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Goodbye, Mr. Chips (1969 film)

January 20, 2023

This article is about the 1969 film. For the 1939 film, see Goodbye, Mr. Chips (1939 film).

Goodbye, Mr. Chips is a 1969 British musical film directed by Herbert Ross. The screenplay by Terence Rattigan is based on James Hilton's 1934 novel Goodbye, Mr. Chips, which was first adapted for the screen in 1939.

Goodbye, Mr. Chips
Theatrical release poster
Directed byHerbert Ross
Written byTerence Rattigan
Based onGoodbye, Mr. Chips
1934 novel
by James Hilton
Produced byArthur P. Jacobs
Starring
CinematographyOswald Morris
Edited byRalph Kemplen
Music byLeslie Bricusse (songs)
John Williams (underscore)
Production
company
APJAC Productions
Distributed byMetro-Goldwyn-Mayer (US)
David Ortan (UK)
Release dates
[1]
Running time
152 minutes (initial release)
148 minutes (video release)
155 minutes (Director's Cut)
CountryUnited Kingdom
LanguageEnglish

Plot

In 1920s Britain, Arthur Chipping is an established member of the teaching staff at the Brookfield public school. He is a stodgy teacher of Latin, disliked by his pupils, who find him boring and call him "Ditchy," short for "dull as ditch-water." Chips meets Katherine Bridges, a music hall soubrette, in the dining room of the Savoy Hotel in London on the eve of his summer holiday. Dissatisfied with her career and depressed by her romantic entanglements, she sets sail on a Mediterranean cruise and is reunited with Chips by chance in Pompeii. Seeing in him a lonely soul similar to herself, she arranges an evening at the theatre after they return to Britain, and the two find themselves drawn to each other. When Chips arrives at Brookfield for the autumn term, it is with his new wife on his arm, much to the shock of the staff and delight of the pupils, who find Mrs Chips' charm to be irresistible. His marriage softens him and makes him more liked by his students.

Although her close friend and confidante Ursula Mossbank helps Katherine thwart Lord Sutterwick's plan to deprive the school of a generous financial endowment because of the woman's background, her past eventually deprives Chips of his longheld dream of being named headmaster in 1939. Still, the couple's devotion to each other overcomes all obstacles threatening their marriage, extending through 20 years together, when Katherine is killed in 1944 by a German V-1 flying bomb while entertaining the troops at a local Royal Air Force base. Too late for his wife to share in his happiness, Chips was picked as headmaster of Brookfield that same day, and lives out his years at the school, loved by his pupils and comforted by his happy memories.

Cast

Production notes

A draft of a musical adaptation of Goodbye, Mr. Chips was on file in the MGM script department since 1951.[2] In 1964, with Julie Andrews flush from the success of Mary Poppins, trade magazine advertisements announced she would star opposite Rex Harrison, with Vincente Minnelli listed as director, but nothing came of the project. A few years later, it was back on track with its share of pre-production problems, including several changes in the casting of the lead roles. First, Richard Burton and Samantha Eggar were signed. Then Lee Remick replaced Eggar.[3] Gower Champion, who had replaced Minnelli as director, viewed raw footage of Petula Clark in Finian's Rainbow (1968), fired Remick and replaced her with Clark. Remick sued MGM for damages.[4] Burton balked at playing opposite a "pop singer," and he was replaced by Peter O'Toole. Champion also eventually resigned,[5] and the film ultimately became the first-time directorial effort of choreographer Herbert Ross.

Much of the film was made on location. In Italy, scenes were shot in Campania, Capaccio, Naples, Paestum, Pompeii, and Positano. In London, 59 Strand-on-the-Green in Chiswick served as Katherine's home, and the Salisbury, a popular bar in the West End theatre district, was the setting for a scene in which Chips and Katherine shared a drink after a performance of Medea. Sherborne School[6] in Dorset stood in for Brookfield, and scenes were filmed in the town of Sherborne. This included scenes at Sherborne station where withdrawn 'Brighton line' 4 LAV electric multiple unit train engines, numbers 2924 and 2943, were hauled down in October 1968 for filming before being hauled away for scrapping on 22 October 1968.

Petula Clark's two musical production numbers were choreographed by director Ross' wife Nora Kaye. Ken Adam served as the film's art director, and Julie Harris was responsible for the costume design.

The song score (which replaced one originally composed by André and Dory Previn) is by Leslie Bricusse.

