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John the Evangelist

John the Evangelist (Greek: Ἰωάννης, translit. Iōánnēs; Aramaic: ܝܘܚܢܢ; Ge'ez: ዮሐንስ; Arabic: يوحنا الإنجيلي, Latin: Ioannes, Hebrew: יוחנן Coptic: ⲓⲱⲁⲛⲛⲏⲥ or ⲓⲱ̅ⲁ[citation needed]) is the name traditionally given to the author of the Gospel of John. Christians have traditionally identified him with John the Apostle, John of Patmos, and John the Presbyter,[2] although this has been disputed by most modern scholars.[3]


John the Evangelist
Detail from a window in the parish church of SS Mary and Lambert, Stonham Aspal, Suffolk, with stained glass representing St John the Evangelist
Evangelist, Apostle, Theologian
BornBetween c. AD 6-9
Diedc. AD 100[1]
Venerated inRoman Catholic Church
Eastern Catholic Churches
Oriental Orthodox Churches
Eastern Orthodox Church
Anglican Communion
Lutheranism
Aglipayan Church
Feast27 December (Western Christianity); 8 May and 26 September (Repose) (Eastern Orthodox Church)
AttributesEagle, Chalice, Scrolls
Major worksGospel of John
Epistles of John
Revelation

Identity

 
Print of John the Evangelist. Preserved in the Ghent University Library.[4]

The Gospel of John refers to an otherwise unnamed "disciple whom Jesus loved", who "bore witness to and wrote" the Gospel's message.[5] The author of the Gospel of John seemed interested in maintaining the internal anonymity of the author's identity, although interpreting the Gospel in the light of the Synoptic Gospels and considering that the author names (and therefore is not claiming to be) Peter, and that James was martyred as early as AD 44,[6] it has been widely believed that the author was the Apostle John (though some believe he was pretending to be).[7]

Christian tradition says that John the Evangelist was John the Apostle. The Apostle John was one of the "pillars" of the Jerusalem church after Jesus' death.[8] He was one of the original twelve apostles and is thought to be the only one to have not been killed for his faith. It had been believed that he was exiled (around AD 95) to the Aegean island of Patmos, where he wrote the Book of Revelation. However, some attribute the authorship of Revelation to another man, called John the Presbyter, or to other writers of the late first century AD.[9] Bauckham argues that the early Christians identified John the Evangelist with John the Presbyter.[10]

Authorship of the Johannine works

The authorship of the Johannine works has been debated by scholars since at least the 2nd century AD.[11] The main debate centers on who authored the writings, and which of the writings, if any, can be ascribed to a common author.

Eastern Orthodox tradition attributes all of the Johannine books to John the Apostle.[2]

In the 6th century, the Decretum Gelasianum argued that Second and Third John have a separate author known as "John, a priest" (see John the Presbyter).[12] Historical critics, like H.P.V. Nunn,[13] the non-Christians Reza Aslan,[14] and Bart Ehrman,[15] reject the view that John the Apostle authored any of these works.

Most modern scholars believe that the apostle John wrote none of these works,[16][17] although some, such as J.A.T. Robinson, F. F. Bruce, Leon Morris, and Martin Hengel,[18] hold the apostle to be behind at least some, in particular the gospel.[19][20]

There may have been a single author for the gospel and the three epistles.[2] Some scholars conclude the author of the epistles was different from that of the gospel, although all four works originated from the same community.[21] The gospel and epistles traditionally and plausibly came from Ephesus, c. 90–110, although some scholars argue for an origin in Syria.[22]

In the case of Revelation, most modern scholars agree that it was written by a separate author, John of Patmos, c. 95 with some parts possibly dating to Nero's reign in the early 60s.[2][3]

Feast day

The feast day of Saint John in the Catholic Church, Anglican Communion, and the Lutheran Calendar, is on 27 December, the third day of Christmastide.[23] In the Tridentine Calendar he was commemorated also on each of the following days up to and including 3 January, the Octave of the 27 December feast. This Octave was abolished by Pope Pius XII in 1955.[24] The traditional liturgical color is white.

