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Grigorije Samojlov

January 01, 1970

Grigorije Ivanovič Samojlov[1](Russian Cyrillic: Григорий Иванович Самойлов; Taganrog, Imperial Russia, 8 September 1904 - Belgrade, Serbia, Yugoslavia, 15 October 1989) was a Russian architect, designer and painter who lived and worked in Serbia.[2] He was one of the many academically trained Russian émigrés who after settling in Serbia contributed the architectural landscape of the Kingdom of Serbs, Croats and Slovenes. He built in the spirit of academism, Serbo-Byzantine style, modernism and art deco.[3] He distinguished himself not only with his high skills in designing various types of building, from monumental public buildings to family houses, but also as the author of some of the most beautiful interiors of Belgrade palaces of this period. Also, he painted the likenesses of King Alexander I of Yugoslavia, and scientist Milutin Milanković among the most notable, as well as teaching the art of design and painting.

He is the author of numerous works such as the chapel of Jovan Savić at Novo Groblje (Belgrade New Cemetery), the iconostasis and interior of the former Church of the Holy Trinity (now the Cathedral of Christ the Savior in Banja Luka),[4] the Church of the Holy Archangel Gabriel at Topčider Cemetery (1939),[5] the factory and villas of the Teokarović family, as well as the Church of the Nativity of St. John in Vučje, Palace of the Pension Fund of Officials and Employees of the NationalBank of the Kingdom of Yugoslavia (1938[3]) in Terazije, with cinema "Belgrade", since 1975 converted into Theater on Terazije, the building of the Faculty of Mechanical Engineering[6] and the Faculty of Technology in Belgrade.[7]

Early biography edit

He was born on 8 September 1904, in Taganrog, a small town on the coast of the Sea of Azov, in a wealthy Russian, Cossack family. He studied painting in high school with the famous painter Serafima Blonskaya (Russian: Серафима Блонская). At the end of the Civil War in Russia in 1921, when he was 17, he emigrated with his father to the Kingdom of the Serbs, Croats and Slovenes. Upon his arrival, his father died, and he then continued his education at the Don Military School in Bileća,[8] where he graduated, after which he enrolled in studies at the Architectural Department of the Technical Faculty at the University of Belgrade. He graduated in 1930.[3][9]

For his diploma work, he designed the "Yugoslav Pantheon", conceived as a national monument, in a dominant place in the city, whose silhouette could be seen from a distance. The work was an example of the role of the neo-Byzantine style in forming the identity of the Yugoslav nation, by transposing the Serbian national style to all South Slavs, replacing the cross on the high central dome with a sculpture of victory, holding laurel wreaths in its hands. Although the project according to the program was not actually conceived as a Christian temple, a chandelier and a masonry iconostasis were projected inside. The work was included in the annual exhibition, which featured about forty students of architecture and was considered one of the best.[10]

Among the first public projects in which he applied elements of neo-Byzantine architecture is the competition project for the building of the Railway Station in Skopje, in 1931.[11]

Career in the interwar period edit

In the beginning, he worked as an associate of the architect Milutin Borisavljević, and later he became an assistant to Professor Aleksandar Deroko in the subject Byzantine Architecture.[12] At the same time, he worked in the office of architect Aleksandar Đorđević, then a recognized architect and representative of French academism.[3] Đorđević hired Samojlov as an associate in the development of several large projects, such as the Belgrade Stock Exchange and the Beli Dvor. In addition, they became so close that Đorđević was the best man at the wedding of Samojlov and Danica Ljujić.[8][13][14]

He passed the state exam in 1933 when he obtained a permit for independent work.[12] The first independent achievement of the same year was a building on the corner of Skenderbegova and Dositejeva streets in the spirit of modernism, and one of the best achievements was a villa in Pushkinova Street (then Gladstone Street) in Senjak (once owned by Ljubica Radenković, and now one of the residences of the United States Embassy[3]) in a combination of medieval Serbian-Byzantine and Romanesque elements, for which he received the award of the city of Belgrade, as the best architectural solution.[15]

