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Being Julia

January 07, 2023

Being Julia is a 2004 comedy-drama film directed by István Szabó and starring Annette Bening and Jeremy Irons. The screenplay by Ronald Harwood is based on the novel Theatre (1937) by W. Somerset Maugham. The original film score was composed by Mychael Danna.

Being Julia
Original poster
Directed byIstván Szabó
Written byRonald Harwood
Based onTheatre
by W. Somerset Maugham
Produced byRobert Lantos
StarringAnnette Bening
Jeremy Irons
Shaun Evans
CinematographyLajos Koltai
Edited bySusan Shipton
Music byMychael Danna
Distributed bySony Pictures Classics
Release date
  • October 15, 2004 (2004-10-15)
Running time
104 minutes
CountriesUnited Kingdom
Hungary
Canada
United States
LanguageEnglish
BudgetUS$18 million
Box officeUS$14,339,171

Plot

Set in London in 1938, the film focuses on highly successful and extremely popular theatre actress Julia Lambert, whose gradual disillusionment with her career as she approaches middle age has prompted her to ask her husband, stage director Michael Gosselyn, and his financial backer Dolly de Vries to close her current production to allow her time to travel abroad. They persuade her to remain with the play throughout the summer. Michael introduces her to Tom Fennel, an enterprising American, who confesses his deep appreciation of her work. Seeking the passion missing from her marriage, and anxious to fill the void left when her close friend Lord Charles suggested they part ways to avoid scandalous gossip, Julia embarks on a passionate affair with the young man and begins to support him so he may enjoy the glamorous lifestyle to which she has introduced him. Their relationship revives her, sparking a distinct change in her personality. Always hovering in the background and offering counsel is the spirit of her mentor, Jimmie Langton, the theatrical manager who gave Julia her start and made her a star, while flesh-and-blood Evie serves as her personal maid, dresser, and confidante.

Michael suggests they invite Tom to spend time at their country estate, where he can become better acquainted with their son Roger. At a party there, Tom meets aspiring actress Avice Crichton, and, when Julia sees him flirting with the pretty young woman, she becomes jealous and anxious and angrily confronts him. He slowly reveals himself to be a callous, social-climbing, gold-digging gigolo, and Julia is shattered when their affair comes to an end.

Avice, now romantically involved with Tom, asks him to bring Julia to see her perform in a play in the hope the actress will induce her husband to cast her in a supporting role in Julia's upcoming project. The play is dreadful, and Avice is not much better. Backstage, Julia compliments her even-worse co-star and barely acknowledges Avice, although she promises to tell Michael about her. Afterwards, she forces Tom to admit he loves Avice, then - although her heart is broken by his admission - she assures him she will insist the ingenue be cast in her next play.

When Julia's performance in her current play begins to suffer from her personal discontent, Michael closes the production, so Julia visits her mother and her Aunt Carrie in Jersey, where Lord Charles comes to visit her. Julia suggests a romantic tryst, and he gently tells her that he's gay. Meanwhile, back in London, Avice auditions for Michael. Although Julia resents it, she is given the role.

Julia returns home to begin rehearsals for the new play. Shortly after, she learns from her son that Avice has been one of Michael's casual trysts. Still, she is uncharacteristically solicitous toward the girl, making suggestions that place her in the spotlight and insisting her own wardrobe be drab to allow Avice to shine. What her director and fellow cast members don't realize is there's a method to her seeming madness - Julia has planned her sweet revenge for the opening night performance, during which she successfully affirms her position as London theatre's foremost diva by upstaging every aspect of Avice's performance.

Production

Filming began in June 2003. Exteriors were shot on location in London and Jersey. Interiors were filmed in Budapest, including inside the Danubius Hotel Astoria, and Kecskemét in Hungary.

The soundtrack features a number of popular songs of the era, including "They Didn't Believe Me" by Jerome Kern and Herbert Reynolds; "Life is Just a Bowl of Cherries" by Lew Brown and Ray Henderson; "Mad About the Boy" by Noël Coward; "I Get a Kick Out of You" by Cole Porter; "She's My Lovely" by Vivian Ellis; "Bei Mir Bist Du Schon" by Sholom Secunda, Jacob Jacobs, Sammy Cahn, and Saul Chaplin; and "Smoke Gets in Your Eyes" by Otto A. Harbach and Jerome Kern.

