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Symphony No. 2 (Bruckner)

May 01, 2023

Anton Bruckner's Symphony No. 2 in C minor, sometimes known as the "Symphony of Pauses",[1] was completed in 1872. It was actually the fourth symphony composed by Bruckner, after the Symphony in F minor (1863), the Symphony No. 1 in C minor (1866), and the Symphony in D minor (1869).

Symphony No. 2
by Anton Bruckner
A portrait of Anton Bruckner, c. 1860
KeyC minor
CatalogueWAB 102
Composed1872
Published
1892
  • 1892 (1892) (ed. Wöss)
  • 1938 (1938) (ed. Robert Haas)
  • 1965 (1965) (ed. Leopold Nowak)
  • 2005 (2005) (ed. William Carragan) (first version, 1872)
  • 2007 (2007) (ed. William Carragan) (second version, 1877)
Recorded1953 (1953)
Movements4
Premiere
Date26 October 1873 (1873-10-26)
(1873 version)
LocationVienna
ConductorBruckner
PerformersVienna Philharmonic

History

In the fall of 1871, after having become established in Vienna, Anton Bruckner embarked on a new symphonic project, his fourth, which in less than a year would result in a completed and copied score of nearly 2000 bars.[2] The Symphony No. 2, which was mostly written in the summer of 1872, represents a breakthrough in Bruckner's conception of the symphony. Although Bruckner had been composing sonata-form movements with three distinct themes since he began writing symphonies in 1862, in 1872 he greatly expanded the scope of their presentation and development, and established the framework, which he would use consistently in all of his subsequent symphonic work.[3] Moreover, the Adagio of this symphony is in ABA′B′A″ Lied form followed by a coda – the framework which Bruckner would use in his subsequent symphonic work, with exception of the Sixth.[4]

The Second Symphony is the only numbered Bruckner symphony without a dedication; Franz Liszt tacitly rejected the dedication, and Richard Wagner chose the Symphony No. 3 in D minor when offered both works. The symphony was planned to be performed in the same year by the Vienna Philharmonic under Otto Dessoff. However, the rehearsal did not lead to a performance, because Dessoff and a number of players considered it impossible to perform. Nevertheless, the symphony was premiered the following year, on 26 October 1873, by the Vienna Philharmonic with Bruckner himself on the podium.

Description

The score calls for a pair each of flutes, oboes, clarinets, bassoons, four horns, two trumpets, three trombones, timpani, and strings.

The symphony has four movements. In the first version (1872) they are:

  1. Allegro: Ziemlich schnell (C minor)
  2. Scherzo (C minor) – Trio (C major)
  3. Adagio (A♭ major)
  4. Finale (C minor)

In the second version (1877) they are:

  1. Moderato
  2. Andante: Feierlich, etwas bewegt
  3. Scherzo: Mäßig schnell – Trio: Gleiches tempo
  4. Finale: Mehr schnell

The description below will use the tempo markings of the latter version.

First movement

The symphony opens with tremolo strings and the lyrical main theme emerges from under this:

 

Note that although there is tremolo, it is a somewhat slower tremolo than what Bruckner would employ in later symphonies. Shortly after this, an "enigmatic" trumpet call appears:

 

This rhythm is an important device and will recur throughout the movement.[5] The first theme group closes with one of the symphony's characteristic pauses and leads to the second theme group in E flat major:

 

The third theme group is also in E♭ major:

 

The trumpet call from the first group recurs here. The movement heads into its development after a brief codetta. The recapitulation opens just as the exposition did; with tremolo strings giving way to the main theme and the reappearance of the trumpet call. At the end, there is a brief recollection of the main theme before a grand peroration closes the movement. The first part of the coda is cut in the second version.