Freemasons celebrate this feast day, dating back to the 18th century when the Feast Day was used for the installation of Presidents and Grand Masters.[25]

In art

John is traditionally depicted in one of two distinct ways: either as an aged man with a white or gray beard, or alternatively as a beardless youth.[26][27] The first way of depicting him was more common in Byzantine art, where it was possibly influenced by antique depictions of Socrates;[28] the second was more common in the art of Medieval Western Europe and can be dated back as far as 4th-century Rome.[27]

In medieval works of painting, sculpture and literature, Saint John is often presented in an androgynous or feminized manner.[29] Historians have related such portrayals to the circumstances of the believers for whom they were intended.[30] For instance, John's feminine features are argued to have helped to make him more relatable to women.[31] Likewise, Sarah McNamer argues that because of John's androgynous status, he could function as an 'image of a third or mixed gender'[32] and 'a crucial figure with whom to identify'[33] for male believers who sought to cultivate an attitude of affective piety, a highly emotional style of devotion that, in late-medieval culture, was thought to be poorly compatible with masculinity.[34]

Legends from the "Acts of John" contributed much to medieval iconography; it is the source of the idea that John became an apostle at a young age.[27] One of John's familiar attributes is the chalice, often with a snake emerging from it.[35] According to one legend from the Acts of John,[36] John was challenged to drink a cup of poison to demonstrate the power of his faith, and thanks to God's aid the poison was rendered harmless.[35][37] The chalice can also be interpreted with reference to the Last Supper, or to the words of Christ to John and James: "My chalice indeed you shall drink."[38][39] According to the 1910 Catholic Encyclopedia, some authorities believe that this symbol was not adopted until the 13th century.[39] There was also a legend that John was at some stage boiled in oil and miraculously preserved.[40] Another common attribute is a book or a scroll, in reference to his writings.[35] John the Evangelist is symbolically represented by an eagle, one of the creatures envisioned by Ezekiel (1:10) and in the Book of Revelation (4:7).[39]

