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The Book of Human Insects

January 21, 2023

The Book of Human Insects (Japanese: 人間昆虫記, Hepburn: Ningen Konchūki, also known as Human Metamorphosis) is a Japanese seinen manga series written and illustrated by Osamu Tezuka. It is about Toshiko Tomura, the "Woman of Talent", who is able to leech the abilities out of people, constantly reinventing herself. The manga was originally serialized in Akita Shoten's manga magazine Play Comic from May 9, 1970 to February 13, 1971. It has been published in Japan multiple times by many publishers, in either an omnibus edition or two volumes. Vertical published an omnibus edition in North America on September 20, 2011. The manga was adapted into a seven-episode live-action drama in 2011 by WOWOW.

The Book of Human Insects
The cover of the first edition of The Book of Human Insects published by Mushi Production, featuring the protagonist Toshiko Tomura
人間昆虫記
(Ningen Konchūki)
Manga
Written byOsamu Tezuka
Published byAkita Shoten
English publisher
MagazinePlay Comic
DemographicSeinen
Original runMay 9, 1970 – February 13, 1971
Volumes1
Television drama
Directed by
Original networkWOWOW
Original run July 30, 2011 – September 10, 2011
Episodes7

Plot

Toshiko Tomura (born Kageri Usuba) is a former star of the theatrical company Theatre Claw and the winner of the New York Design Academy Award. Known as the "Woman of Talent", she wins the Akutagawa Prize for her story "The Book of Human Insects". After the ceremony, designer Ryotaro Mizuno tells her that her former roommate, also a budding writer named Kageri Usuba, has committed suicide. Tabloid journalist Kametaro Aokusa follows her back to her hometown and observes her acting like a child, suckling a wax figure of her dead mother. She convinces him to keep mum in exchange for meeting him and telling him her story. Instead, Hyoroku Hachisuka, the former chief acting director of Theatre Claw, meets him and warns him against her. When Tomura had joined his troupe, she was able to mimic the lead, leeching the talent out of her and doing the same for the other members of the troupe. Eventually, she targeted the director's position, ousting him by accusing him of molestation. Tomura and Mizuno meet, and he relates how after he designed a book for a Theatre Claw play, she asked to be his assistant and he fell in love with her. When he was endorsed to enter the New York Design Academy Award's contest, he discovered that she had already sent a replica of his entry, ruining his career prospects. Tomura hires anarchist Heihachi Arikawa to kill Aokusa. He reveals to him that Tomura had murdered Usuba after using her draft, and shoots him.

After Mizuno rejects her, Tomura meets gangster Sesson Kabuto who tells her that she will transform into Arikawa next. After being provoked by her, Arikawa starts a sexual relationship with Tomura, which she uses to steal plans from him. Arikawa attempts to assassinate the Prime Minister, but he had switched cars after the plan was leaked by Tomura in a story. Mizuno's firm needs an advance payment, so his client Kinbu introduces him to one of his employees, Shimiji, who looks just like Tomura, and the two eventually get married. Tomura and Arikawa travel to Seoul to obtain fake travel identification and Arikawa is killed by police called by Tomura. Because of her associations with Kabuto, Tomura is arrested, but she is let go in exchange for sex with Kiriro Kamaishi, a board member of a large steel company. Tomura vows revenge against him, provoking him using a newspaper piece and a story, and the two write a marriage contract.

Kamaishi devises a plan to force the resignation of the CEO of his company in order to start a trade deal with China. Tomura gets pregnant and is prevented from getting an abortion by him, but she switches attires with Shimiji and manages to get one. Kamaishi orchestrates a buyout of his company after it loses Taiwanese business, and is installed as CEO. Tomura seduces Kamaishi's secretary Jun to get the combination to his safe, finding papers connecting him to a fraudulent 3 billion yen loan, and sells them to Kabuto. The resulting investigation causes Kamaishi to commit suicide. Meanwhile, Shimiji gets sick and dies from cancer, prompting Mizuno to murder Kinbun, who had abused her and forced four abortions.

Gravure photographer Tamao Yamato is assigned to photograph Tomura, tracking her down to her hometown and finding her sleeping with a pacifier in her mouth amongst department store items. Hachisuka warns Yamato of Tomura's past, but Yamato gets Tomura to agree to be photographed under the condition that it be done in Greece. Tomura burns her house down and learns about Mizuno's crime. Tomura is photographed nude on an outcrop, and when Hachisuka finds them, poisons his drink. Using Tomura's diary which was found by Hachisuka, Yamato discovers her past, but she exchanges it for photographs of Yamato handing Hachisuka the poisoned drink, as well as the photographs taken of her. Tomura moves to Greece, staying as a photographer and exhibiting the nudes as her own work.