Andante/Adagio (Third in 1872)

This movement opens quietly with the strings:

 

This movement is the first Bruckner slow movement in five-part ternary form and so this part will recur twice. The second part of the movement begins with pizzicato strings introducing a new theme on the horns:

 

The second part was cut roughly in half in the second version. The latter half contained a decorated restatement of the horn theme. However, the fourth part of the movement contains a similar (But not identical) passage in both versions. Near the end of the movement, Bruckner quotes from the Benedictus of his F minor Mass before the main theme begins the coda:

 

Scherzo (Second in 1872)

In the first version, both sections of the Scherzo and both sections of the Trio are repeated. These repeats were excised in the second version. The Scherzo is based on rhythmic theme heard at the outset:

 

The Trio is based on a "tipsy" melody in the violas:[5]

 

Fourth movement

The movement opens quietly with the second violins playing an eighth-note accompaniment and the first violins playing a descending scale:

 

This leads to the second theme of the first theme group, a loud passage given by the full orchestra that will recur as the main theme of the third theme group:

 

The quiet opening returns after this and leads into the A major second theme group, called "Schubertian" by Georg Tintner:[5]

 

The exposition closes with a quote of the Kyrie of the F minor Mass. The development contains what William Carragan refers to as "fantasies" on the first and second theme groups.[6] The recapitulation begins with the loud secondary theme of the first group before moving into the quieter first theme. Among other cuts between versions, one of note is in the coda of the movement. In the original version the coda is in two phases; a buildup leading to quotations of the first movement and the second theme group of this movement. This leads to the second phase, another buildup leading to the grand peroration in C major that closes the symphony. The first of these phases is cut in the second version, leaving only the final buildup and peroration.

Versions

The composer made two versions of this symphony recognised by the Internationale Bruckner-Gesellschaft (1872 and 1877). The work was also adjusted by the composer right before its premiere, as well as in 1876 and 1892.

First version, 1872

This was published in a edition by William Carragan under the auspices of the Internationale Bruckner-Gesellschaft in 2005.[6] The Scherzo comes second; the slow movement follows. Georg Tintner: "Bruckner's mania for revision sometimes bore positive fruits ... [but with] the Second and the Third [symphonies] his first versions seem to me the best."[5]

1873 revision

Bruckner made adjustments preparing for the 1873 premiere.

  • First movement: Rhythmic trombones were added on bars 129–135 and 446–452.
  • Adagio: In the fifth section a solo violin was added from bar 150 to bar 164. During the rehearsal, violin soloist Heinz Haunold told: "... the violin solo at that point of the movement effectively prevented the orchestra from rising to the great climax ... but it also contained a fatal trap for the performers of the symphony."[7][8]

The violin solo ... in duple quarters and duple eighths, ... together with the rhythmic complexities already caused by the shift from sextuplets to quintuplets in the first violins, ... must have created an amazingly detailed sound – not to say an impenetrable musical fog."[7]

In the coda, the solo horn, which was considered unplayable by the horn-player, was replaced by the first clarinet and the viola section.
  • Scherzo: The repeats were deleted.
  • Finale: A "very dissonant section of the development",[6] which includes at one point a striking alternation of short viola notes with pizzicato chords in the rest of the strings, was removed. These original bold and adventurous bars 305–360 were substituted for a new, 24-bar, very charming "Neuer Satz" (new passage).[9]
    In the peroration, a fourth trombone is added to enhance the contrabass part.

1876 revision

In 1876, Bruckner made additional, smaller changes prior the second performance, which occurred on 20 February 1876 in the Musikvereinsaal under Bruckner's baton.
For the performance of 1876, the inner movements were not altered, the violin solo in the Adagio was kept, and the internal Scherzo repeats remained cancelled. In the first movement, a cut was made in the coda. In the Finale, the fantasy on the second theme following the “Neuer Satz” was made more concise, a cut was also made in the coda, the peroration was recomposed and the additional trombone was removed.[9]

Second Version, 1877

Bruckner crossed out the second half of section 2 of the slow movement, judged too difficult for the solo horn – with, as a result, an imbalance in the structure of the movement[4] – and re-orchestrated its section 5. He also made additional cuts in the first movement and the Finale, and dropped the "Neuer Satz" and substituted it for an 18-bar long, new material.

