Lammert studied painting at Kunsthochschule Berlin from 1979 to 1986 and from 1989 to 1992 he was master scholar at Akademie der Künste zu Berlin. In 1993 he created his first stage design for Heiner Müller’s production of „Duell-Traktor- Fatzer“ at Berliner Ensemble. In the following years he received scholarships for painting from Senatsverwaltung für Kulturelle Angelegenheiten, Berlin (1994) and the Kunstfond Bonn e.V. (1996) In 1997 he was affiliated to the latter as a curator. In 1997 he lived and worked in Lisbon and in 1998 he was awarded the Grafikpreis of Kunstmesse Dresden. In 1999 Akademie der Künste awarded him their Käthe Kollwitz Prize and in 2000/2001 Academie Experimentale des Theatres invited him to Paris. The Preußische Seehandlung presented him with their Eberhard Roters scholarship for painting in 2002. He spent most of 2002 in France, where he was artist in residence des „Les Recollets“, Paris. In 2011 Lammert was appointed professor of painting at the Universität der Künste, Berlin.
Work
KNOCHEN, 2007, pen on paper
Lammert appeared before the public both with paintings and drawings from very early on and was represented in many exhibitions of German art (e.g. „Deutschlandbilder“, Bern 1997 and „Art of Two Germanys“, County Museum of Art, Los Angeles, 2009). His work is driven by a conceptual approach that questions the limits of what is pictorially representable. This applies to the early portraits (Stephan Hermlin, 1987) which were described as painted protest against a society unaware of its history and to the subsequent series of paintings, drawings and graphic art: beginning with the early group paintings „People Waiting“ (1983 – 88) via the frozen white nudes and butchery paintings up to the graphic sequence „Kinne“ that invalidates the cliche Heiner Müller.
His large-sized series of paintings „allied“ (1994–1995), he palimpsestically applied shades of red paint to the backside of maps increasingly illustrate his principle of reduction: he reduces fragments of human figures in the context of the cartographical pattern. He starts experimenting with various work bases, works on book caskets and puts fine line networks as quadrature onto drawings on crude paper. Since 1998 he has chosen to work on smaller pictures which he has expanded to tableaus. The scarceness that leaves only the elementary keeps the balance between the carnal and the skeleton, framework and matter, line and colour and also between image and polyvalent characters. The reduction not only captures the figurative traces of the physical, but also the colours of the backgrounds as the blots of paints appear on them like injuries. „Armbrusr“ (1997–1999), „Hüllen“ (1998–1999), „Brust-korb“ (1998–2000) and „Weiß“ (2001–2003) are placed onto white backgrounds, „Passion“ (2001–2002) and „Schwarz“ (2002–2004) are placed onto shaded dark backgrounds. Increasingly the colour sentiment begins to change („Floaters“, 2005–2009), whereas the relations between base and pictorial feature, as shown by the writing pieces, are changed and in their configuration turn towards the ornamental.
Page of a book, 2005
A comprehensive body of work consisting of print graphic pieces has been created alongside. In some cases all lithographic templates were embraced by the image-finding process to yield a collage-like result. Furthermore, since the 1980s, Lammert has been collecting his material in work books that serve as a parallel work space and by reflecting the media illustrate the political context his work emerges from. Apart from collages, photos and drawings which often disclose techniques of representing the brutal these books are filled with written notations and excerpts from various theoretical texts. The visual and the verbal are crossed. When creating the pieces entitled „Risse“ (2004), the technique of handwritten copying is used for the first time to bring into being pictures that are both text and drawing. By leaving openings within the body of text they reveal shapes and figures. Increasingly these notations become more fragmented and mapped. In „Knochen“ (2006/07) coloured, free-floating fields in linear contours that mark the growing stages from the animal collection of the Musée Fragonard in Paris in terms of colour are confronted with written extracts.
By means of his collaboration with Heiner Müller since 1991 („Aus dem Totenhaus“, 1990; „Blockade“, 1991; Totenzeichnungen 1995) Lammert created stage designs that convert the materiality of his painting into the spatial. The spaces that were sometimes merely divided by falling pieces of fabric (Germania 3, 1996) or by a revolving door (Perser, 2006) become fellow actors and have been referred to as dramaturgy engines.
Work (selection)
Single exhibitions
Exhibition Centro Arte Moderna, “Fragment d’espace”, Fundação Gulbenkian, Lisbon, 2005
Eckhart Gillen: „Szenes from the theatre of the cold war of the arts“, in: Art of Two Germanys, County Museum of Art, Los Angeles, 2009.
