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Đặng Nhật Minh

January 01, 1970

Đặng Nhật Minh (鄧日明, b. Huế, Vietnam, 1938) is one of Vietnam's foremost film directors. He began making documentary films around 1965 and is the first Vietnamese person to be awarded the Nikkei Asia Prize for Culture, in 1999.[1] His films have won several prizes at international film festivals.

Đặng Nhật Minh
Born (1938-05-10) May 10, 1938 (age 86)
Hue, Vietnam
Occupation(s)Director and screenwriter
Years active1965–present
RelativesĐặng Văn Ngữ (father)
In this Vietnamese name, the surname is Dang. In accordance with Vietnamese custom, this person should be referred to by the given name, Minh.

He is the former General Secretary of the Vietnam Cinema Association.

Biography edit

Early life edit

Dang Nhat Minh was born in Hue, Vietnam in 1938. His father, Đặng Văn Ngữ, was a medical doctor whose research led him to work frequently abroad, such as in Japan from 1943-1950. Because of this Minh and his siblings were largely raised by his mother.[2]

In 1950, Minh was sent by the Vietnamese Communist Party(VCP) to a Chinese military school. In his autobiography he describes this period of his education as filled with brainwashing and self censorship. After four years of schooling in China, the VCP sent him to study Russian in the USSR so that he could become an interpreter. His entire education was decided for him ahead of time by the Communist Party.[2]

His first work within cinema was translating Russian films made in the USSR to Vietnamese. During this time, Minh also learnt more about the inner workings of cinema production, something credited to his mastery of Russian and his long exposure to Russian film. When his dad died during the Vietnam war 1967 he was given party related career favours which combined with his auto-dictation allowed him to become a director. His first film was a documentary about geology.[2]

Career edit

Inspiration/Influence edit

A strong influence on Minh’s work as a filmmaker was provided by his uncle Nguyễn Hồng Phong.[2] In his autobiography, he mentions(p. 41-42):

“Through literature, poetry, metaphors, pop songs, the study of pictorial art, my uncle taught me to think in images, a quality indispensable for a filmmaker. […] To do one’s job well, a film director cannot be satisfied with simply mastering some techniques. What matters the most for this profession is one’s personal worldview and aesthetic. Without these, the director is just a skilful craftsman. Since the beginning of my career till this day, all that I have brought to cinema, I owe it to what my uncle taught me. He allowed me to forge my own vision of the world which gave birth to my creations.”[3]

As part of a generation that lived through the difficult war situation, becoming a filmmaker and being able to make films is something out of the ordinary. Minh considers his being able to make films “a miracle” and largely credits it to luck. He also believes that it is with the support of his ancestors that has allowed him to make films.[4]

Filmic works edit

Dang Nhat Minh started his career in film by making documentaries with topics ranging from geography, ethnography to history. Notable works during this time includes: Following the Geologists (Theo chân những người địa chất, 1965), Ha Bac My Hometown (Hà Bắc quê hương, 1967), May - Faces (Tháng 5 - Những gương mặt, 1975), Nguyen Trai (Nguyễn Trãi, 1980).[4]

As a documentarist, he became the government’s observer and reporter of historical events in Vietnam. For instance, in 1975 the government sent him as a representative to Saigon during the last days of the liberation, documenting the event in film.[2]

He started his feature film career by adapting existing plays, generating such works as Stars on the Sea (Những ngôi sao biển, 1977), A Year-end Rainy Day (Ngày mưa cuối năm, 1980).[4]

Around 1980, he wrote a short story named "The Town Within Reach." It was published in the Văn Nghệ (Literature and Arts) magazine and won a prize, making him consider giving up on filmmaking to become a writer. However, not long after that, he met a scholar and close friend of his uncle Nguyen Hong Phong. This person encouraged him to make a film out of his own story. He made the film "The Town Within Reach" in 1983, marking the beginning of his filmography.

In his autobiography, he notes: "So I determined my direction: I only make films that I myself write the script, talk about issues that interest me, move me. Having found a way to exist in the world of cinema, I don't think about giving up on it anymore."[3]

His works are dense with political arguments, in which the view in one film may conflict with that of the other. Usually placing a woman at the centre of the story, Dang Nhat Minh closely traced Vietnamese historical struggles through the Sino-Vietnamese War (The Town Within Reach - 1983), the post-war period (When The Tenth Month Comes - 1984, The Girl on the River - 1987), the Đổi Mới economic reforms (The Return - 1994), and came back to one of the darkest phases in the post-independence Vietnam - The 1950s land reform in North Vietnam (The Guava Season - 2000). Except for explicit propaganda movies such as Miss Nhung, Don't Burn, and Hanoi: Winter 1946, there is often one unifying theme that runs through most of his films: Betrayal.[5]

In his works, Minh wants to create portraits of the “symbols of Vietnam” and to focus on “ordinary people”. He wants to let the world discover the life of these people in times of war as well as in times of peace after the reunification, filming bourgeois as well as peasants. He often centres his stories around women, whose memories and experiences in times of conflict are often forgotten.

Minh occasionally focuses on historical figures, such as the scholar and politician Nguyễn Trãi, a film ordered by the department of cinema in 1980 or the president Hô Chi Minh in the political documentary Hanoi: Winter 1946.

Apart from his film-making activities, Minh also had responsibilities as the elected General Secretary of the Vietnam Film Association. According to his autobiography, he especially had difficulties in having sufficient political say and being heard by the government.

He was the former General Secretary of the Vietnam Film Association for more than 10 years (1989-2000) where he constantly received a strong mandate through polling from members. However, he withdrew from his position as he disliked the change in politics of the association, stating that he was glad to leave and pleased to see that he had not lost himself over the years.[3]

On the international stage edit

He received numerous international awards and was part of the jury of numerous festivals such as the Fukuoka festival and Locarno festival. Some of his films have also been funded by foreign countries, including Great Britain and Japan, a proof of the filmmaker's fame. These opportunities have enabled him more freedom in writing his screenplay.

In his autobiography however, Minh notes a contradiction between the internationally constructed vision of him as head of Vietnamese cinema and symbol of Doi Moi, and his controversial image in Vietnam.[2]

Censorship edit

Dang Nhat Minh experienced censorship in the production of all his films. Before shooting any film, he had to submit the screenplay to authorities to gain their approval. He must often cut out parts, modify the plot and characters, sometimes for obscure reasons. Some of his scripts were even rejected without any reason. In his autobiography, Dang Nhat Minh talks about how censorship is a real barrier to the conditions of film production. After having one of his first films banned from shooting, he asked the artistic director of the film studio about the definition of a socialist screenplay. The answer was that "the ending must be happy," and it must sing praises of harmony and socialism.[2]

Since all his films were funded by the government (except for "Nostalgia for the Countryside," which was his first film to be allowed to choose the funding sources), Dang Nhat Minh had to find a way to work within the ideological constraints to speak his mind about the human condition in Vietnamese society.[4]

His early films were decided to be black and white by the director of Vietnam Feature Film Studio. As he recalled, Vietnam-produced films were divided into two groups: export-oriented films and films for the domestic market. Export-oriented films were prioritised to be colour, under the condition that they must show off a face of Vietnam that has bright cities, fashions, hotels and restaurants, industrial productivity, heroic fighting, etc. However, he feels lucky that his screenplays were placed on the list for black and white film funding.[6]

One example is the film "When The Tenth Month Comes." After authorities reviewed the screenplay numerous times, they forewarned Dang Nhat Minh that he would be allowed to make the film under the condition that the widow whose husband died in the war must not fall in love with the village's teacher. Dang Nhat Minh agreed but still tried to imply it in the film. The film screening for authorities went smoothly; however, they raised another concern for a scene that looked "superstitious." Dang Nhat Minh defended the scene, insisting that it was an essential characteristic of Vietnamese culture.[6] The film was reviewed 13 times in total, making Dang Nhat Minh feel like he was a criminal dragged to trials after trials.[4] At last, the scene was allowed to be screened but had to be shortened.[2]

