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John Quincy Adams Ward

John Quincy Adams Ward (June 29, 1830 – May 1, 1910) was an American sculptor, whose most familiar work is his larger than life-size standing statue of George Washington on the steps of Federal Hall National Memorial in New York City.

John Quincy Adams Ward
John Quincy Adams Ward, ca. 1900
BornJune 29, 1830 (1830-06-29)
DiedMay 1, 1910 (1910-05-02) (aged 79)
NationalityAmerican
Known forSculpture

Early years edit

Ward was the fourth of eight children born to John Anderson Ward and Eleanor Macbeth in Urbana, Ohio, a city founded by his paternal grandfather Colonel William Ward. One of his younger brothers was the artist Edgar Melville Ward. The family lived on William Ward's homestead and 600 acres of land after he died. Growing up, Ward liked to spend his time by the creek-bed fashioning mud into small figures and animals.[1] Ward's interest in three dimensional forms was encouraged by a neighbor and local potter, Miles Chatfield. At the age of 11, Chatfield allowed Ward to have the run of his studio and taught him how to throw a pot and decorate it with bas-reliefs.[2] Ward spent several years working on his family farm, and after seeing a sculpture exhibition in Cincinnati in 1847, felt discouraged from pursuing an artistic career. His family proposed he study medicine, but after contracting malaria, he had to abandon his studies.

Ward later lived with his older sister Eliza and her husband Jonathan Wheelock Thomas in Brooklyn, New York, where he trained for seven years (1849 to 1856) under the well-established sculptor Henry Kirke Brown, who carved "J.Q.A. Ward, asst." on his equestrian monument of George Washington in Union Square. Ward went to Washington in 1857, where he made a name for himself with portrait busts of men in public life. In 1861, he worked for the Ames Manufacturing Company of Chicopee, Massachusetts, providing models for decorative objects including gilt-bronze sword hilts for the Union Army.[3] Ames was one of the largest brass, bronze and iron foundries in the United States.[4]

Ward set up a studio in New York City in 1861 and was elected to the National Academy of Design the following year; he was their president until 1874. In 1882, a new New York home and studio on 52nd Street was designed for him by his friend Richard Morris Hunt, who was to collaborate with him on many projects over the years.

Ward was dedicated to developing an American school of sculpture through his participation in organizations and teaching. He occasionally took on students and assistants, the most notable being Daniel Chester French, Jules Desbois, Francois J. Rey, and Charles Albert Lopez.[5] In 1888–1889, Ward, along with his studio assistant Francois J. Rey and a man named W. Hunt, taught a sculpture class at The Metropolitan Museum of Art.[6] Four years later, he was invited by Harvard University to give a series of lectures.[7]

Ward was married three times. He married his first wife, Anna Bannan, on February 10, 1858. After her death, he married Julia Devens Valentine on June 19, 1877. Julia died during childbirth on January 31, 1879.[citation needed]

Career edit

Nineteenth-century American commissions for sculpture were largely confined to portrait busts and monuments, where Ward was preeminent in his generation. Sculptors also made a living selling bronze reductions of their public works; Ward made use of new galvanoplastic duplicating techniques; many of Ward's reductions and galvanoplastic and die-stamped relief panels survive.

His bronze statue of The Pilgrim, a 9 feet (2.7 m) tall stylized representation of one of the Pilgrims, British immigrants to the New World led by William Bradford who left from Plymouth, England, in the cargo ship Mayflower in September 1620, sits on Pilgrim Hill in Central Park in New York City.[8][9] The statue faces westward on the crest of a little knoll at the top of the hill, on a rusticated Quincy granite pedestal that was created by architect Richard Morris Hunt, overlooking the East Drive at East 72nd Street.[9][10][11][12] The statue was donated to New York City in 1885 by the New England Society of New York.[10][11][8][13]

In 1902, with the collaboration of Paul Wayland Bartlett, he made the models for the marble pediment sculptures for the New York Stock Exchange. The pediment was carved by the Piccirilli Brothers.

