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Ai Weiwei: Never Sorry

Ai Weiwei: Never Sorry (in Chinese 艾未未:道歉你妹; official title in Taiwan 艾未未:草泥馬) is a 2012 documentary film about Chinese artist and activist Ai Weiwei, directed by American filmmaker Alison Klayman.

Ai Weiwei: Never Sorry
Theatrical release poster
Directed byAlison Klayman
Written byAlison Klayman
Produced byAndy Cohen
StarringDanqing Chen
Ying Gao
Changwei Gu
Production
companies
United Expressions Media
MUSE Film and Television
Distributed bySundance Selects
Release dates
  • 22 January 2012 (2012-01-22) (Sundance Film Festival)
  • 26 April 2012 (2012-04-26)
Running time
91 minutes
CountryUnited States
LanguagesEnglish
Mandarin

Director Klayman received a special jury prize at the 2012 Sundance Film Festival for the film, which also opened the Hot Docs Canadian International Documentary Festival in Toronto on 26 April 2012.[1][2]

Background

Klayman first met Ai in December 2008 in Beijing while she was living in China producing TV and radio features for PBS Frontline, National Public Radio, and AP Television. She filmed a short video for his show "New York Photographs 1983 - 1993" at Beijing's Three Shadows Photography Art Centre.[3]

Description

The film follows Ai from around the time he meets Klayman through just after his release from detention by Chinese authorities in spring of 2011. It presents him installing his show at the Haus der Kunst in Munich in September 2009 and his 100 million-ceramic porcelain piece at the Tate Modern a year later. In between he gets beaten up by the police in Chengdu, his million-dollar Shanghai studio is razed by the Chinese government, and he is finally detained in April 2011 at the Beijing airport on his way to Hong Kong and the international call for his whereabouts goes out. For the film, everyone from his brother to his mother to his first gallerist in New York to his wife are interviewed. Klayman deals with every aspect of his career as architect, photographer, conceptual artist, social critic and blogger.[4]

Never Sorry opens in his studio compound in Beijing, called 258 Fake, home to 40 cats, and follows him from the development of his piece where he researched and posted the names of student victims of the May 2008 earthquake in Sichuan. The Sichuan Earthquake Names Project involves more than 50 volunteers and researchers collecting the names of the deceased students in Sichuan province towns, people Ai culled from his blog on Sina.com. On 12 May 2009, on the one-year anniversary of the disaster, Ai finishes posting the over 5,000 names. Two and a half weeks later, Ai's blog is shut down by Chinese authorities, and two days later, Ai joins Twitter. His Twitter page is still online, and he frequently posts new messages.

Critical reception

Critics accorded the film an overwhelmingly positive response and it has a 97% rating on Rotten Tomatoes.[5] Calling the film "galvanizing," critic Manohla Dargis of The New York Times noted: "The fluidity and convenience of digital moviemaking tools explain some of its freshness, as does Ms. Klayman's history as a budding documentarian. It's clear from watching both the feature and its earlier iterations that, while she was learning about Mr. Ai, she was also learning how to tell a visual story. It's easy to think that hanging around Mr. Ai, a brilliant Conceptual artist and an equally great mass-media interpolater, played a part in her education."[6]

Awards and nominations

  • Won 2012 Sundance Film Festival "Special Jury Prize"
  • Shortlisted for an Academy Award
  • Alfred I. DuPont-Columbia Award
  • Top Five Documentaries of 2012, National Board of Review
  • Best Storytelling in a Documentary, Nantucket Film Festival
  • Top Ten Films of the Year, New York Magazine
  • Critics' Pick - New York Times, Washington Post
  • Four Stars - Boston Globe, The Guardian | "A" rating - Entertainment Weekly
  • News and Documentary Emmys - Best Arts Programming (Nominated)
  • News and Documentary Emmys - Best Editing (Nominated)

See also

References

  1. ^ "Ai Weiwei film to open Toronto's Hot Docs festival". CBC News. 20 March 2012. Retrieved 27 March 2012.
  2. ^ Punter, Jennie (20 March 2012). . Chicago Tribune. Variety. Archived from the original on 2012-04-06. Retrieved 27 March 2012.
  3. ^
  4. ^ "Ai Weiwei: Never Sorry – review". the Guardian. 2012-08-11. Retrieved 27 March 2021.
  5. ^ "Ai Weiwei: Never Sorry". Flixster. Rotten Tomatoes. Retrieved 13 December 2012.
  6. ^ Dargis, Manohla (July 26, 2012). "Giving Voice to a Big-Picture Thinker". The New York Times. Retrieved December 13, 2012.

