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Théodore Chassériau

April 09, 2024

Théodore Chassériau (September 20, 1819 – October 8, 1856) was a Dominican-born French Romantic painter noted for his portraits, historical and religious paintings, allegorical murals, and Orientalist images inspired by his travels to Algeria. Early in his career he painted in a Neoclassical style close to that of his teacher Jean-Auguste-Dominique Ingres, but in his later works he was strongly influenced by the Romantic style of Eugène Delacroix. He was a prolific draftsman, and made a suite of prints to illustrate Shakespeare's Othello. The portrait he painted at the age of 15 of Prosper Marilhat makes Chassériau the youngest painter exhibited at the Louvre museum.[1]

Théodore Chassériau
A self-portrait of Chassériau painted at the age of 16
Born(1819-09-20)September 20, 1819
El Limón, Samaná, Santo Domingo
DiedOctober 8, 1856(1856-10-08) (aged 37)
Paris, France
NationalityFrench
EducationJean-Auguste-Dominique Ingres
MovementRomanticism; Orientalism

Life and work edit

 
The Toilette of Esther, 1841, oil on canvas, 45.5 x 35.5 cm, Paris, Louvre

Chassériau was born in El Limón, Samaná, in the Spanish colony of Santo Domingo (now the Dominican Republic).[2] His father Benoît Chassériau was a French adventurer who had arrived in Santo Domingo in 1802 to take an administrative position in what was until 1808 a French colony.[3] Theodore's mother, Maria Magdalena Couret de la Blagniére, was the daughter of a mulatto landowner born in Saint-Domingue (now Haiti). In December 1820 the family left Santo Domingo for Paris, where the young Chassériau soon showed precocious drawing skill. He was accepted into the studio of Jean-Auguste-Dominique Ingres in 1830, at the age of eleven, and became the favorite pupil of the great classicist, who regarded him as his truest disciple.[4] (An account that may be apocryphal has Ingres declaring "Come, gentlemen, come see, this child will be the Napoleon of painting.")[5]

 
Statue of painter Théodore Chassériau located in Santa Bárbara de Samaná

After Ingres left Paris in 1834 to become director of the French Academy in Rome, Chassériau fell under the influence of Eugène Delacroix, whose brand of painterly colorism was anathema to Ingres. Chassériau first exhibited at the Paris Salon in 1836, and was awarded a third-place medal in the category of history painting.[6] In 1840 Chassériau travelled to Rome and met with Ingres, whose bitterness at the direction his student's work was taking led to a decisive break. While in Italy, Chassériau made landscape sketches and studied Renaissance frescoes.[7]

 
Vénus marine dite Vénus Anadyomène, 1838, Paris, Louvre
 
Andromède attachée au rocher par les Néréides, 1840, Paris, Louvre
 
Study of a Man (1832) - Musée de Montauban
 
Macbeth and Banquo Meeting the Witches on the Heath, 1855. An example of one of Chassériau's many works inspired by Shakespeare
 
The Two Sisters, 1843, Paris, Louvre
 
Portrait of Reverend Father Henri-Dominique Lacordaire, 1840, Paris, Louvre
 
Portrait d'Alexis de Tocqueville, 1850

Among the chief works of his early maturity are Susanna and the Elders and Venus Anadyomene (both 1839), Diana Surprised by Actaeon (1840), Andromeda Chained to the Rock by the Nereids (1840), and The Toilette of Esther (1841), all of which reveal a very personal ideal in depicting the female nude.[8] Chassériau's major religious paintings from these years, Christ on the Mount of Olives (a subject he treated in 1840 and again in 1844) and The Descent from the Cross (1842), received mixed reviews from the critics; among the artist's champions was Théophile Gautier. In 1843, Chassériau painted murals depicting the life of Saint Mary of Egypt in the Church of Saint-Merri in Paris, the first of several commissions he received to decorate public buildings in Paris.[7]

Portraits from this period include the Portrait of the Reverend Father Dominique Lacordaire, of the Order of the Predicant Friars (1840), and The Two Sisters (1843), which depicts Chassériau's sisters Adèle and Aline.

