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Uns ist ein Kind geboren, BWV 142

January 01, 1970

Uns ist ein Kind geboren (Unto us a child is born), BWV 142 / Anh. II 23, is a Christmas cantata by an unknown composer.[1][2] In the Bach-Werke-Verzeichnis it is listed among the works with a doubtful attribution to Johann Sebastian Bach.[3] The text is based on a libretto by Erdmann Neumeister first published in 1711. Although attributed to Bach by the Bach-Gesellschaft when they first published it in the late nineteenth century, that attribution was questioned within thirty years and is no longer accepted. Johann Kuhnau, Bach's predecessor as Thomaskantor in Leipzig, has been suggested as the probable composer, but without any certainty.

First page of opening sinfonia of Uns ist ein Kind geboren in manuscript copy made in 1756 by C. F. Penzel, who named Bach as composer in the heading
Concerto
Uns ist ein Kind geboren
Dein Geburtstag ist erschienen
Ich will den Namen Gottes loben mit einem Liede
Jesu, dir sei Dank gesungen
Immanuel!
Jesu, dir sei Preis gesungen
Alleluja, Alleluja, gelobet sei Gott
Problems playing these files? See media help.

The cantata is in eight movements, and is scored for vocal soloists, choir, recorders, oboes, strings and continuo.

History, authenticity and attribution edit

 
Title page of Leipzig word-book containing text of 1720 Christmas Day cantata[4]

The biblical text, chorale and free verse come from the 1711 collection of librettos of the writer, theologian, pastor and theorist, Erdmann Neumeister.[5] A libretto, based on Neumeister's text, survives in the Stadtgeschichtliches Museum, Leipzig for a cantata with this title. The cantata was listed to be performed in both of the main churches in Leipzig—the Thomaskirche and Nikolaikirche—on Christmas Day 1720, during the period when Johann Kuhnau was Thomaskantor. The earliest surviving manuscript copy of BWV 142 made by Christian Friedrich Penzel in Leipzig on 8 May 1756 is also based on Neumeister's text. Penzel credited J.S. Bach as the author in the heading of the sinfonia on the first page of the manuscript; and he signed the last page, giving the date and place. Differences between the 1720 and 1756 librettos and Neumeister's original text are discussed by Glöckner (2000), but it has not been possible to determine whether the 1756 cantata is a subsequent reworking of the 1720 cantata.[6]

Around the 1830s Franz Xaver Gleichauf [scores] made a hand copy of the score of the BWV 142 cantata, without mentioning a composer in his manuscript.[7][3] In 1843 the Penzel manuscript was copied in Vienna.[8][9] Another copy of the cantata, made around the same time, was later owned by Johann Theodor Mosewius, who listed Uns ist ein Kind geboren as one of five Christmas cantatas by Bach in an 1845 publication.[10][11][12] 19th-century Bach-biographies by Hilgenfeldt (1850), Bitter (1865), Spitta (1873), and Lane Poole (1882) mention Uns ist ein Kind geboren as a cantata composed by Bach.[13][14][15][16]

In 1873, before questions of authenticity had been raised, Philipp Spitta devoted 18 pages of his two-volume biography of Bach to a comparison of Bach and Telemann cantatas that set the same Neumeister text:[17] Spitta's commentary—praising Bach's music while disparaging Telemann's—was typical of musical criticism in the late nineteenth century.[18][19] Spitta compares the BWV 142 cantata with TVWV 1:1451,[20] a cantata by Telemann on the same libretto by Neumeister: he is fairly dismissive about the Telemann composition ("... probably written in half-an-hour ...", "... shows us the worst side of the church music of the time ..." etc.), only finding a few places where Telemann's composition compares favourably to the composition he attributes to Bach.[15][21] According to Spitta, Bach "adhered throughout the cantata to the subdued minor key, which offers so singular a contrast to the bright joyfulness of Christmas. It gives a tone as of melancholy reminiscences of the pure Christmas joys of our childhood ...; in contrast to this Telemann's eternal C major is often unutterably shallow and flat."[21][15]