Media

Manga

The manga was serialized in Akita Shoten's manga magazine Play Comic from May 9, 1970 to February 13, 1971.[1] Mushi Production collected the four chapters into a single volume in 1972.[2] Daitosha [ja] republished the manga in 1974.[3] Akita Shoten collected the manga in two bunkobon volumes in 1979.[4] Kodansha published two volumes also on February 10, 1983[5] and March 11, 1983[6] as part of the Osamu Tezuka Complete Works series.[7] In 1987, Daitosha reprinted the original omnibus edition.[8] Akita Shoten published an omnibus edition in 1993.[9] They reprinted the omnibus edition again in March 1995.[10] The Complete Works edition was reprinted by Kodansha on April 12, 2012.[1]

Vertical announced at the 2010 New York Anime Festival that it had licensed the manga,[11] releasing an omnibus hardcover edition on September 20, 2011[12] and a softcover edition on December 4, 2012.[13] The manga has also been published in France by Sakka,[14] and in Taiwan by the China Times Publishing Company[15] and Taiwan Tohan.[16]

Live-action drama

The manga was adapted into a seven-episode live-action drama in 2011 by WOWOW.[17] It was directed by Kazuya Shiraishi and Izumi Takahashi[18] and starred Minami as Tomura Toshiki with Yukiya Kitamura, Shingo Tsurumi, and Kyōko Matsunaga.[17]

Themes

I wrote this story in a time when all the news blaring on the television and in the newspapers was gloomy—the antagonism towards those groups calling themselves the New Left, indiscriminate acts of terrorism, the quagmire of Vietnam, and the Cultural Revolution in China. On the other hand, it was also a time of Japan's high economic growth running at full speed for the world's top GNP spot. The sunshine and the shadows of this absurd time made me want to depict a strong, Machiavellian woman living through it.

Afterword, Osamu Tezuka[19]

In Mechademia, scholar Mary A. Knighton observes Tezuka's love for insects which formed a collecting hobby for him, part of his pen name,[a] and the name of his company Mushi Production. He incorporated them into many of his works, including one adapted from Jean-Henri Fabre's Souvenirs Entomologiques,[21] and the manga itself was named after these popular essays.[22][b] Knighton compares Tomura to a butterfly or larval insect because of how she "sheds one female skin in order to assume the next and is periodically born anew in a process of metamorphosis".[24] Additionally, she views Tomura as representing postwar Japan at the end of the manga—standing alone in the ruins of the Acropolis of Athens—as a criticism of "a race to prosperity" modeled on the West.[25] Influenced by the changing roles of women in his times, Tezuka's protagonist becomes a "feminist species" for which he uses "stereotypes to exploit both sympathy and antagonism toward feminists".[25] This species functions as an allegory for Japanese domestic and international power relations, as well as Tezuka's own experiments with the new trend of gekiga.[19] Tomura's adaptation to human society reflects its "repellant qualities",[26] and her character fits into Tezuka's earlier adult[27] and more progressive works.[28] Tomura and Shijimi are alter egos, with the latter being victimized by a patriarchal society, but Tomura refusing to be traditional like her.[29] With "her biology no longer her destiny[,] the insect woman is thus made, not born".[30] Knighton argues that the act of "becoming" both an insect and a woman provides a new context in which to view Tomura without the preconceived constraints of either role.[31] The choice of a female insect allows Tezuka's male readers to comfortably interpret her character without risk of becoming "feminized" themselves.[32] Finally, Knighton notes Tezuka's preference for hermaphroditic insects, which inspired the man-woman hybrid protagonists in many of his stories.[33]

In "Tezuka's Gekiga: Behind the Mask of Manga", Philip Brophy notes that while Tomura's depiction as a "guileful manipulator" is reminiscent of modern misogynistic stories, it ties back to Japanese cultural history and mythology, which is "portrayed by abused women who ply their sexuality with survivalist verve".[34] He also calls the manga "Tezuka's harshest assessment of the human condition" because of his "razing of any maternal, sisterly, or romantic attributes from Tomura".[34] Lastly he calls Tezuka's art a tool used to deconstruct the "human interiority and confront the nothingness attained through remorseless acts", with Tomura's character "less fleshed out and more poured out and conjured as an empty vessel."[34] Comparing the manga to Tezuka's Princess Knight, The Comics Journal writer Kristy Valenti finds both concerned with "gender as performance", where Kabuto finds that a woman, like liquor, can take on different appearances and tastes.[35] Valenti also views Shimiji as a parallel to Tomura, with both looking alike and denied agency of their own bodies. Valenti sees Tomura as a symbol for postwar Japan—noting the repeated emphasis on her birth year of 1947—with Tezuka appealing to an audience near twenty years old and confronting anxiety stemming from women's changing roles, as well as mass-media "copies".[35]