  • Haas edition (1938): this edition is based on the 1877 version, with, however, some features of the first version.
  • Nowak edition (1965): this edition still contains residues of the Haas' "mixed version" - among others an error in the trumpet parts at the end of the first movement:[10]
  • Carragan edition (2007): this edition is a critical edition of the 1877 version of the symphony.[11] Carragan explained its origin: "After a bit of discussion, Hofrat Nowak asked me to prepare a new edition of the symphony for the Collected Edition, knowing, as many others did as well, that he had not dealt fully with the problems of the Haas edition in 1965."[7]
In his edition Carragan put the crossed-out second half of section 2 of the slow movement (bars 48–69) as optional, explaining, "In my edition of the Second I kept that music in the score, and borrowing from Haas marked it with a 'vide', to be retained at the conductor's option. In the preface I point out that if the pure 1877 version of the symphony is desired, the cut must be made, but some conductors are keeping the music and in my opinion as a listener, the effect is better."[4]

1892 edition

This, the first published edition of the symphony, was prepared by Cyrill Hynais and was until recently thought to be inauthentic, but Carragan has shown that it corresponds closely to the 1877 version. This first edition was performed on 25 November 1894 by the Vienna Philharmonic under Hans Richter.

Discography

The first recording of any part of the symphony was made by Fritz Zaun with the Berlin State Opera Orchestra in 1934: a cut version of the Scherzo in the 1892 first published edition. The oldest surviving complete performance is by Georg-Ludwig Jochum with the Bruckner Orchestra of Linz, dating from 1944 and using the Haas edition. The first commercial recording was by Volkmar Andreae with the Vienna Symphony Orchestra in 1953, also using the Haas edition.

First version, 1872

Carragan's edition

1873 variant

  • Kurt Eichhorn conducting the Bruckner Orchestra Linz, 1991, Camerata 30CM-196

1876 variant

  • Kurt Eichhorn conducting the Bruckner Orchestra Linz, abruckner.com BSVD-0103
NB: composite recording prepared in 2007 by William Carragan and John Berky, using three Camarata recordings (15CM-380, 30CM-195 and 30CM-196) conducted by Kurt Eichhorn

Second version, 1877

Haas's (mixed) edition

Nowak's edition

Carragan's edition

Daniel Barenboim conducting the Berlin Philharmonic Orchestra, 1997 (using a pre-publ. Carragan ed.) - Teldec CD 3984 21485-2

A few other recent recordings use also the Carragan's edition:

1892 edition

A few recordings use this first edition:

References

  1. ^ PhD, Seymour L. Benstock (June 14, 2013). Did You Know?: A Music Lover's Guide to Nicknames, Titles, and Whimsy. Trafford Publishing. ISBN 9781466972933 – via Google Books.
  2. ^ Carragan, William. "Anton Bruckner's Symphony No. 2".
  3. ^ Carragan, William. "Second Symphony Studies".
  4. ^ a b c Carragan, William. "Part 2: The Five-Part Song Form".
  5. ^ a b c d "Bruckner, A.: Symphony No. 2 (1872 first version, ed. W. Carragan) (Ireland National Symphony, Tintner)". www.naxos.com.
  6. ^ a b c "William Carragan – Time analysis of versions 1872 and 1877" (PDF).
  7. ^ a b c Carragan, William. "Some Notes on Editing Bruckner's Second Symphony".
  8. ^ The amazing 1873 Adagio
  9. ^ a b Carragan, William. "The Early Version of the Second Symphony".
  10. ^ "The Several Versions of Bruckner's Symphonies (a synopsis)". www.unicamp.br.
  11. ^ "Bruckner Symphony Versions". bruckner.webs.com.
  12. ^ "November, 2013: Symphony No. 2 / Swarowsky (??) / South German Philharmonic - Anton Bruckner". www.abruckner.com.
  13. ^ William Carragan - Eighty Years of Anton Bruckner’s Symphony No. 2