Another example was The Girl On The River (1987). Heavily criticised by a high-ranked official in the Vietnamese government, it was only screened at one festival before disappearing in official screenings in Vietnam.[7]

Filmography edit

Documentary edit

Year Title Original title Writer Note Ref.
1965 On the Trails of Geologists Theo chân người địa chất Yes [8][9]
1967 Ha Bac – My Native Land Hà Bắc quê hương [10]
1975 The Faces of May Tháng Năm – Những gương mặt [11]
1980 Nguyễn Trãi Nguyễn Trãi [12]
2015 Le Ba Dang – From Bich La to Paris Lê Bá Đảng – Từ Bích La đến Paris Short [13][14]

Film edit

Year Title Original title Writer Note Ref.
1970 Miss Nhung Chị Nhung No [15]
1977 Sea stars Những ngôi sao biển Yes [16]
1980 Ngày mưa cuối năm [17][18]
1983 The Town Is Within the Range Thị xã trong tầm tay [19][20]
1985 When the Tenth Month Comes Bao giờ cho đến tháng Mười [21][22]
1987 The Girl on the River Cô gái trên sông [23][24]
1994 The Return Trở về [25][26]
1995 Nostalgia for the Countryside Thương nhớ đồng quê [27][28]
1997 Hanoi: Winter 1946 Hà Nội mùa đông năm 46 [29][30]
2001 The Guava Season Mùa ổi [31]
2002 The Quiet American Người Mỹ trầm lặng No Second unit director [32]
2009 Don't Burn Đừng đốt Yes [33][34]
2022 Jasmine Hoa nhài [35]

Awards and recognition edit

Dang Nhat Minh was awarded the title of Merited Artist in 1988, People's Artist in 1993, and the First Class Labor Order in 1998 by the Vietnamese Government.[36] By 1999, he had received the Nikkei Asia Prize of "Culture and Community" for his contributions to Asian cinema.[37] In South Korea, he was honored twice with the "Lifetime Achievement Award for Outstanding tribute to Asian cinema"[38][39] and the Kim Daejung Peace Film Award at Gwangju International Film Festival in 2005 and 2013.[40][41] He also became the first Vietnamese film director to win a Lifetime Achievement Award at a foreign film festival.[42] In 2007, he was awarded the Hồ Chí Minh Prize for his works: The Town Is Within the Range, When the Tenth Month Comes, Hanoi: Winter 1946 and The Guava Season.[43] In 2010, he became the first Vietnamese director to be honored by the Academy of Motion Picture Arts and Sciences for his dedication to film.[44] And in 2016, he was awarded the Licorne d'Or for his entire film career at the Amiens International Film Festival.[45][46]

On March 31, 2022 at the French Embassy in Hanoi, Dang Nhat Minh was awarded the Ordre des Arts et des Lettres by ambassador Nicolas Warnery, representative of the French Ministry of Culture, in recognition of his contributions to enhancing cultural understanding between the two countries of Vietnam and France.[47] Ambassador Nicolas Warnery affirmed that France recognized the contributions of Dang Nhat Minh not only in his humanitarian works screened in France, cooperative films such as Spring or the cinema association between the two countries during his time as general secretary of the Cinema Association, but also during his time as an interpreter for French film crews to Vietnam.[48]

Awards and nominations edit

Year Film Festival Category Nominated work Result Ref.
Vietnam Film Festival
1977 4th Vietnam Film Festival Documentary The Faces of May Silver Lotus [49]
1980 5th Vietnam Film Festival Nguyễn Trãi Silver Lotus [12]
1983 6th Vietnam Film Festival Feature film The Town Is Within the Range Golden Lotus [50]
Best Screenplay Won [51]
1985 7th Vietnam Film Festival Feature film When the Tenth Month Comes Golden Lotus [52]
Best Director Won [53]
1987 8th Vietnam Film Festival Feature film The Girl on the River Silver Lotus [54]
1996 11th Vietnam Film Festival Best Director Nostalgia for the Countryside Won [55]
1999 12th Vietnam Film Festival Feature film Hanoi: Winter 1946 Silver Lotus [56]
Best Director Won [57]
2001 13th Vietnam Film Festival Feature film The Guava Season Golden Lotus [58]
2009 16th Vietnam Film Festival Don't Burn Golden Lotus [59]
Best Director Won [60]
Kite Awards
2010 2009 Kite Awards Movies Don't Burn Golden Kite [61]
Best Director Won [62]
International Film Festival
1971 7th Moscow International Film Festival Golden Prize Miss Nhung Nominated [63]
1985 14th Moscow International Film Festival When the Tenth Month Comes Nominated [64]
Soviet Peace Committee Award Won [65]
Nantes Three Continents Festival Golden Montgolfiere Nominated [66]
Hawaii International Film Festival Special Jury Award Won [67][68]
1989 Asia-Pacific Film Festival Won [69]
1994 The Return Won [70]
1995 Kodak Nostalgia for the Countryside Won [71]
1996 International Film Festival Rotterdam NETPAC Award Won [72]
Nantes Three Continents Festival Audience Award Won
Golden Montgolfiere Nominated
FIFF ACCT Promotional Award Won [73]
1997 Fribourg International Film Festival Audience Award Won [72]
Vesoul International Film Festival Won [74]
2000 Locarno International Film Festival Youth Jury Award The Guava Season Won [75]
Don Quixote Award Won
2001 International Film Festival Rotterdam NETPAC Award Won [76]
Oslo International Film Festival FIPRESCI Prize Special Prize [75]
2009 Fukuoka International Film Festival Audience Award Don't Burn Won [77]