Reception

Joseph Luster of Otaku USA noted Tezuka's "ability to simultaneously play with narrative devices and the emotions of his readers"; the former with how he uses different viewpoints, and the latter with Luster first hating Tomura but later pitying her.[36] Luster concluded that the manga is: "sexy, dark, and ultimately kind of tragic".[36] Carlo Santos of Anime News Network called the story gripping, with Tezuka "creating a massive but memorable network of characters", as well as with its twists and "twisted psychology".[37] Santos also felt that the manga represented Tezuka at his most serious with the focus on action and the ambitious art, with its "wild metaphors and images jump[ing] off the page."[37] However, Santos criticized the exaggerated character designs which clashed with the manga's realistic themes, the misogynistic actions of the male characters, and the pacing at certain points.[37] Katie Skelly complimented the contemporary fashion depicted with the character's clothing. She felt that the manga was Tezuka's response to gekiga, but that the "cartoony" character design diminished some of its seriousness. Skelly could also identify with the start of the manga where Tomura's accomplishments are questioned by the public.[38] Chris Kirby of the Fandom Post found Tomura to be an unsympathetic character, but called her compelling to observe in the manga's "dog-eat-dog world of the 60s and 70s".[39] Kirby also complimented Tezuka's ability to pursue multiple ideas and commentary in the manga without losing focus. Lastly he noted the importance of Tezuka's art style, where he uses "experimentation and expression", and which represents a "personal metamorphosis of Tezuka himself."[39] Melinda Beasi of Manga Bookshelf found herself surprisingly sympathetic towards Tomura, saying that Tezuka "treats her with more respect and even affection" compared to Ayako, and that, while the manga is scathing, an "exuberance to Tezuka's writing ... keeps it from sinking into real darkness."[40] Tom Spurgeon said that Tomura's "awfulness" was "weirdly enjoyable" because of Tezuka's frank portrayal of her. He also felt that Tezuka's art kept the reader's interest with its variety, saying: "It's another sign of a great artist that they can seemingly do whatever they want and yet what they choose to do remains worthwhile."[41] Steve Bennett of ICv2 described the manga as an "unbelievably bleak, unsentimental indictment of human life that makes no attempt to impart anything like a moral", concluding that it is a "compelling work, meant for a genuinely mature audience, skillfully told by [Tezuka]."[42] David Brothers of Comics Alliance called Tezuka's art style "eminently readable", with a skillful use of panels and metaphors, and said of Tezuka: "his cartooning is wonderful, his writing relentlessly focused, and his plotting just that right balance of creepy and exciting."[43] Lori Henderson of Manga Village compared Tomura's sociopathic nature to Yuki's from MW, but said that the former is an example of "survival of the fittest", while the latter is a product of his environment.[44] She also calls Tomura inhuman in her ability to evolve and survive, with Mizuno serving as a foil to her and being the only one able to affect her. Henderson concludes that Tomura is a sympathetic character, that the story with Kamaishi was the highlight of the manga, and that the manga is a "great thriller".[44]

The manga charted on The New York Times Manga Best Sellers list, being the seventh best-selling manga for the week ending on October 8, 2011.[45]

See also

  • The Insect Woman – A film that uses insects as a metaphor for its female protagonist

Notes

  1. ^ Derived from the name of the ground beetle (osamushi in Japanese), Tezuka's pen name was formed by adding the kanji for insect (虫) at the end of his real first name.[20]
  2. ^ The Japanese title of The Book of Human Insects is Ningen Konchūki, while Jean-Henri Fabre's Souvenirs Entomologiques was translated in Japan as Konchūki.[21][23]

