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Colin Matthews

Colin Matthews, OBE (born 13 February 1946) is an English composer of contemporary classical music. Noted for his large-scale orchestral compositions, Matthews is also a prolific arranger of other composer's music, including works by Berlioz, Britten, Dowland, Mahler, Purcell and Schubert.[1] Other arrangements include orchestrations of all Debussy's 24 Préludes, both books of Debussy's Images, and two movements—Oiseaux tristes and La vallée des cloches—from Ravel's Miroirs. Having received a doctorate from University of Sussex on the works of Mahler, from 1964–1975 Matthews worked with his brother David Matthews and musicologist Deryck Cooke on completing a performance version of Mahler's Tenth Symphony.

Early life and education

Matthews was born in London in 1946; his older brother is the composer David Matthews. He read classics at the University of Nottingham, and then studied composition there with Arnold Whittall, and at the same time with Nicholas Maw. In the 1970s he taught at the University of Sussex, where he obtained a doctorate for his work on Mahler, an offshoot of his long collaboration with Deryck Cooke on the performing version of Mahler's Tenth Symphony. During this period he also worked at Aldeburgh with Benjamin Britten and Imogen Holst.[1] His music has been published principally by Faber Music since 1976.

Career

In 1975 his orchestral Fourth Sonata (written 1974–75)[2] won the Scottish National Orchestra's Ian Whyte Award.[3] Subsequent orchestral works include the widely performed Night Music (1976), Sonata No. 5: Landscape (1977–81), and a First Cello Concerto, commissioned by the BBC for the 1984 Proms: these last two have been recorded by Unicorn-Kanchana.[4] In 1989 Cortège was given its first performance by the Orchestra of the Royal Opera House under Bernard Haitink, and Quatrain by the London Symphony Orchestra and Michael Tilson Thomas. This was the first of a series of LSO commissions, followed by Machines and Dreams for their 1991 Childhood Festival, Memorial in 1993 with Mstislav Rostropovich as conductor, and a Second Cello Concerto for Rostropovich in 1996. In 1990 he made a setting of three comic poems by Wendy Cope, Strugnell's Haiku. Matthews was Associate Composer with the LSO from 1992 until 1999. The orchestral version of Hidden Variables was a joint commission for the LSO and the New World Symphony Orchestra, who gave the American première in Miami under Michael Tilson Thomas in 1992; in the same year the Cleveland Orchestra gave the American première of Machines and Dreams. Collins Classics released a CD of Matthews' LSO commissions in 1996 to celebrate his 50th birthday.

The BBC commission Broken Symmetry was first performed by its dedicatees, the BBC Symphony Orchestra under Oliver Knussen, in March 1992, and repeated at the 1992 Proms. It was recorded in 1994, together with the Fourth Sonata and Suns Dance, by Deutsche Grammophon (a Grammy Award nomination); and it forms the third part of the huge choral/orchestral Renewal, commissioned by the BBC for the 50th anniversary of Radio 3 in September 1996. Renewal received the 1997 Royal Philharmonic Society Award for large-scale composition. The Dutch première of Cortège was given in December 1998 by the Concertgebouw Orchestra under Riccardo Chailly. The ballet score Hidden Variables, incorporating a new orchestral work, Unfolded Order, was commissioned by the Royal Ballet for the reopening of the Royal Opera House in December 1999.

Colin Matthews' chamber music includes five string quartets, two oboe quartets, a Divertimento for double string quartet (1982), and a substantial body of piano music. Between 1985 and 1994 he completed six major works for ensemble: Suns Dance for the London Sinfonietta (1985, reworked for the Royal Ballet as Pursuit), Two Part Invention (1987), The Great Journey (1981–88)—re-released on NMCContraflow, commissioned by the London Sinfonietta for the 1992 Huddersfield Festival, and two commissions for the Birmingham Contemporary Music Group, Hidden Variables (1989) and ...through the glass (1994), the latter given its first performance under Simon Rattle, who also conducted it in 1998 at the Proms and in Salzburg. Matthews' music was featured at the Almeida Festival in 1988, at the Bath Festival in 1990, at Tanglewood where he has been visiting composer many times since 1988, at the 1998 Suntory Summer Festival in Tokyo, at the 2003 Avanti! Festival in Finland, and the 2004 Berlin Festival.