Notes edit

  1. ^ Nikkei website with mention of prize winners
  2. ^ a b c d e f g h "Dang Nhat Minh | Mémoires d'Indochine" (in French). 15 January 2019. Retrieved 2021-05-22.
  3. ^ a b c "Hồi ký điện ảnh | Đặng Nhật Minh". www.viet-studies.net. Retrieved 2021-05-22.
  4. ^ a b c d e "Đặng Nhật Minh và sự nghiệp điện ảnh chưa có người thay thế". TUOI TRE ONLINE (in Vietnamese). 2018-03-15. Retrieved 2021-05-22.
  5. ^ Ảnh, Góc Điện (2019-02-21). "Đạo diễn Đặng Nhật Minh và sự phản bội dưới nhiều cấp độ". Góc Điện Ảnh (in Vietnamese). Retrieved 2021-05-22.
  6. ^ a b "Gặp đạo diễn Đặng Nhật Minh ở tuổi 82". nongnghiep.vn (in Vietnamese). Retrieved 2021-05-22.
  7. ^ ""Cô gái trên sông" - Tạp chí Sông Hương". tapchisonghuong.com.vn. Retrieved 2021-05-22.
  8. ^ Skrodzka, Lu & Marciniak (2020), p. 562.
  9. ^ Dissanayake (1994), p. 139.
  10. ^ Đặng Nhật Minh (2005), p. 41.
  11. ^ Trần Hoàng Thiên Kim (2015-04-30). "Đạo diễn, NSND Đặng Nhật Minh: Nhớ về những thước phim lịch sử". Công an nhân dân (in Vietnamese). from the original on 2022-02-23. Retrieved 2022-02-23.
  12. ^ a b Nguyễn Thị Hồng Ngát (2005), p. 32.
  13. ^ Lê Hồng Lâm (2018-05-13). "Lê Bá Đảng: "Người sống bằng giấc mơ của thiên đường đã mất"". Công an nhân dân (in Vietnamese). from the original on 2022-02-23. Retrieved 2022-02-23.
  14. ^ Ngọc Hiển (2015-04-28). "Lê Bá Đảng - từ Bích La đến Paris". Tuổi Trẻ Online (in Vietnamese). from the original on 2022-02-23. Retrieved 2022-02-23.
  15. ^ Viện nghệ thuật và lưu trữ điện ảnh (1994), p. 307.
  16. ^ Viện nghệ thuật và lưu trữ điện ảnh (1994), p. 404.
  17. ^ Skrodzka, Lu & Marciniak (2020), p. 771.
  18. ^ Viện nghệ thuật và lưu trữ điện ảnh (1994), p. 320.
  19. ^ Charlot (1989), p. 448.
  20. ^ Hixson (2000), p. 216.
  21. ^ Bradley (2020), p. 184.
  22. ^ McGregor (1991), p. 175.
  23. ^ Beattie (2000), p. 102.
  24. ^ Malo & Williams (1994), p. 174.
  25. ^ McMahon (2002), p. 125.
  26. ^ Planet et al. (2018), p. 846.
  27. ^ DeBoer (2014), p. 220.
  28. ^ Ngô Phương Lan (1998), p. 248.
  29. ^ Mast & Kawin (2000), p. 428.
  30. ^ Nhiều tác giả (2007), p. 818.
  31. ^ Blum-Reid (2003), p. 119.
  32. ^ "Đạo diễn Đặng Nhật Minh nói về "Người Mỹ trầm lặng"". VnExpress (in Vietnamese). 2001-06-07. from the original on 2022-03-04. Retrieved 2022-02-23.
  33. ^ Lim & Yamamoto (2012), p. 108.
  34. ^ Wiseman (2015), p. 133.
  35. ^ Anh Thư (2021-05-30). ""Hoa nhài" là bộ phim tâm huyết lúc cuối đời của tôi". Lao Động (in Vietnamese). from the original on 2021-06-01. Retrieved 2022-02-23.
  36. ^ X.Long; V.V.Tuân (2016-09-20). "Đề xuất NSND Đặng Nhật Minh là công dân ưu tú thủ đô". Tuổi Trẻ Online (in Vietnamese). from the original on 2022-02-25. Retrieved 2022-02-25.
  37. ^ Quân đội nhân dân Việt Nam (1999), p. 120.
  38. ^ Nguyễn Ngọc Bi (2005-09-09). "Vinh dự mới của đạo diễn Đặng Nhật Minh". Tuổi Trẻ Online (in Vietnamese). from the original on 2022-02-23. Retrieved 2022-02-23.
  39. ^ Thông tấn xã Việt Nam (2005), p. 64.
  40. ^ Bích Ngọc (2013-09-01). "Đạo diễn Đặng Nhật Minh nhận giải Điện ảnh Kim Dae-Jung". Voice of Vietnam (in Vietnamese). from the original on 2022-02-23. Retrieved 2022-02-23.
  41. ^ "Ðạo diễn - NSND Ðặng Nhật Minh nhận Giải thưởng Ðiện ảnh Nô-ben Hòa bình Kim Dae-jung". Nhân Dân (in Vietnamese). 2013-09-01. from the original on 2022-02-25. Retrieved 2022-02-25.
  42. ^ Phạm Thanh Hà (2005-12-30). "Bình chọn các sự kiện văn hóa văn nghệ 2005". Nhân Dân (in Vietnamese). from the original on 2022-02-23. Retrieved 2022-02-23.
  43. ^ Central Propaganda Department of the Communist Party of Vietnam (2020), p. 532.
  44. ^ Thanh Hằng (2011-02-02). "Đạo diễn Đặng Nhật Minh và những bộ phim gắn liền số phận". Công an nhân dân (in Vietnamese). from the original on 2022-02-22. Retrieved 2022-02-23.
  45. ^ Ngọc Diệp (2016-11-11). "Đạo diễn Đặng Nhật Minh được LHP Amiens trao giải Kỳ lân danh dự". Thể thao & Văn hóa (in Vietnamese). from the original on 2021-05-09. Retrieved 2022-02-23.
  46. ^ Việt Văn (2016-10-22). "Đạo diễn Lê Lâm: Vinh danh Đặng Nhật Minh, tiếng nói của tự do sáng tạo". Lao Động. from the original on 2022-02-23. Retrieved 2022-02-23.
  47. ^ Bảo Anh (2022-04-01). "NSND Đặng Nhật Minh nhận Huân chương Hiệp sĩ Văn học nghệ thuật". Báo Văn hóa điện tử (in Vietnamese). Retrieved 2022-04-08.
  48. ^ Nguyên Khánh (2022-04-01). "Nước Pháp trao Huân chương hiệp sĩ Văn học nghệ thuật cho NSND Đặng Nhật Minh". Tiền Phong (in Vietnamese). Retrieved 2022-04-08.
  49. ^ Đặng Nhật Minh (2005), p. 71.
  50. ^ Nguyễn Thị Hồng Ngát (2005), p. 195.
  51. ^ Nhiều tác giả (2007), p. 867.
  52. ^ Ngô Phương Lan (2005), p. 131.
  53. ^ Nhiều tác giả (2007), p. 810.
  54. ^ Ngô Phương Lan (1998), p. 302.
  55. ^ Nguyễn Hoàng Đức (2000), p. 258.
  56. ^ Hội điện ảnh Hà Nội (2000), p. 262.
  57. ^ Nguyễn Thị Hồng Ngát (2005), p. 681.
  58. ^ Hải Anh (2001-12-10). ""Đời cát", "Mùa ổi" giành Golden Lotus LHP 13". VnExpress (in Vietnamese). from the original on 2021-12-23. Retrieved 2022-02-24.
  59. ^ Tuyết Loan (2009-12-13). "Niềm vui của những "Golden Lotus"". Nhân Dân (in Vietnamese). from the original on 2022-02-23. Retrieved 2022-02-23.
  60. ^ Mai Thùy (2009-12-13). "'Đừng đốt' đoạt Golden Lotus". Tuổi Trẻ Online (in Vietnamese). from the original on 2022-02-27. Retrieved 2022-02-27.
  61. ^ Mai Hồng (2010-03-15). ""Đừng đốt" thành công vang dội tại Lễ trao giải Cánh diều Vàng 2009". Báo điện tử Chính phủ. from the original on 2022-02-23. Retrieved 2022-02-23.
  62. ^ Hồng Minh (2010-03-14). "Cánh diều vàng 2009: Sáu giải thưởng dành cho phim "Đừng đốt"". Nhân Dân (in Vietnamese). from the original on 2021-12-14. Retrieved 2022-02-23.
  63. ^ ССОД (1971), p. 25.
  64. ^ Iskusstvo (1987), p. 160.
  65. ^ Liên hiệp các nhà quay phim Liên Xô (1985), p. 35.
  66. ^ "Cinemaya: The Asian Film Magazine" [Cinemaya: Tạp chí Điện ảnh Châu Á]. Cinemaya. 7–10. New Delhi: A. Vasudev. 1990. ISSN 0970-8782. OCLC 19234070.
  67. ^ Ngô Phương Lan (1998), p. 354.
  68. ^ Roger Ebert (January 1989). Johnston, Elisa W. (ed.). "War ends, understanding begins, at Vietnam films". Centerviews. 7 (1): 4. ISSN 0746-1402.
  69. ^ Nguyễn Thị Hồng Ngát (2005), p. 162.
  70. ^ "Kết thúc Liên hoan phim châu Á - Thái Bình Dương lần thứ 49: "Người đàn bà mộng du" đoạt giải Đặc biệt của Ban giám khảo". Nhân Dân (in Vietnamese). 2004-09-28. from the original on 2022-03-04. Retrieved 2022-02-23.
  71. ^ Ngô Phương Lan (1998), p. 355.
  72. ^ a b Sen & Lee (2008), p. 75.
  73. ^ "Cinemaya: The Asian Film Magazine". Cinemaya. 51–55. New Delhi: A. Vasudev: 32. 2001. ISSN 0970-8782. OCLC 19234070.
  74. ^ Liên đoàn các câu lạc bộ Điện ảnh Pháp (1997), p. 32.
  75. ^ a b Trần Hoàng Thiên Kim (2018-01-02). "Nguyên mẫu phim "Mùa ổi": "Đứa trẻ" trong hình hài người đàn ông". Công an nhân dân (in Vietnamese). from the original on 2022-02-24. Retrieved 2022-02-24.
  76. ^ Kawaguchi (2001), p. 126.
  77. ^ Ngân An (2009-09-25). "'Đừng đốt' đoạt giải tại LHP Fukuoka". VnExpress (in Vietnamese). from the original on 2022-03-04. Retrieved 2022-02-23.