Ward participated in numerous organizations and associations during his long career. He was a founder and president of the National Sculpture Society (1893–1905), president of the National Academy of Design (1874), and a member of the Fine Arts Federation, the Architectural League, the National Institute of Arts and Letters, the American Academy of Arts and Letters, The American Institute of Architects, the National Arts Club, and the Century Association. He sat on the Advisory Committee of Fine Arts of the City of New York at the World's Columbian Exposition of 1893 and on the Advisory Committee of Sculptors at the Louisiana Purchase Exposition in 1904.[14] He was one of the original members of the Board of Trustees of The Metropolitan Museum of Art and served on its executive committee until 1901,[15] as well as one of the first trustees in 1897 for the American Academy in Rome.[16]

He died at his home in New York City in 1910.[17] A copy of his Indian Hunter stands at his gravesite in Urbana,[18] and his Urbana home is listed on the National Register of Historic Places.[19] His sketchbooks are conserved at the Albany Institute of History & Art. His work was part of the sculpture event in the art competition at the 1928 Summer Olympics.[20]

Public sculpture edit

Gallery edit

 
Integrity Protecting the Works of Man on the pediment of the New York Stock Exchange Building, Integrity, in the center, wears the winged cap of Mercury, the god of commerce. The figures on her left represent mining and agriculture, and on her right, industry. The original pediment, carved from Georgia marble, weighed 90 tons, but time and pollution wore away at it, and in 1936 it was replaced by a copper and lead replica which weighs 10 tons.[23]

References edit

  1. ^ Theodore Dreiser. "The Foremost of American Sculptors." The New Voice 16 (June 17, 1899), pp. 4, 5, 13.
  2. ^ D[aniel] O'C. Townley, "J.Q. Adams Ward." Scribner's Monthly 2 (August 1871), pp. 403-408.
  3. ^ Sharp, Lewis I., John Quincy Adams Ward: Dean of American Sculpture, University of Delaware Press, Newark, NJ, 1985 p. 40
  4. ^ Ames Sword Company history March 15, 2010, at the Wayback Machine
  5. ^ Sharp, Lewis I. (1985). John Quincy Adams Ward: Dean of American Sculpture. United States of America: Associated University Presses Inc. pp. 20. ISBN 0-87413-253-3.
  6. ^ Prospectus, Art Schools of the Metropolitan Museum of Art 1888-1889, no. 6 (Department of American Paintings and Sculpture, The Metropolitan Museum of Art, New York City).
  7. ^ Letter from C. Eliot to John Quincy Adams Ward, October 23, 1893, (Albany Institute of History and Art, Albany, New York).
  8. ^ a b Walsh, Kevin (January 8, 2020). "PILGRIM HILL, Central Park". Forgotten New York. Retrieved August 16, 2020.
  9. ^ a b "Pilgrim: NYC Parks". Central Park Monuments. June 26, 1939. Retrieved August 16, 2020.
  10. ^ a b "Pilgrim Hill". www.centralpark.com. April 3, 2019. Retrieved August 16, 2020.
  11. ^ a b "Pilgrim Hill". Central Park Conservancy. July 28, 2020. Retrieved August 16, 2020.
  12. ^ Carroll, R.; Berenson, R.J. (2008). The Complete Illustrated Map and Guidebook to Central Park. Sterling Publishing Company, Incorporated. p. 57. ISBN 978-1-4027-5833-1. Retrieved August 16, 2020.
  13. ^ Miller, Sara Cedar (April 7, 2020). Seeing Central Park: The Official Guide Updated and Expanded. Abrams. ISBN 978-1-68335-879-4.
  14. ^ Framed certificates at the Albany Institute of History and Art, Albany, New York
  15. ^ Howe, Winifred E. (1913). A History of The Metropolitan Museum of Art. New York: The Metropolitan Museum of Art. pp. 123.
  16. ^ "Finding Aid". American Academy in Rome records, 1855-[ca.1981], (bulk dates 1894-1946). Archives of American Art. 2011. Retrieved June 17, 2011.
  17. ^ American Art Annual, Volume 8. MacMillan Company. 1911. p. 402.
  18. ^ Ohio Outdoor Sculpture Inventory September 27, 2007, at the Wayback Machine.
  19. ^ "National Register Information System". National Register of Historic Places. National Park Service. July 9, 2010.
  20. ^ "John Quincy Adams Ward". Olympedia. Retrieved July 30, 2020.
  21. ^ The bronze is signed J.Q.A. WARD 1869
  22. ^ "William Shakespeare statue". New York City Department of Parks & Recreation. February 12, 2007. Retrieved October 22, 2008.
  23. ^ Nevius, Michelle & Nevius, James (2009), Inside the Apple: A Streetwise History of New York City, New York: Free Press, ISBN 141658997X pp.187-188

