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Thomas Garner

Thomas Garner (1839 – 30 April 1906) was one of the leading English Gothic revival architects of the Victorian era. He is known for his almost 30-year partnership with architect George Frederick Bodley.

Thomas Garner
Born1839
Wasperton Hill, Warwickshire
Died30 April 1906(1906-04-30) (aged 66–67)
Fritwell Manor, Oxfordshire (buried Downside Abbey)
OccupationArchitect
PracticeBodley and Garner
BuildingsDownside Abbey choir
ProjectsWatts & Co.

Early life edit

Born at Wasperton Hill Farm in Warwickshire, Thomas Garner grew up in a rural setting that gave him an instinctive feeling for country crafts and construction, which were never weakened by long years spent in London.[citation needed]

Career edit

Thomas Garner was articled to the architect Sir Gilbert Scott at the age of 17. One of his immediate predecessors at "Scott's" was George Frederick Bodley, who was already beginning to establish his own reputation. A warm friendship developed between two. When he returned to Warwickshire, Garner undertook various small works as a representative of Scott, including the repair of the old chapel of the Lord Leycester Hospital at Warwick, which he buttressed into security.

Garner married Rose Emily Smith on 6 October 1866. In 1868 he returned to London to help his friend Bodley, and they established the long and fruitful partnership at their office at 7 Gray's Inn Square. Garner lived at No. 20 Church Row in Hampstead from 1867 to 1893.[1]

At first, their collaboration was close and produced such homogeneous work that there was little external evidence of dual authorship. What is noticeable in some of the earlier buildings by the "firm" is the replacement of the French influences which previously had shown themselves in Bodley's work, by a distinctively English style. This period of close collaboration produced the Church of Saint John the Baptist at Tuebrook, Liverpool, soon followed and eclipsed by the Holy Angels at Hoar Cross, Staffordshire, and St Augustine's Church, Pendlebury, near Manchester – the former begun in 1871, the latter in 1873. They also designed St David's Cathedral, Hobart, in Tasmania.

As Bodley and Garner's commissions increased they became less exclusively ecclesiastical. Church building remained predominant but their practice widened to collegiate buildings in Oxford and Cambridge, and to private houses and offices. This broadening of scope reduced their actual collaboration.

Bodley and Garner's pupils included the garden designer Inigo Thomas who specialised in formal gardens with geometrical plans in 17th and 18th century styles, which suited the numerous houses that Bodley and Garner renovated for wealthy clients.

The ensuing period of dual practice under partnership left most of the secular opportunities to the control of the junior partner, Garner, while Bodley, with his penchant for Gothic forms and ecclesiastical work, devoted himself to church building and decoration. Garner was almost exclusively responsible for the design and supervision of most of the work at Oxford, including the alterations and tower at Christ Church, St Swithin's Quadrangle and the High Street Entrance Gate at Magdalen College, and the Master's Lodgings at the University College. He was entirely responsible for the subsequent President's Lodgings at Magdalen College. Garner also designed River House in Tite Street, Chelsea, and the new classroom building at Marlborough College. Hewell Grange, Lord Windsor's Worcestershire mansion, with all its elaborate details, terraced gardens and their architectural accessories, was also his work.

Garner continued to contribute to the firm's ecclesiastical work. He designed the altar screen in St Paul's Cathedral and several sepulchral monuments, including those of the Bishops of Ely, Lincoln, Winchester and Chichester, and that of Henry Parry Liddon. In 1889 he designed the decorated gothic case for the organ at Church of the Holy Trinity, Stratford-upon-Avon.

Despite Bodley's distaste for business and trade, he and Garner also set up a fabric company with Gilbert Scott the younger in 1874, to provide embroidered and textile goods, wallpaper and stained glass. The firm was called Watts & Co, trading initially from Baker Street in London, and still continuing its traditions from premises near Westminster Cathedral. The name derives from Bodley's distaste for trade. When the founders were asked: "Who was Watts?" Bodley replied: "What's in a Name".