Sources

  • Anton Bruckner, Sämtliche Werke, Kritische Gesamtausgabe – Band 2: II. Symphonie c-Moll (Originalfassung), Musikwissenschaftlicher Verlag der internationalen Bruckner-Gesellschaft, Robert Haas (editor), Vienna, 1938
  • Anton Bruckner: Sämtliche Werke: Band II: II. Symphonie c-Moll, Musikwissenschaftlicher Verlag der Internationalen Bruckner-Gesellschaft, Vienna

External links

May 01, 2023
symphony, bruckner, anton, bruckner, symphony, minor, sometimes, known, symphony, pauses, completed, 1872, actually, fourth, symphony, composed, bruckner, after, symphony, minor, 1863, symphony, minor, 1866, symphony, minor, 1869, symphony, anton, brucknera, p. Anton Bruckner s Symphony No 2 in C minor sometimes known as the Symphony of Pauses 1 was completed in 1872 It was actually the fourth symphony composed by Bruckner after the Symphony in F minor 1863 the Symphony No 1 in C minor 1866 and the Symphony in D minor 1869 Symphony No 2by Anton BrucknerA portrait of Anton Bruckner c 1860KeyC minorCatalogueWAB 102Composed1872Published1892 1892 1892 ed Woss 1938 1938 ed Robert Haas 1965 1965 ed Leopold Nowak 2005 2005 ed William Carragan first version 1872 2007 2007 ed William Carragan second version 1877 Recorded1953 1953 Movements4PremiereDate26 October 1873 1873 10 26 1873 version LocationViennaConductorBrucknerPerformersVienna Philharmonic Contents 1 History 2 Description 2 1 First movement 2 2 Andante Adagio Third in 1872 2 3 Scherzo Second in 1872 2 4 Fourth movement 3 Versions 3 1 First version 1872 3 1 1 1873 revision 3 1 2 1876 revision 3 2 Second Version 1877 3 2 1 1892 edition 4 Discography 4 1 First version 1872 4 1 1 Carragan s edition 4 1 2 1873 variant 4 1 3 1876 variant 4 2 Second version 1877 4 2 1 Haas s mixed edition 4 2 2 Nowak s edition 4 2 3 Carragan s edition 4 2 4 1892 edition 5 References 6 Sources 7 External linksHistory EditIn the fall of 1871 after having become established in Vienna Anton Bruckner embarked on a new symphonic project his fourth which in less than a year would result in a completed and copied score of nearly 2000 bars 2 The Symphony No 2 which was mostly written in the summer of 1872 represents a breakthrough in Bruckner s conception of the symphony Although Bruckner had been composing sonata form movements with three distinct themes since he began writing symphonies in 1862 in 1872 he greatly expanded the scope of their presentation and development and established the framework which he would use consistently in all of his subsequent symphonic work 3 Moreover the Adagio of this symphony is in ABA B A Lied form followed by a coda the framework which Bruckner would use in his subsequent symphonic work with exception of the Sixth 4 The Second Symphony is the only numbered Bruckner symphony without a dedication Franz Liszt tacitly rejected the dedication and Richard Wagner chose the Symphony No 3 in D minor when offered both works The symphony was planned to be performed in the same year by the Vienna Philharmonic under Otto Dessoff However the rehearsal did not lead to a performance because Dessoff and a number of players considered it impossible to perform Nevertheless the symphony was premiered the following year on 26 October 1873 by the Vienna Philharmonic with Bruckner himself on the podium Description EditThe score calls for a pair each of flutes oboes clarinets bassoons four horns two trumpets three trombones timpani and strings The symphony has four movements In the first version 1872 they are Allegro Ziemlich schnell C minor Scherzo C minor Trio C major Adagio A major Finale C minor In the second version 1877 they are ModeratoAndante Feierlich etwas bewegtScherzo Massig schnell Trio Gleiches tempoFinale Mehr schnell The description below will use the tempo markings of the latter version First movement Edit The symphony opens with tremolo strings and the lyrical main theme emerges from under this source Audio playback is not supported in your browser You can download the audio file Note that although there is tremolo it is a somewhat slower tremolo than what Bruckner would employ in later symphonies Shortly after this an enigmatic trumpet call appears source Audio playback is not supported in your browser You can download the audio file This rhythm is an important device and will recur throughout the movement 5 The first theme group closes with one of the symphony s characteristic pauses and