Throughout his life he was a prolific draftsman; his many portrait drawings executed with a finely pointed graphite pencil are close in style to those of Ingres.[9] He also created a body of 29 prints, including a group of eighteen etchings of subjects from Shakespeare's Othello in 1844.[10]

He exhibited the colossal portrait Ali-Ben-Hamet, Caliph of Constantine and Chief of the Haractas, Followed by his Escort in the Salon of 1845, where it received equivocal reviews. In 1846, Chassériau made his first trip to Algeria. From sketches made on this and subsequent trips he painted such subjects as Arab Chiefs Visiting Their Vassals and Jewish Women on a Balcony (both 1849, now in the Louvre). A major late work, The Tepidarium (1853, in the Musée d'Orsay), depicts a large group of women drying themselves after bathing, in an architectural setting inspired by the artist's trip in 1840 to Pompeii. His most monumental work was his decoration of the grand staircase of the Cour des Comptes, commissioned by the state in 1844 and completed in 1848. He followed the example of Delacroix in executing this work in oil on plaster, rather than in fresco.[7] This work was heavily damaged in May 1871 by a fire set during the Commune, and only fragments could be recovered; these are preserved in the Louvre.

After a period of ill health, exacerbated by his exhausting work on commissions for murals to decorate the Churches of Saint-Roch and Saint-Philippe-du-Roule, Chassériau died at the age of 37 in Paris, on October 8, 1856. He is buried in the Montmartre Cemetery.

Technique and style edit

Chassériau's art has often been characterized as an attempt to reconcile the classicism of Ingres with the romanticism of Delacroix.[11] In composing his narrative paintings, his concern for the decorative arrangement of figures and the creation of a mood took precedence over narrative coherence. His preferred method of working was to study his model carefully and then draw from memory.[12] He favored the serpentine pose, especially for his female figures. Art historian Jonathan P. Ribner calls "the inclined neck and bent knee" Chassériau's "signature motif" and says that "his command of foreshortening and three-dimensional composition remained uneven to the end, and this limitation is reflected in the tenacity of his ... inclination toward flattened, stylized poses."[12] According to Léon Rosenthal, Chassériau was "much less concerned with bringing heroes to life or developing characters than desirous of producing subtle and infinitely rich impressions suggested to him by the themes he chooses".[12]

Legacy edit

His work had a significant impact on the style of Puvis de Chavannes and Gustave Moreau, and—through those artists' influence—reverberations in the work of Paul Gauguin and Henri Matisse.[13] There is in Paris a Society for the painter: Association des Amis de Théodore Chassériau.

Works of Chassériau are in the Musée du Louvre where a room is dedicated to him, in the Musée d'Orsay, and in the Musée de Versailles. Collections in the United States holding works by Théodore Chassériau include the Metropolitan Museum of Art, New York, the Fogg Art Museum of Harvard University, the National Gallery of Art of Washington, D.C., the Detroit Institute of Arts, the Museum of the Art Rhode Island School of Design, The J. Paul Getty Museum and the Art Institute of Chicago.

Exhibitions edit

Selected works edit

Gallery edit

  •  
    Portrait de la comtesse de La Tour Maubourg, 1841, Metropolitan Museum of Art, New York
  •  
    Peace, Protector of the Arts and of the Tilling of the Soil, 1844–1848, oil on plaster transferred to canvas. A surviving fragment of the Cour des Comptes decorations.
  •  
    Othello and Desdemona in Venice, 1850, oil on wood, 25 x 20 cm, Louvre, Paris. Another work inspired by Shakespeare
  •  
    Scene in the Jewish Quarter of Constantine, 1851, Metropolitan Museum of Art, New York
  •  
    Orientalist Interior, ca. 1851–1852, oil on wood, 49 x 39 cm
  •  
    Tepidarium, 1853, oil on canvas, Musée d'Orsay
  •  
    Portrait of Mme Borg de Balsan, 1847, pencil on paper, Philadelphia Museum of Art
  •  
    Portrait d'Alphonse de Lamartine, 1844, pencil on paper
  •  
    The Child and the Doll, portrait of Laure Stéphanie Pierrugues, 1836, oil on canvas, 79,5 x 57 cm