The year 2000 saw four major premières: Two Tributes for the London Sinfonietta; Pluto, an addition to Holst's Planets, for the Hallé Orchestra and Kent Nagano, already widely performed; Aftertones, for the Huddersfield Choral Society; and Continuum, a large-scale work for soprano and ensemble commissioned by the Birmingham Contemporary Music Group for Cynthia Clarey and Simon Rattle, with performances in London, Cologne, Brussels, Amsterdam, Vienna and Birmingham. In the spring of 2001 the Philharmonia orchestra gave the first performance of Matthews' Horn Concerto, with Richard Watkins and Esa-Pekka Salonen. Also in 2001 he was commissioned to write a Fanfare to open the BBC Proms. Reflected Images, for Michael Tilson Thomas and the San Francisco Symphony Orchestra, received its première in October 2003.

Colin Matthews' 60th birthday was marked by 5 performances given at the 2006 BBC Proms. Recent works have included Berceuse for Dresden, written for the rebuilt Frauenkirche in Dresden and first performed there in November 2005 with the cellist Jan Vogler and the New York Philharmonic under Lorin Maazel; and Turning Point, commissioned by the Concertgebouw Orchestra and given by them under Markus Stenz in January 2007. His Violin Concerto was given by Leila Josefowicz and the City of Birmingham Symphony Orchestra under Oliver Knussen in September 2009.

From 2001 to 2010 Matthews was Associate Composer with the Hallé Orchestra, and is now their Composer Emeritus. During this period he wrote a number of works for them, as well as a project involving the orchestration of all 24 of Debussy's Preludes, completed in May 2007 and recorded by Sir Mark Elder on the Hallé label. Alphabicycle Order, a major work for children's chorus, narrator and orchestra to poems by Christopher Reid, was premiered by the Hallé under Edward Gardner as part of the 2007 Manchester International Festival, and is also recorded on the Hallé label, together with the Horn Concerto. Commissioned by the Hallé Orchestra as part of their Mahler centenary celebrations, his Crossing the Alps for Chorus and Organ, on a text by William Wordsworth (The Prelude, Book VI), was first performed by the Hallé Choir, conducted by Markus Stenz, at the Bridgewater Hall, Manchester, in January 2010. Its German premiere, also under Stenz, was in the Philharmonie in Cologne, in January 2011, with the MDR Radio Chorus.

Three works were premiered in 2011 : Night Rides for the London Sinfonietta; No Man’s Land, to a text by Christopher Reid, for the City of London Sinfonia with soloists Ian Bostridge and Roderick Williams; and Grand Barcarolle for the Leipzig Gewandhaus Orchestra and Riccardo Chailly as part of their Beethoven cycle presented in Leipzig, Vienna, Paris and London in autumn 2011. No Man’s Land won the 2012 British Composer Award for vocal music. Matthews' Fourth Quartet was given its first performance by the Elias Quartet at the Wigmore Hall in November 2012 and won the 2013 British Composer Award for chamber music. Nowhere to Hide for piano trio was premiered at the 2013 Cheltenham Festival by the Schubert Ensemble. His work Traces Remain, which takes its name and inspiration from a book of essays by Charles Nicholl, was premiered on 8 January 2014 at the Barbican Centre, London by the BBC Symphony Orchestra conducted by Sakari Oramo, and was broadcast live by BBC Radio 3.[5]

In 2014 he wrote Spiralling for Spira Mirabilis, The Pied Piper of Hamelin to words by Michael Morpurgo for the London Philharmonic Orchestra and Vladimir Jurowski, and a Fifth String Quartet for the 75th anniversary of Tanglewood. More recently Matthews has focused on works for voice and ensemble - A Land of Rain (2017) to words by Nicholas Moore and Baudelaire for the Birmingham Contemporary Music Group, As Time Returns (2018) to words by Ivan Blatný for the London Sinfonietta and Seascapes (2020) to words by Sidney Keyes for the Nash Ensemble.

Matthews and his wife Belinda, a publishing executive at Faber and Faber, have three children, Jessie, Dan and Lucy.