Following the film's initial roadshow bookings, and before it headed into neighborhood theaters, many of the film's musical numbers were deleted, a questionable decision considering many of them were instrumental in explaining the characters' inner thoughts and emotions. They also were eliminated from initial television network broadcasts but have been reinstated for viewings on TCM. Intervening years have brought a new appreciation for it, as well as John Williams' underscore and orchestrations.

The character of Ursula Mossbank has been said to be inspired by actress Tallulah Bankhead.[citation needed]

Differences from novel and 1939 film

Terence Rattigan's screenplay is a major departure from the simple plot of Hilton's novella. The time frame of the original story was advanced by several decades, now starting in the 1920s, continuing through the Second World War, and ending in the late 1960s. Also, it does not show Chipping's first arrival at the Brookfield School, but starts with him already an established member of the teaching staff. Additionally, the character of Katherine Bridges has been transformed into a music hall soubrette. In the earlier 1939 film, as in the novel, Katherine dies in childbirth, after a much shorter marriage.

Music

Music and lyrics by Leslie Bricusse[7]
  • "Overture" (Orchestra, conducted by John Williams)
  • "Main Titles/Fill the World With Love" (Orchestra and Boys Chorus) (Brookfield school anthem)
  • "Where Did My Childhood Go?" (Peter O'Toole)
  • "London Is London" (Petula Clark)
  • "And the Sky Smiled" (Petula Clark)
  • "Apollo" (Petula Clark)
  • "When I Am Older" (Boys Chorus)
  • "Walk Through the World" (Petula Clark)
  • "Fill the World With Love" (Petula Clark, Boys Chorus)
  • "Entr'Acte/What Shall I Do With Today?" (Orchestra/Petula Clark)
  • "What a Lot of Flowers" (Peter O'Toole)
  • "What a Lot of Flowers (Reprise)" (Peter O'Toole)
  • "And the Sky Smiled (Reprise)" (Petula Clark)
  • "Schooldays" (Petula Clark and Boys)
  • "You and I" (Petula Clark)
  • "Fill the World With Love (Reprise)" (Peter O'Toole, Boys Chorus)
  • "Exit Music - You and I" (Orchestra)
  • "When I Was Younger" (Peter O'Toole) (Deleted from film but included on original soundtrack recording)

A limited-edition 3-CD set of the complete score, including alternative versions and discarded numbers, was released by the Film Score Monthly Silver Age Classics label in 2006. "You and I" remains a staple of Petula Clark's concert repertoire.

Reception

Critical response

For the most part the reviews were lukewarm, although both O'Toole and Clark were universally praised for their performances and the obvious chemistry between them. According to Seventeen, "Rarely have a pair of players been so marvelously in tune with each other as Peter O'Toole and Petula Clark."[7]

In his review in The New York Times, Vincent Canby said, "[Peter O'Toole] has never been better. Having been forced to abandon his usual mechanical flamboyance, he gives Chips an air of genuine, if seedy, grandeur that shines through dozens of make-up changes… Miss Clark is a fine rock singer with the quality of a somewhat tough Julie Andrews (which I like and is not to be confused with Miss Andrews's steely cool)… The film is the first directorial effort of Herbert Ross…the sort of director who depends heavily on the use of the zoom, the boom and the helicopter, which gives the movie the contradictory look of a mod-Victorian valentine…[he] has handled the musical sequences…more or less as soliloquies. O'Toole talks his with such charm that I almost suspected he was lip-syncing Rex Harrison's voice, and Miss Clark belts hers in good, modified Streisand style."[8]

Roger Ebert of the Chicago Sun-Times observed, "Goodbye, Mr. Chips uses its budget quietly, with good taste, and succeeds in being a big movie without being a gross one. I think I enjoyed it about as much as any road show since Funny Girl. And that surprised me, since so much of the critical reaction has been negative. Even at its worst, Chips is inoffensive in its sentimentality. At its best, it's the first film since The Two of Us that I genuinely feel deserves to be called heartwarming…the Hilton story was a best seller but hardly a work of art. By modernizing the action, Rattigan has made it possible for the movie to mirror changes in the English class structure during the two decades when it was most obviously becoming obsolete… As the schoolmaster and his wife, Peter O'Toole and Petula Clark are exactly right. O'Toole succeeds in creating a character that is aloof, chillingly correct, terribly reserved—and charming all the same…Miss Clark carries most of the musical duties in the film, and carries them well…one of the best things about Chips is that Ross has concentrated on telling his story, and hasn't let the songs intrude."[9]