References

  1. ^ a b 人間昆虫記. Kodansha (in Japanese). Retrieved 8 April 2016.
  2. ^ 人間昆虫記. OCLC 675774840.
  3. ^ . Mandarake (in Japanese). Archived from the original on 18 April 2016. Retrieved 18 April 2016.
  4. ^ 間昆虫記 (1979年) (秋田漫画文庫). Amazon Japan (in Japanese). Retrieved 18 April 2016.
  5. ^ . Kodansha (in Japanese). Archived from the original on 7 May 2016. Retrieved 8 April 2016.
  6. ^ . Kodansha (in Japanese). Archived from the original on 7 May 2016. Retrieved 8 April 2016.
  7. ^ 人間昆虫記１. e-hon (in Japanese). Retrieved 9 April 2016.
  8. ^ 人間昆虫記 (ハードコミックス) (in Japanese). ASIN 4886533426.
  9. ^ 人間昆虫記 (1巻 全巻). Manga Zenkan (in Japanese). Retrieved 9 April 2016.
  10. ^ 人間昆虫記 (秋田文庫―The best story by Osamu Tezuka) (in Japanese). ASIN 4253171206.
  11. ^ Loo, Egan (October 9, 2010). "Vertical Adds Manga by Osamu Tezuka, Usamaru Furuya". Anime News Network. Retrieved 8 April 2016.
  12. ^ Manry, Gia (September 20, 2011). "North American Anime, Manga Releases: September 18–24". Anime News Network. Retrieved 8 April 2016.
  13. ^ Hodgkins, Crystalyn (December 4, 2012). "North American Anime, Manga Releases, December 2–8". Anime News Network. Retrieved 8 April 2016.
  14. ^ . Casterman (in French). Archived from the original on 22 December 2016. Retrieved 18 April 2016.
  15. ^ 人間昆蟲記 (1). Readingtimes (in Chinese). from the original on 21 December 2016. Retrieved 18 April 2016.
  16. ^ . Taiwan Tohan (in Chinese). Archived from the original on 18 April 2016. Retrieved 18 April 2016.
  17. ^ a b Luster, Joseph (May 9, 2011). "Tezuka's Book of Human Insects Adapted into TV Drama". Otaku USA. Retrieved 1 January 2019.
  18. ^ "WOWOW Midnight Drama 'Human Metamorphosis'". Tezuka Osamu World. May 5, 2011. Retrieved 22 April 2016.
  19. ^ a b Knighton, p. 11
  20. ^ Knighton, p. 3
  21. ^ a b Knighton, Mary A. (2013). "'Becoming-Insect Woman': Tezuka's Feminist Species". Mechademia. 8 (1): 4. doi:10.1353/mec.2013.0001. S2CID 123149712.
  22. ^ "The Book of Human Insects". Vertical. Retrieved 18 April 2016.
  23. ^ "Insects Provide Insight Into Japanese Culture". Virginia Foundation for the Humanities. October 2014. Retrieved 22 April 2016.
  24. ^ Knighton, p. 8
  25. ^ a b Knighton, p. 10
  26. ^ Knighton, p. 12
  27. ^ Knighton, p. 13
  28. ^ Knighton, p. 14
  29. ^ Knighton, p. 15
  30. ^ Knighton, p. 16
  31. ^ Knighton, p. 17
  32. ^ Knighton, p. 18
  33. ^ Knighton, p. 19
  34. ^ a b c Brophy, Philip (April 15, 2010). "Tezuka's Gekiga: Behind the Mask of Manga". In Johnson-Woods, Toni (ed.). Manga: An Anthology of Global and Cultural Perspectives. Bloomsbury Publishing USA. p. 134. ISBN 978-0-8264-2938-4. (author copy)
  35. ^ a b Valenti, Kristy (November 25, 2011). . Comixology. Archived from the original on 20 December 2016. Retrieved 8 April 2016.
  36. ^ a b Luster, Joseph (October 4, 2011). "The Book of Human Insects". Otaku USA. Retrieved 1 January 2019.
  37. ^ a b c Santos, Carlo (September 27, 2011). "Right Turn Only!! - New Moon Rising". Anime News Network. Retrieved 8 April 2016.
  38. ^ Mike Dawson (April 22, 2015). "Katie Skelly on The Book of Human Insects by Osamu Tezuka". The Comics Journal (Podcast). Event occurs at 4:38. Retrieved 8 April 2016.
  39. ^ a b Kirby, Chris (September 23, 2011). "The Book of Human Insects Manga Review". The Fandom Post. Retrieved 8 April 2016.
  40. ^ Beasi, Melinda (November 11, 2011). "Off the Shelf: Destruction, Despair, & Other Stories". Manga Bookshelf. Retrieved 8 April 2016.
  41. ^ Spurgeon, Tom (September 16, 2011). "The Book Of Human Insects". The Comics Reporter. Retrieved 8 April 2016.
  42. ^ Bennett, Steve (October 2, 2011). "Review: 'The Book of Human Insects' HC (Manga)". ICv2. Retrieved 8 April 2016.
  43. ^ Brothers, David (September 30, 2011). "Osamu Tezuka's 'The Book of Human Insects' Will Creep You Out And Draw You In". Comics Alliance. from the original on 6 January 2016. Retrieved 8 April 2016.
  44. ^ a b Henderson, Lori (February 20, 2012). "Book of Human Insects: Manga Movable Feast". Manga Village. Retrieved 8 April 2016.
  45. ^ "Manga Best Sellers October 23, 2011". The New York Times. October 23, 2011. Retrieved 6 April 2016.