leads to the second theme group in E flat major source Audio playback is not supported in your browser You can download the audio file The third theme group is also in E major source Audio playback is not supported in your browser You can download the audio file The trumpet call from the first group recurs here The movement heads into its development after a brief codetta The recapitulation opens just as the exposition did with tremolo strings giving way to the main theme and the reappearance of the trumpet call At the end there is a brief recollection of the main theme before a grand peroration closes the movement The first part of the coda is cut in the second version Andante Adagio Third in 1872 Edit This movement opens quietly with the strings source Audio playback is not supported in your browser You can download the audio file This movement is the first Bruckner slow movement in five part ternary form and so this part will recur twice The second part of the movement begins with pizzicato strings introducing a new theme on the horns source Audio playback is not supported in your browser You can download the audio file The second part was cut roughly in half in the second version The latter half contained a decorated restatement of the horn theme However the fourth part of the movement contains a similar But not identical passage in both versions Near the end of the movement Bruckner quotes from the Benedictus of his F minor Mass before the main theme begins the coda source Audio playback is not supported in your browser You can download the audio file Scherzo Second in 1872 Edit In the first version both sections of the Scherzo and both sections of the Trio are repeated These repeats were excised in the second version The Scherzo is based on rhythmic theme heard at the outset source Audio playback is not supported in your browser You can download the audio file The Trio is based on a tipsy melody in the violas 5 source Audio playback is not supported in your browser You can download the audio file Fourth movement Edit The movement opens quietly with the second violins playing an eighth note accompaniment and the first violins playing a descending scale source Audio playback is not supported in your browser You can download the audio file This leads to the second theme of the first theme group a loud passage given by the full orchestra that will recur as the main theme of the third theme group source Audio playback is not supported in your browser You can download the audio file The quiet opening returns after this and leads into the A major second theme group called Schubertian by Georg Tintner 5 source Audio playback is not supported in your browser You can download the audio file The exposition closes with a quote of the Kyrie of the F minor Mass The development contains what William Carragan refers to as fantasies on the first and second theme groups 6 The recapitulation begins with the loud secondary theme of the first group before moving into the quieter first theme Among other cuts between versions one of note is in the coda of the movement In the original version the coda is in two phases a buildup leading to quotations of the first movement and the second theme group of this movement This leads to the second phase another buildup leading to the grand peroration in C major that closes the symphony The first of these phases is cut in the second version leaving only the final buildup and peroration Versions EditThe composer made two versions of this symphony recognised by the Internationale Bruckner Gesellschaft 1872 and 1877 The work was also adjusted by the composer right before its premiere as well as in 1876 and 1892 First version 1872 Edit This was published in a edition by William Carragan under the auspices of the Internationale Bruckner Gesellschaft in 2005 6 The Scherzo comes second the slow movement follows Georg Tintner Bruckner s mania for revision sometimes bore positive fruits but with the Second and the Third symphonies his first versions seem to me the best 5 1873 revision Edit Bruckner made adjustments preparing for the 1873 premiere First movement Rhythmic trombones were added on bars 129 135 and 446 452 Adagio In the fifth section a solo violin was added from bar 150 to bar 164 During the rehearsal violin soloist Heinz Haunold told the violin solo at that point of the movement effectively prevented the