Gallery

See also

References

  1. ^ Saint Sophronius of Jerusalem (2007) [c. 600], "The Life of the Evangelist John", The Explanation of the Holy Gospel According to John, House Springs, Missouri, United States: Chrysostom Press, pp. 2–3, ISBN 978-1-889814-09-4
  2. ^ a b c d Stephen L Harris, Understanding the Bible, (Palo Alto: Mayfield, 1985), 355
  3. ^ a b Ehrman, Bart D. (2004). The New Testament: A Historical Introduction to the Early Christian Writings. New York: Oxford. p. 468. ISBN 0-19-515462-2.
  4. ^ "Evangelist Johannes". lib.ugent.be. Retrieved 2 October 2020.
  5. ^ Theissen, Gerd and Annette Merz. The historical Jesus: a comprehensive guide. Fortress Press. 1998. translated from German (1996 edition). Chapter 2. Christian sources about Jesus.
  6. ^ Acts 12:2
  7. ^ Theissen, Gerd and Annette Merz. The historical Jesus: a comprehensive guide. Fortress Press. 1998. translated from German (1996 edition)
  8. ^ Harris, Stephen L., Understanding the Bible. Palo Alto: Mayfield. 1985. "John" p. 302-310
  9. ^ In Encyclopaedia Britannica, Britannica concise encyclopedia. Chicago IL: Britannica Digital Learning. 2017.
  10. ^ Bauckham, Richard (2007)) The Testimony of the Beloved Disciple.
  11. ^ F. L. Cross, The Oxford Dictionary of the Christian Church, (New York: Oxford University Press, 1997), 45
  12. ^ Since the 18th century, the Decretum Gelasianum has been associated with the Council of Rome (382), although historians dispute the connection.
  13. ^ Nunn, Rev Henry Preston Vaughan (H.P.V.) (1 January 1946). The Fourth Gospel: An Outline of the Problem and Evidence. London The Tyndale Press. pp. 10–13, 14–18, 19, 21–35, 37–39. ASIN B002NRY6G2.
  14. ^ Aslan, Reza (16 July 2013). ZEALOT: The Life and Times of Jesus of Nazareth. Random House; Illustrated Edition, NY Times Press. p. XX. ISBN 978-2523470201.
  15. ^ Ehrman, Bart (May 2001). Jesus: Apocalyptic Prophet of the Millenium. Oxford University Press Press. pp. 41–44, 90–93. ISBN 978-0195124743.
  16. ^ "Although ancient traditions attributed to the Apostle John the Fourth Gospel, the Book of Revelation, and the three Epistles of John, modern scholars believe that he wrote none of them." Harris, Stephen L., Understanding the Bible (Palo Alto: Mayfield, 1985) p. 355
  17. ^ Kelly, Joseph F. (1 October 2012). History and Heresy: How Historical Forces Can Create Doctrinal Conflicts. Liturgical Press. p. 115. ISBN 978-0-8146-5999-1.
  18. ^ Hengel, Martin (2000). Four Gospels and the One Gospel of Jesus Christ, 1st edition. Trinity Press International. p. 40. ISBN 978-1-56338-300-7.
  19. ^ Morris, Leon (1995) The Gospel According to John Volume 4 of The new international commentary on the New Testament, Wm. B. Eerdmans Publishing, ISBN 978-0-8028-2504-9, pp. 4–5, 24, 35–7. "Continental scholars have ... abandoned the idea that this gospel was written by the apostle John, whereas in Great Britain and America scholarship has been much more open to the idea." Abandonment is due to changing opinion rather "than to any new evidence." "Werner, Colson, and I have been joined, among others, by I. Howard Marshall and J.A.T. Robinson in seeing the evidence as pointing to John the son of Zebedee as the author of this Gospel." The view that John's history is substandard "is becoming increasingly hard to sustain. Many recent writers have shown that there is good reason for regarding this or that story in John as authentic. ... It is difficult to ... regard John as having little concern for history. The fact is John is concerned with historical information. ... John apparently records this kind of information because he believes it to be accurate. ... He has some reliable information and has recorded it carefully. ... The evidence is that where he can be tested John proves to be remarkably accurate."
    • Bruce 1981 pp. 52–4, 58. "The evidence ... favor[s] the apostolicity of the gospel. ... John knew the other gospels and ... supplements them. ... The synoptic narrative becomes more intelligible if we follow John." John's style is different so Jesus' "abiding truth might be presented to men and women who were quite unfamiliar with the original setting. ... He does not yield to any temptation to restate Christianity. ... It is the story of events that happened in history. ... John does not divorce the story from its Palestinian context."
    • Dodd p. 444. "Revelation is distinctly, and nowhere more clearly than in the Fourth Gospel, a historical revelation. It follows that it is important for the evangelist that what he narrates happened."
    • Temple, William. "Readings in St. John's Gospel". MacMillan and Co, 1952. "The synoptists give us something more like the perfect photograph; St. John gives us the more perfect portrait".
    • Edwards, R. A. "The Gospel According to St. John" 1954, p 9. One reason he accepts John's authorship is because "the alternative solutions seem far too complicated to be possible in a world where living men met and talked".
    • Hunter, A. M. "Interpreting the New Testament" P 86. "After all the conjectures have been heard, the likeliest view is that which identifies the Beloved Disciple with the Apostle John.