External links

  • Manga at official Tezuka website
  • The Book of Human Insects (manga) at Anime News Network's encyclopedia
  • Drama official website (in Japanese)

January 21, 2023
book, human, insects, japanese, 人間昆虫記, hepburn, ningen, konchūki, also, known, human, metamorphosis, japanese, seinen, manga, series, written, illustrated, osamu, tezuka, about, toshiko, tomura, woman, talent, able, leech, abilities, people, constantly, reinve. The Book of Human Insects Japanese 人間昆虫記 Hepburn Ningen Konchuki also known as Human Metamorphosis is a Japanese seinen manga series written and illustrated by Osamu Tezuka It is about Toshiko Tomura the Woman of Talent who is able to leech the abilities out of people constantly reinventing herself The manga was originally serialized in Akita Shoten s manga magazine Play Comic from May 9 1970 to February 13 1971 It has been published in Japan multiple times by many publishers in either an omnibus edition or two volumes Vertical published an omnibus edition in North America on September 20 2011 The manga was adapted into a seven episode live action drama in 2011 by WOWOW The Book of Human InsectsThe cover of the first edition of The Book of Human Insects published by Mushi Production featuring the protagonist Toshiko Tomura人間昆虫記 Ningen Konchuki MangaWritten byOsamu TezukaPublished byAkita ShotenEnglish publisherNA VerticalMagazinePlay ComicDemographicSeinenOriginal runMay 9 1970 February 13 1971Volumes1Television dramaDirected byKazuya ShiraishiIzumi TakahashiOriginal networkWOWOWOriginal runJuly 30 2011 September 10 2011Episodes7 Contents 1 Plot 2 Media 2 1 Manga 2 2 Live action drama 3 Themes 4 Reception 5 See also 6 Notes 7 References 8 External linksPlot EditToshiko Tomura born Kageri Usuba is a former star of the theatrical company Theatre Claw and the winner of the New York Design Academy Award Known as the Woman of Talent she wins the Akutagawa Prize for her story The Book of Human Insects After the ceremony designer Ryotaro Mizuno tells her that her former roommate also a budding writer named Kageri Usuba has committed suicide Tabloid journalist Kametaro Aokusa follows her back to her hometown and observes her acting like a child suckling a wax figure of her dead mother She convinces him to keep mum in exchange for meeting him and telling him her story Instead Hyoroku Hachisuka the former chief acting director of Theatre Claw meets him and warns him against her When Tomura had joined his troupe she was able to mimic the lead leeching the talent out of her and doing the same for the other members of the troupe Eventually she targeted the director s position ousting him by accusing him of molestation Tomura and Mizuno meet and he relates how after he designed a book for a Theatre Claw play she asked to be his assistant and he fell in love with her When he was endorsed to enter the New York Design Academy Award s contest he discovered that she had already sent a replica of his entry ruining his career prospects Tomura hires anarchist Heihachi Arikawa to kill Aokusa He reveals to him that Tomura had murdered Usuba after using her draft and shoots him After Mizuno rejects her Tomura meets gangster Sesson Kabuto who tells her that she will transform into Arikawa next After being provoked by her Arikawa starts a sexual relationship with Tomura which she uses to steal plans from him Arikawa attempts to assassinate the Prime Minister but he had switched cars after the plan was leaked by Tomura in a story Mizuno s firm needs an advance payment so his client Kinbu introduces him to one of his employees Shimiji who looks just like Tomura and the two eventually get married Tomura and Arikawa travel to Seoul to obtain fake travel identification and Arikawa is killed by police called by Tomura Because of her associations with Kabuto Tomura is arrested but she is let go in exchange for sex with Kiriro Kamaishi a board member of a large steel company Tomura vows revenge against him provoking him using a newspaper piece and a story and the two write a marriage contract Kamaishi devises a plan to force the resignation of the CEO of his company in order to start a trade deal with China Tomura gets pregnant and is prevented from getting an abortion by him but she switches attires with Shimiji and manages to get one Kamaishi orchestrates a buyout of his company after it loses Taiwanese business and is installed as CEO Tomura seduces Kamaishi s secretary Jun to get the combination to his safe finding papers connecting him to a fraudulent 3 billion yen loan and sells them to Kabuto The resulting investigation causes Kamaishi to commit