Zubin Kanga

Zubin Kanga (born 1982) is an Australian-born pianist, composer, and musicologist based in London. He specialises in contemporary and experimental music. H

Early life and education

The son of Rustom Kanga and Marlene Kanga who are both engineers, Kanga was born in Sydney and attended Sydney Grammar School until 2000. He graduated from the University of Sydney in 2006 before moving to London in 2007, where he is still resident.^[1] Kanga studied under Rolf Hind and attended the Royal Academy of Music, receiving an MMus in 2009 and a PhD in 2014.^[2]

Career

Kanga has been an active chamber musician since joining Australian contemporary music group Ensemble Offspring in 2005 at the age of 22, of which he remains a member.^[3][4] He played with the Marsyas Trio between 2017 and 2018, during which time they recorded In the Theatre of Air, an album of music by women composers for piano, flute, and cello.^[5] It reached #7 in the Specialist Classical Charts and was named on Sequenza21's "Best Chamber Music CDs of 2018".^[6][7]

Notable solo performances of Kanga's include Beat Furrer's concerto for two pianos Nuun with Rolf Hind and the London Sinfonietta at the Queen Elizabeth Hall in January 2011 and Thomas Adès's Concerto Conciso at the Elisabeth Murdoch Hall in 2013, when he also appeared alongside the composer in a two-piano arrangement of Conlon Nancarrow's Studies Nos. 6 and 7.^[8][9][10] Kanga frequently commissions pieces that combine the piano with electronics and interactive media, including Patrick Nunn's Morphosis for piano, motion sensors and live electronics (premiered at Cheltenham Music Festival), Laura Bowler's SHOW(ti)ME for speaking pianist, MiMU gloves, live video and live electronics (premiered at Huddersfield Contemporary Music Festival) and Luke Nickel's hhiiddeenn vvoorrttiicceess for piano, five Soundbrenner haptic metronomes, video and electronics (premiered at Submerge Festival, Manchester).^[11][12][13] His own compositional output has included Dead Leaves, which he premiered on ABC Classic radio in 2017, and was selected to represent Australia at the 2018 International Rostrum of Composers.^[14][15]

Kanga appeared at Huddersfield Contemporary Music Festival in 2018 with his programme Wikipiano, named after a commissioned piece by Alexander Schubert, WIKI-PIANO.NET. The score is derived from a web page which members of the public can edit by adding text, directions, notation, images, and YouTube videos.^[16][17] In the same year, Kanga premiered Brett Dean's Rooms of Elsinore at the Extended Play new music marathon alongside his own composition Spider Web Castle.^[18] Kanga has performed several times at London Contemporary Music Festival, premiering Michael Finnissy's Hammerklavier – Part 1 and Alwynne Pritchard's Heart of Glass, as well as performing his realisation of Julius Eastman's Gay Guerrilla at London Contemporary Music Festival alongside Hind, Siwan Rhys, and Eliza McCarthy, which was later featured (uncredited) in video installation The Third Part of the Third Measure.^{[19][20][21][22][23]}

Kanga has received international critical acclaim since being awarded "Best Newcomer" in the 2010 ABC Limelight Awards. His Melbourne Festival performance of John Cage's Sonatas and Interludes was described in The Age as "a blaze of retrospective creative brilliance", while his 2019 Australian tour Piano Ex Machina was described by Limelight magazine as "a rewarding experience, rich in possibility, infused with curiosity and playfulness, and not afraid to explore conceptual and expressive horizons well beyond the boundaries of a traditional piano recital".^[24][25] He premiered a major new piano and multimedia work by Philip Venables, Answer Machine Tape, 1987 in 2022, exploring the life of New York artist David Wojnarowicz using a KeyScanner by the Augmented Instruments Laboratory to allow the piano to type text live onto the screen.^[26] He toured it to Time of Music Festival, November Music, and Huddersfield Contemporary Music Festival.^{[27][28][29][30][31]}

He appears as an extra alongside Ben Whishaw in Mark Bradshaw's short film O Holy Ghost (2019).^[32]

