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Systems of Romance

Systems of Romance, released on 8 September 1978,[6] is the third album by British new wave band Ultravox (an exclamation mark having been dropped from the moniker earlier in the year). It was the final recording for the group with original lead singer, lyricist and co-composer John Foxx, and their first album without guitarist Stevie Shears, who had left the band. Shears was replaced by Robin Simon, making his first and only appearance on an Ultravox album. Though not a commercial success, Systems of Romance had a significant influence on the electropop music that came after it.

Systems of Romance
Studio album by
Released8 September 1978
Recorded1978
StudioConny's Studio in Cologne, West Germany
GenreNew wave
Length36:09
LabelIsland
Producer
Ultravox chronology
Ha!-Ha!-Ha!
(1977)
Systems of Romance
(1978)
Three into One
(1979)
Professional ratings
Review scores
SourceRating
AllMusic[1]
Christgau's Record GuideB+[2]
Record Mirror[3]
Sounds[4]
Uncut8/10[5]

Production and style edit

Co-produced by Conny Plank and Dave Hutchins, Systems of Romance featured the band's heaviest use of electronics to date. More new wave orientated than the glam- and punk-influenced tunes that characterised their first two albums, Ultravox! and Ha!-Ha!-Ha!, its style was partly inspired by German band Kraftwerk, whose first four albums were produced by Plank. Among Ultravox's own repertoire, antecedents included Billy Currie's distinctive synthesizer work on "The Man Who Dies Every Day" and the romantic balladry of "Hiroshima Mon Amour", both from Ha!-Ha!-Ha!.

The opening song, "Slow Motion", was indicative of the band's direction on the new album. It is noted for its advanced production for the time, having featured a multi effects pedal guitar sound and also synthesizer bass replacing conventional bass, as on various other of the album's songs. The song also featured a number of rich synthesizer parts throughout the piece rather than simply a discreet solo or special effect. For drummer Warren Cann, "it perfectly represented our amalgamation of rock and synthesizer, many of the ideas and aspirations we had for our music gelled in that song".[7]

The subject matter of "Quiet Men" grew out of an alternate persona developed by John Foxx, 'The Quiet Man', who embodied detachment and observation. Musically, like the earlier "Hiroshima Mon Amour", the track dispensed with conventional drums in favour of a Roland TR-77 rhythm box. "Dislocation" and "Just for a Moment" eschewed all acoustic and synthetic drums, relying on treated ARP Odyssey sounds for their percussive effects. The former song was imbued with a heavy proto-industrial flavour; the latter featured church-like vocal and keyboard effects that would be echoed on Foxx's second solo album, The Garden. "When You Walk Through Me" displayed psychedelic touches that Foxx also developed in his solo career; Cann later admitted to lifting its beat from The Beatles' "Tomorrow Never Knows".[8] "Some of Them" was one of the few tracks that harked back to the band's previous hard rock sound.

Title edit

The title Systems of Romance was inspired by Conny Plank's interest in systems music and his systems of recording, and by mathematical structures found in certain paintings, literature and music. "I liked the idea of intangible emotional elements running through mathematical frameworks", John Foxx later said. "It seemed a perfect encapsulation of the spirit of the music I was attempting to get to at that moment."[9] A song of the same title was not included on the album, but later recorded by John Foxx for his 1981 album The Garden.

Release and aftermath edit

The album's September 1978 release was book-ended by two singles, "Slow Motion" in August and "Quiet Men" in October. Like Ultravox's previous albums, Systems of Romance received mixed reviews at the time and failed to chart.

The reviews in the British music press were mixed. One supportive writer in NME celebrated Ultravox "new sound" described as "crisp, clean, digital, slightly mechanical, yet showing an inchoative eroticism", while Ian Penman in another edition of the same magazine wrote: "Forget the Pere Ubu/Bowie/Kraftwerk etc comparisons - next to Ultravox they're the difference between insights and platitudes." In a positive review, John Gill at Sounds gave the album a four out of five rating: "Whatever anyone says, Ultravox (sans"!") have always been that important step ahead of fashion... Personally I don't think it's their best (album) but the deftly alienating production and the tricky use of electronics make it an important enough development in the career of a band that always aims for the unusual". Systems of Romance sold over 20 000 copies on its release, but neither the album nor the singles entered the charts.[10]

The band was eventually dropped by their label Island Records just weeks after they had made a performance on The Old Grey Whistle Test and prior to a 1979 tour of the US. During the tour Foxx, tired of rows with other members,[11] and of being in a group, announced his intention to leave Ultravox when he returned to England.[10] Guitarist Robin Simon also left, electing to stay in New York City. Chris Cross, Billy Currie and Warren Cann worked on other projects while recruiting a new lead singer/guitarist (Midge Ure). This line-up of Ultravox played their final concert together in Los Angeles in March 1979.