suicide Meanwhile Shimiji gets sick and dies from cancer prompting Mizuno to murder Kinbun who had abused her and forced four abortions Gravure photographer Tamao Yamato is assigned to photograph Tomura tracking her down to her hometown and finding her sleeping with a pacifier in her mouth amongst department store items Hachisuka warns Yamato of Tomura s past but Yamato gets Tomura to agree to be photographed under the condition that it be done in Greece Tomura burns her house down and learns about Mizuno s crime Tomura is photographed nude on an outcrop and when Hachisuka finds them poisons his drink Using Tomura s diary which was found by Hachisuka Yamato discovers her past but she exchanges it for photographs of Yamato handing Hachisuka the poisoned drink as well as the photographs taken of her Tomura moves to Greece staying as a photographer and exhibiting the nudes as her own work Media EditManga Edit The manga was serialized in Akita Shoten s manga magazine Play Comic from May 9 1970 to February 13 1971 1 Mushi Production collected the four chapters into a single volume in 1972 2 Daitosha ja republished the manga in 1974 3 Akita Shoten collected the manga in two bunkobon volumes in 1979 4 Kodansha published two volumes also on February 10 1983 5 and March 11 1983 6 as part of the Osamu Tezuka Complete Works series 7 In 1987 Daitosha reprinted the original omnibus edition 8 Akita Shoten published an omnibus edition in 1993 9 They reprinted the omnibus edition again in March 1995 10 The Complete Works edition was reprinted by Kodansha on April 12 2012 1 Vertical announced at the 2010 New York Anime Festival that it had licensed the manga 11 releasing an omnibus hardcover edition on September 20 2011 12 and a softcover edition on December 4 2012 13 The manga has also been published in France by Sakka 14 and in Taiwan by the China Times Publishing Company 15 and Taiwan Tohan 16 Live action drama Edit The manga was adapted into a seven episode live action drama in 2011 by WOWOW 17 It was directed by Kazuya Shiraishi and Izumi Takahashi 18 and starred Minami as Tomura Toshiki with Yukiya Kitamura Shingo Tsurumi and Kyōko Matsunaga 17 Themes EditI wrote this story in a time when all the news blaring on the television and in the newspapers was gloomy the antagonism towards those groups calling themselves the New Left indiscriminate acts of terrorism the quagmire of Vietnam and the Cultural Revolution in China On the other hand it was also a time of Japan s high economic growth running at full speed for the world s top GNP spot The sunshine and the shadows of this absurd time made me want to depict a strong Machiavellian woman living through it Afterword Osamu Tezuka 19 In Mechademia scholar Mary A Knighton observes Tezuka s love for insects which formed a collecting hobby for him part of his pen name a and the name of his company Mushi Production He incorporated them into many of his works including one adapted from Jean Henri Fabre s Souvenirs Entomologiques 21 and the manga itself was named after these popular essays 22 b Knighton compares Tomura to a butterfly or larval insect because of how she sheds one female skin in order to assume the next and is periodically born anew in a process of metamorphosis 24 Additionally she views Tomura as representing postwar Japan at the end of the manga standing alone in the ruins of the Acropolis of Athens as a criticism of a race to prosperity modeled on the West 25 Influenced by the changing roles of women in his times Tezuka s protagonist becomes a feminist species for which he uses stereotypes to exploit both sympathy and antagonism toward feminists 25 This species functions as an allegory for Japanese domestic and international power relations as well as Tezuka s own experiments with the new trend of gekiga 19 Tomura s adaptation to human society reflects its repellant qualities 26 and her character fits into Tezuka s earlier adult 27 and more progressive works 28 Tomura and Shijimi are alter egos with the latter being victimized by a patriarchal society but Tomura refusing to be traditional like her 29 With her biology no longer her destiny the insect woman is thus made not born 30 Knighton argues that the act of becoming both an insect and a woman provides a new context in which to view Tomura without the preconceived constraints of either role 31 The choice of a female insect allows Tezuka s male readers to comfortably interpret her character without risk of becoming feminized themselves 32 Finally Knighton notes Tezuka s preference for hermaphroditic insects which inspired the man woman hybrid protagonists