  20. ^ Dr. Craig Blomberg, cited in Lee Strobel The Case for Christ, 1998, Chapter 2.
    • Marshall, Howard. "The Illustrated Bible Dictionary", ed J. D. Douglas et al. Leicester 1980. II, p 804
    • Robinson, J. A. T. "The Priority of John" P 122
    • Cf. Marsh, "John seems to have believed that theology was not something which could be used to read a meaning into events but rather something that was to be discovered in them. His story is what it is because his theology is what it is; but his theology is what it is because the story happened so" (p 580–581).
  21. ^ Ehrman, pp. 178–9.
  22. ^ Brown, Raymond E. (1997). Introduction to the New Testament. New York: Anchor Bible. p. 334. ISBN 0-385-24767-2.
  23. ^ Frandsen, Mary E. (4 April 2006). Crossing Confessional Boundaries : The Patronage of Italian Sacred Music in Seventeenth-Century Dresden. Oxford University Press. p. 161. ISBN 9780195346367. On the Feast of St. John the Evangelist (the third day of Christmas) in 1665, for example, peranda presented two concertos in the morning service, his O Jesu mi dulcissime and Verbum caro factum est, and presented his Jesus dulcis, Jesu pie and Atendite fideles at Vespers.
  24. ^ General Roman Calendar of Pope Pius XII
  25. ^ "Today in Masonic History - Feast of St. John the Evangelist". www.masonrytoday.com. Retrieved 28 December 2019.
  26. ^ Sources:
    • James Hall, Dictionary of Subjects and Symbols in Art, (New York: Harper & Row, 1979), 129, 174-75.
    • Carolyn S. Jerousek, "Christ and St. John the Evangelist as a Model of Medieval Mysticism," Cleveland Studies in the History of Art, Vol. 6 (2001), 16.
  27. ^ a b c "Saint John the Apostle". Encyclopædia Britannica Online. Chicago, Illinois: Encyclopædia Britannica, Inc. Retrieved 4 August 2017.
  28. ^ Jadranka Prolović, "Socrates and St. John the Apostle: the interchangеable similarity of their portraits" Zograf, vol. 35 (2011), 9: "It is difficult to locate when and where this iconography of John originated and what the prototype was, yet it is clearly visible that this iconography of John contains all of the main characteristics of well-known antique images of Socrates. This fact leads to the conclusion that Byzantine artists used depictions of Socrates as a model for the portrait of John."
  29. ^
    • James Hall, Dictionary of Subjects and Symbols in Art, (New York: Harper & Row, 1979), 129, 174-75.
    • Jeffrey F. Hamburger, St. John the Divine: The Deified Evangelist in Medieval Art and Theology. (Berkeley: University of California Press, 2002), xxi-xxii; ibidem, 159-160.
    • Carolyn S. Jerousek, "Christ and St. John the Evangelist as a Model of Medieval Mysticism," Cleveland Studies in the History of Art, Vol. 6 (2001), 16.
    • Annette Volfing, John the Evangelist and Medieval Writing: Imitating the Inimitable. (Oxford: Oxford University Press, 2001), 139.
  30. ^
    • Jeffrey F. Hamburger, St. John the Divine: The Deified Evangelist in Medieval Art and Theology. (Berkeley: University of California Press, 2002), xxi-xxii.
    • Carolyn S. Jerousek, "Christ and St. John the Evangelist as a Model of Medieval Mysticism" Cleveland Studies in the History of Art, Vol. 6 (2001), 20.
    • Sarah McNamer, Affective Meditation and the Invention of Medieval Compassion, (Philadelphia: University of Pennsylvania Press, 2010), 142-148.
    • Annette Volfing, John the Evangelist and Medieval Writing: Imitating the Inimitable. (Oxford: Oxford University Press, 2001), 139.
  31. ^
    • Carolyn S. Jerousek, "Christ and St. John the Evangelist as a Model of Medieval Mysticism" Cleveland Studies in the History of Art, Vol. 6 (2001), 20.
    • Annette Volfing, John the Evangelist and Medieval Writing: Imitating the Inimitable. (Oxford: Oxford University Press, 2001), 139.
  32. ^ Sarah McNamer, Affective Meditation and the Invention of Medieval Compassion, (Philadelphia: University of Pennsylvania Press, 2010), 142.
  33. ^ Sarah McNamer, Affective Meditation and the Invention of Medieval Compassion, (Philadelphia: University of Pennsylvania Press, 2010), 145.
  34. ^ Sarah McNamer, Affective Meditation and the Invention of Medieval Compassion, (Philadelphia: University of Pennsylvania Press, 2010), 142-148.
  35. ^ a b c James Hall, "John the Evangelist," Dictionary of Subjects and Symbols in Art, rev. ed. (New York: Harper & Row, 1979)
  36. ^ J.K. Elliot (ed.), A Collection of Apocryphal Christian Literature in an English Translation Based on M.R. James (New York: Oxford University Press, 1993/2005), 343-345.
  37. ^ J K Elliott, "Graphic Versions: Did non-biblical stories about Jesus and the saints originate more in art than text?", Times Literary Supplement, 14 December 2018, pp. 15-16, referring to the El Greco painting.
  38. ^ Bible Matthew 20:23
  39. ^ a b c Fonck, L. (1910). St. John the Evangelist. In The Catholic Encyclopedia (New York: Robert Appleton Company). Retrieved 14 August 2017 from New Advent.
  40. ^ J K Elliott, "Graphic Versions: Did non-biblical stories about Jesus and the saints originate more in art than text?", Times Literary Supplement, 14 December 2018, pp. 15-16, referring to a thirteenth-century manuscript in Cambridge known as the Trinity College Apocalypse.