The film premiered at the Telluride Film Festival and was shown at the Toronto International Film Festival, the San Sebastián Film Festival, the Vancouver International Film Festival, the Calgary Film Festival, and the Chicago International Film Festival before opening in the US in limited release.

The film grossed $14,339,171 at the box office.[1]

Differences from the novel

The film omits much of Julia's recollections of her life and career with Michael and her previous affair with a Spaniard whose name she never knows. In the original story she meets Lord Charles when his wife attempts to insult her by bringing up her "common" origins. Although Julia's retort is the same in the film this scene occurs after she has already met Charles and the attempted insult is made by someone who is not married to him. Charles in the film is not married at all and turns out to be a confirmed bachelor.

In novel, Julia has to convince Michael to keep the lackluster Avice Crichton in the play in order to exact her revenge on her. In the adaptation, Michael is having a fling with her.

Jimmie Langton also often appears as a figment of Julia's imagination giving advice or reacting to her actions, a device which is not present in the original story.

Cast

Critical reception

Being Julia has received fairly positive reviews, with Bening receiving acclaim for her performance, and an average score of 65/100 at the review aggregator Metacritic, based on 38 critics, indicating "generally favorable reviews".[2] The film also has an approval rating of 76% on review aggregator website Rotten Tomatoes, based on 123 reviews, and an average rating of 6.70/10. The website's critical consensus states, "Annette Bening delivers a captivating performance in Being Julia, a sophisticated comedy that follows a 1930s stage diva who experiences an identity crisis at age 40".[3]

In his review in The New York Times, A.O. Scott called the film "a flimsy frame surrounding a brightly colored performance by Annette Bening, whose quick, high-spirited charm is on marvelous display . . . She gives Being Julia a giddy, reckless effervescence that neither Mr. Szabo's stolid direction nor Ronald Harwood's lurching script . . . are quite able to match . . . Ms. Bening walks right up to the edge of melodramatic bathos (the hallmark of the kind of plays in which Julia stars) and then, in a wonderful climactic coup de théâtre, turns it all into farce. Being Julia may not make much psychological or dramatic sense, but Ms. Bening, pretending to be Julia (who is always pretending to be herself), is sensational."[4]

Roger Ebert of the Chicago Sun-Times said, "Annette Bening plays Julia in a performance that has great verve and energy, and just as well, because the basic material is wheezy melodrama. All About Eve breathed new life into it all those years ago, but now it's gasping again . . . I liked the movie in its own way, while it was cheerfully chugging along, but the ending let me down; the materials are past their sell-by date and were when Maugham first retailed them. The pleasures are in the actual presence of the actors, Bening most of all, and the droll Irons, and Juliet Stevenson as the practical aide-de-camp, and Thomas Sturridge, so good as Julia's son that I wonder why he wasn't given the role of her young lover."[5]

In the San Francisco Chronicle, Carla Meyer described the film as "a one-woman show" and added, "There are several notable actors in it, most of them quite good, but it's the glorious Annette Bening who hoists this flawed production on her mink-wrapped shoulders and makes it work . . . Her stage background at American Conservatory Theater shows in her multilayered tour de force."[6]

Todd McCarthy of Variety observed, "Annette Bening has fun running the vast gamut of her emotions, be they authentic or manufactured. But Istvan Szabo's new film, like the W. Somerset Maugham novel upon which it's based, is a minor affair, a confection based on dalliances and the way a set of sophisticated theater people handle them, that lacks true distinction . . . Working in a much lighter vein than usual, Szabo has said he studied the films of Ernst Lubitsch and Billy Wilder in preparation for this picture. Unfortunately, Being Julia has little to do with the specifically Viennese strain of wise and winkingly cynical romantic comedy perfected by those two masters of the sexual charade and nearly everything to do with the world of pre-war London theater. This is a film that, above all else, needed to be steeped in Britishness, in the very particular mores and manners of the time; as a Canadian production mostly shot in Budapest by a Hungarian director and an American star and a number of Canuck thesps, this just doesn't happen. The deficiencies may be intangible, but they deprive film of the solid footing it requires . . . The majority of the seriocomic doings, while superficially diverting, provide neither indelible wit nor the gravitas of a genuinely meaningful comedy of manners (see Oscar Wilde), leaving a relatively wispy impression in its wake."[7]