In the middle of 1936, when a competition was announced for the conceptual design of the iconostasis for the Banja Luka church of the Holy Trinity, as an assistant at the Architectural Department of the Technical Faculty of Belgrade University, "he considered it his duty to apply for the competition." In September of the same year, he was awarded the first prize, and in addition to the iconostasis, he gave a solution for chandeliers and carpentry. The works were completed in 1939 when the cathedral was consecrated.[16]

Vasilija Vana Teokarević (widow of Serbian industrialist Dimitrije "Mita" Teokarević) commissioned Samojlov to build a kilometre from Vučje, along the canyon of the river Vučjanka, on the place where the medieval church used to be, the endowment of Nikola Skobaljić, which was destroyed by the Turks and around whose ruins the people gathered for centuries. Samojlov designed the Crkva Rođenja Jovana Krstitelja (the Church of the Nativity of St. John the Baptist in 1936[17]). Built in 1938, the church is considered by many to be one of the most significant and original achievements of recent Serbian church architecture. [18] The consecration of the church was attended by 20,000 people, and among those present were: the Minister of Justice and the envoy of the Vardar Banovina.[19] In Leskovac, he designed the house of the industrialist Vojvodić, one of his most important works outside Belgrade.

He also designed a residential building with a pharmacy on the ground floor for Miko Maznić of Leskovac.

He designed the Church of the Holy Archangel Gabriel in Humska Street, the endowment of the married couple Radmila and Milan S. Vukičević, the then MP, in memory of the victims of the Balkan Wars and the First World War, on land donated by the municipality in 1937–1939. For this modern temple, he used knowledge from medieval Serbia and Russia, with a great deal of individuality.

The capital work from this period, which is quite different from all his previous works, is the palace of the former pension fund of the National Bank on the corner of Nikola Pašić Square and Terazije, better known as the Palace of Cinema "Belgrade", designed in 1938 and completed in 1941.

One of his unfinished projects from 1940 is the forerunner of today's Belgrade woman, the Teokarović Palace, a twelve-storey skyscraper, the construction of which was prevented by the Luftwaffe 6 April 1941 bombing of Belgrade.[20] At the beginning of 1940, an endowment of Luka Ćelović was completed, a five-story building on the corner of the then Krunska and Ferdinandova,[21] today's address is Kneza Miloš No. 2. One of his private commissions is the Villa of the actress Marica Popović in Belgrade.

Second World War edit

In World War II, the Germans captured Grigorije Samojlov near Srebrenica, as an officer of the army of the Kingdom of Yugoslavia. He spent four years in captivity, first in the Bad Sulza concentration camp, and then, after breaking his leg and unable to work, was transferred to the Stalag IX-C concentration camp in Buchenwald.[12] For the needs of the Orthodox chapel in the camp, in 1943, one of the barracks was converted into a chapel for which he did the painting and woodcarving work. Oak sleepers from the old railway track were used for the wooden construction.[22] Samojlov was assisted by inmates who renounced packages and tracks in exchange for tools made from steel scrap and horseshoes.[23] On the iconostasis, he painted Saint Sava and Christ, whose hands were tied with ropes, but they were also separated, indicative of the upcoming liberation.[3] After the war, in 1945, the iconostasis was transferred and placed in the chapel of the Teacher's School "Queen Natalija", later it was transferred to the Patriarchate, and in 1953 it was transferred to the Church of the Nativity of St. John the Baptist, at the Central Cemetery. That iconostasis is now under the protection of the state and UNESCO.[22]

Post-war period edit

He returned from captivity to Belgrade, where after the war he became a professor and taught the basics of graphics and painting.[12]

After the liberation of Belgrade, after the Soviet army occupied the premises of the former Russian House of Emperor Nicholas II and turned it into the House of Soviet Culture, it was decided to place a massive coat of arms of the USSR behind the portal of the central hall, framed by victorious flags, designed by Grigorije Samojlov.[24] At that time, he designed the hall for the sessions of the Council of Ministers of the Federal People's Republic of Yugoslavia (1947) from the interior in the style of academism.[24]

During 1946–1947, he was hired several times by the Ministry of Post, both for interior works and for competitions for postal buildings. This is how the project of the Post Office building in Ohrid (1946), in Novi Sad (1947)[24] and the Post Office II for Skopje were created.[25]

The project for works on the internal reconstruction and alteration of the SANU building, after the war destruction in the Second World War, was carried out in 1950,[26] and in 1967 the project of the SANU Gallery was carried out.[27] He remodelled the interior of the old General Staff building in Kneza Miloša Street (1951), the halls and halls of the JNA House in Niš (1953).[26]

He is the author of the artistic design of the Order of the War Flag, according to the competition from 1953.

