The Blueprint

For other uses, see Blueprint (disambiguation).

The Blueprint is the sixth studio album by American rapper Jay-Z, released on September 11, 2001, through Roc-A-Fella Records and Def Jam Recordings. Its release was set a week earlier than initially planned in order to combat bootlegging. Recording sessions for the album took place during 2001 at Manhattan Center Studios and Baseline Studios in New York City. Contrasting the radio-friendly sound of Jay-Z's previous work, The Blueprint features soul-based sampling and production handled primarily by Kanye West, Just Blaze, and Bink, as well as Timbaland, Trackmasters, and Eminem, who also contributes the album's sole guest feature.

The Blueprint
Studio album by Jay-Z
Released	September 11, 2001 (2001-09-11)
Recorded	May–July 2001
Studio	Baseline Studios (New York City)
Genre	East Coast hip hop
Length	63:25
Label	Roc-A-Fella Def Jam
Producer	Kanye West Just Blaze Bink Timbaland The Trackmasters Eminem Luis Resto
Jay-Z chronology
The Dynasty: Roc La Familia (2000) The Blueprint (2001) Jay-Z Unplugged (2001)
Singles from The Blueprint
"Izzo (H.O.V.A.)" Released: July 28, 2001 "Girls, Girls, Girls" Released: October 2, 2001 "Jigga That Nigga" Released: January 29, 2002 "Song Cry" Released: April 16, 2002^[1]

At the time of the album's recording, Jay-Z was awaiting two criminal trials, one for gun possession and another for assault, and had become one of hip hop's most dissed artists, receiving insults from rappers such as Nas, Prodigy, and Jadakiss.^[2][3] The album is also famous for both its producers Kanye West and Just Blaze's breakouts as major producers. West produced four of the thirteen tracks on the album, including the songs "Izzo (H.O.V.A.)" and the controversial "Takeover", which included diss lyrics aimed at rappers Nas and Prodigy, while Just Blaze produced three tracks, "Girls, Girls, Girls", "Song Cry", and "U Don't Know", also including the hidden bonus track "Breathe Easy (Lyrical Exercise)".

The Blueprint received universal acclaim from music critics, with praise being directed at Jay-Z's lyricism and the production. It is considered one of his best albums and has also been labeled as one of the greatest hip-hop albums of all time. Despite its release coinciding with the September 11 attacks, it sold over 427,000 copies in its opening week and debuted at number one in the US, holding the spot for three weeks. It was later certified 2x Multi-Platinum by the RIAA. In 2019, the album was selected by the Library of Congress for preservation in the United States National Recording Registry for being "culturally, historically, or aesthetically significant," being the first entry created in the 21st century.^[4]

Background

The Blueprint was reportedly cut in two weeks, with Jay-Z recording nine songs in two days.^[5] At the time, he was awaiting two criminal trials for gun possession and assault. He was also engaged in feuds with various rappers such as Jadakiss, Fat Joe and in particular Nas and Mobb Deep member Prodigy. In the song "Takeover", Jay-Z attacks the two Queensbridge rappers, using a sample of the song "Five to One" by The Doors^[6] and an interpolation of David Bowie's "Fame".^[7] On The Blueprint, Jay-Z and his producers used vintage soul as inspiration, including a vocal sample on almost every track from such artists as Al Green, Bobby "Blue" Bland, David Ruffin and The Jackson 5. Exceptions include "Jigga That Nigga", "Hola Hovito", and "Renegade", a track produced by and featuring the rapper Eminem, and the only track on the album featuring another rapper on verses.

Blueprint Lounge Tour

In late August, Jay-Z announced a September–October tour in small venues.^[8] Because of the September 11 attacks occurring on the same day the album was released, the first two performances were rescheduled. Chicago, San Francisco, and Los Angeles were subsequently added, and Jay-Z donated to relief organizations one dollar of the cost of each ticket sold for the tour.

