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Kōenji Hyakkei

Kōenji Hyakkei (高円寺百景, Japanese pronunciation: [koːeɲd͡ʑi çakkeː], "Hundred Sights of Kōenji"), also known as Kōenjihyakkei, is a Japanese Zeuhl band[1] led by Tatsuya Yoshida (from the Japanese band Ruins), and is "his tribute to the 'Zeuhl' music" of French prog-rock band Magma.[2]

Kōenji Hyakkei
高円寺百景
OriginTokyo, Japan
GenresZeuhl, progressive rock, experimental rock, jazz fusion
Years active1991–present
LabelsMagaibutsu (Japan)
Skin Graft Records (North America)
MembersYoshida Tatsuya (drums, vocals)
Sakamoto Kengo (bass, vocals)
Yabuki Taku (keyboards)
AH (vocals)
Komori Keiko (reeds, vocals)
Koganemaru Kei (guitar, vocals)
Past membersMasada Ryuichi
Kuwahara Shigekazu
Harada Jin
Oguchi Kenichi
Sagara Nami
Kanazawa Miyako
Kubota Aki
Yamamoto Kyoko
WebsiteKōenji Hyakkei's Official Site (English)

The band released their first (self-titled) album in 1994 with Aki Kubota from Bondage Fruit on vocals and keyboard.[citation needed] Though rhythmically not as complex as Ruins, Kōenji Hyakkei still evokes a feeling of unfamiliarity due to non-standard modes and chanting in a nonsensical language.[citation needed]

History Edit

According to the official website of the band,[3] maintained by Tatsuya Yoshida, the band was formed in 1991 with Tatsuya Yoshida (drums), Aki Kubota (vocals), Akio Izumi (guitar, ex-Aburadako), Chie Kitahara (keyboards, ex-Phaidia) and Kazuyoshi Kimoto (bass, ex-Ruins). The name Koenji Hyakkei derives from a district where the members lived in Tokyo (Koenji, Suginami-ku, Tokyo) except Kazuyoshi Kimoto. Also as the album cover art of the first album indicates, Hyakkei was borrowed from "Fugaku Hyakkei" (One Hundred Views of Mount Fuji) by novelist Osamu Dazai crossed with well-known series of Hokusai's ukiyoe wood prints, "Fugaku Sanjurokkei" (Thirty-Six Views of Mt Fuji). The album cover is a rendition of "Totomi sanchu" from the series.

Kōenji Hyakkei's first album in 13 years, Dhorimviskha, was released on June 27, 2018.[4]

Band members Edit

Yoshida has been the only consistent member of the band, with Sakamoto Kengo playing bass from their second album onward. As the band has added new members, the band's sound changes, shifting from folk-influenced progressive rock to minimalism to jazz fusion with the inclusion of Komori Keiko on reeds (usually soprano saxophone) on their album Angherr Shisspa (2005).

Language Edit

It is not clear what language is used for Kōenji Hyakkei lyrics. For the most part, lyrics are reminiscent of Christian Vander's Kobaïan language (a notable exception is the song "Zoltan" from their 1994 self-titled album Hundred Sights of Koenji, a Kyrie).[5] There are few words shorter than four letters, and almost no instances of words repeated in more than one phrase. In addition, spelling conventions and pronunciation vary between albums and songs.

There is no standard way of romanizing the name 高円寺百景. Official sources write it as Koenji Hyakkei or Koenjihyakkei and less commonly KoenjiHyakkei, Koenji-Hyakkei, and others.

Discography Edit

Videography Edit

  • 2002: Live at Star Pine's Cafe (DVD)
  • 2006: Live at Doors (DVD)
  • 2008: 070531 (DVD)
  • 2010: Live at Koenji High (DVD)

References Edit

  1. ^ Dominique Leone (11 March 2002). "Koenji-Hyakkei: NIVRAYM Album Review". Pitchfork. Retrieved 2018-05-17.
  2. ^ Dominique Leone. "Koenji Hyakkei A Hundred Sights of Koenji". AllMusic.
  3. ^ "Magaibutsu". magaibutsu.com.
  4. ^ Archived at Ghostarchive and the : KOENJI HYAKKEI / Dhorimviskha Digest. YouTube.
  5. ^ Pop Matters, Koenjihyakkei: Hundred Sights of Koenji

