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Jeremy Taylor (singer)

Jeremy Taylor (born 24 November 1937 in Newbury, Berkshire) is a retired English folk singer and songwriter who has spent much of his life in South Africa, originally as a teacher of English at St. Martin's School, Rosettenville in southern Johannesburg.[1] Since 1994, he has lived in Wales and France.[2] After attending the University of Oxford,[3] Taylor became a folk singer in South Africa, remembered for his single "Ag Pleez Deddy".

Jeremy Taylor
Born (1937-11-24) 24 November 1937 (age 86)
OriginNewbury, Berkshire, England
GenresFolk
Occupation(s)Singer-songwriter, humorist, poet, political commentator
Instrument(s)Guitar, vocals
Years active1961–2008
Websitejeremytaylormusic.com

Much of his success came from songs that started in live performances, incorporating comedy. Taylor performed songs that questioned social problems in apartheid South Africa.

Musical career edit

South Africa edit

Taylor began performing in clubs and coffee-bars such as the Cul de Sac in Hillbrow, Johannesburg in the 1960s, and succeeded with the comedic song "The Ballad of the Southern Suburbs" [of Johannesburg], also known as "Ag Pleez Deddy", in 1962. The song, written for the stage show Wait a Minim!,[4][5] was a surprise hit. In performance in Chicago, he explained that while teaching South African children English, he was "enchanted" by their patois and their lust for American and European consumer products like Pepsi Cola, Canada Dry, Eskimo Pie, popcorn and chewing gum, and films like Tarzan.

Taylor mimicked their accent in the song, in which a child begs his father to take him to different places and buy these treats. It was frowned upon by parents[citation needed] and the government because the song mixed English and Afrikaans – a practice of which the Nationalist government disapproved, feeling all languages should be kept "pure". This was one reason Taylor was required to leave the country.[6] This mixing of languages led to Taylor's songwriting being described as "doing for South African English what [David] Kramer was doing for Afrikaans".[7]

However, it remained popular with children in South Africa, selling more than any Elvis Presley single in South Africa.[8] Also in the early sixties he contributed to the successful musical revue Wait a Minim!, performing several of his own compositions.[9] His archival material was donated to the Hidden Years Music Archive preserved by the Documentation Centre for Music, Stellenbosch University, in 2017.

Folk music edit

After returning to Britain in 1964 to perform in Wait a Minim! in the West End, he joined the British folk music circuit and appeared on television. Later in the 1960s, he taught at Eton College while a political exile.[8]

Taylor had his own series of six folk-style shows entitled "Jeremy Taylor", supported by the house band Telephone Bill and the Smooth Operators, broadcast between 15 May and 19 June 1980 from the BBC Television Theatre, London. The guests included Barbara Dickson, Alan Price, Spike Milligan, Kenny Baker, Pam Ayres, Peter Skellern and Isla St Clair. After befriending folk-rock singer-songwriter Cat Stevens, and his friend and guitarist, Alun Davies, Taylor helped Stevens translate one of his songs, "O Caritas", into Latin for an album, Catch Bull at Four. One of Taylor's albums was produced by Davies. Davies guested on a couple of the songs, but was uncomfortable with playing two roles on another person's album, saying to Melody Maker, "You can't put yourself in two places at once and get the best results."[10]

Popular work edit

Some of Taylor's popular songs are: "Jobsworth", "Huberta, the hippopotamus", "The Pot Song", "Mrs Harris" and "Prawns in the Game". His "Piece of Ground" was recorded in the United States by Miriam Makeba. However, his albums never reached most of the American music audience.

He was a long-term collaborator and performer with Spike Milligan, and recorded a live album with him entitled Spike Milligan and Jeremy Taylor: An Adult Entertainment. This was recorded at Cambridge University on 2 December 1973 and released as a double LP entitled Spike Milligan with Jeremy Taylor Live at Cambridge University. It was later re-issued as a two-CD set.

He continued to write songs and perform into the 21st century, in the United Kingdom, France and in the United States. In 2005 he recorded an album in Chicago, Live in Chicago.