Cover

The photograph on the album's cover, taken by Jonathan Mannion, was inspired by one from The Firm, a series by Jocelyn Bain Hogg depicting organized crime in Britain. Instead of the telephone and brass knuckles seen next to the ashtray in the original picture, a cigar, a pack of cigars and a microphone were placed.^[9]

Reception and impact

Professional ratings

Aggregate scores
Source	Rating
Metacritic	88/100^[10]
Review scores
Source	Rating
AllMusic	^[11]
Blender	^[12]
Entertainment Weekly	B−^[13]
Los Angeles Times	^[14]
NME	^[15]
Pitchfork	8.7/10^[16]
Rolling Stone	^[2]
Uncut	^[17]
USA Today	^[18]
The Village Voice	A−^[19]

The Blueprint received rave reviews from critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 88, which indicates "universal acclaim", based on 12 reviews.^[10] Upon its release, The Blueprint was hailed by Vibe's dream hampton as Jay-Z's best album, as well as the best album of the year,^[20] while The Source awarded The Blueprint a perfect "five-mic" rating,^[21] a distinction reserved for hip hop classics.^[22] Nathan Rabin called it Jay-Z's "strongest, tightest, most consistent album since his legendary debut, 1996's Reasonable Doubt."^[23]

 

 

The Blueprint established Kanye West and Just Blaze as major hip hop producers.

The popularity and commercial success of The Blueprint established Kanye West and Just Blaze as two of hip hop's most celebrated producers. West in particular would later be signed by Roc-A-Fella Records in 2002. Both West and Just Blaze would go on to have successful music careers. Furthermore, The Blueprint signaled a major stylistic shift in hip hop production towards a more Soulcentric and sample-reliant sound, creating a number of imitators who attempted to emulate the album's atmospheric style. Prior to The Blueprint, mainstream hip-hop producers had largely eschewed music sampling in favor of the keyboard-driven Timbaland sound (characterized by a shifting, syncopated rhythm, similar to samba or jungle music), due to the financial and legal issues associated with copyright laws.

The Blueprint, however, revived musical sampling as a common practice in hip hop music and dislodged the digital keyboard-driven production style as the dominant sound in hip-hop music.^[24] West would later incorporate some of the production and sampling techniques he used on this album into his own solo albums. Entertainment Weekly put it on its end-of-the-decade, "best-of" list, saying, "One of the greatest poets ever to pick up a mic released his magnum opus in 2001. One retirement and one un-retirement later, it's still his finest hour."^[25]

In 2003, The Blueprint was ranked number 464 on Rolling Stone magazine's list of the 500 greatest albums of all time;^[26] in a revised list in 2012, it was ranked number 252;^[27] in the 2020 revised list, the album was ranked number 50.^[28] Pitchfork named The Blueprint the second best album of 2000–2004, and in 2010, it ranked fifth on their Top 200 Albums of the 2000s list.^[29] It is ranked at number 4 on Rolling Stone magazine's list of the "100 Best Albums of the 2000s".^[30] The album received a perfect "XXL" rating from XXL magazine in a 2007 retrospective article.^[6] The Blueprint was also included in the book 1001 Albums You Must Hear Before You Die.^[31]

Accolades

Album of the Year

• Ranked #4 in NME's 50 "Albums of the Year 2001".
• Ranked #5 in Rolling Stone's "Top 10 of 2001".
• Ranked #7 in Spin magazine's "Albums of the Year 2001".
• Ranked #12 in Wire magazine's "50 Records of the Year 2001".^[32]

Best Album of the 2000s

• Ranked #1 in Complex Magazine's "The 100 Best Albums of the 2000s".
• Ranked #7 in The Stylus Decade's "Top 100 Albums of the 2000s".
• Ranked #4 in Rolling Stone magazine's list of "100 Best Albums of the 2000s"^[30]
• Ranked #5 in Pitchfork's "The Top 200 Albums of the 2000s".^[33]

Top Album

• Ranked #6 in Billboard's Critics Pick of the decade 1999-2009^[34]
• Ranked #2 in Pitchfork's "The Top 100 Albums of 2000-04".
• Ranked #5 in Stylus Magazine's "Top 50 Albums of 2000-2005".

Best Album of the Decade

• Ranked #2 in Entertainment Weekly's Best Albums of the Decade.
• Ranked #42 in Paste's 50 Best Albums of the Decade.^[35]
• Ranked #4 in Rolling Stone magazine's list of the 100 Best Albums of the Decade in 2009.^[36]
• Ranked #20 in Rhapsody's "100 Best Albums of the Decade" in 2009.^[37]
• Ranked #8 in Vibe's "The Greatest 50 Albums Since '93" in 2013.^[38]

