Wilton Welch

Not to be confused with William Welsh (actor).

Wilton Welch (born c. 1884 as William Harry Welch^[1] or William Harrie Welch,^[2] date of death unknown) was an Australian comic actor and dramatist, husband and collaborator of Louise Carbasse, best known as Louise Lovely.

History

Welch was born in Cooma, New South Wales, the fourth son of Eleanor F. Welch (died 1937)^[3] and Charles Frederick Welch (died 1922), auctioneer and mayor of Cooma.^[4] Two of his brothers enlisted with the First AIF during World War I: Frank Carey Welch (c. 1896 – 26 October 1918) and Septimus Welch (c. September 1890 – 17 October 1918);^[5] who were killed within a fortnight of each other.

Welch first trod the professional stage in comic parts with the Maggie Moore Company in 1903.^[6] He was with Charles Holloway's company from 1906^[7] followed by the Pollard Opera Company.^[8] He joined Allan Hamilton's company in 1909.^[9]

He was a member of the George Marlow Dramatic Company from 1909^[10] to 1913, and was best remembered as "Sammy Snozzle", in The Bad Girl of the Family,^[8] but also appeared in Allan Hamilton's 1911 production of Beauty and the Barge.^[11]

Welch married Nellie Louise Carbasse (or Carbasse-Alberti), better known as Louise Carbasse, on 20 February 1912. She was the only daughter of Madame Louise Alberti of Sydney,^[12] and aged 17 to Welch's 28.^[13]

He wrote a play The Girl who Loved a Soldier, which was first staged at the Adelphi Theatre, Sydney on 27 July 1912.^[14]

He was part-author (with Carbasse) of the 1913 play The Warning which played to full houses at the Little Theatre from 22 November 1913 to 3 January 1914.

America

Welch and Carbasse left for America in December 1914, booked to appear in vaudeville on the Orpheum Circuit, later on the McIntosh circuit. The Great War was well under way, but being in the still-neutral United States, they were spared the jingoistic theatre of Australia and Britain, where plays with titles like The Slacker, The Enemy, The Coward, The Man Who Stayed at Home, My Friend Thomas Atkins, and The Contemptible Little Army were playing.^[15]

Carbasse was renamed "Louise Lovely" by the head of Universal Pictures, Carl Laemmle,^[8] in late 1915^[16] and became a considerable star with a great number of films to her credit, mostly for the studio of William Fox. Welch found work in Hollywood as production manager for one of the units of the Robertson-Cole company and was a co-director of the Famous Players–Lasky company in 1919–1920^[17] and both made a lot of money.^[16] He directed a Max Linder feature film at the Maurice Tourneur studios in Hollywood.^[17] They returned to Australia in August 1924, ostensibly for a holiday,^[18] but remained.

A Day at the Studio

As part of her self-proclaimed campaign to reinvigorate the Australian film industry, Carbasse (or Louise Lovely as she was known by this time) instituted a "Day at the Studio", advertised as a screen test to find undiscovered talent. With Wilton Welch as director, and a small crew, she recreated a film set on the stage of the Lyceum Theatre, Sydney in September 1924,^[19] and invited members of the audience to perform in front of "live" cameras, with the printed film shown later that week.^[20] The success of this promotion, which they had run in America,^[18] prompted follow-ups at the Majestic Theatre, Melbourne,^[21] West's Olympia Theatre, Adelaide,^[22] the Prince of Wales Theatre, Perth,^[23] Her Majesty's Theatre, Hobart in December,^[24] and finally the Winter Garden Theatre, Brisbane in January 1925.^[25]

Jewelled Nights

Back in Australia, Carbasse, or Louise Lovely as she continued to be named, was determined to be at the vanguard of a revitalised Australian film industry. The writer Marie Bjelke-Petersen approached Carbasse, proposing she make a feature film of her just-published fourth novel Jewelled Nights, set in the osmiridium mining region of northwest Tasmania. Though no doubt urged by ambition for her literary career, she also saw such a film as a promotional vehicle for the island's tourist trade. On 13 December 1924 all three signed a "Memo of Agreement" for world-wide rights on the proposed film.^[26]

On 20 February 1925 the company of "Louise Lovely Picture Productions Ltd" which included her "leading man" Arthur Styan and the "villain" Godfrey Cass, boarded the SS Oonah for Launceston to begin filming; Carbasse had a boy's haircut ready for the "on location" filming, as the plot revolved around a woman dressing as a boy to work at the mine. Other scenes would be shot in Melbourne, as would editing and other work.^[27]

Filming at the Savage River and 19-mile camp locations ended in March 1925, and the company returned to Melbourne.^[28]Jewelled Nights premiered at Hoyts theatre, Melbourne on 24 October 1925 and was well received^[29] but having spent heavily on production facilities, and then failing to penetrate the American market, it failed financially.