External links

  • "Saint John the Apostle." Encyclopædia Britannica Online.
  • Answers.com
  • St. John the Evangelist at the Christian Iconography web site
  • Caxton's translations of the Golden Legend's two chapters on St. John: Of St. John the Evangelist and The History of St. John Port Latin

john, evangelist, greek, Ἰωάννης, translit, iōánnēs, aramaic, ܝܘܚܢܢ, ዮሐንስ, arabic, يوحنا, الإنجيلي, latin, ioannes, hebrew, יוחנן, coptic, ⲓⲱⲁⲛⲛⲏⲥ, ⲓⲱ, citation, needed, name, traditionally, given, author, gospel, john, christians, have, traditionally, identif. John the Evangelist Greek Ἰwannhs translit Iōannes Aramaic ܝܘܚܢܢ Ge ez ዮሐንስ Arabic يوحنا الإنجيلي Latin Ioannes Hebrew יוחנן Coptic ⲓⲱⲁⲛⲛⲏⲥ or ⲓⲱ ⲁ citation needed is the name traditionally given to the author of the Gospel of John Christians have traditionally identified him with John the Apostle John of Patmos and John the Presbyter 2 although this has been disputed by most modern scholars 3 SaintJohn the EvangelistDetail from a window in the parish church of SS Mary and Lambert Stonham Aspal Suffolk with stained glass representing St John the EvangelistEvangelist Apostle TheologianBornBetween c AD 6 9Diedc AD 100 1 Venerated inRoman Catholic ChurchEastern Catholic ChurchesOriental Orthodox ChurchesEastern Orthodox ChurchAnglican CommunionLutheranismAglipayan ChurchFeast27 December Western Christianity 8 May and 26 September Repose Eastern Orthodox Church AttributesEagle Chalice ScrollsMajor worksGospel of JohnEpistles of JohnRevelation Contents 1 Identity 2 Authorship of the Johannine works 3 Feast day 4 In art 5 Gallery 6 See also 7 References 8 External linksIdentity EditSee also Johannine literature and Four Evangelists Print of John the Evangelist Preserved in the Ghent University Library 4 The Gospel of John refers to an otherwise unnamed disciple whom Jesus loved who bore witness to and wrote the Gospel s message 5 The author of the Gospel of John seemed interested in maintaining the internal anonymity of the author s identity although interpreting the Gospel in the light of the Synoptic Gospels and considering that the author names and therefore is not claiming to be Peter and that James was martyred as early as AD 44 6 it has been widely believed that the author was the Apostle John though some believe he was pretending to be 7 Christian tradition says that John the Evangelist was John the Apostle The Apostle John was one of the pillars of the Jerusalem church after Jesus death 8 He was one of the original twelve apostles and is thought to be the only one to have not been killed for his faith It had been believed that he was exiled around AD 95 to the Aegean island of Patmos where he wrote the Book of Revelation However some attribute the authorship of Revelation to another man called John the Presbyter or to other writers of the late first century AD 9 Bauckham argues that the early Christians identified John the Evangelist with John the Presbyter 10 Authorship of the Johannine works EditMain articles Authorship of the Johannine works and Johannine epistles The authorship of the Johannine works has been debated by scholars since at least the 2nd century AD 11 The main debate centers on who authored the writings and which of the writings if any can be ascribed to a common author Eastern Orthodox tradition attributes all of the Johannine books to John the Apostle 2 In the 6th century the Decretum Gelasianum argued that Second and Third John have a separate author known as John a priest see John the Presbyter 12 Historical critics like H P V Nunn 13 the non Christians Reza Aslan 14 and Bart Ehrman 15 reject the view that John the Apostle authored any of these works Most modern scholars believe that the apostle John wrote none of these works 16 17 although some such as J A T Robinson F F Bruce Leon Morris and Martin Hengel 18 hold the apostle to be behind at least some in particular the gospel 19 20 There may have been a single author for the gospel and the three epistles 2 Some scholars conclude the author of the epistles was different from that of the gospel although all four works originated from the same community 21 The gospel and epistles traditionally and plausibly came from Ephesus c 90 110 although some scholars argue for an origin in Syria 22 In the case of Revelation most modern scholars agree that it was written by a separate author John of Patmos c 95 with some parts possibly dating to Nero s reign in the early 60s 2 3 Feast day EditThe feast day of Saint John in the Catholic Church Anglican Communion and the Lutheran Calendar is on 27 December the third