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Imperial Edward

"Imperial Edward" is an American military march composed in 1902 by John Philip Sousa, and dedicated to Edward VII, King of the United Kingdom.[1] Sousa received permission to dedicate the march to Edward VII during a conversation with the royal family after his command performance concert at Sandringham on December 1, 1901.[1] The march was premiered by Sousa's band in Montreal on May 21, 1902.[1] Sousa would later conduct the piece for King Edward in January 1903, during a performance at Windsor Castle.[2]

Imperial Edward
by John Philip Sousa
Year1902
GenreMarch
DedicationKing Edward VII of the United Kingdom
Published1902, Cincinnati
PublisherJohn Church Company
Audio sample
United States Marine Band performing the march

History edit

Edward VII and Sousa

In 1901, the Sousa Band took a tour of England. On December 1, 1901, at Sandringham House, Sousa and his band played a command performance in honor of Queen Alexandra’s birthday. After the performance, in a conversation with the royal family, Sousa "requested and received permission" to dedicate a march to King Edward VII.[1][2] Edward became king eleven months prior, following the death of his mother Queen Victoria in January. On December 2⁠, the day after the concert⁠, King Edward decorated Sousa with the Medal of the Royal Victorian Order.[3][4] Sousa's tour was mildly caricatured in Harper's Weekly as the "American invasion, or rag time at the Court of St. James."[5]

The first draft of "Imperial Edward" was finished in April 1902 while Sousa was on vacation in Hot Springs, Virginia, and the march was premiered by the Sousa band on May 21, 1902 during a concert in Montreal.[1] "Imperial Edward" was published by John Church Company, Cincinnati, in 1902.[6] The cover of the John Church sheet music states that the march is "Respectfully dedicated by special permission to His Most Gracious Majesty Edward VII."[6] John Church Company also created what has been described as a "beautiful" illuminated manuscript of the march.[1] This illuminated manuscript was brought to England by George Frederick Hinton, manager of the Sousa Band, and is currently held at the British Museum.[1] Sousa would meet Edward VII again in 1903, when he undertook another command performance at Windsor Castle on January 31. Beginning at 10 PM, this concert was attended by the royal family in addition to "several foreign dignitaries" and the band of the Scots Guards, who were invited by King Edward to attend Sousa's performance.[2] "Imperial Edward" was among the pieces performed, along with "El Capitan," "Hands Across the Sea," “The Stars and Stripes Forever,” and "God Save the King."

To date, "Imperial Edward" has been performed twice at The Proms in London, in September 1903 and August 1904; on both occasions the performances were at Queen's Hall in Langham Place, later destroyed by an incendiary bomb in 1941 during the Blitz.[7] For both performances the piece was conducted by Sir Henry Wood.[8][9]

Sousa's opinion of the march edit

Sousa himself, "for some reason," voiced his unhappiness with "Imperial Edward" nearly twenty-two years after the march was written, in the Sousa Band programs at Willow Grove in 1923.[1] The 1923 Willow Grove program bore the following passage:


I have never written a piece of music that I did not feel the inspiration. I have never turned out but one piece that I consider in any manner mechanical. That was “Imperial Edward,” the march I dedicated to King Edward on my second [sic] command to play before him—and that had to be finished in a hurry. For a part of it I felt an inspiration. For the rest, instead of digging down to the vein of gold, I struck a vein of ashes and used it.

— John Philip Sousa, 1923 Sousa Band programs at Willow Grove[1]

Musical structure edit

 
Sandringham House, where Sousa requested and received permission from the royal family to dedicate a march to King Edward VII in 1901
 
1903 record of the march performed by Sousa's Band, with HMV trademark

The trio of the march quotes "God Save the King" in a trombone solo.[1] When the Sousa Band performed "Imperial Edward," it was "customary" for the trombone section "to rise...play the brief solo fortissimo, and then be seated."[1]

The U.S. Marine Band has published notes on Sousa's own performance practices for a number of his marches; for "Imperial Edward," the Marine Band performance recommendations are:

For the Introduction (m. 1-8):

The recommended tempo is 118-120 bpm. The accent on beat two of m. 3 should be stronger than the first four half notes of the march and be slightly delayed. The cymbal crashes on the downbeats of m. 5-8 are all choked to leave space for the cornet/trumpet fanfares in those measures.