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  • Quân đội nhân dân Việt Nam (1999). "Giải thưởng Nikkei Asia Prizes". Văn nghệ Quân đội. ISSN 2354-1296. OCLC 1796063.
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  • Văn phòng Bộ Văn hóa và Thông tin (2000). Hành trình vào thiên niên kỷ mới (in Vietnamese). Hà Nội: Ministry of Culture and Information. OCLC 645819839.
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English
  • Banerjee, Shampa (1993). International Film Festival of India, 1993, New Delhi. New Delhi: Ministry of Information and Broadcasting. OCLC 624274165.
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  • Bradley, Mark Philip (2020-12-31). Vietnam at War. Oxford: Oxford University Press. ISBN 9780192895783.
  • Charlot, John (1989). "Vietnamese Cinema: The Power of the Past". The Journal of American Folklore. 102 (406): 442–452. doi:10.2307/541783. ISSN 0021-8715. JSTOR 541783 – via JSTOR.
  • Charlot, John (1991). "Vietnamese Cinema: First Views". Journal of Southeast Asian Studies. 22 (1): 33–62. doi:10.1017/S0022463400005452. ISSN 0022-4634. JSTOR 20071262. S2CID 163045055 – via JSTOR.
  • DeBoer, Stephanie (2014-03-01). Coproducing Asia: Locating Japanese–Chinese Regional Film and Media. Minnesota University Press. ISBN 9781452940946.
  • Dissanayake, Wimal (1994-10-22). Colonialism and Nationalism in Asian Cinema. Indiana University Press. ISBN 9780253116475.
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  • Drummond, Lisa; Thomas, Mandy (2005-07-25). Consuming Urban Culture in Contemporary Vietnam. Routledge. ISBN 9781134433759.
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  • Healy, Dana (2020). "The Lyrical Subversions of Socialist Realism in Đặng Nhật Minh's New Wave Cinema" (PDF). In Skrodzka, Aga; Lu, Xiaoning; Marciniak, Katarzyna (eds.). Oxford Handbook of Communist Visual Cultures. Oxford: Oxford University Press. pp. 541–565. doi:10.1093/oxfordhb/9780190885533.013.23. ISBN 9780190885533.
  • Hixson, Walter L. (2000). Historical Memory and Representations of the Vietnam War. Taylor & Francis. ISBN 9780815335368.
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  • Lim, David C. L.; Yamamoto, Hiroyuki (2012-03-12). Film in Contemporary Southeast Asia: Cultural Interpretation and Social Intervention. Routledge. ISBN 9781136592461.
  • Malo, Jean-Jacques; Williams, Tony (1994). Vietnam War Films: Over 600 Feature, Made-for-TV, Pilot, and Short Movies, 1939-1992, from the United States, Vietnam, France, Belgium, Australia, Hong Kong, South Africa, Great Britain, and Other Countries. McFarland. ISBN 9780899507811.
  • Marciniak, K.; Imre, A.; OHealy, Áine (2007-12-09). Transnational Feminism in Film and Media. Springer. ISBN 9780230609655.
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  • McMahon, Kathryn (2002-11-29). "The works of Dang Nhat Minh". In Sarker, Sonita; De, Esha Niyogi (eds.). Trans-Status Subjects: Gender in the Globalization of South and Southeast Asia. Duke University Press. pp. 108–125. ISBN 9780822329923.
  • Planet, Lonely; Stewart, Iain; Atkinson, Brett; et al. (2018-08-01). Lonely Planet Vietnam. Lonely Planet. ISBN 9781787019317.
  • Skrodzka, Aga; Lu, Xiaoning; Marciniak, Katarzyna (2020-04-01). The Oxford Handbook of Communist Visual Cultures [Sổ tay Oxford về Văn hóa Thị giác Cộng sản]. Oxford University Press. ISBN 9780190885557.
  • Sen, Krishna; Lee, Terence (2008-02-25). Political Regimes and the Media in Asia. Routledge. ISBN 9781134142149.
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Other language
  • ССОД [in Russian] (1971). "Культура и жизнь: ежемесячный журнал Союза советских обществ дружбы и культурной связи с зарубежными странами" [Văn hóa và Đời sống: tạp chí hàng tháng của ССОД]. Kultura i zhizn (in Russian). Moskva: Soi︠u︡z. ISSN 0023-5199. OCLC 1033842238.
  • Healy, Dana (2013). "Vom Triumph zur Tragödie: Krieg im vietnamesischen Film" [Từ Chiến thắng đến Bi kịch: Chiến tranh trong Phim Việt Nam]. südostasien – Zeitschrift für Politik • Kultur • Dialog [Đông Nam Á – Tạp chí Chính trị • Văn hóa • Đối thoại] (in German). 29 (4): Politik. doi:10.11588/SOA.2013.4.3901. eISSN 2625-5391. ISSN 1434-7067.
  • Iskusstvo (1987). "XIV Московский международный кинофестиваль" [Liên hoan phim quốc tế Moscow lần thứ XIV]. Ekran (in Russian). OCLC 977077303.
  • Kawaguchi, Keiko (August 2001). "Películas vietnamitas de los noventa" [Phim Việt Nam những năm 1990]. Nosferatu: Revista de cine [Nosferatu: Tạp chí phim] (in Spanish). Donostia Kultura: 123–130. ISSN 1130-1732.
  • Liên hiệp các nhà quay phim Liên Xô, Союза работников кинематографии СССР (1985). "XIV Московском международном кинофестивале" [Liên hoan phim quốc tế Moscow lần thứ XIV]. Искусство кино (in Russian). 7–12. OCLC 48062042.
  • Liên đoàn các câu lạc bộ Điện ảnh Pháp, Fédération Français des Ciné-Clubs (1997). "Vesoul: Festival du film asiatique" [Vesoul: Liên hoan phim Châu Á]. Cinéma (in French). 583–596. ISSN 0045-6926. OCLC 1235470934.