Further reading edit

  • Adams, Adeline. J. Q. A. Ward, An Appreciation (New York, 1911)
  • Adams, Adeline. John Quincy Adams Ward (New York, 1912)
  • Durante, Dianne. Outdoor Monuments of Manhattan: A Historical Guide (New York University Press, 2007): description and discussion of Ward's Washington, Greeley, Holley, Conkling, Dodge, and Shakespeare, all in New York, with a list of Ward's other works in the five boroughs.
  • Sharp, Lewis I. John Quincy Adams Ward, dean of American sculpture: with a catalogue raisonné. (Newark: University of Delaware, 1985)
  • Sharp, Lewis I. New York City Public Sculpture: By 19th-Century American Artists (New York: Metropolitan Museum of Art, 1974) page 12
  • Taft, Lorado, History of American Sculpture (New York, 1905)

External links edit

  • Works by or about John Quincy Adams Ward at Internet Archive
  • Art and the empire city: New York, 1825-1861, an exhibition catalog from The Metropolitan Museum of Art (fully available online as PDF), which contains material on John Quincy Adams Ward (see index)
  • Ohio University, J.Q.A. Ward collection 2008-09-10 at the Wayback Machine Photographs of his studio, works, friends, etc. Correspondence etc. (pdf file)
  • Albany Institute of History & Art
  • Letters to and from John Quincy Adams Ward