NMC Recordings

He is founder and Executive Producer of NMC Recordings, and has also produced recordings for Deutsche Grammophon, Virgin Classics, Conifer, Collins, Bridge, BMG, Continuum, Metronome and Elektra Nonesuch (Górecki's Third Symphony, for which he received a Grammy nomination).

Administrative work

He is active as administrator of the Holst Foundation, was Chair of the Britten Estate for many years, and is Music Director and Joint President of Britten-Pears Arts. He was a Council Member of the Aldeburgh Foundation from 1983 to 1994, and retains close links with the Aldeburgh Festival and the Britten-Pears School, particularly as co-director with Oliver Knussen of the Contemporary Composition and Performance Course, which they founded in 1992. He was a member of the Council of the Society for the Promotion of New Music for over 20 years, and a director of the Performing Right Society from 1992 to 1995. Since 1985 he has been a member of the Music Panel of the Radclffe Trust. He was an Executive Council Member of the Royal Philharmonic Society from 2005 until 2019.

Honours

In 1998 Colin Matthews was awarded an honorary doctorate by the University of Nottingham, where he has been honorary professor since 2005. He is currently Prince Consort Professor of Music at the Royal College of Music, where he was made FRCM in 2007, and distinguished visiting fellow in composition at the University of Manchester. He was a governor of the Royal Northern College of Music (where he is FRNCM) from 2001 to 2008. In 2010 he was made an Honorary Member of the Royal Academy of Music. He was presented with the Royal Philharmonic Society/Performing Right Society Leslie Boosey Award in 2005, honouring an individual who has made an outstanding contribution to the furtherance of contemporary music in Britain; and the Gramophone 2017 Special Achievement Award in recognition of his work for NMC.

He was appointed Officer of the Order of the British Empire (OBE) in the 2011 New Year Honours for services to music.[6]

References

  1. ^ a b Wright 2001.
  2. ^ Colin Matthews. "Fourth Sonata". Chester Novello. Retrieved 27 December 2007.
  3. ^ Wright, David; Matthews, Colin; Sinfonietta, London; Knussen, Oliver; Lambert, John (November 1995). "Colin Matthews: Fourth Sonata; Suns Dance; Broken Symmetry". The Musical Times. Musical Times Publications Ltd. 136 (1833): 607. doi:10.2307/1003502. JSTOR 1003502. [record review].
  4. ^ Thomas, Christopher (May 2004). "Recording of the Month: Colin Matthews (b. 1946): Sonata No. 5, Landscape; Cello Concerto No. 1; Hidden Variables; Memorial; Quatrain; Machines and Dreams". MusicWeb International. Retrieved 27 December 2007.
  5. ^ "BBC SO – Schumann, Colin Matthews, Beethoven". bbc.co.uk. 8 January 2014. Retrieved 8 January 2014.
  6. ^ "No. 59647". The London Gazette (Supplement). 31 December 2010. p. 11.

Sources

  • Thomas, Christopher (2004). "Recording of the Month: Colin Matthews (b. 1946): Sonata No. 5, Landscape; Cello Concerto No. 1; Hidden Variables; Memorial; Quatrain; Machines and Dreams". MusicWeb International. (Retrieved on 27 December 2007.)
  • Wright, David (1995). "Review of Recording of 'Fourth Sonata; Suns Dance; Broken Symmetry'". The Musical Times. 136 (1833): 607. doi:10.2307/1003502. JSTOR 1003502.
  • Wright, David C.H. (2001). "Matthews, Colin". Grove Music Online. Oxford, England: Oxford University Press. doi:10.1093/gmo/9781561592630.article.46017. (subscription or UK public library membership required)

Further reading

  • Barnard, Nick (2011). "Review: Colin Matthews (b. 1946): Debussy The Preludes (arr. Matthews)". MusicWeb International.
  • Bruce, David (2006). "Interview with Colin Matthews". Composition Today.
  • Moss, Stephen (17 April 2001). "There's a wall blocking new music, and sometimes it feels as if I'm banging my head against it". The Guardian.
  • Palmer, Andrew (2015). Encounters with British Composers. Suffolk: Boydell & Brewer. doi:10.7722/j.ctt1814gv6. ISBN 978-1-78327-070-5.