See also edit

Notes edit

  1. ^ Jean-Baptiste Nouvion, Chassériau Correspondance oubliée, preface by Marianne de Tolentino, Paris, Les Amis de Théodore Chassériau, 2014
  2. ^ Guégan et al. 2002, p. 163.
  3. ^ Guégan et al. 2002, pp. 58, 163.
  4. ^ Guégan et al. 2002, p. 168.
  5. ^ Guégan et al. 2002, pp. 60, 168.
  6. ^ Guégan et al. 2002, p. 170.
  7. ^ a b c Rosenthal.
  8. ^ Guégan et al. 2002, p. 53.
  9. ^ Prat 1989, p. 5.
  10. ^ Fisher 1979, p. 13.
  11. ^ Rosenblum 1989, p. 32.
  12. ^ a b c Ribner, Jonathan P. (1994). "Chassériau’s Juvenilia: Some Early Works by an 'Enfant du Siècle'". Zeitschrift Für Kunstgeschichte, 57(2), 219–238.
  13. ^ Guégan et al. 2002, p. 287.

References edit

  • Fisher, Jay M. (1979). Théodore Chassériau: Illustrations for Othello. Baltimore: The Baltimore Museum of Art. ISBN 0-912298-50-2.
  • Guégan, Stéphane; Pomarède, Vincent; Prat, Louis-Antoine (2002). Théodore Chassériau, 1819-1856: The Unknown Romantic. New Haven and London: Yale University Press. ISBN 1-58839-067-5.
  • Miller, Peter Benson (2004). "By the Sword and the Plow: Théodore Chassériau's Cour des Comptes Murals and Algeria," The Art Bulletin vol. 86, no. 4 (Dec. 2004), pp. 690–718.
  • Prat, Louis-Antoine. n.d. Theodore Chassériau, 1819-1856: dessins conserves en dehors du Louvre. Paris: Galerie de Bayser [1989?]. OCLC 800724906.
  • Rosenblum, Robert (1989). Paintings in the Musée d'Orsay. New York: Stewart, Tabori & Chang. ISBN 1-55670-099-7.
  • Rosenthal, Donald A. "Chassériau, Théodore". Grove Art Online. Oxford Art Online. Oxford University Press. Web.

Further reading edit

  • Bénédite, Léonce (1931). Théodore Chassériau: sa vie et son œuvre, Paris: Les Éditions Braun. OCLC 929584128.
  • Bouvenne, Aglaus (1884). Théodore Chassériau: Souvenirs et Indiscrétions, A. Detaille, Paris.
  • Bouvenne, Aglaus. Théodore Chassériau : Souvenirs et Indiscrétions (1884), new edition by Les Amis de Théodore Chassériau, 2012 (French language), 2013 (Spanish language).
  • Chevillard, Valbert (1893). Un peintre romantique: Théodore Chassériau, Paris.
  • Chevillard, Valbert (1898). "Théodore Chassériau" in Revue de l'art ancien et moderne, no. 3, March 10, 1898.
  • La Chronique des arts et de la curiosité, no. 9, February 27, 1897.
  • Focillon, Henri (1927). "La peinture au XIXe: Le retour à l'antique" in Le Romanticisme, Paris.
  • Gautier, Théophile. "L'Atelier de feu Théodore Chassériau" in L'Artiste, no. 14, March 15, 1857.
  • Goodrich, Lloyd (1928). "Théodore Chassériau", The Arts 14.
  • d'Hérouville, Xavier (2016). L'Idéal moderne selon Charles Baudelaire & Théodore Chassériau, L'Harmattan, Paris.
  • Jingaoka, Megumi; Pomarède, Vincent; Nouvion, Jean-Baptiste; Guégan, Stéphane; Okasaka, Sakurako; Nakatsumi, Yuko (2017). Théodore Chassériau : Parfum exotique, [exhibition catalogue], The National Museum of Western Art (Japan).
  • Laran, Jean (1913, 1921). Théodore Chassériau, Paris.
  • Montesquiou, Robert de (1898). Alice et Aline, une peinture de Théodore Chassériau, Ed. Charpentier et Fasquelle, Paris.
  • Nouvion, André-Pierre (2007). Trois familles en Périgord-Limousin dans la tourmente de la Révolution et de L'Empire : Nouvion, Besse-Soutet-Dupuy et Chassériau, Paris.
  • Nouvion, Jean-Baptiste; Marianne de Tolentino (2014). Chassériau Correspondance oubliée. Les Amis de Théodore Chassériau edition, Paris.
  • Peltre, Christine (2001). Théodore Chassériau. Paris: Gallimard. ISBN 207011564X.
  • Prat, Louis-Antoine (1988). Dessins de Théodore Chassériau: 1819–1856. Paris: Ministère de la culture et de la communication, Editions de la Réunion des musées nationaux. ISBN 2711821382.
  • Renan, Ary (1897). Les Peintres orientalistes, Galerie Durand-Ruel.
  • Sandoz, Marc (1974). Théodore Chassériau 1819–1856: catalogue raisonné des peintures et estampes. Paris : Arts et Métiers Graphiques. ISBN 2700400038.
  • Teupser, Werner. Theodore Chasseriau, Zeitschrift für Kunst.
  • Vaillat, Léandre (August 1913). "L'Œuvre de Théodore Chassériau", Les Arts.
  • Vaillat, Léandre (1907). "Chassériau", L'Art et les Artistes.