Discography edit

  • Ag, Pleez Daddy (Ballad of the Southern Suburbs) (1962)
  • Always something new out of Africa (1966) with Andrew Tracey and Paul Tracey
  • His Songs (1968)
  • More of His Songs (1970)
  • Piece of Ground (1972)
  • Jobsworth (1973)
  • Done at a Flash – Recorded Live at the Cherry Trees Motel, Alcester (1978) with Alun Davies
  • Come to Blackpool (1974(?))
  • The Very Best of Jeremy Taylor (1996); Reissue in (2004)
  • Live in Chicago (2005)
  • Spike Milligan and Jeremy Taylor: An Adult Entertainment[3]

Publications edit

  • Ag Pleez Deddy!: Songs and Reflections. J. Taylor Pub. 1992. ISBN 978-0-620-17142-7. (Now out of print)

References edit

  1. ^ "SA Rock Digest". Retrieved 15 November 2017.
  2. ^ Jeremy Taylor 3rd earmusic.com
  3. ^ a b New York Times, 27 July 1962, "Folksong a Hit in South Africa"
  4. ^ "Folk song a hit in South Africa; Parody by Oxford graduate spreads to other lands". The New York Times. 22 July 1962. ISSN 0362-4331. Retrieved 14 December 2020.
  5. ^ Heywood, Christopher (18 November 2004). A History of South African Literature. Cambridge University Press. ISBN 978-0-521-55485-5.
  6. ^ "Jeremy Taylor: South Africa mustn't despair". popspeaking.com. 7 November 2015. Retrieved 15 November 2017.
  7. ^ Gaylard, Rob (1 November 2011). "David Kramer: a biography". South African Theatre Journal. 25 (3). Taylor & Francis Group: 252–254. doi:10.1080/10137548.2011.674718. eISSN 2163-7660. ISSN 1013-7548. S2CID 161069318.
  8. ^ a b Byerly, Ingrid Bianca (1996). The music indaba: Music as mirror, mediator and prophet in the South African transition from apartheid to democracy (PhD thesis). North Carolina: Duke University.
  9. ^ Lucia, Christine (26 March 2009). The World of South African Music: A Reader. Publishing. pp. 94–95. ISBN 978-1-4438-0779-1.
  10. ^ Plummer, Mark Melody Maker, 16 September 1972 Davies the Guitar

External links edit

  • Official website
  • Jeremy Taylor memories of South Africa
  • Jeremy Taylor introduces Telephone Bill & The Smooth Operators in his 1980 BBC 2 TV series on YouTube