For the First Strain (m. 8-25):

The pick-up half note to the first strain in m. 8 is usually changed to mezzo-forte from the original fortissimo to allow for a crescendo in the first three measures of the strain. Beat two of m. 11 is the peak of the phrase and is typically followed by a sfz accent in the percussion on the next downbeat. All voices then immediately decrescendo to piano and start the dynamic process over again in the second half of the strain.

For the Second Strain (m. 25-42):

This second strain is typically performed with alterations both times, rather than just the first time. Piccolo, E-flat clarinet, cornets, and trombones and cymbals are tacet both times, and euphonium and tenor saxophone are also tacet the first time only. Clarinets are down one octave form the original both times, and all instruments play at piano with a crescendo to mezzo-forte in m. 38 as indicated. On the repeat, all parts are played exactly the same except for the addition of the countermelody in euphonium and tenor saxophone.

For the Trio (m. 42-74):

This trio is also unusual in its performance practice. Piccolo, E-flat clarinet, cornets, trombones, and cymbals are still tacet at the beginning of the trio, and clarinets remain down the octave. However, in m. 46 and m. 50, cornets and trombones enter for only the four quarter notes indicated, with a poco crescendo, as an answer to the trio melody in the woodwinds. All instruments then re-enter for the crescendo to forte/fortissimo in m. 55-58. The whole scheme then repeats beginning with the subito piano pick-up note in m. 58, and the trombones have a surprise soli statement of “God Save the King” from m. 60-65, which is suddenly played forte over the rest of the band (the trombones may stand for this).

For the Break Strain (m. 74-86):

This short but vigorous break strain ends with a decrescendo in m. 86 leading to a soft statement of the final strain first time through. The cymbal crash in m. 83 should be let to ring all the way to m. 86.

And for the Final Strain (m. 86-103):

A new melody is heard for the first time superimposed over the trio melody. Piccolo, E-flat clarinet, cornets, trombones, and cymbals are tacet first time, and all remaining voices play in piano. The break strain is not repeated in this march; rather, all instruments rejoin on beat two of m. 102 at subito forte and play the last time through the final strain with well-marked articulations. A sffz percussion accent is added in m. 94 second time.[10]

See also edit

References edit

  1. ^ a b c d e f g h i j k "Imperial Edward March". www.marineband.marines.mil. Retrieved 2020-01-30.
  2. ^ a b c "How Good Were the Players in Sousa's Band?". School Band & Orchestra Magazine. 2018-06-08. Retrieved 2022-01-22.
  3. ^ Felix, Elving. "Research Guides: John Philip Sousa: Topics in Chronicling America: Introduction". guides.loc.gov. Retrieved 2022-01-22. December 2, 1901: Sousa is awarded the medallion of the Victorian order by King Edward VII.
  4. ^ "Hall of Fame Inductee: John Phillip Sousa Inducted in 1985". www.traphof.org. Retrieved 2022-01-22. He was decorated by King Edward VII with the Victorian Order after his band had given private concerts for the Royal Family, both at Windsor and Sandringham Castles.
  5. ^ "Cartoon of Sousa and King Edward VII". Library of Congress. Retrieved 2022-01-22.
  6. ^ a b "Image 1 of Imperial Edward". Library of Congress. Retrieved 2020-01-30.
  7. ^ "BBC Proms: All Performances of John Philip Sousa: March 'Imperial Edward' at BBC Proms". BBC Music Events. Retrieved 2022-01-21.
  8. ^ "Prom 25: 20:00 Sat 19 Sep 1903 Queen's Hall: Programme". BBC Music Events. Retrieved 2022-01-21. Henry Wood conductor
  9. ^ "Prom 10: 20:00 Wed 17 Aug 1904 Queen's Hall: Programme". BBC Music Events. Retrieved 2022-01-21. Henry Wood conductor
  10. ^ United States Marine Band. "March, "Imperial Edward" (1902)" (PDF). www.marineband.marines.mil.

