Interview is a 1979 Canadian shortlive-action animateddocumentary film directed by Caroline Leaf and Veronika Soul, produced by David Verrall.[1] The film is a record of a working day in the lives of two women filmmakers, sometimes described as "an autobiographical collaboration",[4] though both filmmakers are discussing the other woman.[5] The film is also seen as a study of female friendship,[6] the women relating their perceptions of each other through their respective animation techniques, "each creating a visual portrait of the other based on characteristic gestures and impressions."[1]
A summary statement from Caroline Leaf's web site reads as follows: "The film is a record of a working day in the lives of two women filmmakers, Caroline Leaf and Veronika Soul. They are seen as friends, as filmmakers, and as individuals whose personalities are contrasted by the things they say of themselves and each other, and by the different animation techniques they use to portray themselves."[7] The women discuss their everyday lives "with irony and humour at the same time revealing their feelings and concerns when speaking about love, loneliness or devotion to art."[8]
Themes and analysis
I look at the film now and wonder why we included certain things we did. There was a lot of nonsense there. I think we were just having fun. There wasn't much planning but we were seeking to say a certain amount about our work habits. We thought that everything about living related to work, so we included a very broad range of things as the subject matter for the film.
Giannalberto Bendazzi remarks that Interview describes "how work as a filmmaker influences both women's daily lives and, at the same time, how their daily lives shape their works."[4] María Lorenzo Hernández noted in 2010 that this is in sharp contrast to previous autobiographical animated films by men:[note 1] unlike the men, Leaf and Soul "delved in the identity of the animatrice by sharing with the audience their creative process, depicted as a personal, almost intimate experience."[11] In 2015, she remarked further that the "mutual interview as modus operandi reinforces" the documentary perspective. Leaf and Soul "deliver a reflection on animation as a medium, and as a mode of living, appearing as independent women who work autonomously – but not in creative isolation. They establish a dialogue with other artists, other women, legitimating unconventional animation processes. Both have opposite views on animation, yet they can create together."[12]
Play
A statement appearing with the film's entry at the Krakow Film Festival's 50th anniversary retrospective describes the film as "a game played with the form and techniques of animation."[8] In the 2002 interview, in addition to saying the directors were just "having fun" while making Interview, Leaf said that she and Soul were "playing with the audience" in response to suggestions of a deeper intimacy ("a sexual connotation") in the film.[9]
Production
Background and development
Caroline Leaf moved to Canada from the U.S. in 1970,[13] eventually settling in Montréal where she was invited to work for the National Film Board of Canada,[14] and where fellow American expatriate Veronika Soul had also been living since 1970[15] or 1971.[5]
Leaf recalled some twenty years later that the idea for Interview began as "murmurs in the corridors at the Film Board that there was going to be a series of films about the animation directors" at the Board's animation unit: "I thought it would be fun to do one about ourselves."[9] It was something of a departure for Leaf: this would be the first time she was not taking "someone else's story": "I was making my own story with Veronica."[16] Leaf was "blinded" by the film's revelations about her own shyness and awkwardness and said she was still "uncomfortable" watching it with an audience as late as 2002.[9]
Still image from Interview, featuring Leaf's paint-on-glass technique, the women seated at a table while two standing shadowy figures look on.
