Kay Brown (1932-2012) was an African American artist and published author. She was also the first woman awarded a membership into the Weusi Artist Collective, based in Harlem during the 1960s and 1970s. The Weusi Collective, named for the Swahili word for “blackness”, was founded in 1965, composed entirely of men. The fact that she was the only female member of this collective inspired her to seek out ways of representing the neglected Black female artists. She is widely acknowledged as one of the founders of the Where We At Black women artists' collective in New York City. Brown's works are credited for representing issues that affected the global Black community via her mixed media collages and prints. Brown's work was featured in the "We Wanted a Revolution" exhibition at the Brooklyn Museum.
Brown coupled with fiber artist Dindga McCannon and formed "Where We At" Black Women Artists, Inc. (WWA) during the spring of 1971.[1] Topics covered through artistic expression within this organization were contemporary social conditions such as the Black female/male relationship, African traditions, and the Black family as a unit. Brown also wrote a young adult novel, Willy's Summer Dream, which was published in 1989. Ms. Brown was also a published author of two novels. The novel that is largely discussed is Willy’sSummer Dream, inspired by the life of her only son. Her son is also noted in part as the inspiration for her “Black Mother and Male Child” etching. Brown was a staff member at the Medgar Evers College and an assistant professor at the Anne Arundel Community College from 1989 to 1990.
Kay Brown was a sociopolitical printmaker specializing in the expressions of the Black narrative she witnessed personally. Brown also used large format collages to help express her agenda.
The Black Soldier, 1969 — This piece was inspired by the increased number of Black men being drafted and volunteering in the Vietnam War from November 1955 until April 1975. Brown uses the images of Martin Luther King Jr. as a central focal point while the images of Black young men soldiers surrounds his image. She states that the reasoning behind this is to convey that the war's reasoning was unknown to its participants and recognize that Black soldiers were just mass casualties and of no value. To support her ideology she places the image of a man representing the Black Panther Party in the lower right-hand corner to represent Americas lack of protection for the Black community and the need for militant self-protection.
Willowbrook, 1972 — Brown chooses within this print to convey a sorrowful scene found in the cross hatching along the table and the emphasis on the window that solidifies the solitude felt when caged in and the bewilderedness children and adults find themselves when being throw into failing mental illness facilities. Willowbrook is a mental institution in Staten Island infamously known for the mistreatment, child abuse, and inhumane treatment of its residents that were revealed in the 1970s.
First Kick of Life (Color etching and aquatint on paper, circa 1974) — in the collection of the Brooklyn Museum.
Black Mother and Male Child (Etching and aquatint on cream woven paper, 1974–1975) — Brown's heavy usage of line variation makes this etching dynamic and textured, emphasizing the emotional warm worry-ful embrace of a mother embracing her son.
Everytime I Feel the Spirit (Etching, 1979) — exhibited in the exhibition Transformations: Women in Art 70's-80's, at the New York Coliseum, March 5–9, 1981
The Devil and His Game (Collage, 1968) — exhibited in the exhibition Tradition and Conflict: Images of a Turbulent Decade, 1963-1973, at the Studio Museum in Harlem, January 27-June 30, 1985.
Sister Alone in a Rented Room
Meditation
There have been some articles where she has been mentioned. According to Mutual Art, Kay Brown has been featured in articles for the AnOther, and the ArtDaily (According to MutualArt). Also, according to Mutual Art, in August 2020, her most recent article was Women Artists of Colour in the Spotlight of Wiki Edit-A-Thon written for the H A P P E N I N G.
Exhibitions
Her work can be seen in multiple exhibitions, which can be found at several galleries and museums.
We Wanted a Revolution: Black Radical Women, 1965-85, Albright-Knox Gallery, February 17, 2018 - May 27, 2018[7]
Arroyo Arts Collective: Discovery Arts Pop-Up, Los Angeles, Nov 10,2018 - Dec 01,2018
References
^Tugui, D (December 21, 2018). "13 Black Women Artists To Know". Black Excellence. Retrieved February 22, 2021.{{cite web}}: CS1 maint: url-status (link)
^"Kay Brown : vertical files". NGA Library. Retrieved 2021-02-06.{{cite web}}: CS1 maint: url-status (link)
^"Some Living American Women Artists/Last Supper". Smithsonian American Art Museum. Retrieved 24 January 2022.
^Painter, Nell Irvin (2006). Creating Black Americans: African-American History and Its Meanings, 1619 to the Present. Oxford University Press. p. 421. ISBN9780195137552.
^Brooklyn Museum. "We Wanted a Revolution: Black Radical Women, 1965–85 (Exhibition)". www.brooklynmuseum.org. Retrieved 2017-11-18.
^California African American Museum. "We Wanted a Revolution: Black Radical Women, 1965–85 (Exhibition)". www.caamuseum.org. Retrieved 2020-04-06.
^Albright-Knox Gallery. "We Wanted a Revolution: Black Radical Women, 1965–85 (Exhibition)". www.albrightknox.org. Retrieved 2020-04-06.