Influence edit

Systems of Romance has been cited as a major influence on the synthpop music scene of the late 1970s and early 1980s.[citation needed] It was the sonic prototype for the re-formed Ultravox featuring Midge Ure who, in his own words, "loved that album".[12] John Foxx's first record as a solo artist was the almost fully electronic Metamatic, however, his next release, The Garden, took Systems of Romance as its starting point, to the extent of re-recording the earlier album's previously unpublished title song, utilising Robin Simon on guitar. Gary Numan, himself often called the "godfather of electropop", described the record as his single biggest musical inspiration;[13] he invited Billy Currie to tour with him in 1979 and contribute to his album The Pleasure Principle, prior to Ultravox's second incarnation.

Track listing edit

No.TitleWriter(s)Length
1."Slow Motion"Warren Cann, Chris Cross, Billy Currie, John Foxx, Robin Simon3:29
2."I Can't Stay Long"Cann, Cross, Currie, Foxx, Simon4:16
3."Someone Else's Clothes"Currie, Foxx4:25
4."Blue Light"Cann, Cross, Currie, Foxx, Simon3:09
5."Some of Them"Currie, Foxx2:29
6."Quiet Men"Cross, Currie, Foxx4:08
7."Dislocation"Currie, Foxx2:55
8."Maximum Acceleration"Foxx3:53
9."When You Walk Through Me"Currie, Foxx, Simon4:15
10."Just for a Moment"Currie, Foxx3:10
2006 reissue bonus tracks
No.TitleWriter(s)Length
11."Cross Fade"Cann, Cross, Currie, Foxx2:53
12."Quiet Men (Full Version)"Cross, Currie, Foxx3:55

Personnel edit

Ultravox

References edit

  1. ^ Thompson, Dave. "Systems of Romance – Ultravox". AllMusic. Retrieved 12 September 2012.
  2. ^ Christgau, Robert (1981). "U". Christgau's Record Guide: Rock Albums of the Seventies. Ticknor and Fields. ISBN 0-89919-026-X. Retrieved 17 March 2019 – via robertchristgau.com.
  3. ^ Hall, Philip (30 September 1978). "Ultravox: Systems of Romance". Record Mirror. p. 19.
  4. ^ Gill, John (2 September 1978). "'Vox continental". Sounds. p. 29.
  5. ^ Dalton, Stephen (June 2018). "How to Buy... John Foxx". Uncut. No. 253. p. 45.
  6. ^ www.metamatic.com
  7. ^ Warren Cann & Jonas Warstad (1997). "Ultravox: The Story – Warren Cann interviewed by Jonas Warstad": p.20
  8. ^ Warren Cann & Jonas Warstad (1997). Ibid: p.23
  9. ^ John Foxx interview thequietman.co.uk
  10. ^ a b Systems of Romance reissue CD sleeve notes, 2006
  11. ^ Warren Cann & Jonas Warstad (1997)
  12. ^ Midge Ure (2004). If I Was... The Autobiography
  13. ^ Gary Numan Talks About Ultravox Youtube