day of Christmastide 23 In the Tridentine Calendar he was commemorated also on each of the following days up to and including 3 January the Octave of the 27 December feast This Octave was abolished by Pope Pius XII in 1955 24 The traditional liturgical color is white Freemasons celebrate this feast day dating back to the 18th century when the Feast Day was used for the installation of Presidents and Grand Masters 25 In art EditJohn is traditionally depicted in one of two distinct ways either as an aged man with a white or gray beard or alternatively as a beardless youth 26 27 The first way of depicting him was more common in Byzantine art where it was possibly influenced by antique depictions of Socrates 28 the second was more common in the art of Medieval Western Europe and can be dated back as far as 4th century Rome 27 In medieval works of painting sculpture and literature Saint John is often presented in an androgynous or feminized manner 29 Historians have related such portrayals to the circumstances of the believers for whom they were intended 30 For instance John s feminine features are argued to have helped to make him more relatable to women 31 Likewise Sarah McNamer argues that because of John s androgynous status he could function as an image of a third or mixed gender 32 and a crucial figure with whom to identify 33 for male believers who sought to cultivate an attitude of affective piety a highly emotional style of devotion that in late medieval culture was thought to be poorly compatible with masculinity 34 Legends from the Acts of John contributed much to medieval iconography it is the source of the idea that John became an apostle at a young age 27 One of John s familiar attributes is the chalice often with a snake emerging from it 35 According to one legend from the Acts of John 36 John was challenged to drink a cup of poison to demonstrate the power of his faith and thanks to God s aid the poison was rendered harmless 35 37 The chalice can also be interpreted with reference to the Last Supper or to the words of Christ to John and James My chalice indeed you shall drink 38 39 According to the 1910 Catholic Encyclopedia some authorities believe that this symbol was not adopted until the 13th century 39 There was also a legend that John was at some stage boiled in oil and miraculously preserved 40 Another common attribute is a book or a scroll in reference to his writings 35 John the Evangelist is symbolically represented by an eagle one of the creatures envisioned by Ezekiel 1 10 and in the Book of Revelation 4 7 39 Gallery EditJohn the Evangelist St John the Evangelist by Joan de Joanes 1507 1579 oil on panel Saint John the Evangelist by Domenichino 1621 29 Saint John the Evangelist on Patmos 1490 Piero di Cosimo Saint John the Evangelist oil on panel 1504 6 Honolulu Museum of Art The Vision of Saint John 1608 1614 by El Greco Saint John the Evangelist in meditation by Simone Cantarini 1612 1648 Bologna Saints John and Bartholomew by Dosso Dossi Stained glass window in St Aidan s Cathedral Ireland Saint John and the Poisoned Cup by Alonzo CanoSpain 1635 1637 Saint John and the eagle by Vladimir Borovikovsky in Kazan Cathedral Saint Petersburg A portrait from the Book of Kells c 800 Saint John and the cup by El Greco Statue of John the Evangelist outside St John s Seminary Boston St John the Evangelist depicted in a 14th century manuscript in the Flemish style St John the Evangelist by Francisco Pacheco 1608 Museo del Prado Prochorus and St John depicted in Xoranasat s gospel manuscript in 1224 Armenian manuscript See also EditEagle of Saint John Luke the Evangelist Mark the Evangelist Matthew the Evangelist St John the Evangelist ChurchReferences Edit Saint Sophronius of Jerusalem 2007 c 600 The Life of the Evangelist John The Explanation of the Holy Gospel According to John House Springs Missouri United States Chrysostom Press pp 2 3 ISBN 978 1 889814 09 4 a b c d Stephen L Harris Understanding the Bible Palo Alto Mayfield 1985 355 a b Ehrman Bart D 2004 The New Testament A Historical Introduction to the Early Christian Writings New York Oxford p 468 ISBN 0 19 515462 2 Evangelist Johannes lib ugent be Retrieved 2 October 2020 Theissen Gerd and Annette Merz The historical Jesus a comprehensive guide Fortress Press 1998 translated from German 1996 edition Chapter 2 Christian sources about Jesus Acts 12 2 Theissen Gerd and Annette Merz The historical Jesus a comprehensive guide Fortress Press 1998 translated from German 1996 edition Harris Stephen L Understanding the Bible Palo Alto Mayfield 1985 John p 302 310 In