The cantata was first published as a work of Bach in 1884 by the Bach-Gesellschaft, with Paul Waldersee as editor.[5][22] After subsequent commentary by Bach scholars Johannes Schreyer, Arnold Schering and Alfred Dürr, that attribution was no longer generally accepted, although the identity of the original composer has not so far been established with certainty. After Schreyer and Schering had cast doubts in 1912–1913 on authorship by Bach, Dürr subjected the cantata in 1977 to the same detailed and rigorous musical analysis as all the other cantatas of Bach. Having established that, if by Bach, the cantata could only have been composed in 1711–1716 during Bach's period in Weimar, Dürr ruled out authorship by Bach based on the presence of uncharacteristic stylistic features (such as the restricted range of the vocal part in the recitative; excessive homophony in the choruses; two obbligato instruments and over-frequent instrumental episodes in the arias, with the solo voice dominating and the instruments consigned to an imitative decorative role), as well as the absence of characteristic elements (such as permutation fugues in choruses; balanced concertato alternation between solo voices and instruments in arias; ostinato-type forms in arias and ritornellos).[23][24]

According to David Erler, writing in the program notes of a 2015 concert, the cantata has been widely attributed to Kuhnau.[25] Schering had suggested Kuhnau as the possible composer of the cantata in the Bach-Jahrbuch of 1912.[23][26] Five years later he retracted that suggestion, then thinking it more likely that the cantata was written by one of Kuhnau's students.[27] In the Bach-Werke-Verzeichnis of 1998, the cantata is listed in Anhang II, the annex of doubtful works.[26][28] According to the critical commentary of the New Bach Edition, written by Andreas Glöckner, possible problems with the attribution to Kuhnau arise from differences between the surviving 1720 Leipzig libretto for Kuhnau's cantata and the text in Penzel's version; with the modernity of the opening sinfonia, which departs from Kuhnau's more conservative style; and from the absence in Penzel's version of trumpets and drums, instruments traditionally used in the two main churches of Leipzig for Christmas Day cantatas.[29]

Movements edit

 
First page of the closing chorale of BWV 142 in Penzel's manuscript copy of 1756

The cantata is scored for three vocal soloists (alto, tenor and bass), a four-part choir, two alto recorders, two oboes, two violins, viola and continuo.[30]

The piece has eight movements:[31]

  1. Sinfonia, an instrumental concerto for two alto recorders, two oboes and strings.
  2. Chorus: Uns ist ein Kind geboren (For unto us a child is born), a double fugue with the first theme set to the text "Uns ist ein Kind geboren" and the second set to "Eins Sohn ist uns gegeben".
  3. Aria (bass): Dein Geburtstag ist erschienen (So appears the Natal day). In this aria in E minor the bass is accompanied by two obbligato violins and continuo.
  4. Chorus: Ich will den Namen Gottes loben (I will praise the name of God). This short choral movement begins with a fugato section in which the four vocal parts are accompanied by the first and second violins. After the fugal entries, the music is homophonic.
  5. Aria (tenor): Jesu, dir sei Dank (Jesus, thanks be to you). In this relatively short da capo aria, the tenor is accompanied by two obbligato oboes.
  6. Recitative (alto): Immanuel (Emmanuel!)
  7. Aria (alto): Jesu, dir sei Preis (Praise be to you, Jesus). Set to new words, this aria is a transposition of the 5th movement from A minor to D minor, with the alto replacing the tenor and the two alto recorders replacing the oboes.
  8. Chorus: Alleluia. Over an almost uninterrupted stream of semiquaver figures played in unison by alto recorders, oboes and violins, the choir sings the final four-part chorale line by line.

