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Lombard rhythm

The Lombard rhythm or Scotch snap is a syncopated musical rhythm in which a short, accented note is followed by a longer one. This reverses the pattern normally associated with dotted notes or notes inégales, in which the longer value precedes the shorter.

One measure of the "Scotch snap" or Lombard rhythm notated in sheet music in a 4/4 time signature.

In Baroque music, a Lombard rhythm consists of a stressed sixteenth note, or semiquaver, followed by a dotted eighth note, or dotted quaver.[1] Baroque composers often implemented these rhythms. For instance, Johann Georg Pisendel utilized Lombard rhythms within the largo and allegro sections of his sonata for Violin Solo in A Minor. Carl Philipp Emanuel Bach included dotted rhythms within certain excerpts of his concerto for flute, cello, and keyboard. Not only did Baroque performers and composers such as Johann Joachim Quantz, introduce these uneven rhythms in their studies and pedagogy, but Jazz also possesses these rhythms which are in the very essence of its style.

In Scottish country dances, the Scotch snap (or Scots snap) is a prominent feature of the strathspey.[1]

Due to the immigration of Scots to Appalachia, elements of Scottish music such as the Lombard rhythm have been appropriated into popular music forms of the 20th and 21st century. In modern North American pop and rap music, the Lombard rhythm is very common; recent[when?]releases by Post Malone, Cardi B, and Ariana Grande feature the Scotch snap. Grande's song ‘7 Rings’ was the subject of controversy surrounding this rhythm, wherein several hip-hop artists (Princess Nokia and Soulja Boy) who had used the rhythm in an iconic fashion raised accusations of plagiarism.

References

  1. ^ a b Johnson, David (2001). "Scotch snap". Oxford Music Online. doi:10.1093/gmo/9781561592630.article.25244. Retrieved 12 January 2021.

Babitz, Sol. “A Problem of Rhythm in Baroque Music.” The Musical Quarterly 38, no. 4 (October 1952): 533-565. https://www.jstor.org/stable/740138

Fuller, David. “Notes inégales (Fr.: ‘unequal notes’),” Grove Music Online (January 2001) https://doi.org/10.1093/gmo/9781561592630.article.20126

Gábor, Elod and Ignác-Csaba FILIP. “Johann Georg Pisendel: Sonata for Violin Solo in A Minor.” Series VIII: Performing Arts 12, no. 61 (2019): pp. 72-76. https://doi.org/10.31926/but.pa.2019.12.61.30

Miller, Leta. “C.P.E. Bach’s Instrumental ‘Recompositions’: Revisions or Alternatives?” Current Musicology 59, (1995) p. 29.

Further reading

  • Temperley, Nicholas; Temperley, David (September 2011), "Music-Language Correlations and the "Scotch Snap"", Music Perception, 29 (1): 51–63, doi:10.1525/mp.2011.29.1.51


lombard, rhythm, this, article, needs, additional, citations, verification, please, help, improve, this, article, adding, citations, reliable, sources, unsourced, material, challenged, removed, find, sources, news, newspapers, books, scholar, jstor, january, 2. This article needs additional citations for verification Please help improve this article by adding citations to reliable sources Unsourced material may be challenged and removed Find sources Lombard rhythm news newspapers books scholar JSTOR January 2021 Learn how and when to remove this template message The Lombard rhythm or Scotch snap is a syncopated musical rhythm in which a short accented note is followed by a longer one This reverses the pattern normally associated with dotted notes or notes inegales in which the longer value precedes the shorter One measure of the Scotch snap or Lombard rhythm notated in sheet music in a 4 4 time signature In Baroque music a Lombard rhythm consists of a stressed sixteenth note or semiquaver followed by a dotted eighth note or dotted quaver 1 Baroque composers often implemented these rhythms For instance Johann Georg Pisendel utilized Lombard rhythms within the largo and allegro sections of his sonata for Violin Solo in A Minor Carl Philipp Emanuel Bach included dotted rhythms within certain excerpts of his concerto for flute cello and keyboard Not only did Baroque performers and composers such as Johann Joachim Quantz introduce these uneven rhythms in their studies and pedagogy but Jazz also possesses these rhythms which are in the very essence of its style In Scottish country dances the Scotch snap or Scots snap is a prominent feature of the strathspey 1 Due to the immigration of Scots to Appalachia elements of Scottish music such as the Lombard rhythm have been appropriated into popular music forms of the 20th and 21st century In modern North American pop and rap music the Lombard rhythm is very common recent when releases by Post Malone Cardi B and Ariana Grande feature the Scotch snap Grande s song 7 Rings was the subject of controversy surrounding this rhythm wherein several hip hop artists Princess Nokia and Soulja Boy who had used the rhythm in an iconic fashion raised accusations of plagiarism References Edit a b Johnson David 2001 Scotch snap Oxford Music Online doi 10 1093 gmo 9781561592630 article 25244 Retrieved 12 January 2021 Babitz Sol A Problem of Rhythm in Baroque Music The Musical Quarterly 38 no 4 October 1952 533 565 https www jstor org stable 740138Fuller David Notes inegales Fr unequal notes Grove Music Online January 2001 https doi org 10 1093 gmo 9781561592630 article 20126Gabor Elod and Ignac Csaba FILIP Johann Georg Pisendel Sonata for Violin Solo in A Minor Series VIII Performing Arts 12 no 61 2019 pp 72 76 https doi org 10 31926 but pa 2019 12 61 30Miller Leta C P E Bach s Instrumental Recompositions Revisions or Alternatives Current Musicology 59 1995 p 29 Further reading EditTemperley Nicholas Temperley David September 2011 Music Language Correlations and the Scotch Snap Music Perception 29 1 51 63 doi 10 1525 mp 2011 29 1 51 This Scotland related article is a stub You can help Wikipedia by expanding it vte This music theory article is a stub You can help Wikipedia by expanding it vte Retrieved from https en wikipedia org w index php title Lombard rhythm amp oldid 1109822128, wikipedia, wiki, book, books, library,

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