Greatest Album of All Time

• Ranked #456 in Rolling Stone magazine's list of the 500 greatest albums of all time in 2003.
• Ranked #252 in Rolling Stone magazine's revised list of the 500 greatest albums of all time in 2012.
• Ranked #50 in Rolling Stone magazine's revised list of the 500 greatest albums of all time in 2020.
• Unranked in 1001 Albums You Must Hear Before You Die

Commercial performance

In spite of its release coinciding with the 9/11 attacks, The Blueprint sold over 427,000 copies in its opening week,^[39] becoming Jay-Z's fourth consecutive album to reach number one on the Billboard 200 chart. It was certified double platinum as sales stand at over two million units in the U.S.^[40][41] Sales stand at 2.7 million as of February 2012.^[42]

Track listing

No.	Title	Writer(s)	Producer(s)	Length
1.	"The Ruler's Back"	Shawn Carter Roosevelt Harrell III Phil Hurtt Walter Sigler	Bink	3:50
2.	"Takeover"	Carter Kanye West Eric Burdon Lawrence Parker Alan Lomax Bryan Chandler Rodney Lemay Jim Morrison John Densmore Robby Krieger Ray Manzarek	Kanye West	5:13
3.	"Izzo (H.O.V.A.)"	Carter West Berry Gordy Alphonso Mizell Freddie Perren Deke Richards	Kanye West	4:00
4.	"Girls, Girls, Girls"	Carter Justin Smith Tom Brock Robert Relf	Just Blaze	4:35
5.	"Jigga That Nigga"	Carter Jean-Claude Olivier Samuel Barnes	Trackmasters	3:24
6.	"U Don't Know"	Carter Smith Bobby Byrd	Just Blaze	3:19
7.	"Hola' Hovito"	Carter Timothy Mosley	Timbaland	4:33
8.	"Heart of the City (Ain't No Love)"	Carter West Michael Price Dan Walsh	Kanye West	3:43
9.	"Never Change"	Carter West Robert Eugene Miller	Kanye West	3:59
10.	"Song Cry"	Carter Smith Douglas Gibbs Ralph Johnson	Just Blaze	5:04
11.	"All I Need"	Carter Harrell Michael D. Monroe	Bink	4:27
12.	"Renegade" (featuring Eminem)	Carter Marshall Mathers Luis Resto	Eminem Luis Resto^[a]	5:38
13.	"Blueprint (Momma Loves Me)"	Carter Harrell Al Green	Bink	3:41

Hidden tracks

No.	Title	Writer(s)	Producer(s)	Length
14.	"Breathe Easy (Lyrical Exercise)"	Carter Smith Tyrone Thomas August Moon Gerald Brown Stanley Clarke Michael Garson Raymond Gomez	Just Blaze	3:45
15.	"Girls, Girls, Girls (Part 2)"	Carter Smith Robert Poindexter Jackie Members	Kanye West	4:14

Notes

• ^{^[a]} signifies an additional producer
• "Takeover" features additional vocals by Josey Scott.
• "Izzo (H.O.V.A.)" features uncredited vocals by Demme Uloa.
• "Girls, Girls, Girls" features additional vocals by Q-Tip, Slick Rick and Biz Markie.
• "Jigga That Nigga" features additional vocals by Stephanie Miller and Michelle Mills.
• "Heart Of The City (Ain't No Love)" features uncredited vocals by Keon Bryce.
• "Never Change" features uncredited vocals by Kanye West.
• "Blueprint (Momma Loves Me)" features background vocals by Schevise Harrell and Luren Leek.
• "Girls, Girls, Girls (Part 2)" features uncredited vocals by Michael Jackson.

Samples

• "The Ruler's Back" contains a sample of "If" performed by Jackie Moore, and an interpolation of "The Ruler's Back" performed by Slick Rick.
• "Takeover" contains samples of "Five to One" performed by The Doors, "Sound of da Police" performed by KRS-One, and an interpolation of "Fame" performed by David Bowie.
• "Izzo (H.O.V.A.)" contains a sample of "I Want You Back" performed by Jackson 5.
• "Girls, Girls, Girls" contains a sample of "There's Nothing in This World That Can Stop Me from Loving You" performed by Tom Brock, and "High Power Rap" performed by Crash Crew.
• "U Don't Know" contains a sample of "I'm Not to Blame" performed by Bobby Byrd.
• "Heart of the City (Ain't No Love)" contains a sample of "Ain't No Love in the Heart of the City" performed by Bobby Blue Bland.
• "Never Change" contains a sample of "Common Man" performed by David Ruffin.
• "Song Cry" contains a sample of "Sounds Like a Love Song" performed by Bobby Glenn.
• "All I Need" contains a sample of "I Can't Break Away" performed by Natalie Cole.
• "Blueprint (Momma Loves Me)" contains a sample of "Free at Last" performed by Al Green.
• "Breathe Easy (Lyrical Exercise)" contains a sample of "Got to Find My Own Place" performed by Stanley Clarke.
• "Girls, Girls, Girls (Part 2)" contains a sample of "Trying Girls Out" performed by The Persuaders.