Filming, animation, and editing
Leaf and Soul "interviewed each other extensively" and then selected different parts to animate.[9] The released film is a combination of still photographs, live action and animation,[13][6] something Leaf had never before attempted.[9][17]
Leaf's animation technique is paint on glass, while Soul's is based on collage.[18] Leaf was quoted as saying her animations of allowed for subtle qualities which could not be achieved with a camera.[19] She found editing the film particularly exciting "because the 'chunks' that fit together could have gone in any kind of order."[16]
Release
In a post on his blog in 2007, American animator Michael Sporn recalled seeing Interview at the Ottawa International Animation Festival in 1980, and the film's mounting success: "The film followed the festival circuit back then, and I got to see it another half dozen or so times. It kept opening larger and larger the more I'd seen it.[20] Paul Wells, citing Hungarian animator John Halas (1987)[note 2] reports that, along with Leaf's other films made in the 1970s, Interview "consolidated her place as one of the acknowledged "masters" of animation."[21]
Home media
Interview is included in a 147-minute anthology of films by women animators released on VHS as a set of two videocassettes in the Conoisseur animation series, titled Wayward girls & wicked women, 1991-1992.[22] A 72-minute box set DVD was released in 2010, titled Caroline Leaf: Out on a Limb - Hand-Crafted Cinema, containing this short and several other works by Leaf.[23]
Sporn remarked: "This was quite an unexpected and daring film, at the time, and it involved resetting our gears. (It's well worth viewing if you can.)"[20] Jean-François Hamel wrote of Interview that, as is always the case with Leaf's films, the spectator is captivated, entertained and stimulated by a true and sincere artist and that what comes across through the film is what he calls her "humanism", manifest through her artistry and technique.[24] Lorenzo Hernández describes the film as "pioneering" in terms of its personal themes,[10] and its final scene, showing Leaf and Soul working together, is "beautiful".[12] Julie Roy considers the filmmakers' styllistic freedom to be the principle attractive quality of the work, the two biographical portraits developing in parallel as in a conversation, apparently spontaneously, like a modern video diary, confiding with each other, all in a confident tone of voice.[18]
^ abcd"Interview". onf-nfb.gc.ca. National Film Board of Canada. Retrieved 3 January 2019.
^ abBendazzi, Giannalberto (2015). Animation: A World History: Volume II: The Birth of a Style - The Three Markets. CRC Press. ISBN9781317519904. Retrieved 3 January 2019.
^ abPallister, Janis L. (1995). The Cinema of Québec: Masters in Their Own House. Madison; London: Fairleigh Dickinson University Press; Associated University Presses. pp. 401–402. ISBN0838635628.
^ abFoster, Gwendolyn Audrey (1995). Women Film Directors: An International Bio-critical Dictionary. Greenwood Publishing Group. p. 220. Retrieved 27 July 2019.
^"The Interview". www.carolineleaf.com. Caroline Leaf. Retrieved 3 January 2019.
^ abcdefWells, Paul (2002). Animation: Genre and Authorship. London and New York: Wallflower Press. p. 108. ISBN1903364205. Retrieved 1 August 2019.
^ abLorenzo Hernández, María (2010). "Through the Looking Glass The Self-Portrait of the Artist and the Re-Start of Animation". Animation Studies. 5: 41–50. Retrieved 1 August 2019.
^Lorenzo Hernández, María (22 March 2010). "A Film of One's Own: The Animated Self-Portraits of Young Contemporary Female Animators" (PDF). Animation. 5 (1): 73–90. doi:10.1177/1746847709358638. hdl:10251/58526. S2CID 54854057. Retrieved 3 January 2019.
^ abLorenzo Hernández, María. "A Film Of One's Own: The Contemporary Female Animated Self-Portrayal" (PDF). www.animafestival.com.ar. Anima Festival. Retrieved 3 January 2019.
^ abJames, Caryn (6 May 1992). "Review/Film; Multi-Faceted Animator's Retrospective". The New York Times. Retrieved 3 January 2019.
^Ruscito, Kate. "Celebrate 100 Years of Women in Animation". blog.nfb.ca. National Film Board of Canada. Retrieved 1 August 2019.
^Morris, Peter (1984). The Film Companion. Toronto: Irwin.
^ abWells, Paul (2002). Animation: Genre and Authorship. London and New York: Wallflower Press. p. 109. ISBN1903364205. Retrieved 1 August 2019.
^"Caroline Leaf". La folle encyclopédie du cinéma d'animation (in French). Retrieved 27 July 2019.
^ abRoy, Julie (2007). "Les femmes et le cinéma d'animation au Québec : Un cinéma de l'intimité". Nouvelles Vues Sur le Cinéma Québécois (in French) (7): 1–15. Retrieved 27 July 2019.
^Levitin, Jacqueline. "Contrechamp sur les démarches de quelques réalisatrices." (1983). Carrière, Louise. (ed.). Femmes et cinéma québécois (in French). Montréal: Boréal Express. p. 241.
