Lynda Barry
Linda Jean Barry (born January 2, 1956), known professionally as Lynda Barry, is an American cartoonist. Barry is best known for her weekly comic strip Ernie Pook's Comeek. She garnered attention with her 1988 illustrated novel The Good Times are Killing Me, about an interracial friendship between two young girls, which was adapted into a play. Her second illustrated novel, Cruddy, first appeared in 1999. Three years later she published One! Hundred! Demons!, a graphic novel she terms "autobifictionalography". What It Is (2008) is a graphic novel that is part memoir, part collage and part workbook, in which Barry instructs her readers in methods to open up their own creativity; it won the comics industry's 2009 Eisner Award for Best Reality-Based Work.[2]
| Lynda Barry | |
|---|---|
At the 2010 Alternative Press Expo | |
| Born | Linda Jean Barry January 2, 1956[1] Richland Center, Wisconsin, U.S. |
| Nationality | American |
| Area(s) | Cartoonist, Writer |
Notable works | Ernie Pook's Comeek The Good Times Are Killing Me One! Hundred! Demons! |
In recognition of her contributions to the comic art form, Comics Alliance listed Barry as one of twelve women cartoonists deserving of lifetime achievement recognition,[3] and she received the Wisconsin Visual Art Lifetime Achievement Award in 2013.[4] In July 2016, she was inducted into the Eisner Hall of Fame.[5] Barry was awarded a MacArthur Fellowship as part of the Class of 2019.[6] She is currently an Associate Professor of Interdisciplinary Creativity at the University of Wisconsin–Madison.[7]
In 2020, her work was included in the exhibit Women in Comics: Looking Forward, Looking Back at the Society of Illustrators in New York City.[8]
Early life and education
Linda Jean Barry, who changed her first name to "Lynda" at age 12,[9] was born on Highway 14 in Richland Center, Wisconsin.[10]
Her father was a meat-cutter of Irish and Norwegian descent, and her mother, a hospital housekeeper, was of Irish and Filipino descent.[10] Barry grew up in Seattle, Washington in a racially mixed working-class neighborhood,[11] and recalls her childhood as difficult and awkward.[9][12] Her parents divorced when she was 12.[9] By age 16, she was working nights as a janitor at a Seattle hospital while still attending high school, where her classmates included artist Charles Burns.[12] Neither of Barry's parents attended her graduation.[why?][9] Her mother strongly disapproved of Lynda's love of books and desire to go to college; she said they were a waste of time, and that it was time for Lynda to get a job.[13]
At The Evergreen State College in Olympia, Washington, Barry met fellow cartoonist Matt Groening.[14] Her career began in 1977[9] when Groening and University of Washington Daily student editor John Keister each published her work without her knowledge in their respective student newspapers, titling it Ernie Pook's Comeek.[11][14]
Career
Comics
Barry was known as the class cartoonist in her grade school. While studying fine arts at The Evergreen State College, she began drawing comic strips compulsively when her boyfriend left her for another girl: "I couldn't sleep after that, and I started making comic strips about men and women. The men were cactuses and the women were women, and the cactuses were trying to convince the women to go to bed with them, and the women were constantly thinking it over but finally deciding it wouldn't be a good idea." These were the cartoons Groening and Keister published as Ernie Pook's Comeek.[15] Barry also credits her start in comics to Evergreen State professor Marilyn Frasca, saying, "The lessons I learned from her when I was 19 and 20, I still use every day and have never been able to wear out."[16]
After graduating from Evergreen, Barry moved to Seattle. When she was 23, the Chicago Reader picked up her comic strip, enabling her to make a living from her comics alone. She later moved to Chicago, Illinois.[12] As she described her career start:
[Editor] Bob Roth called me from the Chicago Reader as the result of an article [her college classmate] Matt [Groening] wrote about hip West Coast artists — he threw me in just because he was a buddy, right? And then Bob Roth ... called and wanted to see my comic strips, and I didn't have any originals. I didn't know anything about originals, that you don't give them to newspapers because newspapers lose them. So I had to draw a whole set that night and Federal Express them. So I did, and he started printing them, and he paid $80 a week, and I could live off of that. And because he's with this newspaper association, the other papers started picking it up. So it was luck. Sheer luck. [Matt] got into the Los Angeles Reader. For a long time the Los Angeles Reader wouldn't print me, and the Chicago Reader wouldn't print Matt even though they're sister publications. So we both worked on the publishers and the editors to get each other in. It was really funny: when we got into each others' papers, everything sort of took off for both of us.[11]
Collections of her work include Girls & Boys (1981), Big Ideas (1983), Everything in the World (1986), The Fun House (1987), Down the Street (1989), and The Greatest of Marlys (2000). In 1984, she released a coloring book with brief text called Naked Ladies! Naked Ladies! Naked Ladies! She also wrote and drew a full-page color strip examining the everyday pathology of relationships for Esquire magazine. In 1989 Barry's strip appeared weekly in more than 50 publications, mostly alternative newspapers in large cities.[15]
Barry has described her process as developing a story while working, not planning it out in advance. In answering a question about her book What It Is in an interview with Michael Dean for The Comics Journal,[17] Barry said:
There were big realizations and small ones. The biggest one was the same one I had when I wrote Cruddy. The realization that the back of the mind can be relied on to create natural story order. It's not something I have to try to do, or think too hard about. If I just work every day on a particular project, it seems to begin to form itself if I keep moving my hands while maintaining a certain state of mind.
Due to the loss of weekly newspaper clients, Barry moved her comics primarily online by 2007.[18][19][20]
Books
Commercially published collections of Barry's comics began appearing in 1981 .[21] Her limited edition self published Xerox book called Two Sisters about sisters Evette and Rita was published in 1979.[22] She has written two illustrated novels, The Good Times are Killing Me (1988) and Cruddy, also known as Cruddy: An Illustrated Novel (1999).
Cruddy is written in the voice of a fictional girl named Roberta Rohbeson, who describes her home as "the cruddy top bedroom of a cruddy rental house on a very cruddy mud road" and who ends up in a string of violent adventures with her father. Barry addressed the violence in the book in an interview with Hillary Chute in The Believer,[23] saying:
Cruddy has murder galore. It's, like, you know, it's murder fiesta, and lots of knives and killing. ... So does that mean that I'm a person who thinks about murder? Well, yes, as a matter of fact, I do think about murder constantly. Actually, when I'm talking to people who are driving me crazy, I often imagine they have an ax in their forehead while they're talking to me. I know that that's my personal relationship with murder and knives and blood. It doesn't mean that I need to go do that.
The book was well regarded by critics. Alanna Nash wrote in The New York Times that "the author's ability to capture the paralyzing bleakness of despair, and her uncanny ear for dialogue, make this first novel a work of terrible beauty."[24] In The Austin Chronicle, Stephen MacMillan Moser wrote a review in the form of a letter to Barry, saying "You blew me away. Sometimes I wasn't sure if something was supposed to be funny or not, but I laughed a lot. But I also feel like I got run over by a bus."[25] In 2013, English professor Ellen E. Berry published a paper focused on the novel titled "Becoming‐Girl/Becoming‐Fly/Becoming‐Imperceptible: Gothic Posthumanism in Lynda Barry's Cruddy: An Illustrated Novel."[26] Berry wrote in her summary of the paper that the book is "a vivid example of what I call 'gothic posthumanism' in which gothic themes and tropes serve to advance an extensive critique of anthropo‐ and other centrisms, all forms of domination, the values of liberal humanism and affirmative conformist culture." Berry analyzes Cruddy using a theory of posthuman ethics articulated by Rosi Braidotti, writing that she used Braidotti's theory "to analyze Roberta's survival strategies and her radically posthuman identification with animals centering on their shared vulnerability and thus their shared goal: to disappear and to survive."
Barry adapted The Good Times are Killing Me as an Off-Broadway play (see below).