Breakup

The Welch-Carbasse marriage had deteriorated during their residence in America, and soon after their return to Australia, Welch, wishing to be free to meet other women, moved to a different hotel. Carbasse obtained an order for him to return,^[13] and, that failing, instituted divorce proceedings on the grounds of desertion; their marriage was dissolved in November 1928.^[1] Carbasse (or Lovely) remarried later the same day.

Welch did not attend any of the legal proceedings, and from that time his name did not appear in the Australian press, meaning the hitherto "irrepressible"^[16] Welch had left for overseas for the UK in December 1926.^[30] It would appear that he established a career in the UK producing and performing in stage plays, as reported in various newspapers of the time. In 1938, he even staged his play 'A Day At The Studio', the same play that he produced for Louise Lovely.^[31] His last mention that can be verified is in the play 'The Lovely Lady' in November 1945.^[32]

Plays

Welch wrote:

• The Chocolate Cream Soldier, a burlesque opera^[33] starring Maude Mortimer at the National Amphitheatre in 1912. The title may be an allusion to Shaw's Arms and the Man.
• The Wool King opened at Adelphi Theatre 31 July 1911^[34]
• The Silver Fan^[35]
• The Girl Who Loved a Soldier

Three of Welch's works were protected by copyright:

• Applicant: Wilton Welch of Sydney; Title of Work: Wool King, Dramatic Work; Date of Application: 31 July 1911; Date Copyright Registered: 18 August 1911. (Work enclosed)
• Applicant: Wilton Welch of Sydney; Title of Work: The Telephone Girls: A Novel Singing and Talking Scena for Vaudeville; Date of Application: 21 July 1913; Date Copyright Registered: 4 August 1913.(Work enclosed)
• Applicant: Wilton Welch and Louise Welch of Sydney; Title of Work: The Warning A Drama Based on White Slave Traffic; Date of Application: 29 November 1913; Date Copyright Registered: 4 December 1913. (Work enclosed)

Films

Jewelled Nights (Louise Lovely, Wilton Welch, 1925) writers: Louise Lovely, Wilton Welch from novel by Marie Bjelke Petersen; production: Louise Lovely, Wilton Welch; actors: Louise Lovely, Gordon Collingridge, Godfrey Cass; theme: osmiridium mining in Tasmania.