^ abSporn, Michael. "Newly noted sites". Splog. Michael Sporn Animation, Inc. Retrieved 31 July 2019.
^Wells, Paul (2002). Animation: Genre and Authorship. London and New York: Wallflower Press. p. 102. ISBN1903364205. Retrieved 1 August 2019.
^"Caroline Leaf: Out on a Limb - Hand-Crafted Cinema/Caroline Leaf : sur la corde raide - Un cinéma fait main". onf-nfb.gc.ca. National Film Board of Canada. Retrieved 3 January 2019. This box set celebrating the talents of a master animator comprises all her classics: The Owl Who Married a Goose, The Street, The Metamorphosis of Mr. Samsa and Two Sisters, as well as Interview, made with Veronika Soul. The DVD includes a student film, an animated video done for MTV, a comprehensive biofilmography and a brand-new director's commentary on Two Sisters.
^Hamel, Jean-François (2010). "Le cinéma de Caroline Leaf : Grandeur et humanisme" (PDF). Ciné-Bulles (in French). 28 (1): 32–33. ISSN 0820-8921. Retrieved 3 January 2019.
^"Awards of the Montreal World Film Festival - 1979". www.ffm-montreal.org. Retrieved 3 January 2019.
Interview on Canadian Women Film Directors Database
February 15, 2023
interview, 1979, film, interview, 1979, canadian, short, live, action, animated, documentary, film, directed, caroline, leaf, veronika, soul, produced, david, verrall, film, record, working, lives, women, filmmakers, sometimes, described, autobiographical, col. Interview is a 1979 Canadian short live action animated documentary film directed by Caroline Leaf and Veronika Soul produced by David Verrall 1 The film is a record of a working day in the lives of two women filmmakers sometimes described as an autobiographical collaboration 4 though both filmmakers are discussing the other woman 5 The film is also seen as a study of female friendship 6 the women relating their perceptions of each other through their respective animation techniques each creating a visual portrait of the other based on characteristic gestures and impressions 1 InterviewDirected byCaroline Leaf Veronika SoulProduced byDavid Verrall 1 Narrated byCaroline Leaf Veronika SoulCinematographyJacques Avoine Richard Moras Robert Humble 1 Edited byCaroline Leaf Veronika SoulMusic byRichard Baskin 1 Animation byCaroline Leaf Veronika SoulProductioncompanyNational Film Board of CanadaDistributed bySerious Business 2 Release date1979 1 Running time14 minutes 3 CountryCanadaLanguageEnglish Contents 1 Synopsis 2 Themes and analysis 2 1 Work and life 2 2 Play 3 Production 3 1 Background and development 3 2 Filming animation and editing 4 Release 4 1 Home media 4 2 Streaming 5 Reception 5 1 Critical response 5 2 Accolades 6 Notes 7 References 8 External linksSynopsis Edit Caroline Leaf with art historian Ranko Munitic in Belgrade Serbia 1979 A summary statement from Caroline Leaf s web site reads as follows The film is a record of a working day in the lives of two women filmmakers Caroline Leaf and Veronika Soul They are seen as friends as filmmakers and as individuals whose personalities are contrasted by the things they say of themselves and each other and by the different animation techniques they use to portray themselves 7 The women discuss their everyday lives with irony and humour at the same time revealing their feelings and concerns when speaking about love loneliness or devotion to art 8 Themes and analysis EditI look at the film now and wonder why we included certain things we did There was a lot of nonsense there I think we were just having fun There wasn t much planning but we were seeking to say a certain amount about our work habits We thought that everything about living related to work so we included a very broad range of things as the subject matter for the film Caroline Leaf interviewed in 2002 9 Work and life Edit Giannalberto Bendazzi remarks that Interview describes how work as a filmmaker influences both women s daily lives and at the same time how their daily lives shape their works 4 Maria Lorenzo Hernandez noted in 2010 that this is in sharp contrast to previous autobiographical animated films by men note 1 unlike the men Leaf and Soul delved in the identity of the animatrice by sharing with the audience their creative process depicted as a personal almost intimate experience 11 In 2015 she remarked further that the mutual