In Rolling Stone, Peter Travers awarded the film two out of a possible four stars and commented, "Annette Bening can act - watch American Beauty or Bugsy or The Grifters - but she works too hard to prove it in Being Julia . . . Director Istvan Szabo overplays his hand and traps [her] in a role that's all emoting, no emotion."[8]

Mark Kermode of The Observer said, "Annette Bening makes a claim for an Oscar nomination . . . Chewing up the scenery in lipsmacking form, she savours the ribald dialogue like an overripe wine, spitting venom and self-pity in equally bilious measures, lending much needed weight to this contrived fluff."[9]

Awards and nominations

References

  1. ^ Being Julia at BoxOfficeMojo.com
  2. ^ "Being Julia Reviews, Ratings, Credits, and More at Metacritic". Metacritic. Retrieved 22 February 2011.
  3. ^ "Being Julia (2004)". Rotten Tomatoes.
  4. ^ The New York Times review
  5. ^ . Archived from the original on 2013-01-07. Retrieved 2022-03-03.
  6. ^ San Francisco Chronicle review
  7. ^ Variety review
  8. ^ Rolling Stone review
  9. ^ The Observer review

External links

January 07, 2023
being, julia, 2004, comedy, drama, film, directed, istván, szabó, starring, annette, bening, jeremy, irons, screenplay, ronald, harwood, based, novel, theatre, 1937, somerset, maugham, original, film, score, composed, mychael, danna, original, posterdirected, . Being Julia is a 2004 comedy drama film directed by Istvan Szabo and starring Annette Bening and Jeremy Irons The screenplay by Ronald Harwood is based on the novel Theatre 1937 by W Somerset Maugham The original film score was composed by Mychael Danna Being JuliaOriginal posterDirected byIstvan SzaboWritten byRonald HarwoodBased onTheatreby W Somerset MaughamProduced byRobert LantosStarringAnnette BeningJeremy IronsShaun EvansCinematographyLajos KoltaiEdited bySusan ShiptonMusic byMychael DannaDistributed bySony Pictures ClassicsRelease dateOctober 15 2004 2004 10 15 Running time104 minutesCountriesUnited KingdomHungaryCanadaUnited StatesLanguageEnglishBudgetUS 18 millionBox officeUS 14 339 171 Contents 1 Plot 2 Production 2 1 Differences from the novel 3 Cast 4 Critical reception 5 Awards and nominations 6 References 7 External linksPlot EditSet in London in 1938 the film focuses on highly successful and extremely popular theatre actress Julia Lambert whose gradual disillusionment with her career as she approaches middle age has prompted her to ask her husband stage director Michael Gosselyn and his financial backer Dolly de Vries to close her current production to allow her time to travel abroad They persuade her to remain with the play throughout the summer Michael introduces her to Tom Fennel an enterprising American who confesses his deep appreciation of her work Seeking the passion missing from her marriage and anxious to fill the void left when her close friend Lord Charles suggested they part ways to avoid scandalous gossip Julia embarks on a passionate affair with the young man and begins to support him so he may enjoy the glamorous lifestyle to which she has introduced him Their relationship revives her sparking a distinct change in her personality Always hovering in the background and offering counsel is the spirit of her mentor Jimmie Langton the theatrical manager who gave Julia her start and made her a star while flesh and blood Evie serves as her personal maid dresser and confidante Michael suggests they invite Tom to spend time at their country estate where he can become better acquainted with their son Roger At a party there Tom meets aspiring actress Avice Crichton and when Julia sees him flirting with the pretty young woman she becomes jealous and anxious and angrily confronts him He slowly reveals himself to be a callous social climbing gold digging gigolo and Julia is shattered when their affair comes to an end Avice now romantically involved with Tom asks him to bring Julia to see her perform in a play in the hope the actress will induce her husband to cast her in a supporting role in Julia s upcoming project The play is dreadful and Avice is not much better Backstage Julia compliments her even worse co star and barely acknowledges Avice although she promises to tell Michael about her Afterwards she forces Tom to admit he loves Avice then although her heart is broken by his admission she assures him she will insist the ingenue be cast in her next play When Julia s performance in her current play begins to suffer from her personal discontent Michael closes the production so Julia visits her mother and her Aunt Carrie