Translations edit

In 1939, Sydney Biden provided the English translation for the cantata For us a child is born.[32]

Arrangements edit

In 1940, William Walton orchestrated the first bass aria in the cantata as dance music for Frederick Ashton's ballet The Wise Virgins.[33] Arrangements of the final chorus for organ and one or more brass instruments have been published separately.[34]

Recordings edit

Recordings of the cantata include:

  • Alsfelder Vokalensemble / I Febiarmionici, Wolfgang Helbich. The Apocryphal Bach Cantatas II. CPO, 2001.
  • Choir and Orchestra "Pro Arte" Munich, Kurt Redel. J. S. Bach: Magnificat in D Major & Cantata BWV 142. Philips, 1964.
  • Mannheim Bach Choir / Heidelberger Kammerorchester, Heinz Markus Göttsche. J. S. Bach: Cantatas BWV 62 & BWV 142. Da Camera, 1966.
  • Capella Brugensis / Collegium instrumentale Brugense, Patrick Peire. 'Uns ist ein Kind geboren', Eufoda, 1972

Notes edit

  1. ^ Work 00174 at Bach Digital website. 10 April 2017.
  2. ^ RISM 467300002
  3. ^ a b RISM 220036186
  4. ^ Glöckner 2000, p. 118 The title page reads: Texte | zur Leipziger | Kirchen Music, | auf die Heiligen | Weynachts-Feyertage, | und den Sonntag darauf, | 1720. | Ingleichen auf das Fest | Der Beschneidung Christi, | den darauf folgenden Sonntag, | Das Fest der Offenbahrung, | und den Sonntag darauf, | des 1721sten Jahres. | Leipzig, | gedruckt bey Immanuel Tietzen.
  5. ^ a b Glöckner 2000, p. 117
  6. ^ See:Glöckner 2000; Dürr 1977, p. 57; Buelow 2001; Palisca, Claude V. (1991), Baroque Music (3rd ed.), Prentice-Hall, p. 321; Küster 1999
  7. ^ D-HAmi Ms. 165 at Bach Digital website
  8. ^ D-B Mus. ms. Bach P 464, Fascicle 1 at Bach Digital website
  9. ^ Waldersee 1884, pp. XV–XXI.
  10. ^ PL-Wu RM 5908, Fascicle 5 at Bach Digital website
  11. ^ RISM 300512416
  12. ^ Mosewius 1845, p. 20.
  13. ^ Hilgenfeldt 1850, p. 99.
  14. ^ Bitter 1865, vol. II, p. XCVII.
  15. ^ a b c Spitta 1873, pp. 480–485, n. 21 pp. 797–798 (English translation: Spitta 1899, Vol. I, pp. 487–491, n. 20, pp. 630–631)
  16. ^ Lane Poole 1882, p. 131.
  17. ^ Talle 2013, p. 50
  18. ^ Buelow 2004, pp. 566–567
  19. ^ Zohn 2001, see "Georg Philipp Telemann & Bach – Discussions – Part 1. For further commentary on Spitta's comparison of Telemann and Bach, see also Hirschmann 2013, p. 6, Swack 1992, p. 139
  20. ^ Swack 1992, p. 139.
  21. ^ a b Sandberger 1997, pp. 188–189
  22. ^ Waldersee 1884
  23. ^ a b Schering 1913, p. 133.
  24. ^ See: Dürr 1977, pp. 209–211; Dürr 2006; "Uns ist ein Kind geboren". Bach Digital (in German). Retrieved 22 January 2017.
  25. ^ Erler 2015.
  26. ^ a b Simon Crouch. Uns ist ein Kind geboren (Unto us a child is born): Cantata 142. Classical Net, 1998.
  27. ^ Schering 1918, p. XLIV.
  28. ^ Schmieder, Dürr, and Kobayashi 1998, p. 459.
  29. ^ Glöckner 2000.
  30. ^ "Cantata BWV 142 Uns ist ein Kind Geoboren". Bach Cantatas Website. Retrieved 22 January 2017.
  31. ^ See: Zedler 2009, Whittaker 1959, pp. 160–161
  32. ^ "Bach Bibliography".
  33. ^ Boyd 1999.
  34. ^ Laster 2005, p. 11.