imperial, edward, american, military, march, composed, 1902, john, philip, sousa, dedicated, edward, king, united, kingdom, sousa, received, permission, dedicate, march, edward, during, conversation, with, royal, family, after, command, performance, concert, s. Imperial Edward is an American military march composed in 1902 by John Philip Sousa and dedicated to Edward VII King of the United Kingdom 1 Sousa received permission to dedicate the march to Edward VII during a conversation with the royal family after his command performance concert at Sandringham on December 1 1901 1 The march was premiered by Sousa s band in Montreal on May 21 1902 1 Sousa would later conduct the piece for King Edward in January 1903 during a performance at Windsor Castle 2 Imperial Edwardby John Philip SousaYear1902GenreMarchDedicationKing Edward VII of the United KingdomPublished1902 CincinnatiPublisherJohn Church CompanyAudio sample source source United States Marine Band performing the marchfilehelp Contents 1 History 2 Sousa s opinion of the march 3 Musical structure 4 See also 5 ReferencesHistory editEdward VII and Sousa nbsp Edward VII nbsp John Philip Sousa In 1901 the Sousa Band took a tour of England On December 1 1901 at Sandringham House Sousa and his band played a command performance in honor of Queen Alexandra s birthday After the performance in a conversation with the royal family Sousa requested and received permission to dedicate a march to King Edward VII 1 2 Edward became king eleven months prior following the death of his mother Queen Victoria in January On December 2 the day after the concert King Edward decorated Sousa with the Medal of the Royal Victorian Order 3 4 Sousa s tour was mildly caricatured in Harper s Weekly as the American invasion or rag time at the Court of St James 5 The first draft of Imperial Edward was finished in April 1902 while Sousa was on vacation in Hot Springs Virginia and the march was premiered by the Sousa band on May 21 1902 during a concert in Montreal 1 Imperial Edward was published by John Church Company Cincinnati in 1902 6 The cover of the John Church sheet music states that the march is Respectfully dedicated by special permission to His Most Gracious Majesty Edward VII 6 John Church Company also created what has been described as a beautiful illuminated manuscript of the march 1 This illuminated manuscript was brought to England by George Frederick Hinton manager of the Sousa Band and is currently held at the British Museum 1 Sousa would meet Edward VII again in 1903 when he undertook another command performance at Windsor Castle on January 31 Beginning at 10 PM this concert was attended by the royal family in addition to several foreign dignitaries and the band of the Scots Guards who were invited by King Edward to attend Sousa s performance 2 Imperial Edward was among the pieces performed along with El Capitan Hands Across the Sea The Stars and Stripes Forever and God Save the King To date Imperial Edward has been performed twice at The Proms in London in September 1903 and August 1904 on both occasions the performances were at Queen s Hall in Langham Place later destroyed by an incendiary bomb in 1941 during the Blitz 7 For both performances the piece was conducted by Sir Henry Wood 8 9 Sousa s opinion of the march editSousa himself for some reason voiced his unhappiness with Imperial Edward nearly twenty two years after the march was written in the Sousa Band programs at Willow Grove in 1923 1 The 1923 Willow Grove program bore the following passage I have never written a piece of music that I did not feel the inspiration I have never turned out but one piece that I consider in any manner mechanical That was Imperial Edward the march I dedicated to King Edward on my second sic command to play before him and that had to be finished in a hurry For a part of it I felt an inspiration For the rest instead of digging down to the vein of gold I struck a vein of ashes and used it John Philip Sousa 1923 Sousa Band programs at Willow Grove 1 Musical structure edit nbsp Sandringham House where Sousa requested and received permission from the royal family to dedicate a march to King Edward VII in 1901 nbsp 1903 record of the march performed by Sousa s Band with HMV trademark The trio of the march quotes God Save the King in a trombone solo 1 When the Sousa Band performed Imperial Edward it was customary for the trombone section to rise play the brief