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The Rooks Have Returned

The Rooks Have Returned[1] (Russian: Грачи прилетели) is a 1871 painting by Alexei Savrasov. It is kept in the State Tretyakov Gallery.[2] The painting is considered Savrasov's most famous work,[3][4] and its appearance is regarded as "an important stage in the development of Russian landscape painting."[5]

The Rooks Have Returned
ArtistAlexei Savrasov
Year1871
Dimensions62 cm × 48.5 cm (24 in × 19.1 in)
LocationTretyakov Gallery

Savrasov began working on The Rooks in March 1871. The studies for the future painting were done by the artist during his trip to the Kostroma Governorate, when he was in the village of Molvitino (now the village of Susanino, Kostroma Oblast).[6][7][8] The prototype of the church depicted in the painting is the Church of the Resurrection [ru], built in the late 17th century.[9] The place where the artist worked is confirmed by his inscription made in the lower left corner of the canvas: "1871. S. Molvitino. A. Savrasov."[2] Some researchers of Savrasov's work believe that the very first drawings and studies for the painting could have been performed by the artist in Yaroslavl or its environs, shortly before his trip to the Kostroma Governorate.[10][11] After returning from Molvitino, Savrasov worked on the painting in Yaroslavl[12] and then completed it in Moscow,[13] where he returned in early May. The painting was named by the artist The Rooks Have Returned. In the summer of 1871, the painting was purchased from Savrasov by Pavel Tretyakov.[14][15]

In the autumn of 1871, the painting was exhibited at the Moscow Society of Art Lovers [ru],[16] and at the end of the same year, the painting, already under its current name (in the catalogue it was listed with an exclamation mark at the end of the name), was presented at the 1st exhibition of Peredvizhniki,[2] which opened on 28 November in St. Petersburg.[17][18] The Rooks received good reviews: artist Ivan Kramskoi wrote that this painting "is the best, and it is truly beautiful,"[19][20] and art critic Vladimir Stasov noted that it is "probably the best and most original painting by Savrasov."[21]

Painter Isaac Levitan considered The Rooks Have Returned to be one of Savrasov's best paintings. Noting the apparent unpretentiousness of the plot, he wrote that "behind this simplicity you feel the soft, good soul of the artist, to whom all this is dear and close to his heart".[22] Art critic Alexei Fedorov-Davydov called the painting an outstanding work of art and noted that "it has not only artistic, but also general cultural significance."[5][12] Critic and musicologist Boris Asafiev wrote that the painting became "a symbol of the artistic renewal of the sphere of the Russian landscape on "far ahead ", and that with this work Savrasov discovered "a new feeling of spring."[23]