One! Hundred! Demons! first appeared as a serialized comic on Salon.com;[27] according to the book's introduction, it was produced in emulation of an old Zen painting exercise called "one hundred demons". In this exercise, the practitioner awaits the arrival of demons and then paints them as they arise in the mind. The demons Barry wrestles with in this book include regret, abusive relationships, self-consciousness, the prohibition against feeling hate, and her response to the results of the 2000 U.S. presidential election. The book contains an instructional section that encourages readers to take up the brush and follow her example. According to Time magazine, the book uses "acutely-observed humor to explore the pain of growing up."[28]
Barry has also published four books about the creative processes of writing and drawing. Making Comics, What It Is, Picture This, and Syllabus: Notes From an Accidental Professor focus on opening pathways to personal creativity. Publishers Weekly gave Syllabus a starred review, calling it "an excellent guide for those seeking to break out of whatever writing and drawing styles they have been stuck in, allowing them to reopen their brains to the possibility of new creativity."[29] The AV Club named Syllabus one of the best comics of 2014.[30]
Other media
Barry adapted her illustrated novel The Good Times are Killing Me (1988) as an off-Broadway play that had 106 performances from March 26 to June 23, 1991, at the McGinn-Cazale Theatre at 2162 Broadway, and 136 performances from July 30 to November 24, 1991, at the Minetta Lane Theatre. It was directed by Mark Brokaw and produced by Second Stage Theatre, with the Minetta Lane portion produced by Concert Productions International. Angela Goethals won a 1990–91 Obie Award for her lead role as Edna Arkins. Chandra Wilson as Bonna Willis won a 1991 Theatre World Award. Barry was nominated for the 1992 Outer Critics Circle's John Gassner Award.[31][32]
In its March–April 1991 issue, Mother Jones published Barry's essay "War", which protested the first Gulf War: "War becomes part of our DNA...How dare anyone purposefully bring it into our lives when other options remain?"[33] Barry had previously read the essay on Chicago Public Radio's program The Wild Room, which she co-hosted with Ira Glass and Gary Covino.[34]
Workshops and teaching
Barry offers a workshop titled "Writing the Unthinkable" through the Omega Institute in Rhinebeck, New York, and The Crossings in Austin, Texas, in which she teaches the process she uses to create all of her work. Barry conducts approximately 15 writing workshops around the country each year.[9] She credits her teacher, Marilyn Frasca at The Evergreen State College, with teaching her these creativity and writing techniques. Many of these techniques appear in her book What It Is.[citation needed] A New York Times article about her writing workshops summed up her technique: "Barry isn't particularly interested in the writer's craft. She's more interested in where ideas come from—and her goal is to help people tap into what she considers to be an innate creativity."[9]
In the spring term of 2012, Barry was artist in residence at the University of Wisconsin–Madison Arts Institute and Department of Art.[35] She taught a class, What It Is: Manually Shifting the Image.[36]
She joined the faculty of University of Wisconsin–Madison in 2013 as an assistant professor in the art department and through the Wisconsin Institute for Discovery.[37] During September 24–28, 2012, Barry was the artist in residence at Capilano University in North Vancouver, British Columbia.[38]
Other associates
As of 2013, singer and friend Kelly Hogan was working as an assistant for Barry,[39] helping her arrange her teaching schedule.[40][41] In one episode of Barry's Ernie Pook's Comeek, children are peering in a window of the Hideout nightclub in Chicago, listening to Hogan's band The Wooden Leg.[citation needed]
Personal life