Research

Kanga's research concerns the collaborative process between composer and performer, as well as technological interactions in new music. From 2014 to 2015, he was a postdoctoral researcher at The University of Nice Sophia Antipolis as part of the GEMME (Music and Gesture) project in partnership with IRCAM.^[33] He was made an Honorary Research Fellow of the Royal Academy of Music in 2014, an Institute of Musical Research Early Career Associate from 2014 to 2015, and an Honorary Research Associate of Sydney Conservatorium of Music, University of Sydney in 2017.^[34][35][36] He is currently a research fellow at Royal Holloway, University of London, being awarded a Leverhulme Research Fellowship in 2017^[37] and a UK Research and Innovation Future Leaders Fellowship in 2020.[1]

Select discography

• 2014: Not Music Yet (HHCD06140743, Hospital Hill).
• 2015: Orfordness: Music by David Gorton (MSV 28550 Divine Art Records).
• 2015: Piano Inside Out (MD 3391, Move).
• 2015: Chiaroscuro: modern works for soprano and piano (PR0003 Phosphor Records) with Jane Sheldon.
• 2016: Patrick Nunn: Morphosis (RSR003CD, Red Sock Records).
• 2018: In the Theatre of Air (NMC D248, NMC Recordings) with the Marsyas Trio.

Awards

AIR Awards

The Australian Independent Record Awards (commonly known informally as AIR Awards) is an annual awards night to recognise, promote and celebrate the success of Australia's Independent Music sector.

Year	Nominee / work	Award	Result
AIR Awards of 2015^[38]^[39]	Piano Inside Out	Best Independent Classical Album	Nominated

Publications

Kanga, Zubin. "Through the Screen: The Collaborative Creation of Works for Piano and Video", Contemporary Music Review, Vol 35, No. 4, 2016: 423–449.

Kanga, Zubin and Alexander Schubert. "Gesture, Technology and the New Discipline: Conversations with Alexander Schubert", Contemporary Music Review, Vol 35, No. 4, 2016: 375–378.

Kanga, Zubin. ‘“Building an instrument” in the collaborative composition and performance of works for piano and live electronics’, in Perspectives on Artistic Research, ed. Robert Burke and Andrys Osman (Washington DC: Lexington, 2016).

Gorton, David and Zubin Kanga. “Risky Business: negotiating virtuosity in the collaborative creation of Orfordness for solo piano” in Music and/as Process, ed. Lauren Redhead and Vanessa Hawes (Cambridge:Cambridge Scholars, 2016).

Callis, Sarah, Neil Heyde, Zubin Kanga and Olivia Sham. “Creative Resistance as a Performative Tool”, Music and Practice, vol. 2, 2015.

Kanga, Zubin. “Not Music Yet: Graphic Notation as a Catalyst for Collaborative Metamorphosis”, Eras Journal, vol. 16, no.1, 2014: 37–58.

Ratcliffe, Robert, Jon Weinel and Zubin Kanga: “Mutations (megamix): Exploring Notions of the ‘DJ set’, ‘Mashup’ and ‘Remix’ through Live Piano-based Performance”, eContact!, Canadian Electroacoustic Community, 2011.