Matthias Flügge, Bruno Duarte: Mark Lammert, Malerei 1997–2010 (engl.), Richter Verlag, Düsseldorf, 2011.
Juriaan Benschop: Mark Lammert, in: Artforum, New York March 2011.
Judith Elisabeth Weiss: Mark Lammerts Kinne und Haare. Zeichnerische Fragmente von Heiner Müller und Dimiter Gotscheff, in: Kunstforum international, Bd. 216, 2012.
. Bernhard Gaul in Conversation with Mark Lammert. In: The Painting Imperative, Issue 6, Winter 2012.
March 11, 2023
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This article includes a list of references related reading or external links but its sources remain unclear because it lacks inline citations Please help to improve this article by introducing more precise citations November 2014 Learn how and when to remove this template message Mark Lammert born 30 September 1960 in Berlin is a German painter illustrator graphic artist and stage designer He lives and works in Berlin BLACK 2004 oil on wood Contents 1 Biography 2 Work 3 Work selection 3 1 Single exhibitions 3 2 Group exhibitions 3 3 Stage designs 3 4 Public collections 4 Awards 5 Literature 6 External linksBiography EditLammert studied painting at Kunsthochschule Berlin from 1979 to 1986 and from 1989 to 1992 he was master scholar at Akademie der Kunste zu Berlin In 1993 he created his first stage design for Heiner Muller s production of Duell Traktor Fatzer at Berliner Ensemble In the following years he received scholarships for painting from Senatsverwaltung fur Kulturelle Angelegenheiten Berlin 1994 and the Kunstfond Bonn e V 1996 In 1997 he was affiliated to the latter as a curator In 1997 he lived and worked in Lisbon and in 1998 he was awarded the Grafikpreis of Kunstmesse Dresden In 1999 Akademie der Kunste awarded him their Kathe Kollwitz Prize and in 2000 2001 Academie Experimentale des Theatres invited him to Paris The Preussische Seehandlung presented him with their Eberhard Roters scholarship for painting in 2002 He spent most of 2002 in France where he was artist in residence des Les Recollets Paris In 2011 Lammert was appointed professor of painting at the Universitat der Kunste Berlin Work Edit KNOCHEN 2007 pen on paper Lammert appeared before the public both with paintings and drawings from very early on and was represented in many exhibitions of German art e g Deutschlandbilder Bern 1997 and Art of Two Germanys County Museum of Art Los Angeles 2009 His work is driven by a conceptual approach that questions the limits of what is pictorially representable This applies to the early portraits Stephan Hermlin 1987 which were described as painted protest against a society unaware of its history and to the subsequent series of paintings drawings and graphic art beginning with the early group paintings People Waiting 1983 88 via the frozen white nudes and butchery paintings up to the graphic sequence Kinne that invalidates the cliche Heiner Muller His large sized series of paintings allied 1994 1995 he palimpsestically applied shades of red paint to the backside of maps increasingly illustrate his principle of reduction he reduces fragments of human figures in the context of the cartographical pattern He starts experimenting with various work bases works on book caskets and puts fine line networks as quadrature onto drawings on crude paper Since 1998 he has chosen to work on smaller pictures which he has expanded to tableaus The scarceness that leaves only the elementary keeps the balance between the carnal and the skeleton framework and matter line and colour and also between image and polyvalent characters The reduction not only captures the figurative traces of the physical but also the colours of the backgrounds as the blots of paints appear on them like injuries Armbrusr 1997 1999 Hullen 1998 1999 Brust korb 1998 2000 and Weiss 2001 2003 are placed onto white backgrounds Passion 2001 2002 and Schwarz 2002 2004 are placed onto shaded dark backgrounds Increasingly the colour sentiment begins to change Floaters 2005 2009 whereas the relations between base and pictorial feature as shown by the writing pieces are changed and in their configuration turn towards the ornamental Page of a