Swami Haridas (1480—1573) was a spiritual poet and classical musician. Credited with a large body of devotional compositions, especially in the Dhrupad style, he is also the founder of the Haridasi school of mysticism, still found today in North India. His work influenced both the classical music and the Bhakti movements of North India, especially those devoted to Krishna's consort Radha. Hit Harivansh Mahaprabhu, Hariram Vyas, Rupa Goswami, Vidyapati, Mahaprabhu Vallabhacharya, Vitthalnath (Gusainji), were his contemporaries.
Haridas's father was a Saraswat Brahmin from Multan and that his mother's name was Chitra Mata.[3][4] The family migrated to a village called Rajpur , near Vrindavan in Uttar Pradesh. Haridas was born there in 1480 and the village is now called Rajpur gram in his honor. This village holds that he died in 1575. He was disciple of Shri Ashudheer Maharaj, also his father who followed the Nimbarka Sampradaya, he is said to be the Avatar of Shri Lalita Sakhi. He was deeply learned and widely acquainted with the music of his time. Mention is found in his works of stringed instruments such as the kinnari and aghouti and of drums such as the mridang and daff. He mentions the ragas of Kedar, Gauri (raga), Malhar and Basant. Swami Haridas is said to have been the teacher of Tansen, one of the nine gems of Akbar's court, and the renowned dhrupad singer and composer Baiju.
He later shifted his residence to Vrindavan, the playground of the immortal cowherd Krishna and Radha. There he built his ashram (hermitage) in Nidhivan and sang his songs of the love of Radha-Krishna. Following the example of Swami Shribhatta, Haridas continued to praise the Lord until the Lord manifested himself as Sri Banke Bihari. Swami Haridas' spiritual disciples included Vitthal and Krishna Das who fostered his tradition of devotional music. Groups (samaj, like the sankeertan of Bengal and the bhajana goshti of South India) of devotees came together and sang of the Lord of Vrindavan.
Haridas's compositions may be classed as Vishnupadas. Even his prabandhas that do not refer to Krishna have come to be known as Vishnupadas, perhaps because of the mystic source of his music but also because they are musically constructed in a manner similar to dhrupads. He is also said to have written tirvats, ragamalas and other forms. There are around 128 compositions attributed to him, of which eighteen are philosophical (siddhantapada) and a hundred and ten devotional (keli mala).
He describes Radha and Krishna's sporting:
Two beams of light are playing - Unique their dance and music. Ragas and raginis of heavenly beauty are born, The two have sunk themselves in the ocean of raga.
Swami Haridas belonged to the tradition of madhurabhakti - Adoration expressed in conjugal imagery.
Haridas's theology embraces not merely the Love of Krishna and Radha but also the witnessing of the Love, a state of mind called rasa. In an ecstatic condition of trance he sings of the play of Krishna among the bowers of Vrindavan. More than Krishna, Radha was the central personality of all his poems.
He says:
Who knows of the quality of things more than Radha? If anyone has any knowledge at all, it is by her grace. None knows the beauty of raga, tala and dance as Radha does.
^Madhubālā Sinhā (2009). Encyclopaedia of South Indian Literature, Volume 2. Anmol Publications. ISBN9788126137404. The foremost Hindustani Musician Tansen's teacher Swami Haridas was Purnadara Daasa's disciple.
^Bonnie C. Wade; Professor of Music Bonnie C Wade (1998). Imaging Sound: An Ethnomusicological Study of Music, Art, and Culture in Mughal India. University of Chicago Press. p. 113. ISBN978-0-226-86840-0.