orchestra from rising to the great climax but it also contained a fatal trap for the performers of the symphony 7 8 The violin solo in duple quarters and duple eighths together with the rhythmic complexities already caused by the shift from sextuplets to quintuplets in the first violins must have created an amazingly detailed sound not to say an impenetrable musical fog 7 In the coda the solo horn which was considered unplayable by the horn player was replaced by the first clarinet and the viola section Scherzo The repeats were deleted Finale A very dissonant section of the development 6 which includes at one point a striking alternation of short viola notes with pizzicato chords in the rest of the strings was removed These original bold and adventurous bars 305 360 were substituted for a new 24 bar very charming Neuer Satz new passage 9 In the peroration a fourth trombone is added to enhance the contrabass part 1876 revision Edit In 1876 Bruckner made additional smaller changes prior the second performance which occurred on 20 February 1876 in the Musikvereinsaal under Bruckner s baton For the performance of 1876 the inner movements were not altered the violin solo in the Adagio was kept and the internal Scherzo repeats remained cancelled In the first movement a cut was made in the coda In the Finale the fantasy on the second theme following the Neuer Satz was made more concise a cut was also made in the coda the peroration was recomposed and the additional trombone was removed 9 Second Version 1877 Edit Bruckner crossed out the second half of section 2 of the slow movement judged too difficult for the solo horn with as a result an imbalance in the structure of the movement 4 and re orchestrated its section 5 He also made additional cuts in the first movement and the Finale and dropped the Neuer Satz and substituted it for an 18 bar long new material Haas edition 1938 this edition is based on the 1877 version with however some features of the first version Nowak edition 1965 this edition still contains residues of the Haas mixed version among others an error in the trumpet parts at the end of the first movement 10 Carragan edition 2007 this edition is a critical edition of the 1877 version of the symphony 11 Carragan explained its origin After a bit of discussion Hofrat Nowak asked me to prepare a new edition of the symphony for the Collected Edition knowing as many others did as well that he had not dealt fully with the problems of the Haas edition in 1965 7 In his edition Carragan put the crossed out second half of section 2 of the slow movement bars 48 69 as optional explaining In my edition of the Second I kept that music in the score and borrowing from Haas marked it with a vide to be retained at the conductor s option In the preface I point out that if the pure 1877 version of the symphony is desired the cut must be made but some conductors are keeping the music and in my opinion as a listener the effect is better 4 1892 edition Edit This the first published edition of the symphony was prepared by Cyrill Hynais and was until recently thought to be inauthentic but Carragan has shown that it corresponds closely to the 1877 version This first edition was performed on 25 November 1894 by the Vienna Philharmonic under Hans Richter Discography EditThe first recording of any part of the symphony was made by Fritz Zaun with the Berlin State Opera Orchestra in 1934 a cut version of the Scherzo in the 1892 first published edition The oldest surviving complete performance is by Georg Ludwig Jochum with the Bruckner Orchestra of Linz dating from 1944 and using the Haas edition The first commercial recording was by Volkmar Andreae with the Vienna Symphony Orchestra in 1953 also using the Haas edition First version 1872 Edit Carragan s edition Edit Kurt Eichhorn conducting the Bruckner Orchestra Linz 1991 first recording using a pre publ Carragan ed Camerata 15CM 379 amp 30CM 195 Georg Tintner conducting the RTE National Symphony Orchestra 1996 using a pre publ Carragan ed Naxos Simone Young conducting the Hamburg Philharmonic Orchestra 2006 BMG SACD Gerd Schaller conducting the Philharmonie Festiva live recording 2011 Profil PH 12022 Herbert Blomstedt conducting the Leipzig Gewandhaus Orchestra 2012 Querstand SACD Remy Ballot conducting the Saint Florian Altomonte Orchestra 2019 Gramola Hybrid SACD 992111873 variant Edit Kurt Eichhorn conducting