References edit

Further reading edit

External links edit

January 01, 1970
kind, geboren, kind, geboren, unto, child, born, christmas, cantata, unknown, composer, bach, werke, verzeichnis, listed, among, works, with, doubtful, attribution, johann, sebastian, bach, text, based, libretto, erdmann, neumeister, first, published, 1711, al. Uns ist ein Kind geboren Unto us a child is born BWV 142 Anh II 23 is a Christmas cantata by an unknown composer 1 2 In the Bach Werke Verzeichnis it is listed among the works with a doubtful attribution to Johann Sebastian Bach 3 The text is based on a libretto by Erdmann Neumeister first published in 1711 Although attributed to Bach by the Bach Gesellschaft when they first published it in the late nineteenth century that attribution was questioned within thirty years and is no longer accepted Johann Kuhnau Bach s predecessor as Thomaskantor in Leipzig has been suggested as the probable composer but without any certainty First page of opening sinfonia of Uns ist ein Kind geboren in manuscript copy made in 1756 by C F Penzel who named Bach as composer in the heading Concerto source source source Uns ist ein Kind geboren source source source Dein Geburtstag ist erschienen source source source Ich will den Namen Gottes loben mit einem Liede source source source Jesu dir sei Dank gesungen source source source Immanuel source source source Jesu dir sei Preis gesungen source source source Alleluja Alleluja gelobet sei Gott source source source Problems playing these files See media help The cantata is in eight movements and is scored for vocal soloists choir recorders oboes strings and continuo Contents 1 History authenticity and attribution 2 Movements 3 Translations 4 Arrangements 5 Recordings 6 Notes 6 1 References 7 Further reading 8 External linksHistory authenticity and attribution edit nbsp Title page of Leipzig word book containing text of 1720 Christmas Day cantata 4 The biblical text chorale and free verse come from the 1711 collection of librettos of the writer theologian pastor and theorist Erdmann Neumeister 5 A libretto based on Neumeister s text survives in the Stadtgeschichtliches Museum Leipzig for a cantata with this title The cantata was listed to be performed in both of the main churches in Leipzig the Thomaskirche and Nikolaikirche on Christmas Day 1720 during the period when Johann Kuhnau was Thomaskantor The earliest surviving manuscript copy of BWV 142 made by Christian Friedrich Penzel in Leipzig on 8 May 1756 is also based on Neumeister s text Penzel credited J S Bach as the author in the heading of the sinfonia on the first page of the manuscript and he signed the last page giving the date and place Differences between the 1720 and 1756 librettos and Neumeister s original text are discussed by Glockner 2000 but it has not been possible to determine whether the 1756 cantata is a subsequent reworking of the 1720 cantata 6 Around the 1830s Franz Xaver Gleichauf scores made a hand copy of the score of the BWV 142 cantata without mentioning a composer in his manuscript 7 3 In 1843 the Penzel manuscript was copied in Vienna 8 9 Another copy of the cantata made around the same time was later owned by Johann Theodor Mosewius who listed Uns ist ein Kind geboren as one of five Christmas cantatas by Bach in an 1845 publication 10 11 12 19th century Bach biographies by Hilgenfeldt 1850 Bitter 1865 Spitta 1873 and Lane Poole 1882 mention Uns ist ein Kind geboren as a cantata composed by Bach 13 14 15 16 In 1873 before questions of authenticity had been raised Philipp Spitta devoted 18 pages of his two volume biography of Bach to a comparison of Bach and Telemann cantatas that set the same Neumeister text 17 Spitta s commentary praising Bach s music while disparaging Telemann s was typical of musical criticism in the late nineteenth century 18 19 Spitta compares the BWV 142 cantata with TVWV 1 1451 20 a cantata by Telemann on the same libretto by Neumeister he is fairly dismissive about the Telemann composition