One of the most significant projects in the post-war period was the Faculty of Mechanical Engineering in Belgrade. The conceptual design (1955) included one of the first solutions with large façade steel surfaces.[28] The interior solution is also interesting, especially the visibility and lighting of the hall, which gives the impression that the staircase is hovering over thin concrete pillars.[3] The building was moved in in 1960. The Jugobanka building in Kralja Petra Street (formerly Ulica 7 jula) was built in 1960 and is the first glass building in Belgrade to reflect the facades of 19th-century buildings.[3]

Samojlov participated in the reconstruction of the Hotel Moscow.[29][26] He is the author of stained glass on Serbian glass, in the corridors, based on Russian motifs.

Throughout his career, Samojlov authored about 180 projects.[3] He retired in 1974.[12]

He died in 1989 in Belgrade. He was buried in the Russian necropolis at the New Cemetery in Belgrade.[30]

References edit

  1. ^ Serbian Orthodox Church: Its Past and Present. Serbian Patriarchy. 1965.
  2. ^ Prosen, Milan (October 6, 2001). "Contribution to the research of the Belgrade opus of Grigorije Samojlov". Nasleđe (3): 89–104. ISSN 1450-605X – via scindeks.ceon.rs.
  3. ^ a b c d e f g h i Ћирић, Соња (15 June 2006). Марија Видић, Милан Милошевић (ed.). "Из лепог Београда". Време. 806 (интернет). Београд: НП ”Време” д.о.о. ISSN 0353-8028. Retrieved 30 November 2013.
  4. ^ Радмила Кулунџија, Радмила Кулунџија. "Саборни храм Свете Тројице (1925—1941) - Историјат градње храма". hhsbl.org. Бања Лука: Саборни храм Христа Спаситеља. Retrieved 24 November 2013.
  5. ^ "Црква Св. Арханђела Гаврила". beogradskonasledje.rs. Завод за заштиту споменика културе града Београда. Retrieved 28 November 2013.
  6. ^ . beogradskagroblja.rs. ЈКП ”Погребне услуге” - Београд. Archived from the original on 14 May 2017. Retrieved 24 November 2013.
  7. ^ Милашиновић Марић 2011, pp. 10.
  8. ^ a b Ћирић, Соња (14 July 2006). . Политикин Забавник. 2840. Политика а.д. Archived from the original on 3 December 2013. Retrieved 30 November 2013.
  9. ^ Prosen 2001, pp. 89.
  10. ^ Просен 2006a, pp. 452.
  11. ^ Просен 2006a, pp. 454.
  12. ^ a b c d e Prosen 2001, pp. 90.
  13. ^ Просен 2006b, pp. 198.
  14. ^ Просен 2006b, pp. 180.
  15. ^ Prosen 2001, pp. 93.
  16. ^ Кулунџија, Радмила; Радујковић, Ратко. "Саборни храм Христа спаситеља - Храмови у Бањој Луци". hhsbl.org. Бања Лука: Српска православна црква - Епархија Бањалучка. pp. 4–. Retrieved 1 December 2013.
  17. ^ Просен 2006a, pp. 445.
  18. ^ . vucje.com. Вучје. Archived from the original on 8 December 2013. Retrieved 2 December 2013.
  19. ^ . vucje.com. Вучје. 2004. Archived from the original on 3 December 2013. Retrieved 2 December 2013.
  20. ^ . nadlanu.com. Београд. 17 May 2006. Archived from the original on 3 December 2013. Retrieved 30 November 2013.
  21. ^ Нова задужбина Луке Ћеловића на углу Крунске и Фердинандове улице. "Време", 6. феб. 1940, стр. 10 -{digitalna.nb.rs}-
  22. ^ a b . glassrbije.org. Међународна радио Србија. Archived from the original on 3 December 2013. Retrieved 28 November 2013.
  23. ^ Васиљевић, Бранка (7 January 2012). "Иконостас израђен у логору". politika.rs. Политика. Retrieved 30 November 2013.
  24. ^ a b c Prosen 2001, pp. 108.
  25. ^ Prosen 2001, pp. 109.
  26. ^ a b c Prosen 2001, pp. 91.
  27. ^ . sanu.ac.rs. САНУ. Archived from the original on 3 December 2013. Retrieved 1 December 2013.
  28. ^ . mas.bg.ac.rs. Универзитет у Београду, Машински факултет. Archived from the original on 3 December 2013. Retrieved 30 November 2013.
  29. ^ Лопусина, Марко (14 January 2008). (PDF). Београд: Хотелско-угоститељско предузеће "Москва". Archived from the original (PDF) on 28 September 2013. Retrieved 1 December 2013.
  30. ^ "О Руском Некропољу у Београду". ambasadarusije.rs. Амбасада Русије у Републици Србији. Retrieved 2 December 2013.