In Holiday magazine, Rex Reed enthused, "I think I'm in love with Petula Clark. If she had come along twenty years ago, a time the screen knew a mercurial presence when it saw one, she would have been a much bigger star than she ever has a chance of being now. The playing is superb. Peter O'Toole is a prim and angular Chips who wears a look of permanent insecurity; Miss Clark is a soft, sweet-smelling, dimpled doughnut with powdery cheeks and witty anxiety, like a new Jean Arthur. Together they are perfect counterparts… Goodbye, Mr. Chips is, I'm afraid, very square indeed, but thanks to an idyllic cast and a magnificent director, there is so much love and beauty in it that it made my heart stop with joy. I found it all quite irresistible."[7]

Archer Winsten of the New York Post stated, "[It] has been produced in England in surroundings of inevitable authenticity and taste, with performers of extraordinary talent and range, and the results are here for all of us to share the sentimental warmth…that O'Toole performance is a gem, and Petula Clark knows exactly how to enhance its brilliance, and her own, most effectively."[7]

In Life, Richard Schickel wrote "Petula Clark…is fresh and charming. Together with O’Toole she provides the firm, bright core for a film always in danger of becoming mushy. Nearly unaided, they make the old thing work—and make it worthwhile."[7]

A reviewer for the British Channel 4 feels "the main problem with turning the film into a musical is that the songs lack the emotion that the story really needs… That said, O'Toole is superb as Chips and Clark charming as the woman who dramatically changes his life."[10]

On the review aggregator website Rotten Tomatoes, 100% of 6 critics' reviews are positive, with an average rating of 7/10.[11]

Accolades

  • Of note, Peter O'Toole and Siân Phillips, who had been married for years at the time of this film, had multiple nominations for their performances.

Home media

The film was released in anamorphic widescreen format on Region 1 DVD by Warner Home Video on January 29, 2009. It has audio tracks in English and Japanese and subtitles in English, French, Japanese, and Thai. The only bonus features are the trailers for the 1939 and 1969 films.

Comic book adaption

See also

Notes

  1. ^ Tied with Dustin Hoffman for Midnight Cowboy.
  2. ^ Tied with Delphine Seyrig for Stolen Kisses.

References

  1. ^ Kennedy, p. 194
  2. ^ Kennedy, Matthew (2014). Roadshow! The Fall of Film Musicals in the 1960s. Oxford University Press. p. 105. ISBN 978-0-19-992567-4.
  3. ^ Kennedy, pp. 109 - 111
  4. ^ Kennedy, p. 111
  5. ^ Kennedy, pp. 107 - 113
  6. ^ "Goodbye, Mr Chips: Hello, Sherborne!". The Old Shirburnian Society. 2017-08-21. Retrieved 2020-10-10.
  7. ^ a b c d e . petulaclark.net. n.d. Archived from the original on 24 September 2017. Retrieved 27 September 2009.
  8. ^ Canby, Vincent (6 November 1969). "O'Toole Stars in a Musical 'Goodbye, Mr. Chips' (Published 1969)". The New York Times.
  9. ^ Ebert, Roger (November 19, 1969). "Goodbye, Mr. Chips". Chicago Sun-Times.
  10. ^ . Archived from the original on 2008-05-10. Retrieved 2007-12-07.
  11. ^ "Goodbye, Mr. Chips". Rotten Tomatoes. Fandango Media. Retrieved 27 December 2022.
  12. ^ "The 42nd Academy Awards (1970) Nominees and Winners". oscars.org. Retrieved August 26, 2011.
  13. ^ "Giffoni Film Festival 1971". Giffoni Film Festival. Retrieved December 11, 2021.
  14. ^ "Goodbye Mr. Chips – Golden Globes". HFPA. Retrieved July 5, 2021.
  15. ^ "1969 Archives". National Board of Review. Retrieved 11 May 2020.
  16. ^ "Past Awards". National Society of Film Critics. Retrieved July 5, 2021.
  17. ^ "Gold Key: Goodbye, Mr. Chips". Grand Comics Database.
  18. ^ at the Comic Book DB (archived from the original)