External links Edit

  • Kōenji Hyakkei at AllMusic
  • Kōenjihyakkei discography, album releases & credits at Discogs.com
  • Koenjihyakkei albums to be listened as stream at Spotify.com
  • Kōenji Hyakkei @ Skin Graft Records

kōenji, hyakkei, 高円寺百景, japanese, pronunciation, koːeɲd, çakkeː, hundred, sights, kōenji, also, known, kōenjihyakkei, japanese, zeuhl, band, tatsuya, yoshida, from, japanese, band, ruins, tribute, zeuhl, music, french, prog, rock, band, magma, 高円寺百景origintokyo. Kōenji Hyakkei 高円寺百景 Japanese pronunciation koːeɲd ʑi cakkeː Hundred Sights of Kōenji also known as Kōenjihyakkei is a Japanese Zeuhl band 1 led by Tatsuya Yoshida from the Japanese band Ruins and is his tribute to the Zeuhl music of French prog rock band Magma 2 Kōenji Hyakkei高円寺百景OriginTokyo JapanGenresZeuhl progressive rock experimental rock jazz fusionYears active1991 presentLabelsMagaibutsu Japan Skin Graft Records North America MembersYoshida Tatsuya drums vocals Sakamoto Kengo bass vocals Yabuki Taku keyboards AH vocals Komori Keiko reeds vocals Koganemaru Kei guitar vocals Past membersMasada RyuichiKuwahara ShigekazuHarada JinOguchi KenichiSagara NamiKanazawa MiyakoKubota AkiYamamoto KyokoWebsiteKōenji Hyakkei s Official Site English The band released their first self titled album in 1994 with Aki Kubota from Bondage Fruit on vocals and keyboard citation needed Though rhythmically not as complex as Ruins Kōenji Hyakkei still evokes a feeling of unfamiliarity due to non standard modes and chanting in a nonsensical language citation needed Contents 1 History 2 Band members 3 Language 4 Discography 5 Videography 6 References 7 External linksHistory EditAccording to the official website of the band 3 maintained by Tatsuya Yoshida the band was formed in 1991 with Tatsuya Yoshida drums Aki Kubota vocals Akio Izumi guitar ex Aburadako Chie Kitahara keyboards ex Phaidia and Kazuyoshi Kimoto bass ex Ruins The name Koenji Hyakkei derives from a district where the members lived in Tokyo Koenji Suginami ku Tokyo except Kazuyoshi Kimoto Also as the album cover art of the first album indicates Hyakkei was borrowed from Fugaku Hyakkei One Hundred Views of Mount Fuji by novelist Osamu Dazai crossed with well known series of Hokusai s ukiyoe wood prints Fugaku Sanjurokkei Thirty Six Views of Mt Fuji The album cover is a rendition of Totomi sanchu from the series Kōenji Hyakkei s first album in 13 years Dhorimviskha was released on June 27 2018 4 Band members EditYoshida has been the only consistent member of the band with Sakamoto Kengo playing bass from their second album onward As the band has added new members the band s sound changes shifting from folk influenced progressive rock to minimalism to jazz fusion with the inclusion of Komori Keiko on reeds usually soprano saxophone on their album Angherr Shisspa 2005 Language EditIt is not clear what language is used for Kōenji Hyakkei lyrics For the most part lyrics are reminiscent of Christian Vander s Kobaian language a notable exception is the song Zoltan from their 1994 self titled album Hundred Sights of Koenji a Kyrie 5 There are few words shorter than four letters and almost no instances of words repeated in more than one phrase In addition spelling conventions and pronunciation vary between albums and songs There is no standard way of romanizing the name 高円寺百景 Official sources write it as Koenji Hyakkei or Koenjihyakkei and less commonly KoenjiHyakkei Koenji Hyakkei and others Discography Edit1994 Hundred Sights of Koenji 高円寺百景 remastered and reissued in 2008 1997 Viva Koenji 弐 II 2001 Nivraym remastered and reissued in 2009 2005 Angherr Shisspa 2018 DhorimviskhaVideography Edit2002 Live at Star Pine s Cafe DVD 2006 Live at Doors DVD 2008 070531 DVD 2010 Live at Koenji High DVD References Edit Dominique Leone 11 March 2002 Koenji Hyakkei NIVRAYM Album Review Pitchfork Retrieved 2018 05 17 Dominique Leone Koenji Hyakkei A Hundred Sights of Koenji AllMusic Magaibutsu magaibutsu com Archived at Ghostarchive and the Wayback Machine KOENJI HYAKKEI Dhorimviskha Digest YouTube Pop Matters Koenjihyakkei Hundred Sights of KoenjiExternal links EditKōenji Hyakkei at AllMusic Kōenjihyakkei discography album releases amp credits at Discogs com Koenjihyakkei albums to be listened as stream at Spotify com Kōenji Hyakkei Skin Graft Records Retrieved from https en wikipedia org w index php title Kōenji Hyakkei amp oldid 1141211622, wikipedia, wiki, book, books, library,

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