Works cited edit

  • Просен, Милан (2006a). "Неовизантијски елементи у стваралаштву архитекте Григорија Самојлова". In Ракоција, Миша (ed.). (PDF). Ниш: Град Ниш. p. 443. ISBN 978-86-7455-680-1. Archived from the original (PDF) on 30 October 2011. Retrieved 24 October 2013.
  • Просен, Милан (2006b). Поповић, Марко (ed.). "Градитељски опус архитекте Александра Ђорђевића (1890—1952)" (pdf). Наслеђе. 7. Београд: Завод за заштиту споменика културе града Београда: 198. ISSN 1450-605X. Retrieved 1 January 2013.
  • Милашиновић Марић, Дијана (2011). Пуцар, Мила (ed.). "Развојни токови у српској архитектури од 1945. до 1961. године" (PDF). Архитектура и урбанизам. 33. Београд: Институт за архитектуру и урбанизам Србије: 3–15. ISSN 2217-8074. Retrieved 1 December 2013.

January 01, 1970
grigorije, samojlov, grigorije, ivanovič, samojlov, russian, cyrillic, Григорий, Иванович, Самойлов, taganrog, imperial, russia, september, 1904, belgrade, serbia, yugoslavia, october, 1989, russian, architect, designer, painter, lived, worked, serbia, many, a. Grigorije Ivanovic Samojlov 1 Russian Cyrillic Grigorij Ivanovich Samojlov Taganrog Imperial Russia 8 September 1904 Belgrade Serbia Yugoslavia 15 October 1989 was a Russian architect designer and painter who lived and worked in Serbia 2 He was one of the many academically trained Russian emigres who after settling in Serbia contributed the architectural landscape of the Kingdom of Serbs Croats and Slovenes He built in the spirit of academism Serbo Byzantine style modernism and art deco 3 He distinguished himself not only with his high skills in designing various types of building from monumental public buildings to family houses but also as the author of some of the most beautiful interiors of Belgrade palaces of this period Also he painted the likenesses of King Alexander I of Yugoslavia and scientist Milutin Milankovic among the most notable as well as teaching the art of design and painting He is the author of numerous works such as the chapel of Jovan Savic at Novo Groblje Belgrade New Cemetery the iconostasis and interior of the former Church of the Holy Trinity now the Cathedral of Christ the Savior in Banja Luka 4 the Church of the Holy Archangel Gabriel at Topcider Cemetery 1939 5 the factory and villas of the Teokarovic family as well as the Church of the Nativity of St John in Vucje Palace of the Pension Fund of Officials and Employees of the NationalBank of the Kingdom of Yugoslavia 1938 3 in Terazije with cinema Belgrade since 1975 converted into Theater on Terazije the building of the Faculty of Mechanical Engineering 6 and the Faculty of Technology in Belgrade 7 Contents 1 Early biography 2 Career in the interwar period 3 Second World War 4 Post war period 5 References 5 1 Works citedEarly biography editHe was born on 8 September 1904 in Taganrog a small town on the coast of the Sea of Azov in a wealthy Russian Cossack family He studied painting in high school with the famous painter Serafima Blonskaya Russian Serafima Blonskaya At the end of the Civil War in Russia in 1921 when he was 17 he emigrated with his father to the Kingdom of the Serbs Croats and Slovenes Upon his arrival his father died and he then continued his education at the Don Military School in Bileca 8 where he graduated after which he enrolled in studies at the Architectural Department of the Technical Faculty at the University of Belgrade He graduated in 1930 3 9 For his diploma work he designed the Yugoslav Pantheon conceived as a national monument in a dominant place in the city whose silhouette could be seen from a distance The work was an example of the role of the neo Byzantine style in forming the identity of the Yugoslav nation by transposing the Serbian national style to all South Slavs replacing the cross on the high central dome with a sculpture of victory holding laurel