External links

January 20, 2023
goodbye, chips, 1969, film, this, article, about, 1969, film, 1939, film, goodbye, chips, 1939, film, goodbye, chips, 1969, british, musical, film, directed, herbert, ross, screenplay, terence, rattigan, based, james, hilton, 1934, novel, goodbye, chips, which. This article is about the 1969 film For the 1939 film see Goodbye Mr Chips 1939 film Goodbye Mr Chips is a 1969 British musical film directed by Herbert Ross The screenplay by Terence Rattigan is based on James Hilton s 1934 novel Goodbye Mr Chips which was first adapted for the screen in 1939 Goodbye Mr ChipsTheatrical release posterDirected byHerbert RossWritten byTerence RattiganBased onGoodbye Mr Chips1934 novelby James HiltonProduced byArthur P JacobsStarringPeter O Toole Petula Clark Michael Redgrave Sian Phillips Alison LeggattCinematographyOswald MorrisEdited byRalph KemplenMusic byLeslie Bricusse songs John Williams underscore ProductioncompanyAPJAC ProductionsDistributed byMetro Goldwyn Mayer US David Ortan UK Release datesNovember 5 1969 1969 11 05 Palace Theatre New York November 7 1969 1969 11 07 Fox Wilshire Theatre LA 1 Running time152 minutes initial release 148 minutes video release 155 minutes Director s Cut CountryUnited KingdomLanguageEnglish Contents 1 Plot 2 Cast 3 Production notes 3 1 Differences from novel and 1939 film 4 Music 5 Reception 5 1 Critical response 5 2 Accolades 6 Home media 7 Comic book adaption 8 See also 9 Notes 10 References 11 External linksPlot EditIn 1920s Britain Arthur Chipping is an established member of the teaching staff at the Brookfield public school He is a stodgy teacher of Latin disliked by his pupils who find him boring and call him Ditchy short for dull as ditch water Chips meets Katherine Bridges a music hall soubrette in the dining room of the Savoy Hotel in London on the eve of his summer holiday Dissatisfied with her career and depressed by her romantic entanglements she sets sail on a Mediterranean cruise and is reunited with Chips by chance in Pompeii Seeing in him a lonely soul similar to herself she arranges an evening at the theatre after they return to Britain and the two find themselves drawn to each other When Chips arrives at Brookfield for the autumn term it is with his new wife on his arm much to the shock of the staff and delight of the pupils who find Mrs Chips charm to be irresistible His marriage softens him and makes him more liked by his students Although her close friend and confidante Ursula Mossbank helps Katherine thwart Lord Sutterwick s plan to deprive the school of a generous financial endowment because of the woman s background her past eventually deprives Chips of his longheld dream of being named headmaster in 1939 Still the couple s devotion to each other overcomes all obstacles threatening their marriage extending through 20 years together when Katherine is killed in 1944 by a German V 1 flying bomb while entertaining the troops at a local Royal Air Force base Too late for his wife to share in his happiness Chips was picked as headmaster of Brookfield that same day and lives out his years at the school loved by his pupils and comforted by his happy memories Cast EditPeter O Toole as Arthur Chipping MA Oxon Latin Master Petula Clark as Katherine Bridges Michael Redgrave as Brookfield Headmaster MA Oxon Sian Phillips as Ursula Mossbank Michael Bryant as Max Staefel MA Oxon German Master George Baker as Lord Sutterwick Alison Leggatt as Headmaster s Wife Clinton Greyn as Bill Calbury Michael Culver as Johnny Longbridge Jack Hedley as William Baxter Cornelia Frances as the Dyke Ray Mitchell as HooferProduction notes EditA draft of a musical adaptation of Goodbye Mr Chips was on file in the MGM script department since 1951 2 In 1964 with Julie Andrews flush from the success of Mary Poppins trade magazine advertisements announced she would star opposite Rex Harrison with Vincente Minnelli listed as director but nothing came of the project A few years later it was back on track with its share of pre production problems including several changes in the casting of the lead roles First Richard Burton and Samantha Eggar were signed Then Lee Remick replaced Eggar 3 Gower Champion who had replaced Minnelli as director viewed raw footage of Petula Clark in Finian s Rainbow 1968 fired Remick and replaced her with Clark Remick sued MGM for damages 4 Burton balked at playing opposite a pop singer and he was replaced by Peter O Toole Champion also eventually resigned 5 and the film ultimately became the first time directorial effort of choreographer Herbert Ross Much of the film was made on location In Italy scenes were shot in Campania Capaccio Naples Paestum Pompeii and Positano In London 59 Strand on the Green in Chiswick served as Katherine s home and the Salisbury a popular bar in the West End theatre district was the setting for a scene in which Chips and Katherine shared a drink after a performance of Medea Sherborne School 6 in Dorset stood in for Brookfield