book 2005 A comprehensive body of work consisting of print graphic pieces has been created alongside In some cases all lithographic templates were embraced by the image finding process to yield a collage like result Furthermore since the 1980s Lammert has been collecting his material in work books that serve as a parallel work space and by reflecting the media illustrate the political context his work emerges from Apart from collages photos and drawings which often disclose techniques of representing the brutal these books are filled with written notations and excerpts from various theoretical texts The visual and the verbal are crossed When creating the pieces entitled Risse 2004 the technique of handwritten copying is used for the first time to bring into being pictures that are both text and drawing By leaving openings within the body of text they reveal shapes and figures Increasingly these notations become more fragmented and mapped In Knochen 2006 07 coloured free floating fields in linear contours that mark the growing stages from the animal collection of the Musee Fragonard in Paris in terms of colour are confronted with written extracts By means of his collaboration with Heiner Muller since 1991 Aus dem Totenhaus 1990 Blockade 1991 Totenzeichnungen 1995 Lammert created stage designs that convert the materiality of his painting into the spatial The spaces that were sometimes merely divided by falling pieces of fabric Germania 3 1996 or by a revolving door Perser 2006 become fellow actors and have been referred to as dramaturgy engines Work selection EditSingle exhibitions Edit Exhibition Centro Arte Moderna Fragment d espace Fundacao Gulbenkian Lisbon 2005 1991 und 1993 Galerie Rotunde Altes Museum Staatliche Museen zu Berlin Berlin catalogue 1995 Kunsthalle Rostock catalogue 1996 Kunstmuseum Kloster Unser Lieben Frauen Magdeburg catalogue 1998 galerie refugium Berlin 1999 Kathe Kollwitz Preis Akademie der Kunste Berlin catalogue 2000 Kunstkabinett am Goetheplatz Stadtmuseum Weimar 2001 Arbeitsbucher und Serien Kunstsammlung Neubrandenburg 2002 Kunstraum Les Subsistances Lyon 2004 Risse fruehsorge Galerie fur Zeichnung Berlin 2005 Fragment d espace Centro de Arte Moderna Fundacao Calouste Gulbenkian Lisbon catalogue 2006 Ausgewahlte Zeichnungen Berlinische Galerie Landesmuseum fur moderne Kunst Fotografie und Architektur Berlin catalogue 2007 One Stepp beyond mit Greg Stone fruehsorge Galerie fur Zeichnung Berlin 2010 beauty is booty fruehsorge Galerie fur Zeichnung Berlin 2010 Malerei 1997 2010 Guardini Gallerie BerlinGroup exhibitions Edit Exhibition Notation Berlin Karlsruhe 2008 2009 1989 1 Quadrinale Zeichnungen der DDR Museum der bildenden Kunste Leipzig 1991 Vice Versa Frans Hals Museum Haarlem 1992 Turning Points East German Art in Revolution Northern Gallery for Contemporary Art Sunderland u a 1993 Akademie 93 Berlin 1995 Scharfer Blick Der Deutsche Kunstlerbund in Bonn Kunst und Ausstellungshalle der Bundesrepublik Deutschland Bonn 1996 Zeichnen Der Deutsche Kunstlerbund Germanisches Nationalmuseum Nurnberg 1996 Das szenische Auge Institut fur Auslandsbeziehungen Berlin Neu Dehli u a 1997 respondem Exhibition Centre Centro Cultural de Belem Lisbon 1997 deutschlandbilder Martin Gropius Bau Berlin 2000 Kabinett der Zeichnung Kunstverein Dusseldorf u a 2002 Wahnzimmer Kunst und Kultur der achtziger Jahre in Deutschland Museum der bildenden Kunste Leipzig and Museum Folkwang Essen 2003 Warum Bilder diesseits und jenseits des Menschen Martin Gropius Bau Berlin 2003 Kunst in der DDR Neue Nationalgalerie Berlin 2008 2009 Notation Kalkul und Form in den Kunsten Akademie der Kunste Berlin and ZKM Karlsruhe 2009 Art of Two Germanys County Museum of Art Los Angeles 2009 Zeigen Temporare Kunsthalle Berlin 2010 Je mehr ich zeichne Zeichnung als Weltentwurf Museum fur Gegenwartskunst Siegen 2012 2013 Abschied von Ikarus Neues Museum Weimar 2015 Meisterspiel Strawalde Mark Lammert GALERIE BORN BerlinStage designs Edit 1993 for Heiner Muller Duell Traktor Fatzer Muller Brecht Berliner Ensemble Berlin 1995 for Heiner Muller Germania 3 Muller Berliner Ensemble Berlin 1995 for Josef Szeiler