External links edit

  Media related to Théodore Chassériau at Wikimedia Commons   Media related to Paintings by Théodore Chassériau at Wikimedia Commons

  • Website of the 'Amis de Théodore Chassériau' (France)
  • of the Institut de France (Académie des Beaux-Arts) - Prix de Gravure Chassériau - Last prize was given in 2011 to Dominique Vaillier.
  • Famille Chasseriau, Généalogie d'Haiti et de Saint-Domingue
  • Théodore Chassériau at Find a Grave

April 09, 2024
théodore, chassériau, september, 1819, october, 1856, dominican, born, french, romantic, painter, noted, portraits, historical, religious, paintings, allegorical, murals, orientalist, images, inspired, travels, algeria, early, career, painted, neoclassical, st. Theodore Chasseriau September 20 1819 October 8 1856 was a Dominican born French Romantic painter noted for his portraits historical and religious paintings allegorical murals and Orientalist images inspired by his travels to Algeria Early in his career he painted in a Neoclassical style close to that of his teacher Jean Auguste Dominique Ingres but in his later works he was strongly influenced by the Romantic style of Eugene Delacroix He was a prolific draftsman and made a suite of prints to illustrate Shakespeare s Othello The portrait he painted at the age of 15 of Prosper Marilhat makes Chasseriau the youngest painter exhibited at the Louvre museum 1 Theodore ChasseriauA self portrait of Chasseriau painted at the age of 16Born 1819 09 20 September 20 1819El Limon Samana Santo DomingoDiedOctober 8 1856 1856 10 08 aged 37 Paris FranceNationalityFrenchEducationJean Auguste Dominique IngresMovementRomanticism Orientalism Contents 1 Life and work 2 Technique and style 3 Legacy 4 Exhibitions 5 Selected works 6 Gallery 7 See also 8 Notes 9 References 10 Further reading 11 External linksLife and work edit nbsp The Toilette of Esther 1841 oil on canvas 45 5 x 35 5 cm Paris LouvreChasseriau was born in El Limon Samana in the Spanish colony of Santo Domingo now the Dominican Republic 2 His father Benoit Chasseriau was a French adventurer who had arrived in Santo Domingo in 1802 to take an administrative position in what was until 1808 a French colony 3 Theodore s mother Maria Magdalena Couret de la Blagniere was the daughter of a mulatto landowner born in Saint Domingue now Haiti In December 1820 the family left Santo Domingo for Paris where the young Chasseriau soon showed precocious drawing skill He was accepted into the studio of Jean Auguste Dominique Ingres in 1830 at the age of eleven and became the favorite pupil of the great classicist who regarded him as his truest disciple 4 An account that may be apocryphal has Ingres declaring Come gentlemen come see this child will be the Napoleon of painting 5 nbsp Statue of painter Theodore Chasseriau located in Santa Barbara de SamanaAfter Ingres left Paris in 1834 to become director of the French Academy in Rome Chasseriau fell under the influence of Eugene Delacroix whose brand of painterly colorism was anathema to Ingres Chasseriau first exhibited at the Paris Salon in 1836 and was awarded a third place medal in the category of history painting 6 In 1840 Chasseriau travelled to Rome and met with Ingres whose bitterness at the direction his student s work was taking led to a decisive break While in Italy Chasseriau made landscape sketches and studied Renaissance frescoes 7 nbsp Venus marine dite Venus Anadyomene 1838 Paris Louvre nbsp Andromede attachee au rocher par les Nereides 1840 Paris Louvre nbsp Study of a Man 1832 Musee de Montauban nbsp Macbeth and Banquo Meeting the Witches on the Heath 1855 An example of one of Chasseriau s many works inspired by Shakespeare nbsp The Two Sisters 1843 Paris Louvre nbsp