References

1. "In Divorce". The Sydney Morning Herald. No. 28, 361. New South Wales, Australia. 27 November 1928. p. 8. Retrieved 25 September 2021 – via National Library of Australia.
2. Ina Bertrand (1986). Australian Dictionary of Biography: Lovely, Louise Nellie (1895–1980). National Centre of Biography, Australian National University. Retrieved 25 September 2021.
3. "Family Notices". The Sydney Morning Herald. No. 31, 178. New South Wales, Australia. 6 December 1937. p. 12. Retrieved 25 September 2021 – via National Library of Australia. lists names of children.
4. "Vale, Charlie Welch". The Sydney Stock and Station Journal. Vol. XXXIV, no. 80. New South Wales, Australia. 26 January 1923. p. 9. Retrieved 25 September 2021 – via National Library of Australia.
5. "Family Notices". The Manaro Mercury, and Cooma and Bombala Advertiser. New South Wales, Australia. 11 November 1918. p. 2. Retrieved 27 September 2021 – via National Library of Australia.
6. "Maggie Moore Dramatic Co". The Albury Banner and Wodonga Express. New South Wales, Australia. 1 May 1903. p. 21. Retrieved 26 September 2021 – via National Library of Australia.
7. "Advertising". The Daily Telegraph (Sydney). No. 8316. New South Wales, Australia. 27 January 1906. p. 2. Retrieved 26 September 2021 – via National Library of Australia.
8. "Louise Lovely". The Prahran Telegraph. Vol. 56, no. 2881. Victoria, Australia. 6 January 1917. p. 8. Retrieved 30 September 2021 – via National Library of Australia.
9. "Allan Hamilton's New Company". The Sydney Morning Herald. No. 22, 166. New South Wales, Australia. 30 January 1909. p. 16. Retrieved 26 September 2021 – via National Library of Australia.
10. "Music and Drama". The Sunday Sun (Sydney). No. 349. New South Wales, Australia. 5 December 1909. p. 3. Retrieved 26 September 2021 – via National Library of Australia.
11. ""Beauty and the Barge"". The Sydney Morning Herald. No. 23, 000. New South Wales, Australia. 30 September 1911. p. 18. Retrieved 26 September 2021 – via National Library of Australia.
12. "Family Notices". The Daily Telegraph (Sydney). No. 10220. New South Wales, Australia. 27 February 1912. p. 8. Retrieved 25 September 2021 – via National Library of Australia.
13. "Not So Lovely Now". Sydney Truth. No. 1, 913. New South Wales, Australia. 5 September 1926. p. 17. Retrieved 30 September 2021 – via National Library of Australia.
14. "Stage Song & Show". The Sun (Sydney). No. 486. New South Wales, Australia. 21 July 1912. p. 15. Retrieved 25 September 2021 – via National Library of Australia. much detail of "Girl who Loved a Soldier"
15. "Plays and Players". The Daily Herald (Adelaide). Vol. 5, no. 1521. South Australia. 5 February 1915. p. 3. Retrieved 30 September 2021 – via National Library of Australia.
16. "Through the Theatres". The Sun (Sydney). No. 681. New South Wales, Australia. 16 April 1916. p. 18. Retrieved 30 September 2021 – via National Library of Australia.
17. "News of the Film World". Sydney Mail. Vol. XVII, no. 442. New South Wales, Australia. 15 September 1920. p. 10. Retrieved 30 September 2021 – via National Library of Australia.
18. "Louise Lovely". The Newcastle Sun. No. 1995. New South Wales, Australia. 19 August 1924. p. 5. Retrieved 30 September 2021 – via National Library of Australia.
19. "The Week's Pictures". Evening News (Sydney). No. 17856. New South Wales, Australia. 11 September 1924. p. 13. Retrieved 27 September 2021 – via National Library of Australia.
20. "A Day at the Studio". The News (Hobart). Vol. 1, no. 164. Tasmania, Australia. 8 December 1924. p. 3. Retrieved 27 September 2021 – via National Library of Australia.
21. "Where to Go". Labor Call. Vol. XIX, no. 937. Victoria, Australia. 9 October 1924. p. 8. Retrieved 27 September 2021 – via National Library of Australia.
22. ""A Day at the Studio"". The News (Adelaide). Vol. III, no. 385. South Australia. 16 October 1924. p. 2. Retrieved 27 September 2021 – via National Library of Australia.
23. "Stage and Screen". The Daily News (Perth). Vol. XLIII, no. 15, 453. Western Australia. 31 October 1924. p. 4. Retrieved 27 September 2021 – via National Library of Australia.
24. Dr Anne Sanders (6 March 2017). "Jewelled Nights". National Portrait Gallery. Retrieved 25 September 2021.
25. "Entertainments". The Telegraph (Brisbane). No. 16, 257. Queensland, Australia. 7 January 1925. p. 7. Retrieved 27 September 2021 – via National Library of Australia.
26. "Jewelled Nights". National Portrait Gallery of Australia. Retrieved 29 September 2021.
27. "Louise Lovely". The News (Hobart). Vol. II, no. 227. Tasmania, Australia. 20 February 1925. p. 1. Retrieved 30 September 2021 – via National Library of Australia.
28. "Louise Lovely to Leave Us". The Advocate (Tasmania). Tasmania, Australia. 20 March 1925. p. 2. Retrieved 30 September 2021 – via National Library of Australia.
29. "Jewelled Nights". The Argus (Melbourne). No. 24, 716. Victoria, Australia. 26 October 1925. p. 7. Retrieved 30 September 2021 – via National Library of Australia.
30. "Wilton Welch". BioScope. 12 December 1926.
31. "Hippodrome, Burslem". The Sentinel, Staffordshire. 8 November 1938.
32. "Theatre Royal, Bath". Bath Chronicle. 17 November 1945.
33. "Greenroom Gossip". Melbourne Punch. Vol. CXVI, no. 2954. Victoria, Australia. 7 March 1912. p. 38. Retrieved 26 September 2021 – via National Library of Australia.
34. "Advertising". The Sydney Morning Herald. No. 22, 946. New South Wales, Australia. 29 July 1911. p. 2. Retrieved 26 September 2021 – via National Library of Australia.
35. "Advertising". The Referee. No. 1317. New South Wales, Australia. 31 January 1912. p. 15. Retrieved 25 September 2021 – via National Library of Australia.