References

1. Barr, Philip (November 2007). "Music Medal". Grammar Foundations: Newsletter of the Sydney Grammar School Foundation. No. 37. p. 3. Retrieved 12 May 2019. for the last two years, the winners of the Sydney University Medal in Music have been Old Sydneians ... Chris may and Zubin Kanga (shared in 2006).
2. "Zubin Kanga: musical trials and tribulations". Huddersfield Contemporary Music Festival. Retrieved 12 May 2019.
3. "Noisy Egg Nests". Digital Repository: Ensemble Offspring. Retrieved 18 May 2019. Zubin Kanga has been playing with Ensemble Offspring since 2005.
4. "About Us". Ensemble Offspring. Retrieved 18 May 2019.
5. "About". Marsyas Trio. Retrieved 30 September 2019.
6. "Official Specialist Classical Chart Top 30 26 October 2018 - 01 November 2018". Official Charts. Retrieved 19 May 2019.
7. Carey, Christian (14 December 2018). "Best Chamber Music CDs of 2018". Sequenza21. Retrieved 19 May 2019.
8. Hewett, Ivan (19 January 2011). "London Sinfonietta, Queen Elizabeth Hall, review". The Telegraph. Retrieved 18 May 2019.
9. Clements, Andrew (20 January 2011). "London Sinfonietta/Beat Furrer – review". The Guardian. Retrieved 18 May 2019.
10. Duffy, Martin (12 April 2013). "Ades' Life Story". Sydney Morning Herald. Retrieved 19 May 2019.
11. Clements, Andrew (10 July 2016). "Review". The Guardian. Retrieved 19 May 2019.
12. O'Hara, Liam. "Zubin Kanga". Huddersfield Contemporary Music Festival. Retrieved 30 July 2023.
13. "Cyborg Soloists: The Body Electric - Zubin Kanga". Submerge. Retrieved 30 July 2023.
14. New Waves (23 February 2018). "Evenings at Peggy's - Jane Sheldon and Zubin Kanga". ABC Classic. Retrieved 19 May 2019.
15. "2018 International Rostrum of Composers". ABC. 17 May 2018. Retrieved 19 May 2019.
16. Driver, Paul (25 November 2018). "Classical review: Huddersfield Contemporary Music Festival". The Times. ISSN 0140-0460. Retrieved 19 May 2019.
17. "Zubin Kanga: musical trials and tribulations". Huddersfield Contemporary Music Festival. Retrieved 19 May 2019.
18. McPherson, Angus (2 August 2018). "Extended Play: a new music perfect storm". Limelight. Retrieved 19 May 2019.
19. Maddocks, Fiona (21 December 2019). "The week in classical: Christmas Oratorio; 34th Christmas festival; LCMF – review". The Observer. ISSN 0029-7712. Retrieved 30 July 2023.
20. "12 December: On Gossip & Eavesdropping — LCMF". lcmf.co.uk. Retrieved 30 July 2023.
21. "11 December: On Rites & Reenchantment — LCMF". lcmf.co.uk. Retrieved 30 July 2023.
22. Clements, Andrew (20 December 2016). "In Search of Julius Eastman review – fine performances of an elusive anarchist". The Guardian. Retrieved 19 May 2019.
23. The Otolith Group (2018). "British Films Directory". British Council Film. Retrieved 19 May 2019.
24. O'Connell, Clive (13 October 2016). "Melbourne Festival review: Zubin Kanga captivates with blaze of creative brilliance". The Age. Retrieved 19 May 2019. Kanga's interpretation was engrossing, the work's mutable rhythmic steadiness and continuous juxtaposition of pointillism with colour-washes accomplished splendidly, the performance reaching a serenely illuminating climax across the last two sonatas, where the gentle clangour generated by this gifted pianist invested the festival with a blaze of retrospective creative brilliance.
25. Wilkie, Ben (11 April 2019). "Piano Ex Machina (Zubin Kanga)". Limelight. Retrieved 19 May 2019.
26. "Answer Machine Tape, 1987". Sounds Now. Retrieved 30 July 2023.
27. Paget, Clive (20 March 2023). "Zubin Kanga: When Music Talks". Limelight. Retrieved 30 July 2023.
28. "Answer Machine Tape, 1987". Musiikin aika. Retrieved 30 July 2023.
29. Atkins, Jamie (9 November 2022). "Meet the composers using AI to create music". Reader's Digest. Retrieved 30 July 2023.
30. "Answer Machine Tape, 1987". Sounds Now. Retrieved 30 July 2023.
31. Tayyab. "Answer Machine Tape, 1987". Huddersfield Contemporary Music Festival. Retrieved 30 July 2023.
32. "Zubin Kanga". IMDb. Retrieved 7 August 2020.
33. "Événements à venir". CTL Université Nice. Retrieved 19 May 2019. Zubin Kanga, Post-doctorant au laboratoire CTEL
34. "Academic Staff". Sydney Conservatorium of Music. Retrieved 19 May 2019.
35. "Staff". Royal Academy of Music. Retrieved 19 May 2019.
36. . Institute of Musical Research. Archived from the original on 12 April 2015. Retrieved 19 May 2019.
37. "Researchers". Royal Holloway, University of London. Retrieved 19 May 2019.
38. "1 Dads, Courtney Barnett Lead This Year's Independent Music Award Nominations". MusicFeeds. 7 September 2015. Retrieved 20 August 2020.
39. "History Wins". Australian Independent Record Labels Association. Retrieved 18 August 2020.

External links

• Official website
• The editable score of wiki piano.net