Portrait of Reverend Father Henri Dominique Lacordaire 1840 Paris Louvre nbsp Portrait d Alexis de Tocqueville 1850Among the chief works of his early maturity are Susanna and the Elders and Venus Anadyomene both 1839 Diana Surprised by Actaeon 1840 Andromeda Chained to the Rock by the Nereids 1840 and The Toilette of Esther 1841 all of which reveal a very personal ideal in depicting the female nude 8 Chasseriau s major religious paintings from these years Christ on the Mount of Olives a subject he treated in 1840 and again in 1844 and The Descent from the Cross 1842 received mixed reviews from the critics among the artist s champions was Theophile Gautier In 1843 Chasseriau painted murals depicting the life of Saint Mary of Egypt in the Church of Saint Merri in Paris the first of several commissions he received to decorate public buildings in Paris 7 Portraits from this period include the Portrait of the Reverend Father Dominique Lacordaire of the Order of the Predicant Friars 1840 and The Two Sisters 1843 which depicts Chasseriau s sisters Adele and Aline Throughout his life he was a prolific draftsman his many portrait drawings executed with a finely pointed graphite pencil are close in style to those of Ingres 9 He also created a body of 29 prints including a group of eighteen etchings of subjects from Shakespeare s Othello in 1844 10 He exhibited the colossal portrait Ali Ben Hamet Caliph of Constantine and Chief of the Haractas Followed by his Escort in the Salon of 1845 where it received equivocal reviews In 1846 Chasseriau made his first trip to Algeria From sketches made on this and subsequent trips he painted such subjects as Arab Chiefs Visiting Their Vassals and Jewish Women on a Balcony both 1849 now in the Louvre A major late work The Tepidarium 1853 in the Musee d Orsay depicts a large group of women drying themselves after bathing in an architectural setting inspired by the artist s trip in 1840 to Pompeii His most monumental work was his decoration of the grand staircase of the Cour des Comptes commissioned by the state in 1844 and completed in 1848 He followed the example of Delacroix in executing this work in oil on plaster rather than in fresco 7 This work was heavily damaged in May 1871 by a fire set during the Commune and only fragments could be recovered these are preserved in the Louvre After a period of ill health exacerbated by his exhausting work on commissions for murals to decorate the Churches of Saint Roch and Saint Philippe du Roule Chasseriau died at the age of 37 in Paris on October 8 1856 He is buried in the Montmartre Cemetery Technique and style editChasseriau s art has often been characterized as an attempt to reconcile the classicism of Ingres with the romanticism of Delacroix 11 In composing his narrative paintings his concern for the decorative arrangement of figures and the creation of a mood took precedence over narrative coherence His preferred method of working was to study his model carefully and then draw from memory 12 He favored the serpentine pose especially for his female figures Art historian Jonathan P Ribner calls the inclined neck and bent knee Chasseriau s signature motif and says that his command of foreshortening and three dimensional composition remained uneven to the end and this limitation is reflected in the tenacity of his inclination toward flattened stylized poses 12 According to Leon Rosenthal Chasseriau was much less concerned with bringing heroes to life or developing characters than desirous of producing subtle and infinitely rich impressions suggested to him by the themes he chooses 12 Legacy editHis work had a significant impact on the style of Puvis de Chavannes and Gustave Moreau and through those artists