External links edit

  • Đặng Nhật Minh at IMDb
  • Đặng Nhật Minh page

January 01, 1970
Đặng, nhật, minh, help, expand, this, article, with, text, translated, from, corresponding, article, vietnamese, september, 2023, click, show, important, translation, instructions, machine, translation, like, deepl, google, translate, useful, starting, point, . You can help expand this article with text translated from the corresponding article in Vietnamese September 2023 Click show for important translation instructions Machine translation like DeepL or Google Translate is a useful starting point for translations but translators must revise errors as necessary and confirm that the translation is accurate rather than simply copy pasting machine translated text into the English Wikipedia Consider adding a topic to this template there are already 953 articles in the main category and specifying topic will aid in categorization Do not translate text that appears unreliable or low quality If possible verify the text with references provided in the foreign language article You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation A model attribution edit summary is Content in this edit is translated from the existing Vietnamese Wikipedia article at vi Đặng Nhật Minh see its history for attribution You may also add the template Translated vi Đặng Nhật Minh to the talk page For more guidance see Wikipedia Translation Đặng Nhật Minh 鄧日明 b Huế Vietnam 1938 is one of Vietnam s foremost film directors He began making documentary films around 1965 and is the first Vietnamese person to be awarded the Nikkei Asia Prize for Culture in 1999 1 His films have won several prizes at international film festivals Đặng Nhật MinhBorn 1938 05 10 May 10 1938 age 86 Hue VietnamOccupation s Director and screenwriterYears active1965 presentRelativesĐặng Văn Ngữ father In this Vietnamese name the surname is Dang In accordance with Vietnamese custom this person should be referred to by the given name Minh He is the former General Secretary of the Vietnam Cinema Association Contents 1 Biography 1 1 Early life 1 2 Career 1 2 1 Inspiration Influence 1 2 2 Filmic works 1 2 3 On the international stage 2 Censorship 3 Filmography 3 1 Documentary 3 2 Film 4 Awards and recognition 4 1 Awards and nominations 5 Notes 6 Sources 7 External linksBiography editEarly life edit Dang Nhat Minh was born in Hue Vietnam in 1938 His father Đặng Văn Ngữ was a medical doctor whose research led him to work frequently abroad such as in Japan from 1943 1950 Because of this Minh and his siblings were largely raised by his mother 2 In 1950 Minh was sent by the Vietnamese Communist Party VCP to a Chinese military school In his autobiography he describes this period of his education as filled with brainwashing and self censorship After four years of schooling in China the VCP sent him to study Russian in the USSR so that he could become an interpreter His entire education was decided for him ahead of time by the Communist Party 2 His first work within cinema was translating Russian films made in the USSR to Vietnamese During this time Minh also learnt more about the inner workings of cinema production something credited to his mastery of Russian and his long exposure to Russian film When his dad died during the Vietnam war 1967 he was given party related career favours which combined with his auto dictation allowed him to become a director His first film was a documentary about geology 2 Career edit Inspiration Influence editA strong influence on Minh s work as a filmmaker was provided by his uncle Nguyễn Hồng Phong 2 In his autobiography he mentions p 41 42 Through literature poetry metaphors pop songs the study of pictorial art my uncle taught me to think in images a quality indispensable for a filmmaker To do one s job well a film director cannot be satisfied with simply mastering some techniques What matters the most for this profession is one s personal worldview and aesthetic Without these the director is just a skilful craftsman Since the beginning of my career till this day all that I have brought to cinema I owe it to what my uncle taught me He allowed me to forge my own vision of the world which gave birth to my creations 3 As part of a generation that lived through the difficult war situation becoming a filmmaker and being able to make films is something out of the ordinary Minh considers his being able to make films a miracle and largely credits it to luck He also believes that it is with the support of his ancestors that has allowed him to make films 4 Filmic works edit Dang Nhat Minh started his career in film by making documentaries with topics ranging from geography ethnography to history Notable works during this time includes Following the Geologists Theo chan những người địa chất 1965 Ha Bac My Hometown Ha Bắc que hương 1967 May Faces Thang 5 Những gương mặt 1975 Nguyen Trai Nguyễn Trai 1980 4 As a documentarist he became the government s observer and reporter of historical events in Vietnam For instance in 1975 the government sent him as a representative to Saigon during the last days of the liberation documenting the event in film 2 He started his feature film career by adapting existing plays generating such works as Stars on the Sea Những ngoi sao biển 1977 A Year end Rainy Day Ngay mưa cuối năm 1980 4 Around 1980 he wrote a short story named The Town Within Reach It was published in the Văn Nghệ Literature and Arts magazine and won a prize making him consider giving up on filmmaking to become a writer However not long after that he met a scholar and close friend of his uncle Nguyen Hong Phong This person encouraged him to make a film out of his own story He made the film The Town Within Reach in 1983 marking the beginning of his filmography In his autobiography he notes So I determined my direction I only make films that I myself write the script talk about issues that interest me move me Having found a way to exist in the world of cinema I don t think about giving up on it anymore 3 His works are dense with political arguments in which the view in one film may conflict with that of the other Usually placing a woman at the centre of the story Dang Nhat Minh closely traced Vietnamese historical struggles through the Sino Vietnamese War The Town Within Reach 1983 the post war period When The Tenth Month Comes 1984 The Girl on the River 1987 the Đổi Mới economic reforms The Return 1994 and came back to one of the darkest phases in the post independence Vietnam The 1950s land reform in North Vietnam The Guava Season 2000 Except for explicit propaganda movies such as Miss Nhung Don t Burn and Hanoi Winter 1946 there is often one unifying theme that runs through most of his films Betrayal 5 In his works Minh wants to create portraits of the symbols of Vietnam and to focus on ordinary people He wants to let the world discover the life of these people in times of war as well as in times of peace after the reunification filming bourgeois as well as peasants He often centres his stories around women whose memories and experiences in times of conflict are often forgotten Minh occasionally focuses on historical figures such as the scholar and politician Nguyễn Trai a film ordered by the department of cinema in 1980 or the president Ho Chi Minh in the political documentary Hanoi Winter 1946 Apart from his film making activities Minh also had responsibilities as the elected General Secretary of the Vietnam Film