the Bruckner Orchestra Linz 1991 Camerata 30CM 1961876 variant Edit Kurt Eichhorn conducting the Bruckner Orchestra Linz abruckner com BSVD 0103NB composite recording prepared in 2007 by William Carragan and John Berky using three Camarata recordings 15CM 380 30CM 195 and 30CM 196 conducted by Kurt EichhornSecond version 1877 Edit Haas s mixed edition Edit Franz Konwitschny conducting the Berlin Radio Symphony Orchestra live recording 1951 Berlin Classics Erich Schmid conducting the Southwest German Radio Symphony Orchestra studio recording 1965 Ampex 12 Horst Stein conducting the Vienna Philharmonic Orchestra studio recording 1973 Decca London Gunter Wand conducting the Cologne Radio Symphony Orchestra studio recording 1981 RCA Christoph Eschenbach conducting the Houston Symphony Orchestra live recording 1996 KochNowak s edition Edit Carlo Maria Giulini conducting the Vienna Symphony Orchestra studio recording 1974 Testament Eugen Jochum conducting the Staatskapelle Dresden studio recording 1980 EMI Herbert von Karajan conducting the Berliner Philharmoniker studio recording 1981 Deutsche Grammophon Stanislaw Skrowaczewski conducting the Saarbrucken Radio Symphony Orchestra studio recording 1999 Arte Nova Oehms Classics Hiroshi Wakasugi conducting the Saarbrucken Radio Symphony Orchestra studio recording 2004 Arte Nova Thomas Dausgaard conducting the Swedish Chamber Orchestra studio recording 2010 BISCarragan s edition Edit Daniel Barenboim conducting the Berlin Philharmonic Orchestra 1997 using a pre publ Carragan ed Teldec CD 3984 21485 2A few other recent recordings use also the Carragan s edition Paavo Jarvi with the Frankfurt Radio Symphony Orchestra Sony SACD SICC 10218 2011NB in the coda of Adagio the clarinet is replaced by a horn 13 Mario Venzago with the Northern Sinfonia CPO 777 735 2 2011 Daniel Barenboim with the Staatskapelle Berlin DG Set 479 6985 2012 Marek Janowski with the Orchestre de la Suisse Romande Pentatone Classics SACD PTC 5186 448 20121892 edition Edit A few recordings use this first edition Hermann Scherchen conducting the Toronto Symphony Orchestra 1965 Disco Archivia CD with a large cut bars 388 512 in the Finale Cristian Mandeal conducting the Cluj Napoca Philharmonic Orchestra Electrecord LP ST ECE 02731 32 33 1984 Hun Joung Lim conducting the Korean Symphony Orchestra 2016 DeccaReferences Edit PhD Seymour L Benstock June 14 2013 Did You Know A Music Lover s Guide to Nicknames Titles and Whimsy Trafford Publishing ISBN 9781466972933 via Google Books Carragan William Anton Bruckner s Symphony No 2 Carragan William Second Symphony Studies a b c Carragan William Part 2 The Five Part Song Form a b c d Bruckner A Symphony No 2 1872 first version ed W Carragan Ireland National Symphony Tintner www naxos com a b c William Carragan Time analysis of versions 1872 and 1877 PDF a b c Carragan William Some Notes on Editing Bruckner s Second Symphony The amazing 1873 Adagio a b Carragan William The Early Version of the Second Symphony The Several Versions of Bruckner s Symphonies a synopsis www unicamp br Bruckner Symphony Versions bruckner webs com November 2013 Symphony No 2 Swarowsky South German Philharmonic Anton Bruckner www abruckner com William Carragan Eighty Years of Anton Bruckner s Symphony No 2Sources EditAnton Bruckner Samtliche Werke Kritische Gesamtausgabe Band 2 II Symphonie c Moll Originalfassung Musikwissenschaftlicher Verlag der internationalen Bruckner Gesellschaft Robert Haas editor Vienna 1938 Anton Bruckner Samtliche Werke Band II II Symphonie c Moll Musikwissenschaftlicher Verlag der Internationalen Bruckner Gesellschaft Vienna II 1 Fassung 1872 William Carragan editor 2005 II 2 Fassung 1877 Leopold Nowak editor 1965 new edition by William Carragan 2007External links EditAnton Bruckner Critical Complete Edition Symphony No 2 in C minor Symphony No 2 Bruckner Scores at the International Music Score Library Project Full score Haas 1877 at the Indiana University School of Music Bruckner Symphony versions by David Griegel Complete discography of the symphony by John Berky Eighty Years of the Bruckner Second William Carragan Essay on the editions of Symphony No 2 by Benjamin Gunnar Cohrs Portal Classical music Retrieved from https en wikipedia org w index php title Symphony No 2 Bruckner amp oldid 1128912920, wikipedia, wiki, book, books, library,

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