solo fortissimo and then be seated 1 The U S Marine Band has published notes on Sousa s own performance practices for a number of his marches for Imperial Edward the Marine Band performance recommendations are For the Introduction m 1 8 The recommended tempo is 118 120 bpm The accent on beat two of m 3 should be stronger than the first four half notes of the march and be slightly delayed The cymbal crashes on the downbeats of m 5 8 are all choked to leave space for the cornet trumpet fanfares in those measures For the First Strain m 8 25 The pick up half note to the first strain in m 8 is usually changed to mezzo forte from the original fortissimo to allow for a crescendo in the first three measures of the strain Beat two of m 11 is the peak of the phrase and is typically followed by a sfz accent in the percussion on the next downbeat All voices then immediately decrescendo to piano and start the dynamic process over again in the second half of the strain For the Second Strain m 25 42 This second strain is typically performed with alterations both times rather than just the first time Piccolo E flat clarinet cornets and trombones and cymbals are tacet both times and euphonium and tenor saxophone are also tacet the first time only Clarinets are down one octave form the original both times and all instruments play at piano with a crescendo to mezzo forte in m 38 as indicated On the repeat all parts are played exactly the same except for the addition of the countermelody in euphonium and tenor saxophone For the Trio m 42 74 This trio is also unusual in its performance practice Piccolo E flat clarinet cornets trombones and cymbals are still tacet at the beginning of the trio and clarinets remain down the octave However in m 46 and m 50 cornets and trombones enter for only the four quarter notes indicated with a poco crescendo as an answer to the trio melody in the woodwinds All instruments then re enter for the crescendo to forte fortissimo in m 55 58 The whole scheme then repeats beginning with the subito piano pick up note in m 58 and the trombones have a surprise soli statement of God Save the King from m 60 65 which is suddenly played forte over the rest of the band the trombones may stand for this For the Break Strain m 74 86 This short but vigorous break strain ends with a decrescendo in m 86 leading to a soft statement of the final strain first time through The cymbal crash in m 83 should be let to ring all the way to m 86 And for the Final Strain m 86 103 A new melody is heard for the first time superimposed over the trio melody Piccolo E flat clarinet cornets trombones and cymbals are tacet first time and all remaining voices play in piano The break strain is not repeated in this march rather all instruments rejoin on beat two of m 102 at subito forte and play the last time through the final strain with well marked articulations A sffz percussion accent is added in m 94 second time 10 See also editList of marches by John Philip SousaReferences edit a b c d e f g h i j k Imperial Edward March www marineband marines mil Retrieved 2020 01 30 a b c How Good Were the Players in Sousa s Band School Band amp Orchestra Magazine 2018 06 08 Retrieved 2022 01 22 Felix Elving Research Guides John Philip Sousa Topics in Chronicling America Introduction guides loc gov Retrieved 2022 01 22 December 2 1901 Sousa is awarded the medallion of the Victorian order by King Edward VII Hall of Fame Inductee John Phillip Sousa Inducted in 1985 www traphof org Retrieved 2022 01 22 He was decorated by King Edward VII with the Victorian Order after his band had given private concerts for the Royal Family both at Windsor and Sandringham Castles Cartoon of Sousa and King Edward VII Library of Congress Retrieved 2022 01 22 a b Image 1 of Imperial Edward Library of Congress Retrieved 2020 01 30 BBC Proms All Performances of John Philip Sousa March Imperial Edward at BBC Proms BBC Music Events Retrieved 2022 01 21 Prom 25 20 00 Sat 19 Sep 1903 Queen s Hall Programme BBC Music Events Retrieved 2022 01 21 Henry Wood conductor Prom 10 20 00 Wed 17 Aug 1904 Queen s Hall Programme BBC Music Events Retrieved 2022 01 21 Henry Wood conductor United States Marine Band March Imperial Edward 1902 PDF www marineband marines mil Retrieved from https en wikipedia org w index php title Imperial Edward amp oldid 1191615234, wikipedia, wiki, book, books, library,

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