in the classic film noir genre have been made since the early 1960s. These films usually incorporated both thematic and visual elements reminiscent of film noir. Both classic and neo-noir films are often produced as independent features.
After 1970, film critics took note of "neo-noir" films as a separate genre. Noir and post-noir terminology (such as "hard-boiled", "neo-classic" and the like) are often rejected by both critics and practitioners.
Robert Arnett stated, "Neo-noir has become so amorphous as a genre/movement, any film featuring a detective or crime qualifies."[6] Screenwriter and director Larry Gross identifies Jean-Luc Godard's Alphaville, alongside John Boorman’s Point Blank (1967) and Robert Altman’s The Long Goodbye (1973), based on Raymond Chandler's 1953 novel, as neo-noir films. Gross believes that they deviate from classic noir in having more of a sociological than a psychological focus.[7] Neo noir features characters who commit violent crimes, but without the motivations and narrative patterns found in film noir.[3]
Neo noir assumed global character and impact when filmmakers began drawing elements from films in the global market. For instance, Quentin Tarantino's works have been influenced by Ringo Lam's City on Fire.[8] This was particularly the case for the noir-inflected Reservoir Dogs, which was instrumental in establishing Tarantino in October 1992.[9]
^ abBorde, Raymond [in French]; Chaumeton, Etienne (2002). A panorama of American film noir (1941-1953). San Francisco: City Lights Books. ISBN978-0872864122.
^Mark Conard. The Philosophy of Neo-noir. The Univ of Kentucky Press, 2007, p2.
^ abPettey, Homer B. (2014). International Noir. Edinburgh: Edinburgh University Press. p. 62. ISBN9780748691104.
^O'Brien, Geoffrey (1981). Hardboiled America – The Lurid Years of Paperbacks. New York; Cincinnati: Van Nostrand Reinhold. pp. 71–72. ISBN0-442-23140-7.
^Arnett, Robert (Fall 2006). "Eighties Noir: The Dissenting Voice in Reagan's America". Journal of Popular Film and Television. 34 (3): 123–129. doi:10.3200/JPFT.34.3.123-129. S2CID 190713884.
^"Where to begin with neo-noir". British Film Institute. Retrieved 2017-08-17.
^Grant, Barry Keith (2003). Film Genre Reader III. Austin: University of Texas Press. pp. 525. ISBN0292701845.
^Verevis, Constantine (2006). Film Remakes. Edinburgh: Edinburgh University Press. pp. 173. ISBN0748621865.
External links
Arnett, Robert (Fall 2006). "Eighties Noir: The Dissenting Voice in Reagan's America". Journal of Popular Film and Television. 34 (3): 123–129. doi:10.3200/JPFT.34.3.123-129. S2CID 190713884.
Conard, Mark T. (2007). The Philosophy of Neo-noir. Lexington, Ky.: The University Press of Kentucky. ISBN978-0-8131-2422-3. The Philosophy of Neo-noir at Google Books.
Hirsch, Foster (1999). Detours and Lost Highways: A Map of Neo-Noir. New York: Proscenium Publishers. ISBN0-87910-288-8. Detours and Lost Highways: A Map of Neo-Noir at Google Books.
Martin, Richard (1997). Mean Streets and Raging Bulls: The Legacy of Film Noir in Contemporary American Cinema. Lanham, Md.: Scarecrow Press. ISBN0-8108-3337-9.
Snee, Brian J. (July 2009). "Soft-boiled Cinema: Joel and Ethan Coens' Neo-classical Neo-noirs". Literature/Film Quarterly. 37 (3).
