"Montage (film)" redirects here. For the South Korean film, see Montage (2013 film). For the use of montage in the 1920s Soviet Union, see Soviet montage theory. For other uses of the word montage, see Montage.
The term has been used in various contexts. In French, the word montage applied to cinema simply denotes editing. In Soviet montage theory, as originally introduced outside the USSR by Sergei Eisenstein,[1] it was used to create symbolism.[2] Later, the term "montage sequence", used primarily by British and American studios, became the common technique to suggest the passage of time.[3] A montage is a French term meaning "assembling shots" or "putting together". It is a film technique for putting together a series of short shots that create a composite picture. A montage can be described as a series of separate images, moving or still, that are edited together to create a continuous sequence. Montages enable filmmakers to communicate a large amount of information to an audience over a shorter span of time by juxtaposing different shots, compressing time through editing, or intertwining multiple storylines of a narrative.
"Film historians differentiate two parallel schools of montage, that of the Soviets and that of Hollywood. The Soviet tradition, primarily distinguished by the writing and film work by S. M. Eisenstein is seen as intellectual, objectively analytical, and perhaps overly academic. Hollywood montage, romantic in the extreme, is written off as a series of wipes, dissolves, flip-flops and superimpostions...” —Film historian Richard Koszarski in Hollywood Directors: 1914-1940 (1976)[4]
The word "montage" came to identify...specifically the rapid, shock cutting that Eisenstein employed in his films. Its use survives to this day in the specially created "montage sequences" inserted into Hollywood films to suggest, in a blur of double exposures, the rise to fame of an opera singer or, in brief model shots, the destruction of an airplane, a city or a planet.[5]
Two common montage devices used are newsreels and railroads. In the first, as in Citizen Kane, there are multiple shots of newspapers being printed (multiple layered shots of papers moving between rollers, papers coming off the end of the press, a pressman looking at a paper) and headlines zooming on to the screen telling whatever needs to be told. In a typical railroad montage, the shots include engines racing toward the camera, giant engine wheels moving across the screen, and long trains racing past the camera as destination signs fill the screen.
"Scroll montage" is a form of multiple-screen montage developed specifically for the moving image in an internet browser. It plays with Italian theatre director Eugenio Barba's "space river" montage in which the spectators' attention is said to "[sail] on a tide of actions which their gaze [can never] fully encompass".[6] "Scroll montage" is usually used in online audio-visual works in which sound and the moving image are separated and can exist autonomously: audio in these works is usually streamed on internet radio and video is posted on a separate site.[7]
Noted directorsEdit
Film critic Ezra Goodman discusses the contributions of Slavko Vorkapić, who worked at MGM and was the best-known montage specialist of the 1930s:
He devised vivid montages for numerous pictures, mainly to get a point across economically or to bridge a time lapse. In a matter of moments, with images cascading across the screen, he was able to show Jeanette MacDonald's rise to fame as an opera star in Maytime (1937), the outbreak of the revolution in Viva Villa (1934), the famine and exodus in The Good Earth (1937), and the plague in Romeo and Juliet (1936).[8]
Siegel told Peter Bogdanovich how his montages differed from the usual ones:
Montages were done then as they're done now, oddly enough—very sloppily. The director casually shoots a few shots that he presumes will be used in the montage and the cutter grabs a few stock shots and walks down with them to the man who's operating the optical printer and tells him to make some sort of mishmash out of it. He does, and that's what's labeled montage.[10]
In contrast, Siegel would read the motion picture's script to find out the story and action, then take the script's one line description of the montage and write his own five page script. The directors and the studio bosses left him alone because no one could figure out what he was doing. Left alone with his own crew, he constantly experimented to find out what he could do. He also tried to make the montage match the director's style, dull for a dull director, exciting for an exciting director.
Of course, it was a most marvelous way to learn about films, because I made endless mistakes just experimenting with no supervision. The result was that a great many of the montages were enormously effective.[11]
Siegel selected the montages he did for Yankee Doodle Dandy (1942), The Adventures of Mark Twain (1944), and Confessions of a Nazi Spy, as especially good ones. "I thought the montages were absolutely extraordinary in 'The Adventures of Mark Twain'—not a particularly good picture, by the way."[12]
Sports training montageEdit
The sports training montage is a standard explanatory montage. It originated in American cinema[13] but has since spread to modern martial arts films from East Asia. Originally depicting a character engaging in physical or sports training, the form has been extended to other activities or themes.