wreaths in its hands Although the project according to the program was not actually conceived as a Christian temple a chandelier and a masonry iconostasis were projected inside The work was included in the annual exhibition which featured about forty students of architecture and was considered one of the best 10 Among the first public projects in which he applied elements of neo Byzantine architecture is the competition project for the building of the Railway Station in Skopje in 1931 11 Career in the interwar period editIn the beginning he worked as an associate of the architect Milutin Borisavljevic and later he became an assistant to Professor Aleksandar Deroko in the subject Byzantine Architecture 12 At the same time he worked in the office of architect Aleksandar Đorđevic then a recognized architect and representative of French academism 3 Đorđevic hired Samojlov as an associate in the development of several large projects such as the Belgrade Stock Exchange and the Beli Dvor In addition they became so close that Đorđevic was the best man at the wedding of Samojlov and Danica Ljujic 8 13 14 He passed the state exam in 1933 when he obtained a permit for independent work 12 The first independent achievement of the same year was a building on the corner of Skenderbegova and Dositejeva streets in the spirit of modernism and one of the best achievements was a villa in Pushkinova Street then Gladstone Street in Senjak once owned by Ljubica Radenkovic and now one of the residences of the United States Embassy 3 in a combination of medieval Serbian Byzantine and Romanesque elements for which he received the award of the city of Belgrade as the best architectural solution 15 In the middle of 1936 when a competition was announced for the conceptual design of the iconostasis for the Banja Luka church of the Holy Trinity as an assistant at the Architectural Department of the Technical Faculty of Belgrade University he considered it his duty to apply for the competition In September of the same year he was awarded the first prize and in addition to the iconostasis he gave a solution for chandeliers and carpentry The works were completed in 1939 when the cathedral was consecrated 16 Vasilija Vana Teokarevic widow of Serbian industrialist Dimitrije Mita Teokarevic commissioned Samojlov to build a kilometre from Vucje along the canyon of the river Vucjanka on the place where the medieval church used to be the endowment of Nikola Skobaljic which was destroyed by the Turks and around whose ruins the people gathered for centuries Samojlov designed theCrkva Rođenja Jovana Krstitelja the Church of the Nativity of St John the Baptist in 1936 17 Built in 1938 the church is considered by many to be one of the most significant and original achievements of recent Serbian church architecture 18 The consecration of the church was attended by 20 000 people and among those present were the Minister of Justice and the envoy of the Vardar Banovina 19 In Leskovac he designed the house of the industrialist Vojvodic one of his most important works outside Belgrade He also designed a residential building with a pharmacy on the ground floor for Miko Maznic of Leskovac He designed the Church of the Holy Archangel Gabriel in Humska Street the endowment of the married couple Radmila and Milan S Vukicevic the then MP in memory of the victims of the Balkan Wars and the First World War on land donated by the municipality in 1937 1939 For this modern temple he used knowledge from medieval Serbia and Russia with a great deal of individuality The capital work from this period which is quite different from all his previous works is the palace of the former pension fund of the National Bank on the corner of Nikola Pasic Square and Terazije better known as the Palace of Cinema Belgrade designed in 1938 and completed in 1941 One of his unfinished