For a time, Barry dated public-radio personality Ira Glass.[42] She briefly joined him in Washington, D.C., but a few months later, in the summer of 1989, she moved to Chicago to be near fellow cartoonists.[11] Glass followed her there.[43] Reflecting on the relationship, she called it the "worst thing I ever did," and said he told her she "was boring and shallow, and...wasn't enough in the moment for him."[43] She later drew a comic based on their relationship titled "Head Lice and My Worst Boyfriend", which was later included in her book One! Hundred! Demons!...[44] Glass has not denied her assertions, and told the Chicago Reader, "I was an idiot. I was in the wrong...About so many things with her. Anything bad she says about me I can confirm."[43]
Barry is married to Kevin Kawula, a prairie restoration expert.[45] They met while she was an artist in residence at the Ragdale Foundation and he was land manager of the Lake Forest Open Lands project in Lake Forest, Illinois.[46] In 2002 they moved to a dairy farm near Footville, Wisconsin.[47]
Barry is an outspoken critic of wind turbines and has lobbied the Wisconsin government for clearer zoning regulations for turbines being built in residential areas.[48] She has also spoken out about wind power's problems with noise pollution, human health, and efficiency as related to variability.[49][50]
In 1994, Barry suffered a near-fatal case of dengue fever.[where?][9]
Awards
- Eisner Award Best Reality Based Work Winner: What It Is, Eisner Awards 2009[51]
- Inkpot Award (1988)[52]
- MacArthur Fellow, 2019 class[53]
Published works
- Girls and Boys (Real Comet Press 1981) ISBN 0-941104-00-1
- Big Ideas (Real Comet Press 1983) ISBN 0-941104-07-9
- Naked Ladies, Naked Ladies, Naked Ladies: Coloring Book (Real Comet Press 1984) ISBN 978-0941104135
- Everything in the World (HarperCollins 1986) ISBN 978-0060961077
- Down the Street (HarperCollins 1988) ISBN 978-0060963040
- The Fun House (HarperCollins 1988) ISBN 0-06-096228-3
- The Good Times Are Killing Me (Perennial/HarperCollins, 1988) ISBN 0-941104-22-2
- Come Over, Come Over (HarperCollins 1990) ISBN 0-06-096504-5
- My Perfect Life (Perennial/HarperCollins 1992) ISBN 978-0060965051
- The Lynda Barry Experience (spoken word cassette tape/CD 1993) ISBN 1-882543-17-3
- It's So Magic (Perennial/HarperCollins 1994) ISBN 978-0060950460
- The Freddie Stories (Sasquatch Books 1999) ISBN 978-1570611063
- Cruddy (Simon & Schuster hardcover 1999) ISBN 978-0684865300 (paperback 2000) ISBN 978-0684838465
- The Greatest of Marlys (Sasquatch Books 2000) ISBN 1-57061-260-9
- One! Hundred! Demons! (Sasquatch Books 2002) ISBN 9781570613371
- What It Is (Drawn & Quarterly 2008) ISBN 978-1897299357
- Picture This: The Near-Sighted Monkey Book (Drawn & Quarterly 2010) ISBN 1-897299-64-8
- Blabber Blabber Blabber: Volume 1 of Everything (Drawn & Quarterly 2011) ISBN 978-1770460522
- Syllabus: Notes from an Accidental Professor (Drawn & Quarterly 2014) ISBN 978-1770461611
- The Greatest of Marlys (Drawn & Quarterly hardcover 2016) ISBN 978-1770462649
- Making Comics (Drawn & Quarterly 2019) ISBN 978-1770463691
Notes
- ^ Kirtley (2012), p. 15.
- ^ Doran, Michael. "2009 Eisner Award Winners". Newsrama. Retrieved March 5, 2016.
- ^ . Comicsalliance.com. Archived from the original on August 1, 2016. Retrieved August 7, 2016.
- ^ Schumacher, Mary Louise (May 14, 2013). "Wisconsin 'hall of fame' artists announced for 2013". The Milwaukee Journal Sentinel. Milwaukee Journal Sentinel. Retrieved March 5, 2016.
- ^ Cavna, Michael. "Comic-Con: 'Overjoyed' Rep. John Lewis wins 'the Oscar of comics' for his civil rights memoir (+ winners' list)". The Washington Post. Retrieved August 7, 2016.
- ^ "Lynda Barry - MacArthur Foundation". www.macfound.org. Retrieved September 25, 2019.
- ^ "Lynda Barry". University of Wisconsin–Madison. June 26, 2017. Retrieved September 25, 2019.
- ^ . Archived from the original on June 1, 2020. Retrieved June 7, 2020.
- ^ a b c d e f g h Kois, Dan (October 27, 2011). "Lynda Barry Will Make You Believe In Yourself". The New York Times. from the original on October 5, 2015. Retrieved October 27, 2011.