February 09, 2023
noir, revival, film, noir, genre, that, originally, flourished, during, post, world, united, states, roughly, from, 1940, 1960, french, term, film, noir, translates, literally, english, black, film, indicating, sinister, stories, often, presented, shadowy, cin. Neo noir is a revival of film noir a genre that had originally flourished during the post World War II era in the United States roughly from 1940 to 1960 The French term film noir 1 translates literally to English as black film indicating sinister stories often presented in a shadowy cinematographic style Neo noir has a similar style but with updated themes content style and visual elements Contents 1 Definition 2 History 3 Characteristics 4 See also 5 References 6 External linksDefinition EditThe neologism neo noir using the Greek prefix for the word new is defined by Mark Conard as any film coming after the classic noir period that contains noir themes and noir sensibility 2 Another definition describes it as later noir that often synthesizes diverse genres while foregrounding the scaffolding of film noir 3 History EditMain article Film noir Film noir was coined by critic Nino Frank in 1946 and popularized by French critics Raymond Borde and Etienne Chaumeton in 1955 1 The term revived in general use beginning in the 1980s with a revival of the style The classic film noir era is usually dated from the early 1940s to the late 1950s The films were often adaptations of American crime novels which were also described as hardboiled Some authors resisted these terms For example James M Cain author of The Postman Always Rings Twice 1934 and Double Indemnity 1944 is considered to be one of the defining authors of hard boiled fiction Both novels were adapted as crime films the former more than once Cain is quoted as saying I belong to no school hard boiled or otherwise and I believe these so called schools exist mainly in the imagination of critics and have little correspondence in reality anywhere else 4 Characteristics EditNeo noir film directors refer to classic noir in the use of Dutch angles interplay of light and shadows unbalanced framing blurring of the lines between good and bad and right and wrong and thematic motifs including revenge paranoia and alienation citation needed Typically American crime dramas or psychological thrillers films noir had common themes and plot devices and many distinctive visual elements Characters were often conflicted antiheroes trapped in a difficult situation and making choices out of desperation or nihilistic moral systems Visual elements included low key lighting striking use of light and shadow and unusual camera placement Sound effects helped create the noir mood of paranoia and nostalgia 5 Few major films in the classic film noir genre have been made since the early 1960s These films usually incorporated both thematic and visual elements reminiscent of film noir Both classic and neo noir films are often produced as independent features After 1970 film critics took note of neo noir films as a separate genre Noir and post noir terminology such as hard boiled neo classic and the like are often rejected by both critics and practitioners Robert Arnett stated Neo noir has become so amorphous as a genre movement any film featuring a detective or crime qualifies 6 Screenwriter and director Larry Gross identifies Jean Luc Godard s Alphaville alongside John Boorman s Point Blank 1967 and Robert Altman s The Long Goodbye 1973 based on Raymond Chandler s 1953 novel as neo noir films Gross believes that they deviate from classic noir in having more of a sociological than a psychological focus 7 Neo noir features characters who commit violent crimes but without the motivations and narrative patterns found in film noir 3 Neo noir assumed global character and impact when filmmakers began drawing elements from films in the global market For instance Quentin Tarantino s works have been influenced by Ringo Lam s City on Fire 8 This was particularly the case for the noir inflected Reservoir Dogs which was instrumental in establishing Tarantino in October 1992 9 See also EditList of neo noir films Tech noir Arthouse action film New Hollywood Pulp noir Maximalist film Minimalist film Postmodernist film Film noirReferences Edit a b Borde Raymond in French Chaumeton Etienne 2002 A panorama of Americanfilm noir 1941 1953 San Francisco City Lights Books ISBN 978 0872864122 Mark Conard The Philosophy of Neo noir The Univ of Kentucky Press 2007 p2 a b Pettey Homer B 2014 International Noir Edinburgh Edinburgh University Press p 62 ISBN 9780748691104 O Brien Geoffrey 1981 Hardboiled America The Lurid Years of Paperbacks New York Cincinnati Van Nostrand Reinhold pp 71 72 ISBN 0 442 23140 7 Bould Mark Glitre Kathrina Tuck Greg 2009 Neo Noir London Wallflower Press pp 44 ISBN 9781906660178 Arnett Robert Fall 2006 Eighties Noir The Dissenting Voice in Reagan s America Journal of Popular Film and Television 34 3 123 129 doi 10 3200 JPFT 34 3 123 129 S2CID 190713884 Where to begin with neo noir British Film Institute Retrieved 2017 08 17 Grant Barry Keith 2003 Film Genre Reader III Austin University of Texas Press pp 525 ISBN 0292701845 Verevis Constantine 2006 Film Remakes Edinburgh Edinburgh University Press pp 173 ISBN 0748621865 External links EditArnett Robert Fall 2006 Eighties Noir The Dissenting Voice in Reagan s America Journal of Popular Film and Television 34 3 123 129 doi 10 3200 JPFT 34 3 123 129 S2CID 190713884 Conard Mark T 2007 The Philosophy of Neo noir Lexington Ky The University Press of Kentucky ISBN 978 0 8131 2422 3 The Philosophy of Neo noir at Google Books Hirsch Foster 1999 Detours and Lost Highways A Map of Neo Noir New York Proscenium Publishers ISBN 0 87910 288 8 Detours and Lost Highways A Map of Neo Noir at Google Books Martin Richard 1997 Mean Streets and Raging Bulls The Legacy of Film Noir in Contemporary American Cinema Lanham Md Scarecrow Press ISBN 0 8108 3337 9 Snee Brian J July 2009 Soft boiled Cinema Joel and Ethan Coens Neo classical Neo noirs Literature Film Quarterly 37 3 Retrieved from https en wikipedia org w index php title Neo noir amp oldid 1131736994, wikipedia, wiki, book, books, library,