The final period of the Bodley and Garner partnership is best seen in St John the Evangelist Church, Oxford, built for the Cowley Fathers in 1894–96.[2]

In 1898 Garner was received into the Roman Catholic Church, and his partnership with Bodley was dissolved for fear that this might harm the latter's business. After dissolving the partnership, Garner designed and supervised the restoration of Yarnton Manor, Oxfordshire in 1897;[3] the Slipper Chapel at Houghton Saint Giles; Moreton House, Hampstead; the Empire Hotel at Buxton by the Duke of Devonshire's estate. The crowning work of his life was the choir of Downside Abbey, near Bath, where his body lies.

He finally returned to the countryside for his final home, Fritwell Manor in Oxfordshire, the Jacobean house that he restored in 1893[4] and where he died in 1906. His interest in conservation was fostered throughout his life by his study of history, fine arts and literature. He and Stratton wrote The Domestic Architecture of England during the Tudor Period, which B. T. Batsford published in 1911.

References edit

  1. ^ Hall, Michael (2016) [2004]. "Garner, Thomas". Oxford Dictionary of National Biography (online ed.). Oxford University Press. doi:10.1093/ref:odnb/33330. (Subscription or UK public library membership required.)
  2. ^ Sherwood & Pevsner 1974, pp. 341–242.
  3. ^ Sherwood & Pevsner 1974, p. 867.
  4. ^ Sherwood & Pevsner 1974, p. 609.

Sources edit

  • Anson, Peter Frederick (1965) [1960]. Fashions in Church Furnishings 1840–1940. London: Studio Vista Ltd.
  • Connor, Rev. Geoffery (2002). Parish Church of St. John the Baptist, Epping.
  • Curl, James Stevens (2000). Oxford Dictionary of Architecture. Oxford: Oxford Paperbacks. ISBN 0-19-280017-5.
  • Sherwood, Jennifer; Pevsner, Nikolaus (1974). Oxfordshire. The Buildings of England. Harmondsworth: Penguin Books. ISBN 0-14-071045-0.
  • Collins, David Mark (1992) The Architecture of George Frederick Bodley 1827–1907 and Thomas Garner 1839–1906 Peterhouse, Cambridge University