Encyclopaedia Britannica Britannica concise encyclopedia Chicago IL Britannica Digital Learning 2017 Bauckham Richard 2007 The Testimony of the Beloved Disciple F L Cross The Oxford Dictionary of the Christian Church New York Oxford University Press 1997 45 Since the 18th century the Decretum Gelasianum has been associated with the Council of Rome 382 although historians dispute the connection Nunn Rev Henry Preston Vaughan H P V 1 January 1946 The Fourth Gospel An Outline of the Problem and Evidence London The Tyndale Press pp 10 13 14 18 19 21 35 37 39 ASIN B002NRY6G2 Aslan Reza 16 July 2013 ZEALOT The Life and Times of Jesus of Nazareth Random House Illustrated Edition NY Times Press p XX ISBN 978 2523470201 Ehrman Bart May 2001 Jesus Apocalyptic Prophet of the Millenium Oxford University Press Press pp 41 44 90 93 ISBN 978 0195124743 Although ancient traditions attributed to the Apostle John the Fourth Gospel the Book of Revelation and the three Epistles of John modern scholars believe that he wrote none of them Harris Stephen L Understanding the Bible Palo Alto Mayfield 1985 p 355 Kelly Joseph F 1 October 2012 History and Heresy How Historical Forces Can Create Doctrinal Conflicts Liturgical Press p 115 ISBN 978 0 8146 5999 1 Hengel Martin 2000 Four Gospels and the One Gospel of Jesus Christ 1st edition Trinity Press International p 40 ISBN 978 1 56338 300 7 Morris Leon 1995 The Gospel According to John Volume 4 of The new international commentary on the New Testament Wm B Eerdmans Publishing ISBN 978 0 8028 2504 9 pp 4 5 24 35 7 Continental scholars have abandoned the idea that this gospel was written by the apostle John whereas in Great Britain and America scholarship has been much more open to the idea Abandonment is due to changing opinion rather than to any new evidence Werner Colson and I have been joined among others by I Howard Marshall and J A T Robinson in seeing the evidence as pointing to John the son of Zebedee as the author of this Gospel The view that John s history is substandard is becoming increasingly hard to sustain Many recent writers have shown that there is good reason for regarding this or that story in John as authentic It is difficult to regard John as having little concern for history The fact is John is concerned with historical information John apparently records this kind of information because he believes it to be accurate He has some reliable information and has recorded it carefully The evidence is that where he can be tested John proves to be remarkably accurate Bruce 1981 pp 52 4 58 The evidence favor s the apostolicity of the gospel John knew the other gospels and supplements them The synoptic narrative becomes more intelligible if we follow John John s style is different so Jesus abiding truth might be presented to men and women who were quite unfamiliar with the original setting He does not yield to any temptation to restate Christianity It is the story of events that happened in history John does not divorce the story from its Palestinian context Dodd p 444 Revelation is distinctly and nowhere more clearly than in the Fourth Gospel a historical revelation It follows that it is important for the evangelist that what he narrates happened Temple William Readings in St John s Gospel MacMillan and Co 1952 The synoptists give us something more like the perfect photograph St John gives us the more perfect portrait Edwards R A The Gospel According to St John 1954 p 9 One reason he accepts John s authorship is because the alternative solutions seem far too complicated to be possible in a world where living men met and talked Hunter A M Interpreting the New Testament P 86 After all the conjectures have been heard the likeliest view is that which identifies the Beloved Disciple with the Apostle John Dr Craig Blomberg cited in Lee Strobel The Case for Christ 1998 Chapter 2 Marshall Howard The Illustrated Bible Dictionary ed J D Douglas et al Leicester 1980 II p 804 Robinson J A T The Priority of John P 122 Cf Marsh John seems to have believed that theology was not something which could be used to read a meaning into events but rather something that was to be discovered in them His story is what it is because his theology is what it is but his theology is what it is because the story happened so p 580 581 Ehrman pp 178 9 Brown Raymond E 1997 Introduction to the New Testament New York Anchor Bible p 334 ISBN 0 385 24767 2 Frandsen Mary E 4 April 2006 Crossing Confessional Boundaries The Patronage of Italian Sacred Music in Seventeenth Century Dresden Oxford University Press p 161 ISBN 9780195346367 On