External links

weiwei, never, sorry, chinese, 艾未未, 道歉你妹, official, title, taiwan, 艾未未, 草泥馬, 2012, documentary, film, about, chinese, artist, activist, weiwei, directed, american, filmmaker, alison, klayman, theatrical, release, posterdirected, byalison, klaymanwritten, byali. Ai Weiwei Never Sorry in Chinese 艾未未 道歉你妹 official title in Taiwan 艾未未 草泥馬 is a 2012 documentary film about Chinese artist and activist Ai Weiwei directed by American filmmaker Alison Klayman Ai Weiwei Never SorryTheatrical release posterDirected byAlison KlaymanWritten byAlison KlaymanProduced byAndy CohenStarringDanqing ChenYing GaoChangwei GuProductioncompaniesUnited Expressions MediaMUSE Film and TelevisionDistributed bySundance SelectsRelease dates22 January 2012 2012 01 22 Sundance Film Festival 26 April 2012 2012 04 26 Running time91 minutesCountryUnited StatesLanguagesEnglishMandarinDirector Klayman received a special jury prize at the 2012 Sundance Film Festival for the film which also opened the Hot Docs Canadian International Documentary Festival in Toronto on 26 April 2012 1 2 Contents 1 Background 2 Description 3 Critical reception 4 Awards and nominations 5 See also 6 References 7 External linksBackground EditKlayman first met Ai in December 2008 in Beijing while she was living in China producing TV and radio features for PBS Frontline National Public Radio and AP Television She filmed a short video for his show New York Photographs 1983 1993 at Beijing s Three Shadows Photography Art Centre 3 Description EditThe film follows Ai from around the time he meets Klayman through just after his release from detention by Chinese authorities in spring of 2011 It presents him installing his show at the Haus der Kunst in Munich in September 2009 and his 100 million ceramic porcelain piece at the Tate Modern a year later In between he gets beaten up by the police in Chengdu his million dollar Shanghai studio is razed by the Chinese government and he is finally detained in April 2011 at the Beijing airport on his way to Hong Kong and the international call for his whereabouts goes out For the film everyone from his brother to his mother to his first gallerist in New York to his wife are interviewed Klayman deals with every aspect of his career as architect photographer conceptual artist social critic and blogger 4 Never Sorry opens in his studio compound in Beijing called 258 Fake home to 40 cats and follows him from the development of his piece where he researched and posted the names of student victims of the May 2008 earthquake in Sichuan The Sichuan Earthquake Names Project involves more than 50 volunteers and researchers collecting the names of the deceased students in Sichuan province towns people Ai culled from his blog on Sina com On 12 May 2009 on the one year anniversary of the disaster Ai finishes posting the over 5 000 names Two and a half weeks later Ai s blog is shut down by Chinese authorities and two days later Ai joins Twitter His Twitter page is still online and he frequently posts new messages Critical reception EditCritics accorded the film an overwhelmingly positive response and it has a 97 rating on Rotten Tomatoes 5 Calling the film galvanizing critic Manohla Dargis of The New York Times noted The fluidity and convenience of digital moviemaking tools explain some of its freshness as does Ms Klayman s history as a budding documentarian It s clear from watching both the feature and its earlier iterations that while she was learning about Mr Ai she was also learning how to tell a visual story It s easy to think that hanging around Mr Ai a brilliant Conceptual artist and an equally great mass media interpolater played a part in her education 6 Awards and nominations EditWon 2012 Sundance Film Festival Special Jury Prize Shortlisted for an Academy Award Alfred I DuPont Columbia Award Top Five Documentaries of 2012 National Board of Review Best Storytelling in a Documentary Nantucket Film Festival Top Ten Films of the Year New York Magazine Critics Pick New York Times Washington Post Four Stars Boston Globe The Guardian A rating Entertainment Weekly News and Documentary Emmys Best Arts Programming Nominated News and Documentary Emmys Best Editing Nominated See also EditAi Weiwei The Fake Case a 2013 documentary filmReferences Edit Ai Weiwei film to open Toronto s Hot Docs festival CBC News 20 March 2012 Retrieved 27 March 2012 Punter Jennie 20 March 2012 Ai Weiwei Never Sorry to open Hot Docs Fest to screen 189 features shorts Chicago Tribune Variety Archived from the original on 2012 04 06 Retrieved 27 March 2012 Three Shadows Photography Art Centre past exhibitions Ai Weiwei Never Sorry review the Guardian 2012 08 11 Retrieved 27 March 2021 Ai Weiwei Never Sorry Flixster Rotten Tomatoes Retrieved 13 December 2012 Dargis Manohla July 26 2012 Giving Voice to a Big Picture Thinker The New York Times Retrieved December 13 2012 External links EditOfficial website Ai Weiwei Never Sorry at IMDb Ai Weiwei Never Sorry at Rotten Tomatoes Ai Weiwei Never Sorry at Metacritic Retrieved from https en wikipedia org w index php title Ai Weiwei Never Sorry amp oldid 1139975922, wikipedia, wiki, book, books, library,

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