References Edit

  1. ^ "Aleksey Kondratyevich Savrasov". Encyclopædia Britannica. Retrieved 2023-04-03.
  2. ^ a b c Брук, Яков; Иовлева, Лидия, eds. (2006). Государственная Третьяковская галерея: каталог собрания (in Russian). Moscow: Красная площадь. p. 281. ISBN 978-5-93221-148-9. OCLC 34340707.
  3. ^ "Саврасов" [Savrasov]. Great Russian Encyclopedia (in Russian). 2015. Retrieved 2023-04-03.
  4. ^ Petinova, Elena (2001). Русские художники XVIII — начала XX века [Russian artists of the 18th - early 20th century] (in Russian). Saint Petersburg: Avrora (publisher, Russia) [ru; az; uk]. p. 198. ISBN 5-7300-0714-0. OCLC 49903127.
  5. ^ a b Fedorov-Davydov, Aleksei (1950). "Саврасов Алексей Кондратьевич. 1830 - 1897. Жизнь и творчество" [Alexei Kondratyevich Savrasov] (in Russian). Moscow: Издательство Академии художеств СССР. p. 43.
  6. ^ Petinova, Elena (2001). Русские художники XVIII — начала XX века [Russian artists of the 18th - early 20th century] (in Russian). Sankt-Peterburg: Avrora (publisher, Russia) [ru; az; uk]. p. 196. ISBN 5-7300-0714-0. OCLC 49903127.
  7. ^ Новоуспенский, Николай (1967). Алексей Кондратьевич Саврасов [Alexei Kondratyevich Savrasov] (in Russian). Moscow: Iskusstvo (publisher) [ru]. p. 57.
  8. ^ Petrov, Vladimir (1983). А. Саврасов. Из собрания Государственной Третьяковской галереи. Izobrazitelnoye iskusstvo [ru; uk]. p. 20.
  9. ^ Зонтиков, Николай (1999). (PDF). pp. 12, 22. Archived from the original (PDF) on 2017-08-14.
  10. ^ Malʹt︠s︡eva, F. S. (1999). Mastera russkogo peĭzazha 1870-e gody. p. 17. ISBN 5-210-01407-X. OCLC 42603199. {{cite book}}: |work= ignored (help)CS1 maint: location missing publisher (link)
  11. ^ Petrov, V. A. (2000). Alekseĭ Savrasov. Alekseĭ Kondratʹevich Savrasov. Moskva: Belyĭ gorod. pp. 20–21. ISBN 5-7793-0221-9. OCLC 45762037.
  12. ^ a b Новоуспенский, Николай (1967). Алексей Кондратьевич Саврасов [Alexei Kondratyevich Savrasov] (in Russian). Iskusstvo (publisher) [ru]. p. 56.
  13. ^ Petrov, V. A. (2000). Alekseĭ Savrasov. Alekseĭ Kondratʹevich Savrasov. Moskva: Belyĭ gorod. p. 22. ISBN 5-7793-0221-9. OCLC 45762037.
  14. ^ Dobrovolʹskiĭ, Oleg (2001). Savrasov. Moskva: TERRA-Knizhnyĭ klub. p. 185. ISBN 5-300-02986-6. OCLC 47221497.
  15. ^ Мальцева, Фаина (1977). Алексей Кондратьевич Саврасов. Жизнь и творчество [Alexei Kondratievich Savrasov. Life and art] (in Russian). Moscow: Iskusstvo (publisher) [ru]. p. 299. OCLC 248877140.
  16. ^ Новоуспенский, Николай (1967). Алексей Кондратьевич Саврасов [Alexei Kondratyevich Savrasov] (in Russian). Iskusstvo (publisher) [ru]. pp. 64–65.
  17. ^ Гомберг-Вержбинская, Элеонора (1970). Передвижники [Peredvizhniki] (in Russian). Leningrad: Iskusstvo (publisher) [ru]. pp. 3–5.
  18. ^ Лапунова, Нина (1969). Алексей Кондратьевич Саврасов [Alexey Kondratievich Savrasov] (in Russian). Leningrad: Khudozhnik RSFSR [ru]. p. 28.
  19. ^ Коваленская, Татьяна, ed. (1988). Крамской об искусстве [Kramskoi about art] (in Russian) (2nd ed.). Moscow: Izobrazitelnoye iskusstvo [ru; uk]. p. 67. ISBN 5-85200-015-9. OCLC 20183564.
  20. ^ Порудоминский, Владимир (1974). И. Н. Крамской [I. N. Kramskoi] (in Russian). Moscow: Iskusstvo (publisher) [ru]. p. 73.
  21. ^ Stasov, Vladimir (1950). Избранное: живопись, скульптура, графика [Favourites: painting, sculpture, graphics] (in Russian). Vol. 1. Moscow: Iskusstvo (publisher) [ru]. p. 58.
  22. ^ Levitan, Isaac (1956). Письма, документы, воспоминания [Letters, documents, memoirs] (in Russian). Moscow: Iskusstvo (publisher) [ru]. p. 108.
  23. ^ Asafyev, Boris (1955). Избранные труды [Selected works] (in Russian). Vol. 4. Moscow: Издательство Академии наук СССР. p. 80.