Conventions and clichésEdit
The standard elements of a sports training montage include a build-up where the potential sports hero confronts his failure to train adequately. The solution is a serious, individual training regimen. The individual is shown engaging in physical training through a series of short, cut sequences. An inspirational song (often fast-paced rock music) typically provides the only sound. At the end of the montage several weeks have elapsed in the course of just a few minutes and the hero is now prepared for the big competition. One of the best-known examples is the training sequence in the 1976 movie Rocky, which culminates in Rocky's run up the Rocky Steps of the Philadelphia Museum of Art.[14]
The simplicity of the technique and its over-use in American film vocabulary has led to its status as a film cliché. A notable parody of the sports training montage appears in the South Park episode, "Asspen". When Stan Marsh must become an expert skier quickly, he begins training in a montage where the inspirational song explicitly spells out the techniques and requirements of a successful sports training montage sequence as they occur on screen. It was also spoofed in Team America: World Police in a similar sequence.[15]
The music in these training montage scenes has garnered a cult following, with such artists as Robert Tepper, Stan Bush and Survivor appearing on several '80s soundtracks. Songs like Frank Stallone's "Far from Over," and John Farnham's "Break the Ice" are examples of high-energy rock songs that typify the music that appeared during montages in '80s action films.[16]
^Greiving, Tim (12 March 2023). "How the Training Montage Became a Miniature Artform". All Things Considered. NPR. Retrieved 12 March 2023.
^"Rocky and the Methods of Montage - Brows Held High". 16 March 2016. Archived from the original on 2021-12-21. Retrieved 14 February 2020 – via YouTube.
^Buffam, Noelle (30 September 2010). "Top 10 'Best of' Film Montages - Page 2 of 11". The Script Lab. Retrieved 14 February 2020.
^Ramirez, Carlos (16 June 2014). "'80s Action Film Montage Music: Never Say Die, it's Far From Over!". noecho.net. Retrieved 14 February 2020.
External linksEdit
Movie Montages, Cracked.com
Top 10 "Best of..." Film Montages, The Script Lab
October 14, 2023
montage, filmmaking, montage, film, redirects, here, south, korean, film, montage, 2013, film, montage, 1920s, soviet, union, soviet, montage, theory, other, uses, word, montage, montage, montage, ɑː, tahzh, film, editing, technique, which, series, short, shot. Montage film redirects here For the South Korean film see Montage 2013 film For the use of montage in the 1920s Soviet Union see Soviet montage theory For other uses of the word montage see Montage Montage m ɒ n ˈ t ɑː ʒ mon TAHZH is a film editing technique in which a series of short shots are sequenced to condense space time and information The term has been used in various contexts In French the word montage applied to cinema simply denotes editing In Soviet montage theory as originally introduced outside the USSR by Sergei Eisenstein 1 it was used to create symbolism 2 Later the term montage sequence used primarily by British and American studios became the common technique to suggest the passage of time 3 A montage is a French term meaning assembling shots or putting together It is a film technique for putting together a series of short shots that create a composite picture A montage can be described as a series of separate images moving or still that are edited together to create a continuous sequence Montages enable filmmakers to communicate a large amount of information to an audience over a shorter span of time by juxtaposing different shots compressing time through editing or intertwining multiple storylines of a narrative From the 1930s to the 1950s montage sequences often combined numerous short shots with special optical effects fades dissolves split screens double and triple exposures dance and music Contents 1 Development 2 Noted directors 3 Sports training montage 3 1 Conventions and cliches 4 See also 5 References 6 External linksDevelopment Edit Film historians differentiate two parallel schools of montage that of the Soviets and that of Hollywood The Soviet tradition primarily distinguished by the writing and film work by S M Eisenstein is seen as intellectual objectively analytical and perhaps overly academic Hollywood montage romantic in the extreme is written off as a series of wipes dissolves flip flops and superimpostions Film historian Richard Koszarski in Hollywood Directors 1914 1940 1976 4 The word montage came to identify specifically the rapid shock cutting that Eisenstein employed in his films Its use survives to this day in the specially created montage sequences inserted into Hollywood films to suggest in a blur of double exposures the rise to fame of an opera singer or in brief model shots the destruction of an airplane a city or a planet 5 Two common montage devices used are newsreels and railroads In the first as in Citizen Kane there are multiple shots of newspapers being printed multiple layered shots of papers moving between rollers papers coming off the end of the press a pressman looking at a paper and headlines zooming on to the screen telling whatever needs to be told In a typical railroad montage the shots include engines racing toward the camera giant engine wheels moving across the screen and long trains racing past the camera as destination signs fill the screen Scroll montage is a form of multiple screen montage developed specifically for the moving image in an internet browser It plays with Italian theatre director Eugenio Barba s space river montage in which the spectators attention is said to sail on a tide of actions which their gaze can never fully encompass 6 Scroll montage is usually used in online audio visual works in which sound and the moving image are separated and can exist autonomously audio in these works is usually streamed on internet radio and video is posted on a separate site 7 Noted directors EditFilm