Philoktet Muller Berliner Ensemble Berlin 1997 for Jean Jourdheuil Germania 3 Muller Lisbon 2003 for Jean Jourdheuil La Finta giardiniera Mozart Staatsoper Stuttgart 2004 for Jean Jourdheuil Michel Foucault chose dites choses vues Festival d Automne Paris 2005 for Jean Jourdheuil Idemeneo Mozart Staatsoper Stuttgart 2006 for Dimiter Gotscheff Die Perser Aischylos Muller Deutsches Theater Berlin 2007 for Dimiter Gotscheff Die Hamletmaschine Muller Deutsches Theater Berlin 2009 for Dimiter Gotscheff Die Perser Aischylos Epidauros Greece 2009 for Dimiter Gotscheff Prometheus Aischylos Muller Volksbuhne Berlin 2009 for Volker Schlondorff Und das Licht scheint in der Finsternis Tolstoi Berlin Moskau 2009 for Jean Jourdheuil Philoktet Sophokles Muller Theatre de la Ville Paris 2009 for Dimiter Gotscheff Oedipus Tyrann Sophokles Holderlin Muller Thalia Theater Hamburg 2010 for Dimiter Gotscheff Die Chinesin Godard Volksbuhne Berlin 2011 for Reinhild Hoffmann Exercices du silence Staatsoper Berlin 2011 for Dimiter Gotscheff Medeamaterial Muller Deutsches Theater BerlinPublic collections Edit Stiftung Preussischer Kulturbesitz Kupferstichkabinett Sammlung der Zeichnung Berlin Berlinische Galerie Landesmuseum fur moderne Kunst Fotografie und Architektur Berlin Museum der Bildenden Kunste Leipzig Staatliches Lindenau Museum Altenburg Staatliche Kunstsammlung Dresden Staatliches Museum Schwerin Sammlung Ann und Werner Kramarsky New York Kunstsammlung der Akademie der Kunste Berlin Sammlung Deutsche Bank Frankfurt a M Awards Edit1996 Wilhelm Hopfner Preis der Winckelmann Gesellschaft Stendal 1998 Grafik Preis der Kunstmesse Dresden 1999 Kathe Kollwitz Preis der Akademie der Kunste 2002 Eberhard Roters Stipendium der Preussischen Seehandlung Berlin 2003 Artist in residence Centre International Les Recollets ParisLiterature EditMichael Freitag Kalte Anschauung Der Maler Mark Lammert in Kunst in der DDR Editors Eckhardt Gillen Rainer Haarmann Koln 1990 Heiner Muller Aus dem Totenhaus Edition Pariser Platz 4 Berlin 1991 Jannis Kounellis Mark Lammert und Heiner Muller BLOCKADE ICH HAB ZUR NACHT GESESSEN MIT GESPENSTERN Berlin 1993 Durs Grunbein Mullers Kinn Berlin 1994 Anni Bradon Schwebe Zustand Rostock 1995 Heiner Muller und Mark Lammert Drucksache Nr 20 Berliner Ensemble Arbeitsbuch zu Germania 3 Gespenster am Toten Mann 1996 Uwe Gellner Korperraume in Mark Lammert Malerei Berlin Magdeburg 1996 Antje von Graevenitz Rekonstruktion einer Szene in IfA Stuttgart 1997 Jean Jourdheuil Der Raum des Theaters und der Raum im Theater Dresden Berlin 1998 Matthias Flugge Laudatio fur Mark Lammert in Sinn und Form Berlin 1999 Michael Freitag Die Uneigentlichkeit des Scheins in Warum Ostfildern 2003 Roland Marz Diptychon imaginiaire in Humboldt Heft 86 Bonn 2003 Mirjam Schaub Scriptoria in SCHRIFT BILDER DENKEN Walter Benjamin und die Kunstler der Gegenwart Frankfurt am Main 2004 Knut Ebeling Carolin Meister Arbeitsbucher Workbooks engl Dusseldorf Richter Verlag 2005 Jorge Molder Fragment d espace in CMA Lisbon 2005 Ulrike Hass Dramaturgiemaschinen Zu den Buhnen Mark Lammerts in Theater der Zeit 2008 Amy Eshoo 560 Broadway A New Drawing Collecktion at Work 1991 2006 2008 Reinhard Ermen Mark Lammert in Kunstforum international Bd 196 Zeichnen zur Zeit 2009 Eckhart Gillen Szenes from the theatre of the cold war of the arts in Art of Two Germanys County Museum of Art Los Angeles 2009 Matthias Flugge Bruno Duarte Mark Lammert Malerei 1997 2010 engl Richter Verlag Dusseldorf 2011 Juriaan Benschop Mark Lammert in Artforum New York March 2011 Judith Elisabeth Weiss Mark Lammerts Kinne und Haare Zeichnerische Fragmente von Heiner Muller und Dimiter Gotscheff in Kunstforum international Bd 216 2012 External links EditPortfolio of Mark Lammert Mark Lammert in the German National Library catalogue Information of the Universitat der Kunste Berlin Information of the Ifa Informationen of the Gulbenkian Museum Lissabon permanent dead link Beauty as Depth of the Plane Bernhard Gaul in Conversation with Mark Lammert In The Painting Imperative Issue 6 Winter 2012 Retrieved from https en 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