systems, romance, released, september, 1978, third, album, british, wave, band, ultravox, exclamation, mark, having, been, dropped, from, moniker, earlier, year, final, recording, group, with, original, lead, singer, lyricist, composer, john, foxx, their, firs. Systems of Romance released on 8 September 1978 6 is the third album by British new wave band Ultravox an exclamation mark having been dropped from the moniker earlier in the year It was the final recording for the group with original lead singer lyricist and co composer John Foxx and their first album without guitarist Stevie Shears who had left the band Shears was replaced by Robin Simon making his first and only appearance on an Ultravox album Though not a commercial success Systems of Romance had a significant influence on the electropop music that came after it Systems of RomanceStudio album by UltravoxReleased8 September 1978Recorded1978StudioConny s Studio in Cologne West GermanyGenreNew waveLength36 09LabelIslandProducerConny Plank Ultravox Dave HutchinsUltravox chronologyHa Ha Ha 1977 Systems of Romance 1978 Three into One 1979 Professional ratingsReview scoresSourceRatingAllMusic 1 Christgau s Record GuideB 2 Record Mirror 3 Sounds 4 Uncut8 10 5 Contents 1 Production and style 2 Title 3 Release and aftermath 4 Influence 5 Track listing 6 Personnel 7 ReferencesProduction and style editCo produced by Conny Plank and Dave Hutchins Systems of Romance featured the band s heaviest use of electronics to date More new wave orientated than the glam and punk influenced tunes that characterised their first two albums Ultravox and Ha Ha Ha its style was partly inspired by German band Kraftwerk whose first four albums were produced by Plank Among Ultravox s own repertoire antecedents included Billy Currie s distinctive synthesizer work on The Man Who Dies Every Day and the romantic balladry of Hiroshima Mon Amour both from Ha Ha Ha The opening song Slow Motion was indicative of the band s direction on the new album It is noted for its advanced production for the time having featured a multi effects pedal guitar sound and also synthesizer bass replacing conventional bass as on various other of the album s songs The song also featured a number of rich synthesizer parts throughout the piece rather than simply a discreet solo or special effect For drummer Warren Cann it perfectly represented our amalgamation of rock and synthesizer many of the ideas and aspirations we had for our music gelled in that song 7 The subject matter of Quiet Men grew out of an alternate persona developed by John Foxx The Quiet Man who embodied detachment and observation Musically like the earlier Hiroshima Mon Amour the track dispensed with conventional drums in favour of a Roland TR 77 rhythm box Dislocation and Just for a Moment eschewed all acoustic and synthetic drums relying on treated ARP Odyssey sounds for their percussive effects The former song was imbued with a heavy proto industrial flavour the latter featured church like vocal and keyboard effects that would be echoed on Foxx s second solo album The Garden When You Walk Through Me displayed psychedelic touches that Foxx also developed in his solo career Cann later admitted to lifting its beat from The Beatles Tomorrow Never Knows 8 Some of Them was one of the few tracks that harked back to the band s previous hard rock sound Title editThe title Systems of Romance was inspired by Conny Plank s interest in systems music and his systems of recording and by mathematical structures found in certain paintings literature and music I liked the idea of intangible emotional elements running through mathematical frameworks John Foxx later said It seemed a perfect encapsulation of the spirit of the music I was attempting to get to at that moment 9 A song of the same title was not included on the album but later recorded by John Foxx for his 1981 album The Garden Release and aftermath editThe album s September 1978 release was book ended by two singles Slow Motion in August and Quiet Men in October Like Ultravox s previous albums Systems of Romance received mixed reviews at the time and failed to chart The reviews in the British music press were mixed One supportive writer in NME celebrated Ultravox new sound described as crisp clean digital slightly mechanical yet showing an inchoative eroticism while Ian Penman in another edition of the same magazine wrote Forget the Pere Ubu Bowie Kraftwerk etc comparisons next to Ultravox they re the difference between insights and platitudes In a positive review John Gill at Sounds gave the album a four out of five rating Whatever anyone says Ultravox sans have always been that important step ahead of fashion Personally I don t think it s their best album but the deftly alienating production and the tricky use of electronics make it an important enough development in the career of a band that always aims for the unusual Systems of Romance sold over 20 000 copies on its release but neither the album nor the singles entered the charts 10 The band was eventually dropped by their label Island Records just weeks after they had made a performance on The Old Grey Whistle Test and prior to a 1979 tour of the US During the tour Foxx tired of rows with other members 11 and of being in a group announced his intention to leave Ultravox when he returned to England 10 Guitarist Robin Simon also left electing to stay in New York City Chris Cross Billy Currie and Warren Cann worked on other projects while recruiting a new lead singer guitarist Midge Ure This line up of Ultravox played their final concert together in Los Angeles in March 1979 Influence editSystems of Romance has been cited as a major influence on the synthpop music scene of the late 1970s and early 1980s citation needed It was the sonic prototype for the re formed Ultravox featuring Midge Ure who in his own words loved that album 12 John Foxx s first record as a solo artist was the almost fully electronic Metamatic however his next release The Garden took Systems of Romance as its starting point to the extent of re recording the earlier album s previously unpublished title song utilising Robin Simon on guitar Gary Numan himself often called the godfather of electropop described the record as his single biggest musical inspiration 13 he invited Billy Currie to tour with him in 1979 and contribute to his album The Pleasure Principle prior to Ultravox s second incarnation Track listing editNo TitleWriter s Length1 Slow Motion Warren Cann Chris Cross Billy Currie John Foxx Robin Simon3 292 I Can t Stay Long Cann Cross Currie Foxx Simon4 163 Someone Else s Clothes Currie Foxx4 254 Blue Light Cann Cross Currie Foxx Simon3 095 Some of Them Currie Foxx2 296 Quiet Men Cross Currie Foxx4 087 Dislocation Currie Foxx2 558 Maximum Acceleration Foxx3 539 When You Walk Through Me Currie Foxx Simon4 1510 Just for a Moment Currie Foxx3 10 2006 reissue bonus tracksNo TitleWriter s Length11 Cross Fade Cann Cross Currie Foxx2 5312 Quiet Men Full Version Cross Currie Foxx3 55Personnel editUltravoxWarren Cann drums rhythm machine vocals Chris Cross bass synthesizer vocals Billy Currie keyboards violin John Foxx vocals Robin Simon guitar vocalsReferences edit Thompson Dave Systems of Romance Ultravox AllMusic Retrieved 12 September 2012 Christgau Robert 1981 U Christgau s Record Guide Rock Albums of the Seventies Ticknor and Fields ISBN 0 89919 026 X Retrieved 17 March 2019 via robertchristgau com Hall Philip 30 September 1978 Ultravox Systems of Romance Record Mirror p 19 Gill John 2 September 1978 Vox continental Sounds p 29 Dalton Stephen June 2018 How to Buy John Foxx Uncut No 253 p 45 www metamatic com Warren Cann amp Jonas Warstad 1997 Ultravox The Story Warren Cann interviewed by Jonas Warstad p 20 Warren Cann amp Jonas Warstad 1997 Ibid p 23 John Foxx interview thequietman co uk a b Systems of Romance reissue CD sleeve notes 2006 Warren Cann amp Jonas Warstad 1997 Midge Ure 2004 If I Was The Autobiography Gary Numan Talks About Ultravox Youtube Retrieved from https en wikipedia org w index php title Systems of Romance amp oldid 1152985524, wikipedia, wiki, book, books, library,

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