rooks, have, returned, help, expand, this, article, with, text, translated, from, corresponding, article, russian, april, 2023, click, show, important, translation, instructions, view, machine, translated, version, russian, article, machine, translation, like,. You can help expand this article with text translated from the corresponding article in Russian April 2023 Click show for important translation instructions View a machine translated version of the Russian article Machine translation like DeepL or Google Translate is a useful starting point for translations but translators must revise errors as necessary and confirm that the translation is accurate rather than simply copy pasting machine translated text into the English Wikipedia Consider adding a topic to this template there are already 2 900 articles in the main category and specifying topic will aid in categorization Do not translate text that appears unreliable or low quality If possible verify the text with references provided in the foreign language article You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation A model attribution edit summary is Content in this edit is translated from the existing Russian Wikipedia article at ru Grachi prileteli see its history for attribution You should also add the template Translated ru Grachi prileteli to the talk page For more guidance see Wikipedia Translation The Rooks Have Returned 1 Russian Grachi prileteli is a 1871 painting by Alexei Savrasov It is kept in the State Tretyakov Gallery 2 The painting is considered Savrasov s most famous work 3 4 and its appearance is regarded as an important stage in the development of Russian landscape painting 5 The Rooks Have ReturnedArtistAlexei SavrasovYear1871Dimensions62 cm 48 5 cm 24 in 19 1 in LocationTretyakov GallerySavrasov began working on The Rooks in March 1871 The studies for the future painting were done by the artist during his trip to the Kostroma Governorate when he was in the village of Molvitino now the village of Susanino Kostroma Oblast 6 7 8 The prototype of the church depicted in the painting is the Church of the Resurrection ru built in the late 17th century 9 The place where the artist worked is confirmed by his inscription made in the lower left corner of the canvas 1871 S Molvitino A Savrasov 2 Some researchers of Savrasov s work believe that the very first drawings and studies for the painting could have been performed by the artist in Yaroslavl or its environs shortly before his trip to the Kostroma Governorate 10 11 After returning from Molvitino Savrasov worked on the painting in Yaroslavl 12 and then completed it in Moscow 13 where he returned in early May The painting was named by the artist The Rooks Have Returned In the summer of 1871 the painting was purchased from Savrasov by Pavel Tretyakov 14 15 In the autumn of 1871 the painting was exhibited at the Moscow Society of Art Lovers ru 16 and at the end of the same year the painting already under its current name in the catalogue it was listed with an exclamation mark at the end of the name was presented at the 1st exhibition of Peredvizhniki 2 which opened on 28 November in St Petersburg 17 18 The Rooks received good reviews artist Ivan Kramskoi wrote that this painting is the best and it is truly beautiful 19 20 and art critic Vladimir Stasov noted that it is probably the best and most original painting by Savrasov 21 Painter Isaac Levitan considered The Rooks Have Returned to be one of Savrasov s best paintings Noting the apparent unpretentiousness of the plot he wrote that behind this simplicity you feel the soft good soul of the artist to whom all this is dear and close to his heart 22 Art critic Alexei Fedorov Davydov called the painting an outstanding work