the Feast of St John the Evangelist the third day of Christmas in 1665 for example peranda presented two concertos in the morning service his O Jesu mi dulcissime and Verbum caro factum est and presented his Jesus dulcis Jesu pie and Atendite fideles at Vespers General Roman Calendar of Pope Pius XII Today in Masonic History Feast of St John the Evangelist www masonrytoday com Retrieved 28 December 2019 Sources James Hall Dictionary of Subjects and Symbols in Art New York Harper amp Row 1979 129 174 75 Carolyn S Jerousek Christ and St John the Evangelist as a Model of Medieval Mysticism Cleveland Studies in the History of Art Vol 6 2001 16 a b c Saint John the Apostle Encyclopaedia Britannica Online Chicago Illinois Encyclopaedia Britannica Inc Retrieved 4 August 2017 Jadranka Prolovic Socrates and St John the Apostle the interchangeable similarity of their portraits Zograf vol 35 2011 9 It is difficult to locate when and where this iconography of John originated and what the prototype was yet it is clearly visible that this iconography of John contains all of the main characteristics of well known antique images of Socrates This fact leads to the conclusion that Byzantine artists used depictions of Socrates as a model for the portrait of John James Hall Dictionary of Subjects and Symbols in Art New York Harper amp Row 1979 129 174 75 Jeffrey F Hamburger St John the Divine The Deified Evangelist in Medieval Art and Theology Berkeley University of California Press 2002 xxi xxii ibidem 159 160 Carolyn S Jerousek Christ and St John the Evangelist as a Model of Medieval Mysticism Cleveland Studies in the History of Art Vol 6 2001 16 Annette Volfing John the Evangelist and Medieval Writing Imitating the Inimitable Oxford Oxford University Press 2001 139 Jeffrey F Hamburger St John the Divine The Deified Evangelist in Medieval Art and Theology Berkeley University of California Press 2002 xxi xxii Carolyn S Jerousek Christ and St John the Evangelist as a Model of Medieval Mysticism Cleveland Studies in the History of Art Vol 6 2001 20 Sarah McNamer Affective Meditation and the Invention of Medieval Compassion Philadelphia University of Pennsylvania Press 2010 142 148 Annette Volfing John the Evangelist and Medieval Writing Imitating the Inimitable Oxford Oxford University Press 2001 139 Carolyn S Jerousek Christ and St John the Evangelist as a Model of Medieval Mysticism Cleveland Studies in the History of Art Vol 6 2001 20 Annette Volfing John the Evangelist and Medieval Writing Imitating the Inimitable Oxford Oxford University Press 2001 139 Sarah McNamer Affective Meditation and the Invention of Medieval Compassion Philadelphia University of Pennsylvania Press 2010 142 Sarah McNamer Affective Meditation and the Invention of Medieval Compassion Philadelphia University of Pennsylvania Press 2010 145 Sarah McNamer Affective Meditation and the Invention of Medieval Compassion Philadelphia University of Pennsylvania Press 2010 142 148 a b c James Hall John the Evangelist Dictionary of Subjects and Symbols in Art rev ed New York Harper amp Row 1979 J K Elliot ed A Collection of Apocryphal Christian Literature in an English Translation Based on M R James New York Oxford University Press 1993 2005 343 345 J K Elliott Graphic Versions Did non biblical stories about Jesus and the saints originate more in art than text Times Literary Supplement 14 December 2018 pp 15 16 referring to the El Greco painting Bible Matthew 20 23 a b c Fonck L 1910 St John the Evangelist In The Catholic Encyclopedia New York Robert Appleton Company Retrieved 14 August 2017 from New Advent J K Elliott Graphic Versions Did non biblical stories about Jesus and the saints originate more in art than text Times Literary Supplement 14 December 2018 pp 15 16 referring to a thirteenth century manuscript in Cambridge known as the Trinity College Apocalypse External links Edit Wikimedia Commons has media related to Saint John the Evangelist Wikiquote has quotations related to John the Evangelist Wikisource has the text of the 1879 American Cyclopaedia article John the Evangelist Saint John the Apostle Encyclopaedia Britannica Online Answers com St John the Evangelist at the Christian Iconography web site Caxton s translations of the Golden Legend s two chapters on St John Of St John the Evangelist and The History of St John Port Latin Portals Saints Biography Christianity Bible Ancient Rome Retrieved from https en wikipedia org w index php title John the Evangelist amp oldid 1144769642, wikipedia, wiki, book, books, library,

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