External links edit

thomas, garner, english, engraver, engraver, people, with, similar, name, thomas, gardner, disambiguation, this, article, needs, additional, citations, verification, please, help, improve, this, article, adding, citations, reliable, sources, unsourced, materia. For the English engraver see Thomas Garner engraver For people with a similar name see Thomas Gardner disambiguation This article needs additional citations for verification Please help improve this article by adding citations to reliable sources Unsourced material may be challenged and removed Find sources Thomas Garner news newspapers books scholar JSTOR January 2010 Learn how and when to remove this template message Thomas Garner 1839 30 April 1906 was one of the leading English Gothic revival architects of the Victorian era He is known for his almost 30 year partnership with architect George Frederick Bodley Thomas GarnerBorn1839Wasperton Hill WarwickshireDied30 April 1906 1906 04 30 aged 66 67 Fritwell Manor Oxfordshire buried Downside Abbey OccupationArchitectPracticeBodley and GarnerBuildingsDownside Abbey choirProjectsWatts amp Co Contents 1 Early life 2 Career 3 References 4 Sources 5 External linksEarly life editBorn at Wasperton Hill Farm in Warwickshire Thomas Garner grew up in a rural setting that gave him an instinctive feeling for country crafts and construction which were never weakened by long years spent in London citation needed Career editThomas Garner was articled to the architect Sir Gilbert Scott at the age of 17 One of his immediate predecessors at Scott s was George Frederick Bodley who was already beginning to establish his own reputation A warm friendship developed between two When he returned to Warwickshire Garner undertook various small works as a representative of Scott including the repair of the old chapel of the Lord Leycester Hospital at Warwick which he buttressed into security Garner married Rose Emily Smith on 6 October 1866 In 1868 he returned to London to help his friend Bodley and they established the long and fruitful partnership at their office at 7 Gray s Inn Square Garner lived at No 20 Church Row in Hampstead from 1867 to 1893 1 At first their collaboration was close and produced such homogeneous work that there was little external evidence of dual authorship What is noticeable in some of the earlier buildings by the firm is the replacement of the French influences which previously had shown themselves in Bodley s work by a distinctively English style This period of close collaboration produced the Church of Saint John the Baptist at Tuebrook Liverpool soon followed and eclipsed by the Holy Angels at Hoar Cross Staffordshire and St Augustine s Church Pendlebury near Manchester the former begun in 1871 the latter in 1873 They also designed St David s Cathedral Hobart in Tasmania As Bodley and Garner s commissions increased they became less exclusively ecclesiastical Church building remained predominant but their practice widened to collegiate buildings in Oxford and Cambridge and to private houses and offices This broadening of scope reduced their actual collaboration Bodley and Garner s pupils included the garden designer Inigo Thomas who specialised in formal gardens with geometrical plans in 17th and 18th century styles which suited the numerous houses that Bodley and Garner renovated for wealthy clients The ensuing period of dual practice under partnership left most of the secular opportunities to the control of the junior partner Garner while Bodley with his penchant for Gothic forms and ecclesiastical work devoted himself to church building and decoration Garner was almost exclusively responsible for the design and supervision of most of the work at Oxford including the alterations and tower at Christ Church St Swithin s Quadrangle and the High Street Entrance Gate at Magdalen College and the Master s Lodgings at the University College He was entirely responsible for the subsequent President s Lodgings at Magdalen College Garner also designed River House in Tite Street Chelsea and the new classroom building at Marlborough College Hewell Grange Lord Windsor s Worcestershire mansion with all its elaborate details terraced gardens and their architectural accessories was also his work Garner continued to contribute to the firm s ecclesiastical work He designed the altar screen in St Paul s Cathedral and several sepulchral monuments including those of the Bishops of Ely Lincoln Winchester and Chichester and that of Henry Parry Liddon In 1889 he designed the decorated gothic case for the organ at Church of the Holy Trinity Stratford upon Avon Despite Bodley s distaste for business and trade he and Garner also set up a fabric company with Gilbert Scott the younger in 1874 to provide embroidered and textile goods wallpaper and stained glass The firm was called Watts amp Co trading initially from Baker Street in London and still continuing its traditions from premises near Westminster Cathedral The name derives from Bodley s distaste for trade When the founders were asked Who was Watts Bodley replied What s in a Name The final period of the Bodley and Garner partnership is best seen in St John the Evangelist Church Oxford built for the Cowley Fathers in 1894 96 2 In 1898 Garner was received into the Roman Catholic Church and his partnership with Bodley was dissolved for fear that this might harm the latter s business After dissolving the partnership Garner designed and supervised the restoration of Yarnton Manor Oxfordshire in 1897 3 the Slipper Chapel at Houghton Saint Giles Moreton House Hampstead the Empire Hotel at Buxton by the Duke of Devonshire s estate The crowning work of his life was the choir of Downside Abbey near Bath where his body lies He finally returned to the countryside for his final home Fritwell Manor in Oxfordshire the Jacobean house that he restored in 1893 4 and where he died in 1906 His interest in conservation was fostered throughout his life by his study of history fine arts and literature He and Stratton wrote The Domestic Architecture of England during the Tudor Period which B T Batsford published in 1911 References edit Hall Michael 2016 2004 Garner Thomas Oxford Dictionary of National Biography online ed Oxford University Press doi 10 1093 ref odnb 33330 Subscription or UK public library membership required Sherwood amp Pevsner 1974 pp 341 242 Sherwood amp Pevsner 1974 p 867 Sherwood amp Pevsner 1974 p 609 Sources editAnson Peter Frederick 1965 1960 Fashions in Church Furnishings 1840 1940 London Studio Vista Ltd Connor Rev Geoffery 2002 Parish Church of St John the Baptist Epping Curl James Stevens 2000 Oxford Dictionary of Architecture Oxford Oxford Paperbacks ISBN 0 19 280017 5 Sherwood Jennifer Pevsner Nikolaus 1974 Oxfordshire The Buildings of England Harmondsworth Penguin Books ISBN 0 14 071045 0 Collins David Mark 1992 The Architecture of George Frederick Bodley 1827 1907 and Thomas Garner 1839 1906 Peterhouse Cambridge UniversityExternal links editEntry in the Oxford Dictionary of National Biography Retrieved from https en wikipedia org w index php title Thomas Garner amp oldid 1187459520, wikipedia, wiki, book, books, library,

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