External links

  • Official website
  • The Living Composers Project: Colin Matthews
  • Faber Music

colin, matthews, this, article, about, composer, businessman, businessman, english, cricketer, cricketer, born, february, 1946, english, composer, contemporary, classical, music, noted, large, scale, orchestral, compositions, matthews, also, prolific, arranger. This article is about the composer For the businessman see Colin Matthews businessman For the English cricketer see Colin Matthews cricketer Colin Matthews OBE born 13 February 1946 is an English composer of contemporary classical music Noted for his large scale orchestral compositions Matthews is also a prolific arranger of other composer s music including works by Berlioz Britten Dowland Mahler Purcell and Schubert 1 Other arrangements include orchestrations of all Debussy s 24 Preludes both books of Debussy s Images and two movements Oiseaux tristes and La vallee des cloches from Ravel s Miroirs Having received a doctorate from University of Sussex on the works of Mahler from 1964 1975 Matthews worked with his brother David Matthews and musicologist Deryck Cooke on completing a performance version of Mahler s Tenth Symphony Contents 1 Early life and education 2 Career 3 NMC Recordings 4 Administrative work 5 Honours 6 References 7 Sources 8 Further reading 9 External linksEarly life and education EditMatthews was born in London in 1946 his older brother is the composer David Matthews He read classics at the University of Nottingham and then studied composition there with Arnold Whittall and at the same time with Nicholas Maw In the 1970s he taught at the University of Sussex where he obtained a doctorate for his work on Mahler an offshoot of his long collaboration with Deryck Cooke on the performing version of Mahler s Tenth Symphony During this period he also worked at Aldeburgh with Benjamin Britten and Imogen Holst 1 His music has been published principally by Faber Music since 1976 Career EditIn 1975 his orchestral Fourth Sonata written 1974 75 2 won the Scottish National Orchestra s Ian Whyte Award 3 Subsequent orchestral works include the widely performed Night Music 1976 Sonata No 5 Landscape 1977 81 and a First Cello Concerto commissioned by the BBC for the 1984 Proms these last two have been recorded by Unicorn Kanchana 4 In 1989 Cortege was given its first performance by the Orchestra of the Royal Opera House under Bernard Haitink and Quatrain by the London Symphony Orchestra and Michael Tilson Thomas This was the first of a series of LSO commissions followed by Machines and Dreams for their 1991 Childhood Festival Memorial in 1993 with Mstislav Rostropovich as conductor and a Second Cello Concerto for Rostropovich in 1996 In 1990 he made a setting of three comic poems by Wendy Cope Strugnell s Haiku Matthews was Associate Composer with the LSO from 1992 until 1999 The orchestral version of Hidden Variables was a joint commission for the LSO and the New World Symphony Orchestra who gave the American premiere in Miami under Michael Tilson Thomas in 1992 in the same year the Cleveland Orchestra gave the American premiere of Machines and Dreams Collins Classics released a CD of Matthews LSO commissions in 1996 to celebrate his 50th birthday The BBC commission Broken Symmetry was first performed by its dedicatees the BBC Symphony Orchestra under Oliver Knussen in March 1992 and repeated at the 1992 Proms It was recorded in 1994 together with the Fourth Sonata and Suns Dance by Deutsche Grammophon a Grammy Award nomination and it forms the third part of the huge choral orchestral Renewal commissioned by the BBC for the 50th anniversary of Radio 3 in September 1996 Renewal received the 1997 Royal Philharmonic Society Award for large scale composition The Dutch premiere of Cortege was given in December 1998 by the Concertgebouw Orchestra under Riccardo Chailly The ballet score Hidden Variables incorporating a new orchestral work Unfolded Order was commissioned by the Royal Ballet for the reopening of the Royal Opera House in December 1999 Colin Matthews chamber music includes five string quartets two oboe quartets a Divertimento for double string quartet 1982 and a substantial body of piano music Between 1985 and 1994 he completed six major works for ensemble Suns Dance for the London Sinfonietta 1985 reworked