Bonus tracks

As with Vol. 3... Life and Times of S. Carter, Jay-Z put two hidden bonus tracks at the end of the final track. "Blueprint (Momma Loves Me)" is 3:41 by itself. Twenty-five seconds of silence follows after and the bonus track "Breathe Easy (Lyrical Exercise)" begins. That song fades and is immediately followed by "Girls, Girls, Girls (Part 2)". It is reported^{[by whom?]} that the latter song features uncredited vocals by Michael Jackson. The final track as a whole is 12:07. On the iTunes Store, however, these bonus tracks are released as separate tracks, thus making the album 15 tracks long. On the vinyl edition, there are no long gaps between the songs, but they are not printed on the back of the album jacket or record label.

Personnel

Shawn "Jay-Z" Carter – performer, executive producer Eminem – performer, producer, mixing Slick Rick – vocals Q-Tip – vocals Biz Markie – vocals Demme Ulloa – vocals Schevise Harrell – vocals Lauren Leek – vocals Keon Bryce – vocals Stephanie Miller – vocals Michele Mills – vocals Josey Scott – vocals Victor Flowers – organ Kanye West – producer, vocals Just Blaze – producer Bink – producer Timbaland – producer Poke & Tone – producer DJ Head – drum programming

Damon Dash – executive producer Kareem "Biggs" Burke – executive producer Gimel "Young Guru" Keaton – engineer, mixing Jimmy Douglas – engineer, mixing Rajon Wright – assistant engineer Shane Woodley – assistant engineer Jason Goldstein – mixing Richard Huredia – mixing Supa Engineer "Duro" – mixing Doug Wilson – mixing Tony Vanias – recording director Tony Dawsey – mastering Jason Noto – art direction Jonathan Mannion – photography Della Valle – images Dana "Sonni Black" Anderson – composer Sonet Lumiere Philadelphia – music publisher

Charts

Weekly charts Chart (2001) Peak position Canadian Albums (Billboard)^[43] 3 Canadian R&B Albums (Nielsen SoundScan)^[44] 7 Dutch Albums (Album Top 100)^[45] 51 French Albums (SNEP)^[46] 73 German Albums (Offizielle Top 100)^[47] 55 Norwegian Albums (VG-lista)^[48] 36 Scottish Albums (OCC)^[49] 56 Swedish Albums (Sverigetopplistan)^[50] 30 Swiss Albums (Schweizer Hitparade)^[51] 59 UK Albums (OCC)^[52] 30 US Billboard 200^[53] 1 US Top R&B/Hip-Hop Albums (Billboard)^[54] 1

Year-end charts Chart (2001) Position Canadian Albums (Nielsen SoundScan)^[55] 92 Canadian R&B Albums (Nielsen SoundScan)^[56] 21 Canadian Rap Albums (Nielsen SoundScan)^[57] 10 US Billboard 200^[58] 52 US Top R&B/Hip-Hop Albums (Billboard)^[59] 12 Chart (2002) Position Canadian R&B Albums (Nielsen SoundScan)^[60] 100 Canadian Rap Albums (Nielsen SoundScan)^[61] 55 US Billboard 200^[62] 123 US Top R&B/Hip-Hop Albums (Billboard)^[63] 44

Certifications

Region	Certification	Certified units/sales
Canada (Music Canada)^[64]	Platinum	100,000^^
United Kingdom (BPI)^[66]	Gold	212,000^[65]
United States (RIAA)^[67]	2× Platinum	2,000,000^^
^^ Shipments figures based on certification alone.

See also

• List of number-one albums of 2001 (U.S.)
• List of number-one R&B albums of 2001 (U.S.)

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External links

• The Blueprint at Discogs
• The Blueprint at Metacritic
• Album Review^{[permanent dead link]} at Blender
• at Stylus Magazine
• at acclaimedmusic.net