December 27, 2022
brown, artist, talent, scout, barrett, brown, 1932, 2012, african, american, artist, published, author, also, first, woman, awarded, membership, into, weusi, artist, collective, based, harlem, during, 1960s, 1970s, weusi, collective, named, swahili, word, blac. For the talent scout see Kay B Barrett Kay Brown 1932 2012 was an African American artist and published author She was also the first woman awarded a membership into the Weusi Artist Collective based in Harlem during the 1960s and 1970s The Weusi Collective named for the Swahili word for blackness was founded in 1965 composed entirely of men The fact that she was the only female member of this collective inspired her to seek out ways of representing the neglected Black female artists She is widely acknowledged as one of the founders of the Where We At Black women artists collective in New York City Brown s works are credited for representing issues that affected the global Black community via her mixed media collages and prints Brown s work was featured in the We Wanted a Revolution exhibition at the Brooklyn Museum Kay BrownBorn1932 1932 New York CityDied2012 aged 79 80 Washington D C Known forPaintingPrintmakingCollageMovementBlack Arts Movement Contents 1 Career 2 Works 3 Exhibitions 4 ReferencesCareer EditBrown coupled with fiber artist Dindga McCannon and formed Where We At Black Women Artists Inc WWA during the spring of 1971 1 Topics covered through artistic expression within this organization were contemporary social conditions such as the Black female male relationship African traditions and the Black family as a unit Brown also wrote a young adult novel Willy s Summer Dream which was published in 1989 Ms Brown was also a published author of two novels The novel that is largely discussed is Willy s Summer Dream inspired by the life of her only son Her son is also noted in part as the inspiration for her Black Mother and Male Child etching Brown was a staff member at the Medgar Evers College and an assistant professor at the Anne Arundel Community College from 1989 to 1990 Vertical files for Kay Brown are in the Evans Tibbs Collection of the National Gallery of Art Library 2 Her image is included in the iconic 1972 poster Some Living American Women Artists by Mary Beth Edelson 3 Works EditKay Brown was a sociopolitical printmaker specializing in the expressions of the Black narrative she witnessed personally Brown also used large format collages to help express her agenda The Black Soldier 1969 This piece was inspired by the increased number of Black men being drafted and volunteering in the Vietnam War from November 1955 until April 1975 Brown uses the images of Martin Luther King Jr as a central focal point while the images of Black young men soldiers surrounds his image She states that the reasoning behind this is to convey that the war s reasoning was unknown to its participants and recognize that Black soldiers were just mass casualties and of no value To support her ideology she places the image of a man representing the Black Panther Party in the lower right hand corner to represent Americas lack of protection for the Black community and the need for militant self protection Willowbrook 1972 Brown chooses within this print to convey a sorrowful scene found in the cross hatching along the table and the emphasis on the window that solidifies the solitude felt when caged in and the bewilderedness children and adults find themselves when being throw into failing mental illness facilities Willowbrook is a mental institution in Staten Island infamously known for the mistreatment child abuse and inhumane treatment of its residents that were revealed in the 1970s First Kick of Life Color etching and aquatint on paper circa 1974 in the collection of the Brooklyn Museum Black Mother and Male Child Etching and aquatint on cream woven paper 1974 1975 Brown s heavy usage of line variation makes this etching dynamic and textured emphasizing the emotional warm worry ful embrace of a mother embracing her son Everytime I Feel the Spirit Etching 1979 exhibited in the exhibition Transformations Women in Art 70 s 80 s at the New York Coliseum March 5 9 1981 The Devil and His Game Collage 1968 exhibited in the exhibition Tradition and Conflict Images of a Turbulent Decade 1963 1973 at the Studio Museum in Harlem January 27 June 30 1985 Sister Alone in a Rented Room MeditationThere have been some articles where she has been mentioned According to Mutual Art Kay Brown has been featured in articles for the AnOther and the ArtDaily According to MutualArt Also according to Mutual Art in August 2020 her most recent article was Women Artists of Colour in the Spotlight of Wiki Edit A Thon written for the H A P P E N I N G Exhibitions EditHer work can be seen in multiple exhibitions which can be found at several galleries and museums Blackness in Color Visual Expressions of the Black Arts Movement 1960 Present Herbert F Johnson Museum of Art Cornell University August October 2000 4 Transformations Women in Art 70 s 80 s New York Coliseum March 5 9 1981 We Wanted a Revolution Black Radical Women 1965 85 Brooklyn Museum April 21 September 2017 5 We Wanted a Revolution Black Radical Women 1965 85 California African American Museum October 13 2017 January 14 2018 6 We Wanted a Revolution Black Radical Women 1965 85 Albright Knox Gallery February 17 2018 May 27 2018 7 Arroyo Arts Collective Discovery Arts Pop Up Los Angeles Nov 10 2018 Dec 01 2018References Edit Tugui D December 21 2018 13 Black Women Artists To Know Black Excellence Retrieved February 22 2021 a href Template Cite web html title Template Cite web cite web a CS1 maint url status link Kay Brown vertical files NGA Library Retrieved 2021 02 06 a href Template Cite web html title Template Cite web cite web a CS1 maint url status link Some Living American Women Artists Last Supper Smithsonian American Art Museum Retrieved 24 January 2022 Painter Nell Irvin 2006 Creating Black Americans African American History and Its Meanings 1619 to the Present Oxford University Press p 421 ISBN 9780195137552 Brooklyn Museum We Wanted a Revolution Black Radical Women 1965 85 Exhibition www brooklynmuseum org Retrieved 2017 11 18 California African American Museum We Wanted a Revolution Black Radical Women 1965 85 Exhibition www caamuseum org Retrieved 2020 04 06 Albright Knox Gallery We Wanted a Revolution Black Radical Women 1965 85 Exhibition www albrightknox org Retrieved 2020 04 06 Retrieved from https en wikipedia org w index php title Kay Brown artist amp oldid 1121039505, wikipedia, wiki, book, books, library,