john, quincy, adams, ward, june, 1830, 1910, american, sculptor, whose, most, familiar, work, larger, than, life, size, standing, statue, george, washington, steps, federal, hall, national, memorial, york, city, 1900bornjune, 1830, 1830, urbana, ohiodiedmay, 1. John Quincy Adams Ward June 29 1830 May 1 1910 was an American sculptor whose most familiar work is his larger than life size standing statue of George Washington on the steps of Federal Hall National Memorial in New York City John Quincy Adams WardJohn Quincy Adams Ward ca 1900BornJune 29 1830 1830 06 29 Urbana OhioDiedMay 1 1910 1910 05 02 aged 79 New York CityNationalityAmericanKnown forSculpture Contents 1 Early years 2 Career 3 Public sculpture 4 Gallery 5 References 6 Further reading 7 External linksEarly years editWard was the fourth of eight children born to John Anderson Ward and Eleanor Macbeth in Urbana Ohio a city founded by his paternal grandfather Colonel William Ward One of his younger brothers was the artist Edgar Melville Ward The family lived on William Ward s homestead and 600 acres of land after he died Growing up Ward liked to spend his time by the creek bed fashioning mud into small figures and animals 1 Ward s interest in three dimensional forms was encouraged by a neighbor and local potter Miles Chatfield At the age of 11 Chatfield allowed Ward to have the run of his studio and taught him how to throw a pot and decorate it with bas reliefs 2 Ward spent several years working on his family farm and after seeing a sculpture exhibition in Cincinnati in 1847 felt discouraged from pursuing an artistic career His family proposed he study medicine but after contracting malaria he had to abandon his studies Ward later lived with his older sister Eliza and her husband Jonathan Wheelock Thomas in Brooklyn New York where he trained for seven years 1849 to 1856 under the well established sculptor Henry Kirke Brown who carved J Q A Ward asst on his equestrian monument of George Washington in Union Square Ward went to Washington in 1857 where he made a name for himself with portrait busts of men in public life In 1861 he worked for the Ames Manufacturing Company of Chicopee Massachusetts providing models for decorative objects including gilt bronze sword hilts for the Union Army 3 Ames was one of the largest brass bronze and iron foundries in the United States 4 Ward set up a studio in New York City in 1861 and was elected to the National Academy of Design the following year he was their president until 1874 In 1882 a new New York home and studio on 52nd Street was designed for him by his friend Richard Morris Hunt who was to collaborate with him on many projects over the years Ward was dedicated to developing an American school of sculpture through his participation in organizations and teaching He occasionally took on students and assistants the most notable being Daniel Chester French Jules Desbois Francois J Rey and Charles Albert Lopez 5 In 1888 1889 Ward along with his studio assistant Francois J Rey and a man named W Hunt taught a sculpture class at The Metropolitan Museum of Art 6 Four years later he was invited by Harvard University to give a series of lectures 7 Ward was married three times He married his first wife Anna Bannan on February 10 1858 After her death he married Julia Devens Valentine on June 19 1877 Julia died during childbirth on January 31 1879 citation needed Career editNineteenth century American commissions for sculpture were largely confined to portrait busts and monuments where Ward was preeminent in his generation Sculptors also made a living selling bronze reductions of their public works Ward made use of new galvanoplastic duplicating techniques many of Ward s reductions and galvanoplastic and die stamped relief panels survive His bronze statue of The Pilgrim a 9 feet 2 7 m tall stylized representation of one of the Pilgrims British immigrants to the New World led by William Bradford who left from Plymouth England in the cargo ship Mayflower in September 1620 sits on Pilgrim Hill in Central Park in New York City 8 9 The statue faces westward on the crest of a little knoll at the top of the hill on a rusticated Quincy granite pedestal that was created by architect Richard Morris Hunt overlooking the East Drive at East 72nd Street 9 10 11 12 The statue was donated to New York City in 1885 by the New England Society of New York 10 11 8 13 In 1902 with the collaboration of Paul Wayland Bartlett he made the models for the marble pediment sculptures for the New York Stock Exchange The pediment was carved by the Piccirilli Brothers Ward participated in numerous organizations and associations during his long career He was a founder and president of the National Sculpture Society 1893 1905 president of the National Academy of Design 1874 and a member of the Fine Arts Federation the Architectural League the National Institute of Arts and Letters the American Academy of Arts and Letters The American Institute of Architects the National Arts Club and the Century Association He sat on the Advisory Committee of Fine Arts of the City of New York at the World s Columbian Exposition of 1893 and on the Advisory Committee of Sculptors at the Louisiana Purchase Exposition in 1904 14 He was one of the original members of the Board of Trustees of The Metropolitan Museum of Art and served on its executive committee until 1901 15 as well as one of the first trustees in 1897 for the American Academy in Rome 16 He died at his home in New York City in 1910 17 A copy of his Indian Hunter stands at his gravesite in Urbana 18 and his Urbana home is listed on the National Register of Historic Places 19 His sketchbooks are conserved at the Albany Institute of History amp Art His work was part of the sculpture event in the art competition at the 1928 Summer Olympics 20 Public sculpture edit1866 Indian Hunter in Central Park Manhattan New York City 1867 The Good Samaritan Ether Monument Boston Public Garden Boston Massachusetts 1868 Matthew Perry Monument Touro Park Newport Rhode Island 1869 Seventh Regiment Memorial Central Park New York City 21 The bronze of a standing Union soldier is set on a high granite pedestal along the West Carriage Drive at 69th Street Actor and dramatist Steele MacKaye who served in the 7th Regiment was its model 1871 Major General John F Reynolds Statue Gettysburg National