in many of his stories 33 In Tezuka s Gekiga Behind the Mask of Manga Philip Brophy notes that while Tomura s depiction as a guileful manipulator is reminiscent of modern misogynistic stories it ties back to Japanese cultural history and mythology which is portrayed by abused women who ply their sexuality with survivalist verve 34 He also calls the manga Tezuka s harshest assessment of the human condition because of his razing of any maternal sisterly or romantic attributes from Tomura 34 Lastly he calls Tezuka s art a tool used to deconstruct the human interiority and confront the nothingness attained through remorseless acts with Tomura s character less fleshed out and more poured out and conjured as an empty vessel 34 Comparing the manga to Tezuka s Princess Knight The Comics Journal writer Kristy Valenti finds both concerned with gender as performance where Kabuto finds that a woman like liquor can take on different appearances and tastes 35 Valenti also views Shimiji as a parallel to Tomura with both looking alike and denied agency of their own bodies Valenti sees Tomura as a symbol for postwar Japan noting the repeated emphasis on her birth year of 1947 with Tezuka appealing to an audience near twenty years old and confronting anxiety stemming from women s changing roles as well as mass media copies 35 Reception EditJoseph Luster of Otaku USA noted Tezuka s ability to simultaneously play with narrative devices and the emotions of his readers the former with how he uses different viewpoints and the latter with Luster first hating Tomura but later pitying her 36 Luster concluded that the manga is sexy dark and ultimately kind of tragic 36 Carlo Santos of Anime News Network called the story gripping with Tezuka creating a massive but memorable network of characters as well as with its twists and twisted psychology 37 Santos also felt that the manga represented Tezuka at his most serious with the focus on action and the ambitious art with its wild metaphors and images jump ing off the page 37 However Santos criticized the exaggerated character designs which clashed with the manga s realistic themes the misogynistic actions of the male characters and the pacing at certain points 37 Katie Skelly complimented the contemporary fashion depicted with the character s clothing She felt that the manga was Tezuka s response to gekiga but that the cartoony character design diminished some of its seriousness Skelly could also identify with the start of the manga where Tomura s accomplishments are questioned by the public 38 Chris Kirby of the Fandom Post found Tomura to be an unsympathetic character but called her compelling to observe in the manga s dog eat dog world of the 60s and 70s 39 Kirby also complimented Tezuka s ability to pursue multiple ideas and commentary in the manga without losing focus Lastly he noted the importance of Tezuka s art style where he uses experimentation and expression and which represents a personal metamorphosis of Tezuka himself 39 Melinda Beasi of Manga Bookshelf found herself surprisingly sympathetic towards Tomura saying that Tezuka treats her with more respect and even affection compared to Ayako and that while the manga is scathing an exuberance to Tezuka s writing keeps it from sinking into real darkness 40 Tom Spurgeon said that Tomura s awfulness was weirdly enjoyable because of Tezuka s frank portrayal of her He also felt that Tezuka s art kept the reader s interest with its variety saying It s another sign of a great artist that they can seemingly do whatever they want and yet what they choose to do remains worthwhile 41 Steve Bennett of ICv2 described the manga as an unbelievably bleak unsentimental indictment of human life that makes no attempt to impart anything like a moral concluding that it is a compelling work meant for a genuinely mature audience skillfully told by Tezuka 42 David Brothers of Comics Alliance called Tezuka s art style eminently readable with a skillful use of panels and metaphors and said of Tezuka his cartooning is wonderful his writing relentlessly focused and his plotting just that right balance of creepy and exciting 43 Lori Henderson of Manga Village compared Tomura s sociopathic nature to Yuki s from MW but said that the former is an example of survival of the fittest while the latter is a product of his environment 44 She also calls Tomura inhuman in her ability to evolve and survive with Mizuno serving as a foil to her and being the only one able to affect her Henderson concludes that Tomura is a sympathetic character that the story with Kamaishi was the highlight of the manga and that the manga