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Not to be confused with Baba Hari Dass This article needs additional citations for verification Please help improve this article by adding citations to reliable sources Unsourced material may be challenged and removed Find sources Swami Haridas news newspapers books scholar JSTOR September 2008 Learn how and when to remove this template message Swami Haridas 1480 1573 was a spiritual poet and classical musician Credited with a large body of devotional compositions especially in the Dhrupad style he is also the founder of the Haridasi school of mysticism still found today in North India His work influenced both the classical music and the Bhakti movements of North India especially those devoted to Krishna s consort Radha Hit Harivansh Mahaprabhu Hariram Vyas Rupa Goswami Vidyapati Mahaprabhu Vallabhacharya Vitthalnath Gusainji were his contemporaries Swami Haridas on a 1985 stamp of India Swami Haridas teaching Tansen in the presence of Mughal Emperor Akbar Swami Haridas is a direct disciple of father of Carnatic Music Purandara Dasa of Karnataka 1 He had many pupils Tansen being one of them and one of Akbar s nine gems 2 Contents 1 Biography 2 Songs of Swami Haridas 3 Popular culture 4 See also 5 References 6 External linksBiography EditHaridas s father was a Saraswat Brahmin from Multan and that his mother s name was Chitra Mata 3 4 The family migrated to a village called Rajpur near Vrindavan in Uttar Pradesh Haridas was born there in 1480 and the village is now called Rajpur gram in his honor This village holds that he died in 1575 He was disciple of Shri Ashudheer Maharaj also his father who followed the Nimbarka Sampradaya he is said to be the Avatar of Shri Lalita Sakhi He was deeply learned and widely acquainted with the music of his time Mention is found in his works of stringed instruments such as the kinnari and aghouti and of drums such as the mridang and daff He mentions the ragas of Kedar Gauri raga Malhar and Basant Swami Haridas is said to have been the teacher of Tansen one of the nine gems of Akbar s court and the renowned dhrupad singer and composer Baiju He later shifted his residence to Vrindavan the playground of the immortal cowherd Krishna and Radha There he built his ashram hermitage in Nidhivan and sang his songs of the love of Radha Krishna Following the example of Swami Shribhatta Haridas continued to praise the Lord until the Lord manifested himself as Sri Banke Bihari Swami Haridas spiritual disciples included Vitthal and Krishna Das who fostered his tradition of devotional music Groups samaj like the sankeertan of Bengal and the bhajana goshti of South India of devotees came together and sang of the Lord of Vrindavan His samadhi tomb is in Nidhivan Vrindavan citation needed Songs of Swami Haridas EditHaridas s compositions may be classed as Vishnupadas Even his prabandhas that do not refer to Krishna have come to be known as Vishnupadas perhaps because of the mystic source of his music but also because they are musically constructed in a manner similar to dhrupads He is also said to have written tirvats ragamalas and other forms There are around 128 compositions attributed to him of which eighteen are philosophical siddhanta pada and a hundred and ten devotional keli mala He describes Radha and Krishna s sporting Two beams of light are playing Unique their dance and music Ragas and raginis of heavenly beauty are born The two have sunk themselves in the ocean of raga Swami Haridas belonged to the tradition of madhura bhakti Adoration expressed in conjugal imagery Haridas s theology embraces not merely the Love of Krishna and Radha but also the witnessing of the Love a state of mind called rasa In an ecstatic condition of trance he sings of the play of Krishna among the bowers of Vrindavan More than Krishna Radha was the central personality of all his poems He says Who knows of the quality of things more than Radha If anyone has any knowledge at all it is by her grace None knows the beauty of raga tala and dance as Radha does Popular culture EditAn annual classical music festival Swami Haridas Sangeet Sammelan is held every year in Mumbai since 1952 See also EditMusic of India Hindustani classical music Achintya Bheda Abheda Nidhivan VrindavanReferences Edit Madhubala Sinha 2009 Encyclopaedia of South Indian Literature Volume 2 Anmol Publications ISBN 9788126137404 The foremost Hindustani Musician Tansen s teacher Swami Haridas was Purnadara Daasa s disciple Bonnie C Wade Professor of Music Bonnie C Wade 1998 Imaging Sound An Ethnomusicological Study of Music Art and Culture in Mughal India University of Chicago Press p 113 ISBN 978 0 226 86840 0 Swami Haridas Reginald Massey Jamila Massey 1996 The Music of India Abhinav Publications p 53 ISBN 978 81 7017 332 8 External links Edit Wikimedia Commons has media related to Swami Haridas 1 Bankey Bhihari Temple Vrindavan Bankey Bhihari Temple Website Postage stamp on Swami Haridas Retrieved from https en wikipedia org w index php title Swami Haridas amp oldid 1129786367, wikipedia, wiki, book, books, library,