for the Royal Ballet as Pursuit Two Part Invention 1987 The Great Journey 1981 88 re released on NMC Contraflow commissioned by the London Sinfonietta for the 1992 Huddersfield Festival and two commissions for the Birmingham Contemporary Music Group Hidden Variables 1989 and through the glass 1994 the latter given its first performance under Simon Rattle who also conducted it in 1998 at the Proms and in Salzburg Matthews music was featured at the Almeida Festival in 1988 at the Bath Festival in 1990 at Tanglewood where he has been visiting composer many times since 1988 at the 1998 Suntory Summer Festival in Tokyo at the 2003 Avanti Festival in Finland and the 2004 Berlin Festival The year 2000 saw four major premieres Two Tributes for the London Sinfonietta Pluto an addition to Holst s Planets for the Halle Orchestra and Kent Nagano already widely performed Aftertones for the Huddersfield Choral Society and Continuum a large scale work for soprano and ensemble commissioned by the Birmingham Contemporary Music Group for Cynthia Clarey and Simon Rattle with performances in London Cologne Brussels Amsterdam Vienna and Birmingham In the spring of 2001 the Philharmonia orchestra gave the first performance of Matthews Horn Concerto with Richard Watkins and Esa Pekka Salonen Also in 2001 he was commissioned to write a Fanfare to open the BBC Proms Reflected Images for Michael Tilson Thomas and the San Francisco Symphony Orchestra received its premiere in October 2003 Colin Matthews 60th birthday was marked by 5 performances given at the 2006 BBC Proms Recent works have included Berceuse for Dresden written for the rebuilt Frauenkirche in Dresden and first performed there in November 2005 with the cellist Jan Vogler and the New York Philharmonic under Lorin Maazel and Turning Point commissioned by the Concertgebouw Orchestra and given by them under Markus Stenz in January 2007 His Violin Concerto was given by Leila Josefowicz and the City of Birmingham Symphony Orchestra under Oliver Knussen in September 2009 From 2001 to 2010 Matthews was Associate Composer with the Halle Orchestra and is now their Composer Emeritus During this period he wrote a number of works for them as well as a project involving the orchestration of all 24 of Debussy s Preludes completed in May 2007 and recorded by Sir Mark Elder on the Halle label Alphabicycle Order a major work for children s chorus narrator and orchestra to poems by Christopher Reid was premiered by the Halle under Edward Gardner as part of the 2007 Manchester International Festival and is also recorded on the Halle label together with the Horn Concerto Commissioned by the Halle Orchestra as part of their Mahler centenary celebrations his Crossing the Alps for Chorus and Organ on a text by William Wordsworth The Prelude Book VI was first performed by the Halle Choir conducted by Markus Stenz at the Bridgewater Hall Manchester in January 2010 Its German premiere also under Stenz was in the Philharmonie in Cologne in January 2011 with the MDR Radio Chorus Three works were premiered in 2011 Night Rides for the London Sinfonietta No Man s Land to a text by Christopher Reid for the City of London Sinfonia with soloists Ian Bostridge and Roderick Williams and Grand Barcarolle for the Leipzig Gewandhaus Orchestra and Riccardo Chailly as part of their Beethoven cycle presented in Leipzig Vienna Paris and London in autumn 2011 No Man s Land won the 2012 British Composer Award for vocal music Matthews Fourth Quartet was given its first performance by the Elias Quartet at the Wigmore Hall in November 2012 and won the 2013 British Composer Award for chamber music Nowhere to Hide for piano trio was premiered at the 2013 Cheltenham Festival by the Schubert Ensemble His work Traces Remain which takes its name and inspiration from a book of essays by Charles Nicholl was premiered on 8 January 2014 at the Barbican Centre London by the BBC Symphony Orchestra conducted by Sakari Oramo and was broadcast live by BBC Radio 3 5 In 2014 he wrote Spiralling for Spira Mirabilis The Pied Piper of Hamelin to words by Michael Morpurgo for the London Philharmonic Orchestra and Vladimir Jurowski and a Fifth String Quartet for the 75th anniversary of Tanglewood More recently Matthews has focused on works for voice and ensemble A Land of Rain 2017 to words by Nicholas