influence reverberations in the work of Paul Gauguin and Henri Matisse 13 There is in Paris a Society for the painter Association des Amis de Theodore Chasseriau Works of Chasseriau are in the Musee du Louvre where a room is dedicated to him in the Musee d Orsay and in the Musee de Versailles Collections in the United States holding works by Theodore Chasseriau include the Metropolitan Museum of Art New York the Fogg Art Museum of Harvard University the National Gallery of Art of Washington D C the Detroit Institute of Arts the Museum of the Art Rhode Island School of Design The J Paul Getty Museum and the Art Institute of Chicago Exhibitions editTheodore Chasseriau Parfum exotique National Museum of Western Art of Tokyo Japan February 28 May 28 2017 Theodore Chasseriau Obras sobre papel Galerie nationale des beaux arts de Santo Domingo and Centro cultural Leon de Santiago de los Caballeros Dominican Republic 2004 Theodore Chasseriau 1819 1856 A Different Romanticism Metropolitan Museum of Art New York United States Galeries nationales du Grand Palais in Paris France and Musee des beaux arts de Strasbourg France 2002 Chasseriau 1819 1856 exposition au profit de la Societe des amis du Louvre Galerie Daber Paris France 1976 Theodore Chasseriau 1819 1856 Musee des beaux arts de Poitiers France 1969 Theodore Chasseriau Musee national des beaux arts d Alger Algeria 1936 Restrospective Theodore Chasseriau 1819 1856 Musee de l Orangerie Paris France 1933 Aquarelles et dessins de Chasseriau 1819 1856 Galerie L Dru Paris France 1927 Les Peintres orientalistes francais 4e exposition Retrospective Theodore Chasseriau Galerie Durand Ruel Paris France 1897Selected works editSelf portrait Musee du Louvre Aline Chasseriau Musee du Louvre Battle of Arab Horsemen Around a Standard 1854 Dallas Museum of Art The Caliph of Constantine also known as Ali Ben Hamet Caliph of Constantine and Chief of the Haractas Followed by his Escort Arab Chiefs Challenging each other to Single Combat under the Ramparts of a City Andromeda Chained to the Rock by the Nereids Arab Chiefs Visiting their Vassals Christ on the Mount of Olives The Descent from the Cross Diana Surprised by Actaeon Jewish Women on a Balcony Othello and Desdemona in Venice Portrait of the Father Dominique Lacordaire of the Order of the Predicant Friars Susanna and the Elders Venus Anadyomene The Tepidarium The Toilette of Esther The Two SistersGallery edit nbsp Portrait de la comtesse de La Tour Maubourg 1841 Metropolitan Museum of Art New York nbsp Peace Protector of the Arts and of the Tilling of the Soil 1844 1848 oil on plaster transferred to canvas A surviving fragment of the Cour des Comptes decorations nbsp Othello and Desdemona in Venice 1850 oil on wood 25 x 20 cm Louvre Paris Another work inspired by Shakespeare nbsp Scene in the Jewish Quarter of Constantine 1851 Metropolitan Museum of Art New York nbsp Orientalist Interior ca 1851 1852 oil on wood 49 x 39 cm nbsp Tepidarium 1853 oil on canvas Musee d Orsay nbsp Portrait of Mme Borg de Balsan 1847 pencil on paper Philadelphia Museum of Art nbsp Portrait d Alphonse de Lamartine 1844 pencil on paper nbsp The Child and the Doll portrait of Laure Stephanie Pierrugues 1836 oil on canvas 79 5 x 57 cmSee also editLeonce Benedite List of Orientalist artists OrientalismNotes edit Jean Baptiste Nouvion Chasseriau Correspondance oubliee preface by Marianne de Tolentino Paris Les Amis de Theodore Chasseriau 2014 Guegan et al 2002 p 163 Guegan et al 2002 pp 58 163 Guegan et al 2002 p 168 Guegan et al 2002 pp 60 168 Guegan et al 2002 p 170 a b c Rosenthal Guegan et al 2002 p 53 Prat 1989 p 5 Fisher 1979 p 13 Rosenblum 1989 p 32 a b c Ribner Jonathan P 1994 Chasseriau s Juvenilia Some Early Works by