and scenes were filmed in the town of Sherborne This included scenes at Sherborne station where withdrawn Brighton line 4 LAV electric multiple unit train engines numbers 2924 and 2943 were hauled down in October 1968 for filming before being hauled away for scrapping on 22 October 1968 Petula Clark s two musical production numbers were choreographed by director Ross wife Nora Kaye Ken Adam served as the film s art director and Julie Harris was responsible for the costume design The song score which replaced one originally composed by Andre and Dory Previn is by Leslie Bricusse Following the film s initial roadshow bookings and before it headed into neighborhood theaters many of the film s musical numbers were deleted a questionable decision considering many of them were instrumental in explaining the characters inner thoughts and emotions They also were eliminated from initial television network broadcasts but have been reinstated for viewings on TCM Intervening years have brought a new appreciation for it as well as John Williams underscore and orchestrations The character of Ursula Mossbank has been said to be inspired by actress Tallulah Bankhead citation needed Differences from novel and 1939 film Edit Terence Rattigan s screenplay is a major departure from the simple plot of Hilton s novella The time frame of the original story was advanced by several decades now starting in the 1920s continuing through the Second World War and ending in the late 1960s Also it does not show Chipping s first arrival at the Brookfield School but starts with him already an established member of the teaching staff Additionally the character of Katherine Bridges has been transformed into a music hall soubrette In the earlier 1939 film as in the novel Katherine dies in childbirth after a much shorter marriage Music EditMusic and lyrics by Leslie Bricusse 7 Overture Orchestra conducted by John Williams Main Titles Fill the World With Love Orchestra and Boys Chorus Brookfield school anthem Where Did My Childhood Go Peter O Toole London Is London Petula Clark And the Sky Smiled Petula Clark Apollo Petula Clark When I Am Older Boys Chorus Walk Through the World Petula Clark Fill the World With Love Petula Clark Boys Chorus Entr Acte What Shall I Do With Today Orchestra Petula Clark What a Lot of Flowers Peter O Toole What a Lot of Flowers Reprise Peter O Toole And the Sky Smiled Reprise Petula Clark Schooldays Petula Clark and Boys You and I Petula Clark Fill the World With Love Reprise Peter O Toole Boys Chorus Exit Music You and I Orchestra When I Was Younger Peter O Toole Deleted from film but included on original soundtrack recording A limited edition 3 CD set of the complete score including alternative versions and discarded numbers was released by the Film Score Monthly Silver Age Classics label in 2006 You and I remains a staple of Petula Clark s concert repertoire Reception EditCritical response Edit For the most part the reviews were lukewarm although both O Toole and Clark were universally praised for their performances and the obvious chemistry between them According to Seventeen Rarely have a pair of players been so marvelously in tune with each other as Peter O Toole and Petula Clark 7 In his review in The New York Times Vincent Canby said Peter O Toole has never been better Having been forced to abandon his usual mechanical flamboyance he gives Chips an air of genuine if seedy grandeur that shines through dozens of make up changes Miss Clark is a fine rock singer with the quality of a somewhat tough Julie Andrews which I like and is not to be confused with Miss Andrews s steely cool The film is the first directorial effort of Herbert Ross the sort of director who depends heavily on the use of the zoom the boom and the helicopter which gives the movie the contradictory look of a mod Victorian valentine he has handled the musical sequences more or less as soliloquies O Toole talks his with such charm that I almost suspected he was lip syncing Rex Harrison s voice and Miss Clark belts hers in good modified Streisand style 8 Roger Ebert of the Chicago Sun Times observed Goodbye Mr Chips uses its budget quietly with good taste and succeeds in being a big movie without being a gross one I think I enjoyed it about as much as any road show since Funny Girl And that surprised me since so much of the critical reaction has been negative Even at its worst Chips is inoffensive in its sentimentality At its best it s the first film since The Two of Us that I genuinely feel deserves to be called heartwarming the Hilton story was a best seller but hardly a work of art By modernizing the action Rattigan has made it possible for the movie to mirror changes in the English class structure during the two decades when it was most obviously becoming obsolete As the schoolmaster and his wife Peter O Toole and Petula Clark are exactly right O Toole succeeds in creating a character that is aloof chillingly correct terribly reserved and charming all the same