- ^ a b "Lynda Barry: About". University of Wisconsin-Madison Arts Institute. Spring 2012. from the original on June 24, 2012. Retrieved February 23, 2013.
- ^ a b c d Powers, Thom (November 1989). "The Lynda Barry Interview". The Comics Journal. from the original on April 14, 2011.
- ^ a b c Garden, Joe (December 8, 1999). "Interview: Lynda Barry". The A.V. Club. from the original on December 22, 2010. Retrieved October 27, 2011.
When Robert Roth at The Chicago Reader called me in Seattle and picked up my comic strip ... The Reader paid $80 per week. My rent was $99 a month. Lordy! I was rich. This was when I was 23, so around 1979-ish.
- ^ From a CBC radio interview with Barry by Eleanor Wachtel in 2009, rebroadcast August 27, 2017 on program Writers & Company.
- ^ a b Grossman, Pamela (May 18, 1999). "Barefoot on the Shag". Salon.com. from the original on November 2, 2011. Retrieved March 20, 2008.
- ^ a b Interview with Lynda Barry, tjc.com; accessed July 31, 2015.
- ^ Mirk, Sarah (October 14, 2010). "Why Do We Stop Drawing?". Portland Mercury. Retrieved March 5, 2016.
- ^ "The Lynda Barry Interview « The Comics Journal". classic.tcj.com. Retrieved May 20, 2019.
- ^ Garrity, Shaenon K. (December 6, 2007). . Archived from the original on February 24, 2013.
- ^ "Mixing Up Her Media: Lynda Barry". ReadExpress.com. October 2, 2008. from the original on February 24, 2013.
- ^ Borrelli, Christoper (March 8, 2009). "Being Lynda Barry". Chicago Tribune. Retrieved October 26, 2011.
- ^ Kirtley (2012).
- ^ Barry, Lynda J. (1979). Two Sisters Xerox Book. Seattle, WA: self published. pp. 62 pages.
- ^ "An Interview with Lynda Barry". Believer Magazine. December 1, 2008. Retrieved May 20, 2019.
- ^ Nash, Alanna (September 5, 1999). "Bad Trip". movies2.nytimes.com. Retrieved May 20, 2019.
- ^ Moser, Stephen MacMillan (September 3, 1999). "Cruddy: An Illustrated Novel". www.austinchronicle.com. Retrieved May 20, 2019.
- ^ Berry, Ellen E. (2013), "Becoming-Girl/Becoming-Fly/Becoming-Imperceptible: Gothic Posthumanism in Lynda Barry's Cruddy: An Illustrated Novel", A Companion to American Gothic, John Wiley & Sons, Ltd, pp. 405–417, doi:10.1002/9781118608395.ch32, ISBN 9781118608395
- ^ "Lynda Barry profile". Salon.com. Retrieved March 5, 2016.
- ^ Arnold, Andrew (October 18, 2002). "Making It Up As You Go Along". Time. Retrieved March 5, 2016.
- ^ "Publishers Weekly Review of Syllabus". Publishers Weekly. October 2014. Retrieved March 5, 2016.
- ^ O'Neil, Tim; Sava, Oliver (December 10, 2014). "The Best Comics for 2014". AV Club. The Onion. Retrieved March 5, 2016.
- ^ . Lortel Archives/The Off-Broadway Database (Lucille Lortel Foundation). Archived from the original on September 3, 2014. Retrieved February 24, 2013.
- ^ "The Good Times Are Killing Me". (Minetta Lane) Lortel Archives/Off-Broadway Database. Retrieved February 24, 2013.
- ^ "War". Mother Jones Magazine, page 92. April–May 1991. Retrieved February 4, 2017.
- ^ Marcia Froelke Coburn (March 1995). "A Touch of Glass". Chicago Magazine. Retrieved February 5, 2017.
- ^ "Cartoonist and author Lynda Barry is spring artist in residence". UW-Madison News. January 18, 2012. Retrieved January 20, 2012.
- ^ Wing, Dawn. "APA Author Interview — Lynda Barry, Madison, Wisconsin". Asian Pacific American Librarians Association. Asian Pacific American Librarians Association. Retrieved March 5, 2016.