Association According to his autobiography he especially had difficulties in having sufficient political say and being heard by the government He was the former General Secretary of the Vietnam Film Association for more than 10 years 1989 2000 where he constantly received a strong mandate through polling from members However he withdrew from his position as he disliked the change in politics of the association stating that he was glad to leave and pleased to see that he had not lost himself over the years 3 On the international stage edit He received numerous international awards and was part of the jury of numerous festivals such as the Fukuoka festival and Locarno festival Some of his films have also been funded by foreign countries including Great Britain and Japan a proof of the filmmaker s fame These opportunities have enabled him more freedom in writing his screenplay In his autobiography however Minh notes a contradiction between the internationally constructed vision of him as head of Vietnamese cinema and symbol of Doi Moi and his controversial image in Vietnam 2 Censorship editDang Nhat Minh experienced censorship in the production of all his films Before shooting any film he had to submit the screenplay to authorities to gain their approval He must often cut out parts modify the plot and characters sometimes for obscure reasons Some of his scripts were even rejected without any reason In his autobiography Dang Nhat Minh talks about how censorship is a real barrier to the conditions of film production After having one of his first films banned from shooting he asked the artistic director of the film studio about the definition of a socialist screenplay The answer was that the ending must be happy and it must sing praises of harmony and socialism 2 Since all his films were funded by the government except for Nostalgia for the Countryside which was his first film to be allowed to choose the funding sources Dang Nhat Minh had to find a way to work within the ideological constraints to speak his mind about the human condition in Vietnamese society 4 His early films were decided to be black and white by the director of Vietnam Feature Film Studio As he recalled Vietnam produced films were divided into two groups export oriented films and films for the domestic market Export oriented films were prioritised to be colour under the condition that they must show off a face of Vietnam that has bright cities fashions hotels and restaurants industrial productivity heroic fighting etc However he feels lucky that his screenplays were placed on the list for black and white film funding 6 One example is the film When The Tenth Month Comes After authorities reviewed the screenplay numerous times they forewarned Dang Nhat Minh that he would be allowed to make the film under the condition that the widow whose husband died in the war must not fall in love with the village s teacher Dang Nhat Minh agreed but still tried to imply it in the film The film screening for authorities went smoothly however they raised another concern for a scene that looked superstitious Dang Nhat Minh defended the scene insisting that it was an essential characteristic of Vietnamese culture 6 The film was reviewed 13 times in total making Dang Nhat Minh feel like he was a criminal dragged to trials after trials 4 At last the scene was allowed to be screened but had to be shortened 2 Another example was The Girl On The River 1987 Heavily criticised by a high ranked official in the Vietnamese government it was only screened at one festival before disappearing in official screenings in Vietnam 7 Filmography editDocumentary edit Year Title Original title Writer Note Ref 1965 On the Trails of Geologists Theo chan người địa chất Yes 8 9 1967 Ha Bac My Native Land Ha Bắc que hương 10 1975 The Faces of May Thang Năm Những gương mặt 11 1980 Nguyễn Trai Nguyễn Trai 12 2015 Le Ba Dang From Bich La to Paris Le Ba Đảng Từ Bich La đến Paris Short 13 14 Film edit Year Title Original title Writer Note Ref 1970 Miss Nhung Chị Nhung No 15 1977 Sea stars Những ngoi sao biển Yes 16 1980 Ngay mưa cuối năm 17 18 1983 The Town Is Within the Range Thị xa trong tầm tay 19 20 1985 When the Tenth Month Comes Bao giờ cho đến thang Mười 21 22 1987 The Girl on the River Co gai tren song 23 24 1994 The Return Trở về 25 26 1995 Nostalgia for the Countryside Thương nhớ đồng que 27 28 1997 Hanoi Winter 1946 Ha Nội mua đong năm 46 29 30 2001 The Guava Season Mua ổi 31 2002 The Quiet American Người Mỹ trầm lặng No Second unit director 32 2009 Don t Burn Đừng đốt Yes 33 34 2022 Jasmine Hoa nhai 35 Awards and recognition editDang Nhat Minh was awarded the title of Merited Artist in 1988 People s Artist in 1993 and the First Class Labor Order in 1998 by the Vietnamese Government 36 By 1999 he had received the Nikkei Asia Prize of Culture and Community for his contributions to Asian cinema 37 In South Korea he was honored twice with the Lifetime Achievement Award for Outstanding tribute to Asian cinema 38 39 and the Kim Daejung Peace Film Award at Gwangju International Film Festival in 2005 and 2013 40 41 He also became the first Vietnamese film director to win a Lifetime Achievement Award at a foreign film festival 42 In 2007 he was awarded the Hồ Chi Minh Prize for his works The Town Is Within the Range When the Tenth Month Comes Hanoi Winter 1946 and The Guava Season 43 In 2010 he became the first Vietnamese director to be honored by the Academy of Motion Picture Arts and Sciences for his dedication to film 44 And in 2016 he was awarded the Licorne d Or for his entire film career at the Amiens International Film Festival 45 46 On March 31 2022 at the French Embassy in Hanoi Dang Nhat Minh was awarded the Ordre des Arts et des Lettres by ambassador Nicolas Warnery representative of the French Ministry of Culture in recognition of his contributions to enhancing cultural understanding between the two countries of Vietnam and France 47 Ambassador Nicolas Warnery affirmed that France recognized the contributions of Dang Nhat Minh not only in his humanitarian works screened in France cooperative films such as Spring or the cinema association between the two countries during his time as general secretary of the Cinema Association but also during his time as an interpreter for French film crews to Vietnam 48 Awards and nominations edit Year Film Festival Category Nominated work Result Ref Vietnam Film Festival 1977 4th Vietnam Film Festival Documentary The Faces of May Silver Lotus 49 1980 5th Vietnam Film Festival Nguyễn Trai Silver Lotus 12 1983 6th Vietnam Film Festival Feature film The Town Is Within the Range Golden Lotus 50 Best Screenplay Won 51 1985 7th Vietnam Film Festival Feature film When the Tenth Month Comes Golden Lotus 52 Best Director Won 53 1987 8th Vietnam Film Festival Feature film The Girl on the River Silver Lotus 54 1996 11th Vietnam Film Festival Best Director Nostalgia for the Countryside Won 55 1999 12th Vietnam Film Festival Feature film Hanoi Winter 1946 Silver Lotus 56 Best Director Won 57 2001 13th Vietnam Film Festival Feature film The Guava Season Golden Lotus 58 2009 16th Vietnam Film Festival Don t Burn Golden Lotus 59 Best Director Won 60 Kite Awards 2010 2009 Kite Awards Movies Don t Burn Golden Kite 61 Best Director Won 62 International Film Festival 1971 7th Moscow International Film Festival Golden Prize Miss Nhung Nominated 63 1985 14th Moscow International Film Festival When the Tenth Month