in Jersey where Lord Charles comes to visit her Julia suggests a romantic tryst and he gently tells her that he s gay Meanwhile back in London Avice auditions for Michael Although Julia resents it she is given the role Julia returns home to begin rehearsals for the new play Shortly after she learns from her son that Avice has been one of Michael s casual trysts Still she is uncharacteristically solicitous toward the girl making suggestions that place her in the spotlight and insisting her own wardrobe be drab to allow Avice to shine What her director and fellow cast members don t realize is there s a method to her seeming madness Julia has planned her sweet revenge for the opening night performance during which she successfully affirms her position as London theatre s foremost diva by upstaging every aspect of Avice s performance Production EditFilming began in June 2003 Exteriors were shot on location in London and Jersey Interiors were filmed in Budapest including inside the Danubius Hotel Astoria and Kecskemet in Hungary The soundtrack features a number of popular songs of the era including They Didn t Believe Me by Jerome Kern and Herbert Reynolds Life is Just a Bowl of Cherries by Lew Brown and Ray Henderson Mad About the Boy by Noel Coward I Get a Kick Out of You by Cole Porter She s My Lovely by Vivian Ellis Bei Mir Bist Du Schon by Sholom Secunda Jacob Jacobs Sammy Cahn and Saul Chaplin and Smoke Gets in Your Eyes by Otto A Harbach and Jerome Kern The film premiered at the Telluride Film Festival and was shown at the Toronto International Film Festival the San Sebastian Film Festival the Vancouver International Film Festival the Calgary Film Festival and the Chicago International Film Festival before opening in the US in limited release The film grossed 14 339 171 at the box office 1 Differences from the novel Edit The film omits much of Julia s recollections of her life and career with Michael and her previous affair with a Spaniard whose name she never knows In the original story she meets Lord Charles when his wife attempts to insult her by bringing up her common origins Although Julia s retort is the same in the film this scene occurs after she has already met Charles and the attempted insult is made by someone who is not married to him Charles in the film is not married at all and turns out to be a confirmed bachelor In novel Julia has to convince Michael to keep the lackluster Avice Crichton in the play in order to exact her revenge on her In the adaptation Michael is having a fling with her Jimmie Langton also often appears as a figment of Julia s imagination giving advice or reacting to her actions a device which is not present in the original story Cast EditAnnette Bening as Julia Lambert Jeremy Irons as Michael Gosselyn Shaun Evans as Tom Fennel Lucy Punch as Avice Crichton Juliet Stevenson as Evie Miriam Margolyes as Dolly de Vries Tom Sturridge as Roger Gosselyn Bruce Greenwood as Lord Charles Rosemary Harris as Julia s Mother Rita Tushingham as Aunt Carrie Michael Gambon as Jimmie LangtonCritical reception EditBeing Julia has received fairly positive reviews with Bening receiving acclaim for her performance and an average score of 65 100 at the review aggregator Metacritic based on 38 critics indicating generally favorable reviews 2 The film also has an approval rating of 76 on review aggregator website Rotten Tomatoes based on 123 reviews and an average rating of 6 70 10 The website s critical consensus states Annette Bening delivers a captivating performance in Being Julia a sophisticated comedy that follows a 1930s stage diva who experiences an identity crisis at age 40 3 In his review in The New York Times A O Scott called the film a flimsy frame surrounding a brightly colored performance by Annette Bening whose quick high spirited charm is on marvelous display She gives Being Julia a giddy reckless effervescence that neither Mr Szabo s stolid direction nor Ronald Harwood s lurching script are quite able to match Ms Bening walks right up to the edge of melodramatic bathos the hallmark of the kind of plays in which Julia stars and then in a wonderful climactic coup de theatre turns it all into farce Being Julia may not make much psychological or dramatic sense but Ms Bening pretending to be Julia who is always pretending to be herself is sensational 4 Roger Ebert of the Chicago Sun Times said Annette Bening plays Julia in a performance that has great verve and energy and just as well because the basic material is wheezy melodrama All About Eve breathed new life into it all those