interview as modus operandi reinforces the documentary perspective Leaf and Soul deliver a reflection on animation as a medium and as a mode of living appearing as independent women who work autonomously but not in creative isolation They establish a dialogue with other artists other women legitimating unconventional animation processes Both have opposite views on animation yet they can create together 12 Play Edit A statement appearing with the film s entry at the Krakow Film Festival s 50th anniversary retrospective describes the film as a game played with the form and techniques of animation 8 In the 2002 interview in addition to saying the directors were just having fun while making Interview Leaf said that she and Soul were playing with the audience in response to suggestions of a deeper intimacy a sexual connotation in the film 9 Production EditBackground and development Edit Caroline Leaf moved to Canada from the U S in 1970 13 eventually settling in Montreal where she was invited to work for the National Film Board of Canada 14 and where fellow American expatriate Veronika Soul had also been living since 1970 15 or 1971 5 Leaf recalled some twenty years later that the idea for Interview began as murmurs in the corridors at the Film Board that there was going to be a series of films about the animation directors at the Board s animation unit I thought it would be fun to do one about ourselves 9 It was something of a departure for Leaf this would be the first time she was not taking someone else s story I was making my own story with Veronica 16 Leaf was blinded by the film s revelations about her own shyness and awkwardness and said she was still uncomfortable watching it with an audience as late as 2002 9 Still image from Interview featuring Leaf s paint on glass technique the women seated at a table while two standing shadowy figures look on Filming animation and editing Edit Leaf and Soul interviewed each other extensively and then selected different parts to animate 9 The released film is a combination of still photographs live action and animation 13 6 something Leaf had never before attempted 9 17 Leaf s animation technique is paint on glass while Soul s is based on collage 18 Leaf was quoted as saying her animations of allowed for subtle qualities which could not be achieved with a camera 19 She found editing the film particularly exciting because the chunks that fit together could have gone in any kind of order 16 Release EditIn a post on his blog in 2007 American animator Michael Sporn recalled seeing Interview at the Ottawa International Animation Festival in 1980 and the film s mounting success The film followed the festival circuit back then and I got to see it another half dozen or so times It kept opening larger and larger the more I d seen it 20 Paul Wells citing Hungarian animator John Halas 1987 note 2 reports that along with Leaf s other films made in the 1970s Interview consolidated her place as one of the acknowledged masters of animation 21 Home media Edit Interview is included in a 147 minute anthology of films by women animators released on VHS as a set of two videocassettes in the Conoisseur animation series titled Wayward girls amp wicked women 1991 1992 22 A 72 minute box set DVD was released in 2010 titled Caroline Leaf Out on a Limb Hand Crafted Cinema containing this short and several other works by Leaf 23 Streaming Edit The short is available for streaming by subscription from the National Film Board of Canada CAMPUS 1 Reception EditCritical response Edit Sporn remarked This was quite an unexpected and daring film at the time and it involved resetting our gears It s well worth viewing if you can 20 Jean Francois Hamel wrote of Interview that as is always the case with Leaf s films the spectator is captivated entertained and stimulated by a true and sincere artist and that what comes across through the film is what he calls her humanism manifest through her artistry and technique 24 Lorenzo Hernandez describes the film as pioneering in terms of its personal themes 10 and its final scene showing Leaf and Soul working together is beautiful 12 Julie Roy considers the filmmakers styllistic freedom to be the principle attractive quality of the work the two biographical portraits developing in parallel