an Enfant du Siecle Zeitschrift Fur Kunstgeschichte 57 2 219 238 Guegan et al 2002 p 287 References editFisher Jay M 1979 Theodore Chasseriau Illustrations for Othello Baltimore The Baltimore Museum of Art ISBN 0 912298 50 2 Guegan Stephane Pomarede Vincent Prat Louis Antoine 2002 Theodore Chasseriau 1819 1856 The Unknown Romantic New Haven and London Yale University Press ISBN 1 58839 067 5 Miller Peter Benson 2004 By the Sword and the Plow Theodore Chasseriau s Cour des Comptes Murals and Algeria The Art Bulletin vol 86 no 4 Dec 2004 pp 690 718 Prat Louis Antoine n d Theodore Chasseriau 1819 1856 dessins conserves en dehors du Louvre Paris Galerie de Bayser 1989 OCLC 800724906 Rosenblum Robert 1989 Paintings in the Musee d Orsay New York Stewart Tabori amp Chang ISBN 1 55670 099 7 Rosenthal Donald A Chasseriau Theodore Grove Art Online Oxford Art Online Oxford University Press Web Further reading editBenedite Leonce 1931 Theodore Chasseriau sa vie et son œuvre Paris Les Editions Braun OCLC 929584128 Bouvenne Aglaus 1884 Theodore Chasseriau Souvenirs et Indiscretions A Detaille Paris Bouvenne Aglaus Theodore Chasseriau Souvenirs et Indiscretions 1884 new edition by Les Amis de Theodore Chasseriau 2012 French language 2013 Spanish language Chevillard Valbert 1893 Un peintre romantique Theodore Chasseriau Paris Chevillard Valbert 1898 Theodore Chasseriau in Revue de l art ancien et moderne no 3 March 10 1898 La Chronique des arts et de la curiosite no 9 February 27 1897 Focillon Henri 1927 La peinture au XIXe Le retour a l antique in Le Romanticisme Paris Gautier Theophile L Atelier de feu Theodore Chasseriau in L Artiste no 14 March 15 1857 Goodrich Lloyd 1928 Theodore Chasseriau The Arts 14 d Herouville Xavier 2016 L Ideal moderne selon Charles Baudelaire amp Theodore Chasseriau L Harmattan Paris Jingaoka Megumi Pomarede Vincent Nouvion Jean Baptiste Guegan Stephane Okasaka Sakurako Nakatsumi Yuko 2017 Theodore Chasseriau Parfum exotique exhibition catalogue The National Museum of Western Art Japan Laran Jean 1913 1921 Theodore Chasseriau Paris Montesquiou Robert de 1898 Alice et Aline une peinture de Theodore Chasseriau Ed Charpentier et Fasquelle Paris Nouvion Andre Pierre 2007 Trois familles en Perigord Limousin dans la tourmente de la Revolution et de L Empire Nouvion Besse Soutet Dupuy et Chasseriau Paris Nouvion Jean Baptiste Marianne de Tolentino 2014 Chasseriau Correspondance oubliee Les Amis de Theodore Chasseriau edition Paris Peltre Christine 2001 Theodore Chasseriau Paris Gallimard ISBN 207011564X Prat Louis Antoine 1988 Dessins de Theodore Chasseriau 1819 1856 Paris Ministere de la culture et de la communication Editions de la Reunion des musees nationaux ISBN 2711821382 Renan Ary 1897 Les Peintres orientalistes Galerie Durand Ruel Sandoz Marc 1974 Theodore Chasseriau 1819 1856 catalogue raisonne des peintures et estampes Paris Arts et Metiers Graphiques ISBN 2700400038 Teupser Werner Theodore Chasseriau Zeitschrift fur Kunst Vaillat Leandre August 1913 L Œuvre de Theodore Chasseriau Les Arts Vaillat Leandre 1907 Chasseriau L Art et les Artistes External links edit nbsp Media related to Theodore Chasseriau at Wikimedia Commons nbsp Media related to Paintings by Theodore Chasseriau at Wikimedia Commons Website of the Amis de Theodore Chasseriau France Website of the Institut de France Academie des Beaux Arts Prix de Gravure Chasseriau Last prize was given in 2011 to Dominique Vaillier Famille Chasseriau Genealogie d Haiti et de Saint Domingue Theodore Chasseriau at Find a Grave Retrieved from https en wikipedia org w index php title Theodore Chasseriau amp oldid 1217859286, wikipedia, wiki, book, books, library,

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