jeremy, taylor, singer, jeremy, taylor, born, november, 1937, newbury, berkshire, retired, english, folk, singer, songwriter, spent, much, life, south, africa, originally, teacher, english, martin, school, rosettenville, southern, johannesburg, since, 1994, li. Jeremy Taylor born 24 November 1937 in Newbury Berkshire is a retired English folk singer and songwriter who has spent much of his life in South Africa originally as a teacher of English at St Martin s School Rosettenville in southern Johannesburg 1 Since 1994 he has lived in Wales and France 2 After attending the University of Oxford 3 Taylor became a folk singer in South Africa remembered for his single Ag Pleez Deddy Jeremy TaylorBorn 1937 11 24 24 November 1937 age 86 OriginNewbury Berkshire EnglandGenresFolkOccupation s Singer songwriter humorist poet political commentatorInstrument s Guitar vocalsYears active1961 2008Websitejeremytaylormusic wbr com Much of his success came from songs that started in live performances incorporating comedy Taylor performed songs that questioned social problems in apartheid South Africa Contents 1 Musical career 1 1 South Africa 1 2 Folk music 2 Popular work 2 1 Discography 2 2 Publications 3 References 4 External linksMusical career editSouth Africa edit Taylor began performing in clubs and coffee bars such as the Cul de Sac in Hillbrow Johannesburg in the 1960s and succeeded with the comedic song The Ballad of the Southern Suburbs of Johannesburg also known as Ag Pleez Deddy in 1962 The song written for the stage show Wait a Minim 4 5 was a surprise hit In performance in Chicago he explained that while teaching South African children English he was enchanted by their patois and their lust for American and European consumer products like Pepsi Cola Canada Dry Eskimo Pie popcorn and chewing gum and films like Tarzan Taylor mimicked their accent in the song in which a child begs his father to take him to different places and buy these treats It was frowned upon by parents citation needed and the government because the song mixed English and Afrikaans a practice of which the Nationalist government disapproved feeling all languages should be kept pure This was one reason Taylor was required to leave the country 6 This mixing of languages led to Taylor s songwriting being described as doing for South African English what David Kramer was doing for Afrikaans 7 However it remained popular with children in South Africa selling more than any Elvis Presley single in South Africa 8 Also in the early sixties he contributed to the successful musical revue Wait a Minim performing several of his own compositions 9 His archival material was donated to the Hidden Years Music Archive preserved by the Documentation Centre for Music Stellenbosch University in 2017 Folk music edit After returning to Britain in 1964 to perform in Wait a Minim in the West End he joined the British folk music circuit and appeared on television Later in the 1960s he taught at Eton College while a political exile 8 Taylor had his own series of six folk style shows entitled Jeremy Taylor supported by the house band Telephone Bill and the Smooth Operators broadcast between 15 May and 19 June 1980 from the BBC Television Theatre London The guests included Barbara Dickson Alan Price Spike Milligan Kenny Baker Pam Ayres Peter Skellern and Isla St Clair After befriending folk rock singer songwriter Cat Stevens and his friend and guitarist Alun Davies Taylor helped Stevens translate one of his songs O Caritas into Latin for an album Catch Bull at Four One of Taylor s albums was produced by Davies Davies guested on a couple of the songs but was uncomfortable with playing two roles on another person s album saying to Melody Maker You can t put yourself in two places at once and get the best results 10 Popular work editSome of Taylor s popular songs are Jobsworth Huberta the hippopotamus The Pot Song Mrs Harris and Prawns in the Game His Piece of Ground was recorded in the United States by Miriam Makeba However his albums never reached most of the American music audience He was a long term collaborator and performer with Spike Milligan and recorded a live album with him entitled Spike Milligan and Jeremy Taylor An Adult Entertainment This was recorded at Cambridge University on 2 December 1973 and released as a double LP entitled Spike Milligan with Jeremy Taylor Live at Cambridge University It was later re issued as a two CD set He continued to write songs and perform into the 21st century in the United Kingdom France and in the United States In 2005 he recorded an album in Chicago Live in Chicago Discography edit Ag Pleez Daddy Ballad of the Southern Suburbs 1962 Always something new out of Africa 1966 with Andrew Tracey and Paul Tracey His Songs 1968 More of His Songs 1970 Piece of Ground 1972 Jobsworth 1973 Done at a Flash Recorded Live at the Cherry Trees Motel Alcester 1978 with Alun Davies Come to Blackpool 1974 The Very Best of Jeremy Taylor 1996 Reissue in 2004 Live in Chicago 2005 Spike Milligan and Jeremy Taylor An Adult Entertainment 3 Publications edit Ag Pleez Deddy Songs and Reflections J Taylor Pub 1992 ISBN 978 0 620 17142 7 Now out of print References edit SA Rock Digest Retrieved 15 November 2017 Jeremy Taylor 3rd earmusic com a b New York Times 27 July 1962 Folksong a Hit in South Africa Folk song a hit in South Africa Parody by Oxford graduate spreads to other lands The New York Times 22 July 1962 ISSN 0362 4331 Retrieved 14 December 2020 Heywood Christopher 18 November 2004 A History of South African Literature Cambridge University Press ISBN 978 0 521 55485 5 Jeremy Taylor South Africa mustn t despair popspeaking com 7 November 2015 Retrieved 15 November 2017 Gaylard Rob 1 November 2011 David Kramer a biography South African Theatre Journal 25 3 Taylor amp Francis Group 252 254 doi 10 1080 10137548 2011 674718 eISSN 2163 7660 ISSN 1013 7548 S2CID 161069318 a b Byerly Ingrid Bianca 1996 The music indaba Music as mirror mediator and prophet in the South African transition from apartheid to democracy PhD thesis North Carolina Duke University Lucia Christine 26 March 2009 The World of South African Music A Reader Publishing pp 94 95 ISBN 978 1 4438 0779 1 Plummer Mark Melody Maker 16 September 1972 Davies the GuitarExternal links editOfficial website Jeremy Taylor memories of South Africa Jeremy Taylor introduces Telephone Bill amp The Smooth Operators in his 1980 BBC 2 TV series on YouTube Retrieved from https en wikipedia org w index php title Jeremy Taylor singer amp oldid 1187313857, wikipedia, wiki, book, books, library,

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