projects from 1940 is the forerunner of today s Belgrade woman the Teokarovic Palace a twelve storey skyscraper the construction of which was prevented by the Luftwaffe 6 April 1941 bombing of Belgrade 20 At the beginning of 1940 an endowment of Luka Celovic was completed a five story building on the corner of the then Krunska and Ferdinandova 21 today s address is Kneza Milos No 2 One of his private commissions is the Villa of the actress Marica Popovic in Belgrade Second World War editIn World War II the Germans captured Grigorije Samojlov near Srebrenica as an officer of the army of the Kingdom of Yugoslavia He spent four years in captivity first in the Bad Sulza concentration camp and then after breaking his leg and unable to work was transferred to the Stalag IX C concentration camp in Buchenwald 12 For the needs of the Orthodox chapel in the camp in 1943 one of the barracks was converted into a chapel for which he did the painting and woodcarving work Oak sleepers from the old railway track were used for the wooden construction 22 Samojlov was assisted by inmates who renounced packages and tracks in exchange for tools made from steel scrap and horseshoes 23 On the iconostasis he painted Saint Sava and Christ whose hands were tied with ropes but they were also separated indicative of the upcoming liberation 3 After the war in 1945 the iconostasis was transferred and placed in the chapel of the Teacher s School Queen Natalija later it was transferred to the Patriarchate and in 1953 it was transferred to the Church of the Nativity of St John the Baptist at the Central Cemetery That iconostasis is now under the protection of the state and UNESCO 22 Post war period editHe returned from captivity to Belgrade where after the war he became a professor and taught the basics of graphics and painting 12 After the liberation of Belgrade after the Soviet army occupied the premises of the former Russian House of Emperor Nicholas II and turned it into the House of Soviet Culture it was decided to place a massive coat of arms of the USSR behind the portal of the central hall framed by victorious flags designed by Grigorije Samojlov 24 At that time he designed the hall for the sessions of the Council of Ministers of the Federal People s Republic of Yugoslavia 1947 from the interior in the style of academism 24 During 1946 1947 he was hired several times by the Ministry of Post both for interior works and for competitions for postal buildings This is how the project of the Post Office building in Ohrid 1946 in Novi Sad 1947 24 and the Post Office II for Skopje were created 25 The project for works on the internal reconstruction and alteration of the SANU building after the war destruction in the Second World War was carried out in 1950 26 and in 1967 the project of the SANU Gallery was carried out 27 He remodelled the interior of the old General Staff building in Kneza Milosa Street 1951 the halls and halls of the JNA House in Nis 1953 26 He is the author of the artistic design of the Order of the War Flag according to the competition from 1953 One of the most significant projects in the post war period was the Faculty of Mechanical Engineering in Belgrade The conceptual design 1955 included one of the first solutions with large facade steel surfaces 28 The interior solution is also interesting especially the visibility and lighting of the hall which gives the impression that the staircase is hovering over thin concrete pillars 3 The building was moved in in 1960 The Jugobanka building in Kralja Petra Street formerly Ulica 7 jula was built in 1960 and is the first glass building in Belgrade to reflect the facades of 19th century buildings 3 Samojlov participated in the reconstruction of the Hotel Moscow 29 26 He is the author of stained glass on Serbian glass in the corridors based on Russian motifs Throughout