- ^ English, Marianne. "Cartoonist Lynda Barry Joins Art Department and WID Faculty". University of Wisconsin-Madison. Retrieved March 5, 2016.
- ^ Barry as artist-in-residence at Capilano University, capilanou.ca; accessed July 31, 2015.
- ^ Hogan, Kelly (January 18, 2013). "From The Desk Of Kelly Hogan: Lynda Barry". Magnet Magazine. Retrieved November 11, 2013.
- ^ Kaufman, Al (June 4, 2012). "Q & A with Kelly Hogan; Playing With Neko Case @ Atlanta Botanical Garden, July 20th". Atlanta Music Guide. Retrieved November 11, 2013.
- ^ Loerzel, Robert (May 25, 2012). "Interview: Kelly Hogan". A.V. Club. Retrieved November 11, 2013.
- ^ Miner, Michael (November 20, 1998). "Ira Glass's Messy Divorce: What Becomes of the Brokenhearted?". Chicago Reader. Retrieved January 27, 2017.
Barry: "I went out with him. It was the worst thing I ever did. When we broke up he gave me a watch and said I was boring and shallow, and I wasn't enough in the moment for him, and it was over."
Glass: "Anything bad she says about me I can confirm." - ^ a b c Miner, Michael (November 20, 1998). "Ira Glass's Messy Divorce: What Becomes of the Brokenhearted?". Chicago Reader. from the original on February 2, 2017. Retrieved January 27, 2017.
- ^ Cronin, Brian (January 7, 2010). "Comic Book Legends Revealed #242 | CBR". www.cbr.com. from the original on April 8, 2019. Retrieved April 8, 2019.
- ^ Kino, Carol (May 11, 2008). "How to Think Like a Surreal Cartoonist". The New York Times. from the original on January 2, 2012. Retrieved March 5, 2016.
- ^ Lake Forest Open Lands website October 31, 2008, at the Wayback Machine, lfola.org; accessed March 5, 2016.
- ^ What It Is: Cartoonist Lynda Barry Speaks at Johns Hopkins April 26, 2009, at the Wayback Machine, radarredux.com; accessed March 5, 2016.
- ^ . Wisconsin: Educational Communications Board. 2010. Archived from the original on February 24, 2012. Retrieved February 23, 2013.
- ^ McCombie, Brian (September 10, 2009). "The war over wind". Madison Isthmus. Retrieved November 1, 2014.
- ^ Miner, Michael (May 13, 2009). "Not in my back 40". Chicago Reader: The Bleader. Retrieved January 28, 2017.
- ^ "2009 The 2009 Eisner Award Winners Announced at Comicon". Comics Alliance. Retrieved June 5, 2020.
- ^ Inkpot Award
- ^ "Lynda Barry - MacArthur Foundation". www.macfound.org. Retrieved August 30, 2020.
References
- Kirtley, Susan E. (2012). Lynda Barry: Girlhood through the Looking Glass. University Press of Mississippi. ISBN 978-1-61-703234-9.
Further reading
- Chute, Hillary (November–December 2008). "Somehow People Started Somehow to Actually Start to Like It, ..." The Believer. 6 (9): 47–58.
- Tensuan, Theresa M. (Winter 2006). "Comic Visions and Revisions in the work of Lynda Barry and Marjane Satrapi". Modern Fiction Studies. 52 (4): 947–964. doi:10.1353/mfs.2007.0010. S2CID 145598256.
- Chute, Hillary L. (2010). Graphic Women: Life Narrative and Contemporary Comics. New York: Columbia University Press; ISBN 978-0-231-15062-0.
- Dean, Michael (March 2, 2009). . The Comics Journal. No. 296. Online excerpts from print interview. Archived from the original on May 11, 2009.
External links
- Lynda Barry profile, Lambiek Comiclopedia
- , salon.com; accessed March 5, 2016.
- "Lynda Barry interview". Drawn & Quarterly. from the original on November 22, 2012. Retrieved February 23, 2013.
- Works by or about Lynda Barry in libraries (WorldCat catalog)
- Billy Ireland Cartoon Library & Museum Art Database