as in a conversation apparently spontaneously like a modern video diary confiding with each other all in a confident tone of voice 18 Accolades Edit 1979Montreal World Film Festival Jury Award for Best Short Film 3 25 World Festival of Animated Film Varna Bulgaria First Prize Category Films from 5 to 15 minutes 3 1981Melbourne International Film Festival Grand Prix Golden Boomerang and Victorian Government Cash Prize of A 4 000 3 Notes Edit Films she discussed in a 2010 companion article 10 Masters of Animation London BBC Books References Edit a b c d e f g Interview www nfb ca National Film Board of Canada Retrieved 3 January 2019 New Animation BAMPFA Berkeley Art Museum and Pacific Film Archive Retrieved 31 July 2019 a b c d Interview onf nfb gc ca National Film Board of Canada Retrieved 3 January 2019 a b Bendazzi Giannalberto 2015 Animation A World History Volume II The Birth of a Style The Three Markets CRC Press ISBN 9781317519904 Retrieved 3 January 2019 a b Pallister Janis L 1995 The Cinema of Quebec Masters in Their Own House Madison London Fairleigh Dickinson University Press Associated University Presses pp 401 402 ISBN 0838635628 a b Foster Gwendolyn Audrey 1995 Women Film Directors An International Bio critical Dictionary Greenwood Publishing Group p 220 Retrieved 27 July 2019 The Interview www carolineleaf com Caroline Leaf Retrieved 3 January 2019 a b Interview krakowfilmfestival pl Krakow Film Festival Retrieved 27 July 2019 a b c d e f Wells Paul 2002 Animation Genre and Authorship London and New York Wallflower Press p 108 ISBN 1903364205 Retrieved 1 August 2019 a b Lorenzo Hernandez Maria 2010 Through the Looking Glass The Self Portrait of the Artist and the Re Start of Animation Animation Studies 5 41 50 Retrieved 1 August 2019 Lorenzo Hernandez Maria 22 March 2010 A Film of One s Own The Animated Self Portraits of Young Contemporary Female Animators PDF Animation 5 1 73 90 doi 10 1177 1746847709358638 hdl 10251 58526 S2CID 54854057 Retrieved 3 January 2019 a b Lorenzo Hernandez Maria A Film Of One s Own The Contemporary Female Animated Self Portrayal PDF www animafestival com ar Anima Festival Retrieved 3 January 2019 a b James Caryn 6 May 1992 Review Film Multi Faceted Animator s Retrospective The New York Times Retrieved 3 January 2019 Ruscito Kate Celebrate 100 Years of Women in Animation blog nfb ca National Film Board of Canada Retrieved 1 August 2019 Morris Peter 1984 The Film Companion Toronto Irwin a b Wells Paul 2002 Animation Genre and Authorship London and New York Wallflower Press p 109 ISBN 1903364205 Retrieved 1 August 2019 Caroline Leaf La folle encyclopedie du cinema d animation in French Retrieved 27 July 2019 a b Roy Julie 2007 Les femmes et le cinema d animation au Quebec Un cinema de l intimite Nouvelles Vues Sur le Cinema Quebecois in French 7 1 15 Retrieved 27 July 2019 Levitin Jacqueline Contrechamp sur les demarches de quelques realisatrices 1983 Carriere Louise ed Femmes et cinema quebecois in French Montreal Boreal Express p 241 a b Sporn Michael Newly noted sites Splog Michael Sporn Animation Inc Retrieved 31 July 2019 Wells Paul 2002 Animation Genre and Authorship London and New York Wallflower Press p 102 ISBN 1903364205 Retrieved 1 August 2019 Wayward girls amp wicked women OCLC OCLC 225721936 Caroline Leaf Out on a Limb Hand Crafted Cinema Caroline Leaf sur la corde raide Un cinema fait main onf nfb gc ca National Film Board of Canada Retrieved 3 January 2019 This box set celebrating the talents of a master animator comprises all her classics The Owl Who Married a Goose The Street The Metamorphosis of Mr Samsa and Two Sisters as well as Interview made with Veronika Soul The DVD includes a student film an animated video done for MTV a comprehensive biofilmography and a brand new director s commentary on Two Sisters Hamel Jean Francois 2010 Le cinema de Caroline Leaf Grandeur et humanisme PDF Cine Bulles in French 28 1 32 33 ISSN 0820 8921 Retrieved 3 January 2019 Awards of the Montreal World Film Festival 1979 www ffm montreal org Retrieved 3 January 2019 External links EditInterview on IMDb Interview on Canadian Women Film Directors Database Retrieved from https en wikipedia org w index php title Interview 1979 film amp oldid 1107972269, wikipedia, wiki, book, books, library,