Miss Clark carries most of the musical duties in the film and carries them well one of the best things about Chips is that Ross has concentrated on telling his story and hasn t let the songs intrude 9 In Holiday magazine Rex Reed enthused I think I m in love with Petula Clark If she had come along twenty years ago a time the screen knew a mercurial presence when it saw one she would have been a much bigger star than she ever has a chance of being now The playing is superb Peter O Toole is a prim and angular Chips who wears a look of permanent insecurity Miss Clark is a soft sweet smelling dimpled doughnut with powdery cheeks and witty anxiety like a new Jean Arthur Together they are perfect counterparts Goodbye Mr Chips is I m afraid very square indeed but thanks to an idyllic cast and a magnificent director there is so much love and beauty in it that it made my heart stop with joy I found it all quite irresistible 7 Archer Winsten of the New York Post stated It has been produced in England in surroundings of inevitable authenticity and taste with performers of extraordinary talent and range and the results are here for all of us to share the sentimental warmth that O Toole performance is a gem and Petula Clark knows exactly how to enhance its brilliance and her own most effectively 7 In Life Richard Schickel wrote Petula Clark is fresh and charming Together with O Toole she provides the firm bright core for a film always in danger of becoming mushy Nearly unaided they make the old thing work and make it worthwhile 7 A reviewer for the British Channel 4 feels the main problem with turning the film into a musical is that the songs lack the emotion that the story really needs That said O Toole is superb as Chips and Clark charming as the woman who dramatically changes his life 10 On the review aggregator website Rotten Tomatoes 100 of 6 critics reviews are positive with an average rating of 7 10 11 Accolades Edit Award Category Nominee s ResultAcademy Awards 12 Best Actor Peter O Toole NominatedBest Score of a Musical Picture Original or Adaptation Music and Lyrics by Leslie Bricusse Score Adaptation by John Williams NominatedDavid di Donatello Awards Best Foreign Actor Peter O Toole Won a Giffoni Film Festival 13 Golden Gryphon Herbert Ross WonGolden Globe Awards 14 Best Actor in a Motion Picture Musical or Comedy Peter O Toole WonBest Supporting Actress Motion Picture Sian Phillips NominatedBest Original Score Motion Picture Leslie Bricusse NominatedNational Board of Review Awards 15 Top Ten Films 4th PlaceBest Actor Peter O Toole WonNational Society of Film Critics Awards 16 Best Actor 2nd PlaceBest Supporting Actress Sian Phillips Won b Of note Peter O Toole and Sian Phillips who had been married for years at the time of this film had multiple nominations for their performances Home media EditThe film was released in anamorphic widescreen format on Region 1 DVD by Warner Home Video on January 29 2009 It has audio tracks in English and Japanese and subtitles in English French Japanese and Thai The only bonus features are the trailers for the 1939 and 1969 films Comic book adaption EditGold Key Goodbye Mr Chips June 1970 17 18 See also EditList of British films of 1969 Goodbye Mr Chips 1939 film Notes Edit Tied with Dustin Hoffman for Midnight Cowboy Tied with Delphine Seyrig for Stolen Kisses References Edit Kennedy p 194 Kennedy Matthew 2014 Roadshow The Fall of Film Musicals in the 1960s Oxford University Press p 105 ISBN 978 0 19 992567 4 Kennedy pp 109 111 Kennedy p 111 Kennedy pp 107 113 Goodbye Mr Chips Hello Sherborne The Old Shirburnian Society 2017 08 21 Retrieved 2020 10 10 a b c d e The Films of Petula Clark Goodbye Mr Chips petulaclark net n d Archived from the original on 24 September 2017 Retrieved 27 September 2009 Canby Vincent 6 November 1969 O Toole Stars in a Musical Goodbye Mr Chips Published 1969 The New York Times Ebert Roger November 19 1969 Goodbye Mr Chips Chicago Sun Times Channel 4 review Archived from the original on 2008 05 10 Retrieved 2007 12 07 Goodbye Mr Chips Rotten Tomatoes Fandango Media Retrieved 27 December 2022 The 42nd Academy Awards 1970 Nominees and Winners oscars org Retrieved August 26 2011 Giffoni Film Festival 1971 Giffoni Film Festival Retrieved December 11 2021 Goodbye Mr Chips Golden Globes HFPA Retrieved July 5 2021 1969 Archives National Board of Review Retrieved 11 May 2020 Past Awards National Society of Film Critics Retrieved July 5 2021 Gold Key Goodbye Mr Chips Grand Comics Database Gold Key Goodbye Mr Chips at the Comic Book DB archived from the original External links EditGoodbye Mr Chips at IMDb Goodbye Mr Chips at the TCM Movie Database Goodbye Mr Chips at AllMovie Goodbye Mr Chips at the American Film Institute Catalog Goodbye Mr Chips at the official Petula Clark website Retrieved from https en wikipedia org w index php title Goodbye Mr Chips 1969 film amp oldid 1129854560, wikipedia, wiki, book, books, library,

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