years ago but now it s gasping again I liked the movie in its own way while it was cheerfully chugging along but the ending let me down the materials are past their sell by date and were when Maugham first retailed them The pleasures are in the actual presence of the actors Bening most of all and the droll Irons and Juliet Stevenson as the practical aide de camp and Thomas Sturridge so good as Julia s son that I wonder why he wasn t given the role of her young lover 5 In the San Francisco Chronicle Carla Meyer described the film as a one woman show and added There are several notable actors in it most of them quite good but it s the glorious Annette Bening who hoists this flawed production on her mink wrapped shoulders and makes it work Her stage background at American Conservatory Theater shows in her multilayered tour de force 6 Todd McCarthy of Variety observed Annette Bening has fun running the vast gamut of her emotions be they authentic or manufactured But Istvan Szabo s new film like the W Somerset Maugham novel upon which it s based is a minor affair a confection based on dalliances and the way a set of sophisticated theater people handle them that lacks true distinction Working in a much lighter vein than usual Szabo has said he studied the films of Ernst Lubitsch and Billy Wilder in preparation for this picture Unfortunately Being Julia has little to do with the specifically Viennese strain of wise and winkingly cynical romantic comedy perfected by those two masters of the sexual charade and nearly everything to do with the world of pre war London theater This is a film that above all else needed to be steeped in Britishness in the very particular mores and manners of the time as a Canadian production mostly shot in Budapest by a Hungarian director and an American star and a number of Canuck thesps this just doesn t happen The deficiencies may be intangible but they deprive film of the solid footing it requires The majority of the seriocomic doings while superficially diverting provide neither indelible wit nor the gravitas of a genuinely meaningful comedy of manners see Oscar Wilde leaving a relatively wispy impression in its wake 7 In Rolling Stone Peter Travers awarded the film two out of a possible four stars and commented Annette Bening can act watch American Beauty or Bugsy or The Grifters but she works too hard to prove it in Being Julia Director Istvan Szabo overplays his hand and traps her in a role that s all emoting no emotion 8 Mark Kermode of The Observer said Annette Bening makes a claim for an Oscar nomination Chewing up the scenery in lipsmacking form she savours the ribald dialogue like an overripe wine spitting venom and self pity in equally bilious measures lending much needed weight to this contrived fluff 9 Awards and nominations EditAcademy Award for Best Actress Annette Bening nominee Golden Globe Award for Best Actress Motion Picture Comedy or Musical Bening winner Screen Actors Guild Award for Outstanding Performance by a Female Actor in a Leading Role Motion Picture Bening nominee Satellite Award for Best Actress Motion Picture Musical or Comedy Bening winner Satellite Award for Best Supporting Actor Motion Picture Musical or Comedy Jeremy Irons nominee Genie Award for Best Motion Picture nominee Genie Award for Best Performance by an Actor in a Supporting Role Bruce Greenwood nominee National Board of Review Award for Best Actress Bening winner London Film Critics Circle Award for Best Actress Bening nominee Bangkok International Film Festival Golden Kinnaree Award for Best Actress Bening winner tied with Ana Geislerova for Zelary Bangkok International Film Festival Golden Kinnaree Award for Best Film nominee European Film Award for Best Director nominee European Film Award for Best Cinematography nominee Southeastern Film Critics Association Award for Best Actress Bening winner References Edit Being Julia at BoxOfficeMojo com Being Julia Reviews Ratings Credits and More at Metacritic Metacritic Retrieved 22 February 2011 Being Julia 2004 Rotten Tomatoes The New York Times review Chicago Sun Times review Archived from the original on 2013 01 07 Retrieved 2022 03 03 San Francisco Chronicle review Variety review Rolling Stone review The Observer reviewExternal links EditOfficial website Being Julia at IMDb Being Julia at Rotten Tomatoes Being Julia at AllMovie Being Julia at Metacritic Retrieved from https en wikipedia org w index php title Being Julia amp oldid 1112942909, wikipedia, wiki, book, books, library,

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