of art and noted that it has not only artistic but also general cultural significance 5 12 Critic and musicologist Boris Asafiev wrote that the painting became a symbol of the artistic renewal of the sphere of the Russian landscape on far ahead and that with this work Savrasov discovered a new feeling of spring 23 References Edit Aleksey Kondratyevich Savrasov Encyclopaedia Britannica Retrieved 2023 04 03 a b c Bruk Yakov Iovleva Lidiya eds 2006 Gosudarstvennaya Tretyakovskaya galereya katalog sobraniya in Russian Moscow Krasnaya ploshad p 281 ISBN 978 5 93221 148 9 OCLC 34340707 Savrasov Savrasov Great Russian Encyclopedia in Russian 2015 Retrieved 2023 04 03 Petinova Elena 2001 Russkie hudozhniki XVIII nachala XX veka Russian artists of the 18th early 20th century in Russian Saint Petersburg Avrora publisher Russia ru az uk p 198 ISBN 5 7300 0714 0 OCLC 49903127 a b Fedorov Davydov Aleksei 1950 Savrasov Aleksej Kondratevich 1830 1897 Zhizn i tvorchestvo Alexei Kondratyevich Savrasov in Russian Moscow Izdatelstvo Akademii hudozhestv SSSR p 43 Petinova Elena 2001 Russkie hudozhniki XVIII nachala XX veka Russian artists of the 18th early 20th century in Russian Sankt Peterburg Avrora publisher Russia ru az uk p 196 ISBN 5 7300 0714 0 OCLC 49903127 Novouspenskij Nikolaj 1967 Aleksej Kondratevich Savrasov Alexei Kondratyevich Savrasov in Russian Moscow Iskusstvo publisher ru p 57 Petrov Vladimir 1983 A Savrasov Iz sobraniya Gosudarstvennoj Tretyakovskoj galerei Izobrazitelnoye iskusstvo ru uk p 20 Zontikov Nikolaj 1999 Simvol Rossii O hrame izobrazhyonnom na kartine A K Savrasova Grachi prileteli PDF pp 12 22 Archived from the original PDF on 2017 08 14 Malʹt s eva F S 1999 Mastera russkogo peĭzazha 1870 e gody p 17 ISBN 5 210 01407 X OCLC 42603199 a href Template Cite book html title Template Cite book cite book a work ignored help CS1 maint location missing publisher link Petrov V A 2000 Alekseĭ Savrasov Alekseĭ Kondratʹevich Savrasov Moskva Belyĭ gorod pp 20 21 ISBN 5 7793 0221 9 OCLC 45762037 a b Novouspenskij Nikolaj 1967 Aleksej Kondratevich Savrasov Alexei Kondratyevich Savrasov in Russian Iskusstvo publisher ru p 56 Petrov V A 2000 Alekseĭ Savrasov Alekseĭ Kondratʹevich Savrasov Moskva Belyĭ gorod p 22 ISBN 5 7793 0221 9 OCLC 45762037 Dobrovolʹskiĭ Oleg 2001 Savrasov Moskva TERRA Knizhnyĭ klub p 185 ISBN 5 300 02986 6 OCLC 47221497 Malceva Faina 1977 Aleksej Kondratevich Savrasov Zhizn i tvorchestvo Alexei Kondratievich Savrasov Life and art in Russian Moscow Iskusstvo publisher ru p 299 OCLC 248877140 Novouspenskij Nikolaj 1967 Aleksej Kondratevich Savrasov Alexei Kondratyevich Savrasov in Russian Iskusstvo publisher ru pp 64 65 Gomberg Verzhbinskaya Eleonora 1970 Peredvizhniki Peredvizhniki in Russian Leningrad Iskusstvo publisher ru pp 3 5 Lapunova Nina 1969 Aleksej Kondratevich Savrasov Alexey Kondratievich Savrasov in Russian Leningrad Khudozhnik RSFSR ru p 28 Kovalenskaya Tatyana ed 1988 Kramskoj ob iskusstve Kramskoi about art in Russian 2nd ed Moscow Izobrazitelnoye iskusstvo ru uk p 67 ISBN 5 85200 015 9 OCLC 20183564 Porudominskij Vladimir 1974 I N Kramskoj I N Kramskoi in Russian Moscow Iskusstvo publisher ru p 73 Stasov Vladimir 1950 Izbrannoe zhivopis skulptura grafika Favourites painting sculpture graphics in Russian Vol 1 Moscow Iskusstvo publisher ru p 58 Levitan Isaac 1956 Pisma dokumenty vospominaniya Letters documents memoirs in Russian Moscow Iskusstvo publisher ru p 108 Asafyev Boris 1955 Izbrannye trudy Selected works in Russian Vol 4 Moscow Izdatelstvo Akademii nauk SSSR p 80 Retrieved from https en wikipedia org w index php title The Rooks Have Returned amp oldid 1176128658, wikipedia, wiki, book, books, library,

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