Comes Nominated 64 Soviet Peace Committee Award Won 65 Nantes Three Continents Festival Golden Montgolfiere Nominated 66 Hawaii International Film Festival Special Jury Award Won 67 68 1989 Asia Pacific Film Festival Won 69 1994 The Return Won 70 1995 Kodak Nostalgia for the Countryside Won 71 1996 International Film Festival Rotterdam NETPAC Award Won 72 Nantes Three Continents Festival Audience Award Won Golden Montgolfiere Nominated FIFF ACCT Promotional Award Won 73 1997 Fribourg International Film Festival Audience Award Won 72 Vesoul International Film Festival Won 74 2000 Locarno International Film Festival Youth Jury Award The Guava Season Won 75 Don Quixote Award Won 2001 International Film Festival Rotterdam NETPAC Award Won 76 Oslo International Film Festival FIPRESCI Prize Special Prize 75 2009 Fukuoka International Film Festival Audience Award Don t Burn Won 77 Notes edit Nikkei website with mention of prize winners a b c d e f g h Dang Nhat Minh Memoires d Indochine in French 15 January 2019 Retrieved 2021 05 22 a b c Hồi ky điện ảnh Đặng Nhật Minh www viet studies net Retrieved 2021 05 22 a b c d e Đặng Nhật Minh va sự nghiệp điện ảnh chưa co người thay thế TUOI TRE ONLINE in Vietnamese 2018 03 15 Retrieved 2021 05 22 Ảnh Goc Điện 2019 02 21 Đạo diễn Đặng Nhật Minh va sự phản bội dưới nhiều cấp độ Goc Điện Ảnh in Vietnamese Retrieved 2021 05 22 a b Gặp đạo diễn Đặng Nhật Minh ở tuổi 82 nongnghiep vn in Vietnamese Retrieved 2021 05 22 Co gai tren song Tạp chi Song Hương tapchisonghuong com vn Retrieved 2021 05 22 Skrodzka Lu amp Marciniak 2020 p 562 Dissanayake 1994 p 139 Đặng Nhật Minh 2005 p 41 Trần Hoang Thien Kim 2015 04 30 Đạo diễn NSND Đặng Nhật Minh Nhớ về những thước phim lịch sử Cong an nhan dan in Vietnamese Archived from the original on 2022 02 23 Retrieved 2022 02 23 a b Nguyễn Thị Hồng Ngat 2005 p 32 Le Hồng Lam 2018 05 13 Le Ba Đảng Người sống bằng giấc mơ của thien đường đa mất Cong an nhan dan in Vietnamese Archived from the original on 2022 02 23 Retrieved 2022 02 23 Ngọc Hiển 2015 04 28 Le Ba Đảng từ Bich La đến Paris Tuổi Trẻ Online in Vietnamese Archived from the original on 2022 02 23 Retrieved 2022 02 23 Viện nghệ thuật va lưu trữ điện ảnh 1994 p 307 Viện nghệ thuật va lưu trữ điện ảnh 1994 p 404 Skrodzka Lu amp Marciniak 2020 p 771 Viện nghệ thuật va lưu trữ điện ảnh 1994 p 320 Charlot 1989 p 448 Hixson 2000 p 216 Bradley 2020 p 184 McGregor 1991 p 175 Beattie 2000 p 102 Malo amp Williams 1994 p 174 McMahon 2002 p 125 Planet et al 2018 p 846 DeBoer 2014 p 220 Ngo Phương Lan 1998 p 248 Mast amp Kawin 2000 p 428 Nhiều tac giả 2007 p 818 Blum Reid 2003 p 119 Đạo diễn Đặng Nhật Minh noi về Người Mỹ trầm lặng VnExpress in Vietnamese 2001 06 07 Archived from the original on 2022 03 04 Retrieved 2022 02 23 Lim amp Yamamoto 2012 p 108 Wiseman 2015 p 133 Anh Thư 2021 05 30 Hoa nhai la bộ phim tam huyết luc cuối đời của toi Lao Động in Vietnamese Archived from the original on 2021 06 01 Retrieved 2022 02 23 X Long V V Tuan 2016 09 20 Đề xuất NSND Đặng Nhật Minh la cong dan ưu tu thủ đo Tuổi Trẻ Online in Vietnamese Archived from the original on 2022 02 25 Retrieved 2022 02 25 Quan đội nhan dan Việt Nam 1999 p 120 Nguyễn Ngọc Bi 2005 09 09 Vinh dự mới của đạo diễn Đặng Nhật Minh Tuổi Trẻ Online in Vietnamese Archived from the original on 2022 02 23 Retrieved 2022 02 23 Thong tấn xa Việt Nam 2005 p 64 Bich Ngọc 2013 09 01 Đạo diễn Đặng Nhật Minh nhận giải Điện ảnh Kim Dae Jung Voice of Vietnam in Vietnamese Archived from the original on 2022 02 23 Retrieved 2022 02 23 Dạo diễn NSND Dặng Nhật Minh nhận Giải thưởng Diện ảnh No ben Hoa binh Kim Dae jung Nhan Dan in Vietnamese 2013 09 01 Archived from the original on 2022 02 25 Retrieved 2022 02 25 Phạm Thanh Ha 2005 12 30 Binh chọn cac sự kiện văn hoa văn nghệ 2005 Nhan Dan in Vietnamese Archived from the original on 2022 02 23 Retrieved 2022 02 23 Central Propaganda Department of the Communist Party of Vietnam 2020 p 532 Thanh Hằng 2011 02 02 Đạo diễn Đặng Nhật Minh va những bộ phim gắn liền số phận Cong an nhan dan in Vietnamese Archived from the original on 2022 02 22 Retrieved 2022 02 23 Ngọc Diệp 2016 11 11 Đạo diễn Đặng Nhật Minh được LHP Amiens trao giải Kỳ lan danh dự Thể thao amp Văn hoa in Vietnamese Archived from the original on 2021 05 09 Retrieved 2022 02 23 Việt Văn 2016 10 22 Đạo diễn Le Lam Vinh danh Đặng Nhật Minh tiếng noi của tự do sang tạo Lao Động Archived from the original on 2022 02 23 Retrieved 2022 02 23 Bảo Anh 2022 04 01 NSND Đặng Nhật Minh nhận Huan chương Hiệp sĩ Văn học nghệ thuật Bao Văn hoa điện tử in Vietnamese Retrieved 2022 04 08 Nguyen Khanh 2022 04 01 Nước Phap trao Huan chương hiệp sĩ Văn học nghệ thuật cho NSND Đặng Nhật Minh Tiền Phong in Vietnamese Retrieved 2022 04 08 Đặng Nhật Minh 2005 p 71 Nguyễn Thị Hồng Ngat 2005 p 195 Nhiều tac giả 2007 p 867 Ngo Phương Lan 2005 p 131 Nhiều tac giả 2007 p 810 Ngo Phương Lan 1998 p 302 Nguyễn Hoang Đức 2000 p 258 Hội điện ảnh Ha Nội 2000 p 262 Nguyễn Thị Hồng Ngat 2005 p 681 Hải Anh 2001 12 10 Đời cat Mua ổi gianh Golden Lotus LHP 13 VnExpress in Vietnamese Archived from the original on 2021 12 23 Retrieved 2022 02 24 Tuyết Loan 2009 12 13 Niềm vui của những Golden Lotus Nhan Dan in Vietnamese Archived from the original on 2022 02 23 Retrieved 2022 02 23 Mai Thuy 2009 12 13 Đừng đốt đoạt Golden Lotus Tuổi Trẻ Online in Vietnamese Archived from the original on 2022 02 27 Retrieved 2022 02 27 Mai Hồng 2010 03 15 Đừng đốt thanh cong vang dội tại Lễ trao giải Canh diều Vang 2009 Bao điện tử Chinh phủ Archived from the original on 2022 02 23 Retrieved 2022 02 23 Hồng Minh 2010 03 14 Canh diều vang 2009 Sau giải thưởng danh cho phim Đừng đốt Nhan Dan in Vietnamese Archived from the original on 2021 12 14 Retrieved 2022 02 23 SSOD 1971 p 25 Iskusstvo 1987 p 160 Lien hiệp cac nha quay phim Lien Xo 1985 p 35 Cinemaya The Asian Film Magazine Cinemaya Tạp chi Điện ảnh Chau A Cinemaya 7 10 New Delhi A Vasudev 1990 ISSN 0970 8782 OCLC 19234070 Ngo Phương Lan 1998 p 354 Roger Ebert January 1989 Johnston Elisa W ed War ends understanding begins at Vietnam films Centerviews 7 1 4 ISSN 0746 1402 Nguyễn Thị Hồng Ngat 2005 p 162 Kết thuc Lien hoan phim chau A Thai Binh Dương lần thứ 49 Người đan ba mộng du đoạt giải Đặc biệt của Ban giam khảo Nhan Dan in Vietnamese 2004 09 28 Archived from the original on 2022 03 04 Retrieved 2022 02 23 Ngo Phương Lan 1998 p 355 a b Sen amp Lee 2008 p 75 Cinemaya The Asian Film Magazine Cinemaya 51 55 New Delhi A Vasudev 32 2001 ISSN 0970 8782 OCLC 19234070 Lien đoan cac cau lạc bộ Điện ảnh Phap 1997 p 32 a b Trần Hoang Thien Kim 2018 01 02 Nguyen mẫu phim Mua ổi Đứa trẻ trong hinh hai người đan ong Cong an nhan dan in Vietnamese Archived from the original on 2022 02 24 Retrieved 2022 02 24 Kawaguchi 2001 p 126 Ngan An 2009 09 25 Đừng đốt đoạt giải tại LHP Fukuoka VnExpress in Vietnamese Archived from the original on 2022 03 04 Retrieved 2022 02 23 Sources editVietnamese Central Propaganda Department of the Communist Party of Vietnam 2020 Le Hoang Anh Nguyễn Hải Đăng Nguyễn Thị Minh Trang eds Tac giả tac phẩm Giải thưởng Hồ Chi Minh về Văn học Nghệ thuật Nha xuất bản Trẻ ISBN 9786041170308 Đặng Nhật Minh 2005 Hồi ky điện ảnh in Vietnamese Thanh phố Hồ Chi Minh Nha xuất bản Văn nghệ OCLC 989677862 Hội điện ảnh Ha Nội 2000 Nha điện ảnh Ha Nội in Vietnamese Ha Nội Hội lien hiệp văn học nghệ thuật Ha Nội OCLC 605255501 Ngo Phương Lan 1998 Đồng hanh với man ảnh tiểu luận phe binh điện ảnh in