probably written in half an hour shows us the worst side of the church music of the time etc only finding a few places where Telemann s composition compares favourably to the composition he attributes to Bach 15 21 According to Spitta Bach adhered throughout the cantata to the subdued minor key which offers so singular a contrast to the bright joyfulness of Christmas It gives a tone as of melancholy reminiscences of the pure Christmas joys of our childhood in contrast to this Telemann s eternal C major is often unutterably shallow and flat 21 15 The cantata was first published as a work of Bach in 1884 by the Bach Gesellschaft with Paul Waldersee as editor 5 22 After subsequent commentary by Bach scholars Johannes Schreyer Arnold Schering and Alfred Durr that attribution was no longer generally accepted although the identity of the original composer has not so far been established with certainty After Schreyer and Schering had cast doubts in 1912 1913 on authorship by Bach Durr subjected the cantata in 1977 to the same detailed and rigorous musical analysis as all the other cantatas of Bach Having established that if by Bach the cantata could only have been composed in 1711 1716 during Bach s period in Weimar Durr ruled out authorship by Bach based on the presence of uncharacteristic stylistic features such as the restricted range of the vocal part in the recitative excessive homophony in the choruses two obbligato instruments and over frequent instrumental episodes in the arias with the solo voice dominating and the instruments consigned to an imitative decorative role as well as the absence of characteristic elements such as permutation fugues in choruses balanced concertato alternation between solo voices and instruments in arias ostinato type forms in arias and ritornellos 23 24 According to David Erler writing in the program notes of a 2015 concert the cantata has been widely attributed to Kuhnau 25 Schering had suggested Kuhnau as the possible composer of the cantata in the Bach Jahrbuch of 1912 23 26 Five years later he retracted that suggestion then thinking it more likely that the cantata was written by one of Kuhnau s students 27 In the Bach Werke Verzeichnis of 1998 the cantata is listed in Anhang II the annex of doubtful works 26 28 According to the critical commentary of the New Bach Edition written by Andreas Glockner possible problems with the attribution to Kuhnau arise from differences between the surviving 1720 Leipzig libretto for Kuhnau s cantata and the text in Penzel s version with the modernity of the opening sinfonia which departs from Kuhnau s more conservative style and from the absence in Penzel s version of trumpets and drums instruments traditionally used in the two main churches of Leipzig for Christmas Day cantatas 29 Movements edit nbsp First page of the closing chorale of BWV 142 in Penzel s manuscript copy of 1756 The cantata is scored for three vocal soloists alto tenor and bass a four part choir two alto recorders two oboes two violins viola and continuo 30 The piece has eight movements 31 Sinfonia an instrumental concerto for two alto recorders two oboes and strings Chorus Uns ist ein Kind geboren For unto us a child is born a double fugue with the first theme set to the text Uns ist ein Kind geboren and the second set to Eins Sohn ist uns gegeben Aria bass Dein Geburtstag ist erschienen So appears the Natal day In this aria in E minor the bass is accompanied by two obbligato violins and continuo Chorus Ich will den Namen Gottes loben I will praise the name of God This short choral movement begins with a fugato section in which the four vocal parts are accompanied by the first and second violins After the fugal entries the music is homophonic Aria tenor Jesu dir sei Dank Jesus thanks be to you In this relatively short da capo aria the tenor is accompanied by two obbligato oboes Recitative alto Immanuel Emmanuel Aria alto Jesu dir sei Preis Praise be to you Jesus Set to new words this aria is a transposition