critic Ezra Goodman discusses the contributions of Slavko Vorkapic who worked at MGM and was the best known montage specialist of the 1930s He devised vivid montages for numerous pictures mainly to get a point across economically or to bridge a time lapse In a matter of moments with images cascading across the screen he was able to show Jeanette MacDonald s rise to fame as an opera star in Maytime 1937 the outbreak of the revolution in Viva Villa 1934 the famine and exodus in The Good Earth 1937 and the plague in Romeo and Juliet 1936 8 From 1933 to 1942 Don Siegel later a noted feature film director was the head of the montage department at Warner Brothers He did montage sequences for hundreds of features including Confessions of a Nazi Spy Knute Rockne All American Blues in the Night Yankee Doodle Dandy Casablanca Action in the North Atlantic Gentleman Jim and They Drive by Night 9 Siegel told Peter Bogdanovich how his montages differed from the usual ones Montages were done then as they re done now oddly enough very sloppily The director casually shoots a few shots that he presumes will be used in the montage and the cutter grabs a few stock shots and walks down with them to the man who s operating the optical printer and tells him to make some sort of mishmash out of it He does and that s what s labeled montage 10 In contrast Siegel would read the motion picture s script to find out the story and action then take the script s one line description of the montage and write his own five page script The directors and the studio bosses left him alone because no one could figure out what he was doing Left alone with his own crew he constantly experimented to find out what he could do He also tried to make the montage match the director s style dull for a dull director exciting for an exciting director Of course it was a most marvelous way to learn about films because I made endless mistakes just experimenting with no supervision The result was that a great many of the montages were enormously effective 11 Siegel selected the montages he did for Yankee Doodle Dandy 1942 The Adventures of Mark Twain 1944 and Confessions of a Nazi Spy as especially good ones I thought the montages were absolutely extraordinary in The Adventures of Mark Twain not a particularly good picture by the way 12 Sports training montage EditThe sports training montage is a standard explanatory montage It originated in American cinema 13 but has since spread to modern martial arts films from East Asia Originally depicting a character engaging in physical or sports training the form has been extended to other activities or themes Conventions and cliches Edit The standard elements of a sports training montage include a build up where the potential sports hero confronts his failure to train adequately The solution is a serious individual training regimen The individual is shown engaging in physical training through a series of short cut sequences An inspirational song often fast paced rock music typically provides the only sound At the end of the montage several weeks have elapsed in the course of just a few minutes and the hero is now prepared for the big competition One of the best known examples is the training sequence in the 1976 movie Rocky which culminates in Rocky s run up the Rocky Steps of the Philadelphia Museum of Art 14 The simplicity of the technique and its over use in American film vocabulary has led to its status as a film cliche A notable parody of the sports training montage appears in the South Park episode Asspen When Stan Marsh must become an expert skier quickly he begins training in a montage where the inspirational song explicitly spells out the techniques and requirements of a successful sports training montage sequence as they occur on screen It was also spoofed in Team America World Police in a similar sequence 15 The music in these training montage scenes has garnered a cult following with such artists as Robert Tepper Stan Bush and Survivor appearing on several 80s soundtracks Songs like Frank Stallone s Far from Over and John Farnham s Break the Ice are examples of high energy rock songs that typify the music that appeared during montages in 80s action films 16 See also EditBonnie and Clyde 1967 film notable for its montage finale edited by Dede Allen Collage film similar in content Video essay similar in contentReferences Edit Bordwell David 2005 The Cinema of Eisenstein New York NY Routledge ISBN 0415973651 Eisenstein Sergei English transl Jay Leyda Montage of Attractions in The Film Sense New York and London Harvest HBJ 1947 Reisz Karel 2010 The Technique of Film Editing Burlington MA Focal Press ISBN 978 0 240 52185 5 Koszarski Richard 1976Hollywood Directors 1914 1940 Oxford University Press Library of Congress Catalog Number 76 9262 p 252 Knight Arthur 1957 The Liveliest Art A Panoramic History of the Movies New York Mentor Books p 80 OCLC 833176912 Barba Eugenio 2009 On Directing and Dramaturgy Burning the House Routledge p 47 ISBN 9781135225841 Mobile Irony Valve May 25 2014 Logical Volume Identifier KCHUNG Radio Goodman Ezra Fifty Year Decline and Fall of Hollywood Macfadden Books 1962 p 293 Don Siegel Who the Devil Made It Peter Bogdanovich Alfred A Knopf 1997 p 766 Interview made in 1968 Don Siegel pp 724 725 Don Siegel pp 725 726 Don Siegel p 726 Greiving Tim 12 March 2023 How the Training Montage Became a Miniature Artform All Things Considered NPR Retrieved 12 March 2023 Rocky and the Methods of Montage Brows Held High 16 March 2016 Archived from the original on 2021 12 21 Retrieved 14 February 2020 via YouTube Buffam Noelle 30 September 2010 Top 10 Best of Film Montages Page 2 of 11 The Script Lab Retrieved 14 February 2020 Ramirez Carlos 16 June 2014 80s Action Film Montage Music Never Say Die it s Far From Over noecho net Retrieved 14 February 2020 External links EditMovie Montages Cracked com Top 10 Best of Film Montages The Script Lab Retrieved from https en wikipedia org w index php title Montage filmmaking amp oldid 1171929927, wikipedia, wiki, book, books, library,