Vietnamese Ha Nội Nha xuất bản Văn hoa thong tin OCLC 606352645 Ngo Phương Lan 2005 Tinh hiện đại va tinh dan tộc trong điện ảnh Việt Nam in Vietnamese Ha Nội Nha xuất bản Văn hoa thong tin OCLC 607606153 Nguyễn Hoang Đức 2000 Co đơn con người co đơn thi sĩ tiểu luận phe binh in Vietnamese Ha Nội Nha xuất bản Văn hoa dan tộc OCLC 604393853 Nguyễn Thị Hồng Ngat 2005 Lịch sử điện ảnh Việt Nam in Vietnamese Vol 2 Ha Nội Vietnam Film Bureau OCLC 53129383 Nhiều tac giả 2007 Hanh trinh nghien cứu điện ảnh Việt Nam in Vietnamese Ha Nội Nha xuất bản Văn hoa thong tin OCLC 989966481 Phan Bich Ha 2003 Hiện thực thứ hai in Vietnamese Nha xuất bản Văn hoa thong tin OCLC 62394229 Quan đội nhan dan Việt Nam 1999 Giải thưởng Nikkei Asia Prizes Văn nghệ Quan đội ISSN 2354 1296 OCLC 1796063 Quốc hội Việt Nam 2002 Phan Trung Ly ed Đại biểu quốc hội từ Khoa I đến Khoa X in Vietnamese Văn phong Quốc hội OCLC 1153942910 Thong tấn xa Việt Nam 2005 Director Dang Nhat Minh Vietnam Pictorial 562 OCLC 839208591 Trần Hữu Lục 2004 Tượng đai song Hương tập but ky in Vietnamese Nha xuất bản Trẻ OCLC 58532543 Văn phong Bộ Văn hoa va Thong tin 2000 Hanh trinh vao thien nien kỷ mới in Vietnamese Ha Nội Ministry of Culture and Information OCLC 645819839 Viện nghệ thuật va lưu trữ điện ảnh 1994 Diễn vien điện ảnh Việt Nam in Vietnamese Ha Nội Nha xuất bản Văn hoa Thong tin OCLC 33133770 English Banerjee Shampa 1993 International Film Festival of India 1993 New Delhi New Delhi Ministry of Information and Broadcasting OCLC 624274165 Beattie Keith 2000 The Scar That Binds American Culture and the Vietnam War New York University Press ISBN 9780814798690 Berra John 2008 Declarations of Independence American Cinema and the Partiality of Independent Production Intellect Books ISBN 9781841501857 Blum Reid Sylvie 2003 East West Encounters Franco Asian Cinema and Literature London Wallflower ISBN 9781903364673 Bradley Mark Philip 2001 Contests of Memory Remembering and Forgetting War in the Contemporary Vietnamese Cinema In Hue Tam Ho Tai ed The Country of Memory Remaking the Past in Late Socialist Vietnam Berkeley California University Press ISBN 9780520222670 Bradley Mark Philip 2020 12 31 Vietnam at War Oxford Oxford University Press ISBN 9780192895783 Charlot John 1989 Vietnamese Cinema The Power of the Past The Journal of American Folklore 102 406 442 452 doi 10 2307 541783 ISSN 0021 8715 JSTOR 541783 via JSTOR Charlot John 1991 Vietnamese Cinema First Views Journal of Southeast Asian Studies 22 1 33 62 doi 10 1017 S0022463400005452 ISSN 0022 4634 JSTOR 20071262 S2CID 163045055 via JSTOR DeBoer Stephanie 2014 03 01 Coproducing Asia Locating Japanese Chinese Regional Film and Media Minnesota University Press ISBN 9781452940946 Dissanayake Wimal 1994 10 22 Colonialism and Nationalism in Asian Cinema Indiana University Press ISBN 9780253116475 Donmez Colin Gonul 2014 04 15 Vesoul 2013 Kinema A Journal for Film and Audiovisual Media doi 10 15353 kinema vi 1313 ISSN 2562 5764 Drummond Lisa Thomas Mandy 2005 07 25 Consuming Urban Culture in Contemporary Vietnam Routledge ISBN 9781134433759 Fu Poshek Yip Man Fung 2019 11 28 The Cold War and Asian Cinemas Routledge ISBN 9780429757297 Healy Dana 2020 The Lyrical Subversions of Socialist Realism in Đặng Nhật Minh s New Wave Cinema PDF In Skrodzka Aga Lu Xiaoning Marciniak Katarzyna eds Oxford Handbook of Communist Visual Cultures Oxford Oxford University Press pp 541 565 doi 10 1093 oxfordhb 9780190885533 013 23 ISBN 9780190885533 Hixson Walter L 2000 Historical Memory and Representations of the Vietnam War Taylor amp Francis ISBN 9780815335368 Karlin Wayne 2009 09 29 Wandering Souls Journeys With the Dead and the Living in Viet Nam PublicAffairs ISBN 9781568586106 Lim David C L Yamamoto Hiroyuki 2012 03 12 Film in Contemporary Southeast Asia Cultural Interpretation and Social Intervention Routledge ISBN 9781136592461 Malo Jean Jacques Williams Tony 1994 Vietnam War Films Over 600 Feature Made for TV Pilot and Short Movies 1939 1992 from the United States Vietnam France Belgium Australia Hong Kong South Africa Great Britain and Other Countries McFarland ISBN 9780899507811 Marciniak K Imre A OHealy Aine 2007 12 09 Transnational Feminism in Film and Media Springer ISBN 9780230609655 Mast Gerald Kawin Bruce F 2000 A Short History of the Movies Allyn amp Bacon ISBN 9780205296859 McGregor Peter July 1991 Finding films and videos made in Vietnam in Australia Asian Studies Review 15 1 174 175 doi 10 1080 03147539108712764 ISSN 1035 7823 McMahon Kathryn 2002 11 29 The works of Dang Nhat Minh In Sarker Sonita De Esha Niyogi eds Trans Status Subjects Gender in the Globalization of South and Southeast Asia Duke University Press pp 108 125 ISBN 9780822329923 Planet Lonely Stewart Iain Atkinson Brett et al 2018 08 01 Lonely Planet Vietnam Lonely Planet ISBN 9781787019317 Skrodzka Aga Lu Xiaoning Marciniak Katarzyna 2020 04 01 The Oxford Handbook of Communist Visual Cultures Sổ tay Oxford về Văn hoa Thị giac Cộng sản Oxford University Press ISBN 9780190885557 Sen Krishna Lee Terence 2008 02 25 Political Regimes and the Media in Asia Routledge ISBN 9781134142149 Thanh Hương 2000 Vietnam the Land and the People 3 ed Ha Nội Nha xuất bản Thế Giới OCLC 46837129 Thanh Hương 2001 Vietnam the Land and the People 4 ed Ha Nội Nha xuất bản Thế Giới OCLC 605369583 Vasudev Aruna Padgaonkar Latika Doraiswamy Rashmi 2002 Being amp Becoming the Cinemas of Asia Macmillan ISBN 9780333938201 Wiseman Geoffrey 2015 06 24 Isolate or Engage Adversarial States US Foreign Policy and Public Diplomacy Stanford University Press ISBN 9780804795555 Westrup Laurel 2006 Toward a New Canon The Vietnam Conflict Through Vietnamese Lenses Film amp History An Interdisciplinary Journal of Film and Television Studies 36 2 45 51 doi 10 1353 flm 2006 0040 ISSN 1548 9922 S2CID 162402042 Zatko Martin Emmons Ron 2012 04 02 The Rough Guide to Vietnam Penguin ISBN 9781409359371 Other language SSOD in Russian 1971 Kultura i zhizn ezhemesyachnyj zhurnal Soyuza sovetskih obshestv druzhby i kulturnoj svyazi s zarubezhnymi stranami Văn hoa va Đời sống tạp chi hang thang của SSOD Kultura i zhizn in Russian Moskva Soi u z ISSN 0023 5199 OCLC 1033842238 Healy Dana 2013 Vom Triumph zur Tragodie Krieg im vietnamesischen Film Từ Chiến thắng đến Bi kịch Chiến tranh trong Phim Việt Nam sudostasien Zeitschrift fur Politik Kultur Dialog Đong Nam A Tạp chi Chinh trị Văn hoa Đối thoại in German 29 4 Politik doi 10 11588 SOA 2013 4 3901 eISSN 2625 5391 ISSN 1434 7067 Iskusstvo 1987 XIV Moskovskij mezhdunarodnyj kinofestival Lien hoan phim quốc tế Moscow lần thứ XIV Ekran in Russian OCLC 977077303 Kawaguchi Keiko August 2001 Peliculas vietnamitas de los noventa Phim Việt Nam những năm 1990 Nosferatu Revista de cine Nosferatu Tạp chi phim in Spanish Donostia Kultura 123 130 ISSN 1130 1732 Lien hiệp cac nha quay phim Lien Xo Soyuza rabotnikov kinematografii SSSR 1985 XIV Moskovskom mezhdunarodnom kinofestivale Lien hoan phim quốc tế Moscow lần thứ XIV Iskusstvo kino in Russian 7 12 OCLC 48062042 Lien đoan cac cau lạc bộ Điện ảnh Phap Federation Francais des Cine Clubs 1997 Vesoul Festival du film asiatique Vesoul Lien hoan phim Chau A Cinema in French 583 596 ISSN 0045 6926 OCLC 1235470934 External links editĐặng Nhật Minh at IMDb Đặng Nhật Minh page Retrieved from https en wikipedia org w index php title Đặng Nhật Minh amp oldid 1219923569, wikipedia, wiki, book, books, library,

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