of the 5th movement from A minor to D minor with the alto replacing the tenor and the two alto recorders replacing the oboes Chorus Alleluia Over an almost uninterrupted stream of semiquaver figures played in unison by alto recorders oboes and violins the choir sings the final four part chorale line by line Translations editIn 1939 Sydney Biden provided the English translation for the cantata For us a child is born 32 Arrangements editIn 1940 William Walton orchestrated the first bass aria in the cantata as dance music for Frederick Ashton s ballet The Wise Virgins 33 Arrangements of the final chorus for organ and one or more brass instruments have been published separately 34 Recordings editRecordings of the cantata include Alsfelder Vokalensemble I Febiarmionici Wolfgang Helbich The Apocryphal Bach Cantatas II CPO 2001 Choir and Orchestra Pro Arte Munich Kurt Redel J S Bach Magnificat in D Major amp Cantata BWV 142 Philips 1964 Mannheim Bach Choir Heidelberger Kammerorchester Heinz Markus Gottsche J S Bach Cantatas BWV 62 amp BWV 142 Da Camera 1966 Capella Brugensis Collegium instrumentale Brugense Patrick Peire Uns ist ein Kind geboren Eufoda 1972Notes edit Work 00174 at Bach Digital website 10 April 2017 RISM 467300002 a b RISM 220036186 Glockner 2000 p 118 The title page reads Texte zur Leipziger Kirchen Music auf die Heiligen Weynachts Feyertage und den Sonntag darauf 1720 Ingleichen auf das Fest Der Beschneidung Christi den darauf folgenden Sonntag Das Fest der Offenbahrung und den Sonntag darauf des 1721sten Jahres Leipzig gedruckt bey Immanuel Tietzen a b Glockner 2000 p 117 See Glockner 2000 Durr 1977 p 57 Buelow 2001 Palisca Claude V 1991 Baroque Music 3rd ed Prentice Hall p 321 Kuster 1999 D HAmi Ms 165 at Bach Digital website D B Mus ms Bach P 464 Fascicle 1 at Bach Digital website Waldersee 1884 pp XV XXI PL Wu RM 5908 Fascicle 5 at Bach Digital website RISM 300512416 Mosewius 1845 p 20 Hilgenfeldt 1850 p 99 Bitter 1865 vol II p XCVII a b c Spitta 1873 pp 480 485 n 21 pp 797 798 English translation Spitta 1899 Vol I pp 487 491 n 20 pp 630 631 Lane Poole 1882 p 131 Talle 2013 p 50 Buelow 2004 pp 566 567 Zohn 2001 see Georg Philipp Telemann amp Bach Discussions Part 1 For further commentary on Spitta s comparison of Telemann and Bach see also Hirschmann 2013 p 6 Swack 1992 p 139 Swack 1992 p 139 a b Sandberger 1997 pp 188 189 Waldersee 1884 a b Schering 1913 p 133 See Durr 1977 pp 209 211 Durr 2006 Uns ist ein Kind geboren Bach Digital in German Retrieved 22 January 2017 Erler 2015 a b Simon Crouch Uns ist ein Kind geboren Unto us a child is born Cantata 142 Classical Net 1998 Schering 1918 p XLIV Schmieder Durr and Kobayashi 1998 p 459 Glockner 2000 Cantata BWV 142 Uns ist ein Kind Geoboren Bach Cantatas Website Retrieved 22 January 2017 See Zedler 2009 Whittaker 1959 pp 160 161 Bach Bibliography Boyd 1999 Laster 2005 p 11 References edit Bitter Karl Hermann 1865 Johann Sebastian Bach in German Berlin Schneider Vol 1 Vol 2 Boyd Malcolm 1999 The Wise Virgins in Malcolm Boyd ed Bach Oxford Composer Companion Oxford University Press Buelow George J 2001 Johann Kuhnau Grove Music Online Oxford University Press doi 10 1093 gmo 9781561592630 article 15642 Buelow George J 2004 A History of Baroque Music Indiana University Press ISBN 0253343658 Durr Alfred 1977 Studien uber die fruhen Kantaten Johann Sebastian Bachs in German 2nd ed Breitkopf amp Hartel pp 57 58 209 211 ISBN 3765101303 Durr Alfred 2006 Appendix doubtful and spurious cantatas The cantatas of J S Bach translated by Richard Douglas P Jones Oxford University Press p 926 ISBN 0 19 929776 2 Erler David 2015 Johann Kuhnau PDF Abendmusiken in der Predigerkirche pp 8 9 retrieved 23 January 2017 Glockner Andreas 2000 Johann Sebastian Bach Varia Kantaten Quodlibet Einzelsatze Bearbeitungen Critical commentary Neue Ausgabe samtlicher Werke NBA in German vol I 41 Barenreiter pp 117 118 Hilgenfeldt Carl L 1850 Johann Sebastian Bach s Leben Wirken und Werke ein Beitrag zur Kunstgeschichte