his career Samojlov authored about 180 projects 3 He retired in 1974 12 He died in 1989 in Belgrade He was buried in the Russian necropolis at the New Cemetery in Belgrade 30 References edit Serbian Orthodox Church Its Past and Present Serbian Patriarchy 1965 Prosen Milan October 6 2001 Contribution to the research of the Belgrade opus of Grigorije Samojlov Nasleđe 3 89 104 ISSN 1450 605X via scindeks ceon rs a b c d e f g h i Ћiriћ Soњa 15 June 2006 Mariјa Vidiћ Milan Milosheviћ ed Iz lepog Beograda Vreme 806 internet Beograd NP Vreme d o o ISSN 0353 8028 Retrieved 30 November 2013 Radmila Kulunџiјa Radmila Kulunџiјa Saborni hram Svete Troјice 1925 1941 Istoriјat gradњe hrama hhsbl org Baњa Luka Saborni hram Hrista Spasiteљa Retrieved 24 November 2013 Crkva Sv Arhanђela Gavrila beogradskonasledje rs Zavod za zashtitu spomenika kulture grada Beograda Retrieved 28 November 2013 Grigoriјe Samoјlov beogradskagroblja rs ЈKP Pogrebne usluge Beograd Archived from the original on 14 May 2017 Retrieved 24 November 2013 Milashinoviћ Mariћ 2011 pp 10 a b Ћiriћ Soњa 14 July 2006 Arhitekta za kuћe od srca Politikin Zabavnik 2840 Politika a d Archived from the original on 3 December 2013 Retrieved 30 November 2013 Prosen 2001 pp 89 Prosen 2006a pp 452 Prosen 2006a pp 454 a b c d e Prosen 2001 pp 90 Prosen 2006b pp 198 Prosen 2006b pp 180 Prosen 2001 pp 93 Kulunџiјa Radmila Raduјkoviћ Ratko Saborni hram Hrista spasiteљa Hramovi u Baњoј Luci hhsbl org Baњa Luka Srpska pravoslavna crkva Eparhiјa Baњaluchka pp 4 Retrieved 1 December 2013 Prosen 2006a pp 445 Znamenitosti vucje com Vuchјe Archived from the original on 8 December 2013 Retrieved 2 December 2013 Dimitriјe Mita Teokareviћ vucje com Vuchјe 2004 Archived from the original on 3 December 2013 Retrieved 2 December 2013 Arhitekta Grigoriјe Samoјlov 1904 1989 nadlanu com Beograd 17 May 2006 Archived from the original on 3 December 2013 Retrieved 30 November 2013 Nova zaduzhbina Luke Ћeloviћa na uglu Krunske i Ferdinandove ulice Vreme 6 feb 1940 str 10 digitalna nb rs a b Turistichki potenciјal Ikonostas nastao u logoru glassrbije org Meђunarodna radio Srbiјa Archived from the original on 3 December 2013 Retrieved 28 November 2013 Vasiљeviћ Branka 7 January 2012 Ikonostas izraђen u logoru politika rs Politika Retrieved 30 November 2013 a b c Prosen 2001 pp 108 Prosen 2001 pp 109 a b c Prosen 2001 pp 91 Osnivaњe Galeriјe SANU sanu ac rs SANU Archived from the original on 3 December 2013 Retrieved 1 December 2013 Iz istoriјe mashinskog fakulteta mas bg ac rs Univerzitet u Beogradu Mashinski fakultet Archived from the original on 3 December 2013 Retrieved 30 November 2013 Lopusina Marko 14 January 2008 Hotel Moskva prvih 100 godina PDF Beograd Hotelsko ugostiteљsko preduzeћe Moskva Archived from the original PDF on 28 September 2013 Retrieved 1 December 2013 O Ruskom Nekropoљu u Beogradu ambasadarusije rs Ambasada Rusiјe u Republici Srbiјi Retrieved 2 December 2013 Works cited edit Prosen Milan 2006a Neovizantiјski elementi u stvaralashtvu arhitekte Grigoriјa Samoјlova In Rakociјa Misha ed Nish i Vizantiјa Zbornik radova IV PDF Nish Grad Nish p 443 ISBN 978 86 7455 680 1 Archived from the original PDF on 30 October 2011 Retrieved 24 October 2013 Prosen Milan 2006b Popoviћ Marko ed Graditeљski opus arhitekte Aleksandra Ђorђeviћa 1890 1952 pdf Nasleђe 7 Beograd Zavod za zashtitu spomenika kulture grada Beograda 198 ISSN 1450 605X Retrieved 1 January 2013 Milashinoviћ Mariћ Diјana 2011 Pucar Mila ed Razvoјni tokovi u srpskoј arhitekturi od 1945 do 1961 godine PDF Arhitektura i urbanizam 33 Beograd Institut za arhitekturu i urbanizam Srbiјe 3 15 ISSN 2217 8074 Retrieved 1 December 2013 Retrieved from https en wikipedia org w index php title Grigorije Samojlov amp oldid 1223790451, wikipedia, wiki, book, books, library,

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