Moore and Baudelaire for the Birmingham Contemporary Music Group As Time Returns 2018 to words by Ivan Blatny for the London Sinfonietta and Seascapes 2020 to words by Sidney Keyes for the Nash Ensemble Matthews and his wife Belinda a publishing executive at Faber and Faber have three children Jessie Dan and Lucy NMC Recordings EditHe is founder and Executive Producer of NMC Recordings and has also produced recordings for Deutsche Grammophon Virgin Classics Conifer Collins Bridge BMG Continuum Metronome and Elektra Nonesuch Gorecki s Third Symphony for which he received a Grammy nomination Administrative work EditHe is active as administrator of the Holst Foundation was Chair of the Britten Estate for many years and is Music Director and Joint President of Britten Pears Arts He was a Council Member of the Aldeburgh Foundation from 1983 to 1994 and retains close links with the Aldeburgh Festival and the Britten Pears School particularly as co director with Oliver Knussen of the Contemporary Composition and Performance Course which they founded in 1992 He was a member of the Council of the Society for the Promotion of New Music for over 20 years and a director of the Performing Right Society from 1992 to 1995 Since 1985 he has been a member of the Music Panel of the Radclffe Trust He was an Executive Council Member of the Royal Philharmonic Society from 2005 until 2019 Honours EditIn 1998 Colin Matthews was awarded an honorary doctorate by the University of Nottingham where he has been honorary professor since 2005 He is currently Prince Consort Professor of Music at the Royal College of Music where he was made FRCM in 2007 and distinguished visiting fellow in composition at the University of Manchester He was a governor of the Royal Northern College of Music where he is FRNCM from 2001 to 2008 In 2010 he was made an Honorary Member of the Royal Academy of Music He was presented with the Royal Philharmonic Society Performing Right Society Leslie Boosey Award in 2005 honouring an individual who has made an outstanding contribution to the furtherance of contemporary music in Britain and the Gramophone 2017 Special Achievement Award in recognition of his work for NMC He was appointed Officer of the Order of the British Empire OBE in the 2011 New Year Honours for services to music 6 References Edit a b Wright 2001 Colin Matthews Fourth Sonata Chester Novello Retrieved 27 December 2007 Wright David Matthews Colin Sinfonietta London Knussen Oliver Lambert John November 1995 Colin Matthews Fourth Sonata Suns Dance Broken Symmetry The Musical Times Musical Times Publications Ltd 136 1833 607 doi 10 2307 1003502 JSTOR 1003502 record review Thomas Christopher May 2004 Recording of the Month Colin Matthews b 1946 Sonata No 5 Landscape Cello Concerto No 1 Hidden Variables Memorial Quatrain Machines and Dreams MusicWeb International Retrieved 27 December 2007 BBC SO Schumann Colin Matthews Beethoven bbc co uk 8 January 2014 Retrieved 8 January 2014 No 59647 The London Gazette Supplement 31 December 2010 p 11 Sources EditThomas Christopher 2004 Recording of the Month Colin Matthews b 1946 Sonata No 5 Landscape Cello Concerto No 1 Hidden Variables Memorial Quatrain Machines and Dreams MusicWeb International Retrieved on 27 December 2007 Wright David 1995 Review of Recording of Fourth Sonata Suns Dance Broken Symmetry The Musical Times 136 1833 607 doi 10 2307 1003502 JSTOR 1003502 Wright David C H 2001 Matthews Colin Grove Music Online Oxford England Oxford University Press doi 10 1093 gmo 9781561592630 article 46017 subscription or UK public library membership required Further reading EditBarnard Nick 2011 Review Colin Matthews b 1946 Debussy The Preludes arr Matthews MusicWeb International Bruce David 2006 Interview with Colin Matthews Composition Today Moss Stephen 17 April 2001 There s a wall blocking new music and sometimes it feels as if I m banging my head against it The Guardian Palmer Andrew 2015 Encounters with British Composers Suffolk Boydell amp Brewer doi 10 7722 j ctt1814gv6 ISBN 978 1 78327 070 5 External links EditOfficial website The Living Composers Project Colin Matthews Faber Music Retrieved from https en wikipedia org w index php title Colin Matthews amp oldid 1115093425, wikipedia, wiki, book, books, library,

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