des achtzehnten Jahrhunderts in German Leipzig Friedrich Hofmeister Hirschmann Wolfgang 2013 He Liked to Hear the Music of Others Individuality and Variety in the Works of Bach and His German Contemporaries in Andrew Talle ed J S Bach and His Contemporaries in Germany Bach Perspectives vol 9 University of Illinois Press pp 1 23 ISBN 978 0252095399 Kuster Konrad 1999 Erdmann Neumeister in Malcolm Boyd ed Bach Oxford Composer Companion Oxford University Press pp 314 315 Lane Poole Reginald 1882 Sebastian Bach London Sampson Low Marston Searle amp Rivington via Internet Archive Laster James 2005 Catalogue of Music for Organ and Instruments Scarecrow Press ISBN 0810852993 Mosewius Johann Theodor 1845 Johann Sebastian Bach in seinen Kirchen Cantaten und Choralgesangen in German Berlin T Trautwein Sandberger Wolfgang in German 1997 Das Bach Bild Philipp Spittas ein Beitrag zur Geschichte der Bach Rezeption im 19 Jahrhundert supplement to the Archiv fur Musikwissenschaft in German Vol 39 Franz Steiner Verlag ISBN 9783515070089 ISSN 0570 6769 Schering Arnold 1913 Beitrage zur Bachkritik Contributions to Bach criticism Bach Jahrbuch in German 1912 9 Neue Bachgesellschaft Breitkopf amp Hartel 124 133 doi 10 13141 bjb v1912 Schering Arnold 1918 Vorwort Sebastian Knupfer Johann Schelle Johann Kuhnau Ausgewahlte Kirchenkantaten scores Denkmaler deutscher Tonkunst Erste Folge in German Vol 58 59 Breitkopf amp Hartel pp V LII Schmieder Wolfgang Alfred Durr and Yoshitake Kobayashi eds 1998 Bach Werke Verzeichnis Kleine Ausgabe BWV2a Wiesbaden Breitkopf amp Hartel ISBN 978 3765102493 in German Spitta Philipp 1873 Johann Sebastian Bach in German Leipzig Breitkopf amp Hartel Vol 1 Spitta Philipp 1899 1884 1885 Johann Sebastian Bach His Work and Influence on the Music of Germany 1685 1750 in three volumes Translated by Clara Bell J A Fuller Maitland Novello amp Co Vol 1 Talle Andrew 2013 Bach Graupner and the Rest of Their Contented Contemporaries in Andrew Talle ed J S Bach and His Contemporaries in Germany Bach Perspectives vol 9 University of Illinois Press pp 50 76 ISBN 9780252095399 Swack Jeanne 1992 Telemann Research Since 1975 Acta Musicologica 64 2 139 164 doi 10 2307 932913 JSTOR 932913 Waldersee Paul Graf von ed 1884 Cantate Am ersten Weinachtsfesttage Uns ist ein Kind geboren N 142 Joh Seb Bach s Kirchenkantaten funfzehnter Band N 141 150 Johann Sebastian Bach s Werke Herausgegeben von der Bach Gesellschaft zu Leipzig in German vol 30 Breitkopf amp Hartel pp 17 42 and Vorwort pp XV XXI Whittaker William Gillies 1959 The Cantatas of Johann Sebastian Bach sacred and secular Volume I Oxford University Press Zedler Gunther 2009 Die erhaltenen Kantaten Johann Sebastian Bachs Spatere Sakrale und Weltliche Werke Besprechungen in Form von Analysen Erklarungen Deutungen in German Perfect Paperback pp 297 298 ISBN 978 3839137734 Zohn Steven 2001 Telemann Georg Philipp Grove Music Online 8th ed Oxford University Press doi 10 1093 gmo 9781561592630 article 27635 ISBN 978 1 56159 263 0 Further reading editDaniels David 2005 Orchestral Music A Handbook Scarecrow Press ISBN 146166425X Terry C S 1920 Appendix III The Bachgesellschaft Editions of Bach s Works pp 225 286 in Johann Sebastian Bach His Life Art and Work New York Harcourt Brace and Howe London Constable Unger Melvin P 1996 Handbook to Bach s Sacred Cantata Texts An Interlinear Translation with Reference Guide to Biblical Quotations and Allusions Scarecrow Press ISBN 1461659051 External links edit nbsp Media related to BWV 142 Anh II 23 Cantata Uns ist ein Kind geboren at Wikimedia Commons Uns ist ein Kind geboren Kuhnau Johann Scores at the International Music Score Library Project Uns ist ein Kind geboren BWV 142 Anh II 23 Sacred cantata 1st Christmas Day Bach Digital RISM 467300002 Portal nbsp Classical music Retrieved from https en wikipedia org w index php title Uns ist ein Kind geboren BWV 142 amp oldid 1219617085, wikipedia, wiki, book, books, library,

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