is a great thriller 44 The manga charted on The New York Times Manga Best Sellers list being the seventh best selling manga for the week ending on October 8 2011 45 See also Edit Anime and manga portalThe Insect Woman A film that uses insects as a metaphor for its female protagonistNotes Edit Derived from the name of the ground beetle osamushi in Japanese Tezuka s pen name was formed by adding the kanji for insect 虫 at the end of his real first name 20 The Japanese title of The Book of Human Insects is Ningen Konchuki while Jean Henri Fabre s Souvenirs Entomologiques was translated in Japan as Konchuki 21 23 References Edit a b 人間昆虫記 Kodansha in Japanese Retrieved 8 April 2016 人間昆虫記 OCLC 675774840 大都社 ハードコミックス 手塚治虫 人間昆虫記 初版 帯付 Mandarake in Japanese Archived from the original on 18 April 2016 Retrieved 18 April 2016 間昆虫記 1979年 秋田漫画文庫 Amazon Japan in Japanese Retrieved 18 April 2016 人間昆虫記 １ Kodansha in Japanese Archived from the original on 7 May 2016 Retrieved 8 April 2016 人間昆虫記 ２ Kodansha in Japanese Archived from the original on 7 May 2016 Retrieved 8 April 2016 人間昆虫記１ e hon in Japanese Retrieved 9 April 2016 人間昆虫記 ハードコミックス in Japanese ASIN 4886533426 人間昆虫記 1巻 全巻 Manga Zenkan in Japanese Retrieved 9 April 2016 人間昆虫記 秋田文庫 The best story by Osamu Tezuka in Japanese ASIN 4253171206 Loo Egan October 9 2010 Vertical Adds Manga by Osamu Tezuka Usamaru Furuya Anime News Network Retrieved 8 April 2016 Manry Gia September 20 2011 North American Anime Manga Releases September 18 24 Anime News Network Retrieved 8 April 2016 Hodgkins Crystalyn December 4 2012 North American Anime Manga Releases December 2 8 Anime News Network Retrieved 8 April 2016 La Femme insecte Casterman in French Archived from the original on 22 December 2016 Retrieved 18 April 2016 人間昆蟲記 1 Readingtimes in Chinese Archived from the original on 21 December 2016 Retrieved 18 April 2016 人間昆蟲記 1 Taiwan Tohan in Chinese Archived from the original on 18 April 2016 Retrieved 18 April 2016 a b Luster Joseph May 9 2011 Tezuka s Book of Human Insects Adapted into TV Drama Otaku USA Retrieved 1 January 2019 WOWOW Midnight Drama Human Metamorphosis Tezuka Osamu World May 5 2011 Retrieved 22 April 2016 a b Knighton p 11 Knighton p 3 a b Knighton Mary A 2013 Becoming Insect Woman Tezuka s Feminist Species Mechademia 8 1 4 doi 10 1353 mec 2013 0001 S2CID 123149712 The Book of Human Insects Vertical Retrieved 18 April 2016 Insects Provide Insight Into Japanese Culture Virginia Foundation for the Humanities October 2014 Retrieved 22 April 2016 Knighton p 8 a b Knighton p 10 Knighton p 12 Knighton p 13 Knighton p 14 Knighton p 15 Knighton p 16 Knighton p 17 Knighton p 18 Knighton p 19 a b c Brophy Philip April 15 2010 Tezuka s Gekiga Behind the Mask of Manga In Johnson Woods Toni ed Manga An Anthology of Global and Cultural Perspectives Bloomsbury Publishing USA p 134 ISBN 978 0 8264 2938 4 author copy a b Valenti Kristy November 25 2011 Theatricality in Osamu Tezuka s Princess Knight and The Book of Human Insects Comixology Archived from the original on 20 December 2016 Retrieved 8 April 2016 a b Luster Joseph October 4 2011 The Book of Human Insects Otaku USA Retrieved 1 January 2019 a b c Santos Carlo September 27 2011 Right Turn Only New Moon Rising Anime News Network Retrieved 8 April 2016 Mike Dawson April 22 2015 Katie Skelly on The Book of Human Insects by Osamu Tezuka The Comics Journal Podcast Event occurs at 4 38 Retrieved 8 April 2016 a b Kirby Chris September 23 2011 The Book of Human Insects Manga Review The Fandom Post Retrieved 8 April 2016 Beasi Melinda November 11 2011 Off the Shelf Destruction Despair amp Other Stories Manga Bookshelf Retrieved 8 April 2016 Spurgeon Tom September 16 2011 The Book Of Human Insects The Comics Reporter Retrieved 8 April 2016 Bennett Steve October 2 2011 Review The Book of Human Insects HC Manga ICv2 Retrieved 8 April 2016 Brothers David September 30 2011 Osamu Tezuka s The Book of Human Insects Will Creep You Out And Draw You In Comics Alliance Archived from the original on 6 January 2016 Retrieved 8 April 2016 a b Henderson Lori February 20 2012 Book of Human Insects Manga Movable Feast Manga Village Retrieved 8 April 2016 Manga Best Sellers October 23 2011 The New York Times October 23 2011 Retrieved 6 April 2016 External links EditManga at official Tezuka website The Book of Human Insects manga at Anime News Network s encyclopedia Drama official website in Japanese Retrieved from https en wikipedia org w index php title The Book of Human Insects amp oldid 1104223104, wikipedia, wiki, book, books, library,

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