Military Park Gettysburg Pennsylvania 1872 William Shakespeare Central Park New York City 22 1878 George Washington Bartlet Mall Newburyport Massachusetts 1878 William Gilmore Simms White Point Garden Charleston South Carolina 1879 Major General George Henry Thomas Thomas Circle Washington D C 1881 Victory statue Yorktown Victory Monument Yorktown Virginia 1881 General Daniel Morgan Monument Spartanburg South Carolina 1882 George Washington Federal Hall National Memorial New York City 1883 Lafayette University of Vermont Burlington Vermont 1884 The Pilgrim statue Pilgrim Hill Central Park New York City 1887 James A Garfield Monument Capitol Hill Washington D C 1891 Henry Ward Beecher Monument Cadman Plaza Brooklyn New York 1893 Governor Horace Fairbanks St Johnsbury Athenaeum St Johnsbury Vermont 1898 Equestrian statue of General Winfield S Hancock Smith Memorial Arch Philadelphia Pennsylvania 1903 Integrity Protecting the Works of Man pediment of the New York Stock Exchange Building Manhattan New York City 1905 Abraham Coles bust Washington Park Newark New Jersey 1910 Financier August Belmont Newport Rhode Island 1916 General Phillip H Sheridan Statue East Capitol Park Albany New York installed posthumously Gallery edit nbsp The Pilgrim 1884 Central Park New York City nbsp 7th Regiment Monument Central Park New York City nbsp Major General John F Reynolds Statue Gettysburg National Military Park nbsp Major General George Henry Thomas Thomas Circle Washington D C nbsp Statue of George Washington Federal Hall National Memorial New York City nbsp Statue of Marquis de Lafayette University of Vermont Green Burlington Vermont nbsp James A Garfield Monument United States Capitol grounds Washington D C nbsp Ether Monument Boston Public Garden nbsp Ether Monument Boston Public Garden nbsp Israel Putnam Statue Bushnell Park Hartford nbsp Smith Memorial Arch Philadelphia nbsp Matthew Perry statue Touro Park Newport Rhode Island nbsp August Belmont statue Newport Rhode Island nbsp Integrity Protecting the Works of Man on the pediment of the New York Stock Exchange Building Integrity in the center wears the winged cap of Mercury the god of commerce The figures on her left represent mining and agriculture and on her right industry The original pediment carved from Georgia marble weighed 90 tons but time and pollution wore away at it and in 1936 it was replaced by a copper and lead replica which weighs 10 tons 23 References edit Theodore Dreiser The Foremost of American Sculptors The New Voice 16 June 17 1899 pp 4 5 13 D aniel O C Townley J Q Adams Ward Scribner s Monthly 2 August 1871 pp 403 408 Sharp Lewis I John Quincy Adams Ward Dean of American Sculpture University of Delaware Press Newark NJ 1985 p 40 Ames Sword Company history Archived March 15 2010 at the Wayback Machine Sharp Lewis I 1985 John Quincy Adams Ward Dean of American Sculpture United States of America Associated University Presses Inc pp 20 ISBN 0 87413 253 3 Prospectus Art Schools of the Metropolitan Museum of Art 1888 1889 no 6 Department of American Paintings and Sculpture The Metropolitan Museum of Art New York City Letter from C Eliot to John Quincy Adams Ward October 23 1893 Albany Institute of History and Art Albany New York a b Walsh Kevin January 8 2020 PILGRIM HILL Central Park Forgotten New York Retrieved August 16 2020 a b Pilgrim NYC Parks Central Park Monuments June 26 1939 Retrieved August 16 2020 a b Pilgrim Hill www centralpark com April 3 2019 Retrieved August 16 2020 a b Pilgrim Hill Central Park Conservancy July 28 2020 Retrieved August 16 2020 Carroll R Berenson R J 2008 The Complete Illustrated Map and Guidebook to Central Park Sterling Publishing Company Incorporated p 57 ISBN 978 1 4027 5833 1 Retrieved August 16 2020 Miller Sara Cedar April 7 2020 Seeing Central Park The Official Guide Updated and Expanded Abrams ISBN 978 1 68335 879 4 Framed certificates at the Albany Institute of History and Art Albany New York Howe Winifred E 1913 A History of The Metropolitan Museum of Art New York The Metropolitan Museum of Art pp 123 Finding Aid American Academy in Rome records 1855 ca 1981 bulk dates 1894 1946 Archives of American Art 2011 Retrieved June 17 2011 American Art Annual Volume 8 MacMillan Company 1911 p 402 Ohio Outdoor Sculpture Inventory Archived September 27 2007 at the Wayback Machine National Register Information System National Register of Historic Places National Park Service July 9 2010 John Quincy Adams Ward Olympedia Retrieved July 30 2020 The bronze is signed J Q A WARD 1869 William Shakespeare statue New York City Department of Parks amp Recreation February 12 2007 Retrieved October 22 2008 Nevius Michelle amp Nevius James 2009 Inside the Apple A Streetwise History of New York City New York Free Press ISBN 141658997X pp 187 188Further reading editAdams Adeline J Q A Ward An Appreciation New York 1911 Adams Adeline John Quincy Adams Ward New York 1912 Durante Dianne Outdoor Monuments of Manhattan A Historical Guide New York University Press 2007 description and discussion of Ward s Washington Greeley Holley Conkling Dodge and Shakespeare all in New York with a list of Ward s other works in the five boroughs Sharp Lewis I John Quincy Adams Ward dean of American sculpture with a catalogue raisonne Newark University of Delaware 1985 Sharp Lewis I New York City Public Sculpture By 19th Century American Artists New York Metropolitan Museum of Art 1974 page 12 Taft Lorado History of American Sculpture New York 1905 External links edit nbsp Wikimedia Commons has media related to John Quincy Adams Ward nbsp Wikisource has the text of the 1911 Encyclopaedia Britannica article Ward John Quincy Adams Works by or about John Quincy Adams Ward at Internet Archive Art and the empire city New York 1825 1861 an exhibition catalog from The Metropolitan Museum of Art fully available online as PDF which contains material on John Quincy Adams Ward see index Ohio University J Q A Ward collection Archived 2008 09 10 at the Wayback Machine Photographs of his studio works friends etc Correspondence etc pdf file Ohio historical markers Albany Institute of History amp Art Letters to and from John Quincy Adams Ward Retrieved from https en wikipedia org w index php title John Quincy Adams Ward amp oldid 1178338200, wikipedia, wiki, book, books, library,

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