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Supernatural horror film

February 12, 2023

Supernatural horror film is a film genre that combines aspects of horror film and supernatural film. Supernatural occurrences in such films often include ghosts and demons, and many supernatural horror films have elements of religion. Common themes in the genre are the afterlife, the Devil, and demonic possession. Not all supernatural horror films focus on religion, and they can have "more vivid and gruesome violence".[1]

Comparisons

For such films and other media, critics distinguish supernatural horror from psychological horror. Mathias Clasen writes in Why Horror Seduces, "Supernatural horror involves some kind of suspension or breach of physical law, usually embodied in or caused by some kind of supernatural agency such as an uncanny monster or a ghost... psychological horror, on the other hand, does not involve violations of physical law, but features naturalistic (if often implausible) menaces and scenarios."[2] Paul Meehan also distinguishes supernatural horror films from psychological horror, "The threat to societal order comes from something preternatural or anomalous: a haunted house, a curse, or a monster like a vampire or a werewolf."[3]

Charles Derry, writing in Dark Dreams 2.0, contrasted supernatural horror and pseudoscientific horror as "two basic methods of explaining things away" in horror stories. Derry wrote, "Into the supernatural group one could fit all the monsters and horrors that are somehow involved with religions and ritual," highlighting witchcraft, Egyptology and reincarnation, and zombies.[4] Aaron Smuts considers horror "to be a genre with two main sub-types, supernatural horror and realist horror" and that they "have different charms".[5]

History

 
 
Dracula and Frankenstein, the first two Universal Monsters releases from 1931

Supernatural horror became prevalent in the 1920s and the early 1930s with German Expressionist films; Paul Meehan said the style created "a nightmarish netherworld of supernatural fear". The genre became more commercially popular in the 1930s with Universal Studios producing Universal Monsters films, and the films "were set in a mythical Transylvania or other Eastern European locale, in an unreal fantasy world far divorced from everyday". Meehan said, "This served to make the creatures of the night that populated these films into harmless chimeras comfortably ensconced in the faraway past." In the early 1940s, supernatural horror films had more contemporary settings, but the genre was ultimately superseded by psychological horror films. By the end of World War II, the supernatural horror genre "met its demise", being overshadowed by the atrocities of the war. By the 1950s, science fiction horror films had replaced supernatural horror films, and psychological horror films also became more popular in the same decade, ultimately eclipsing supernatural horror.[3] The few supernatural horror films that were produced in the 1950s were often set in haunted houses, a continuation of haunted-house films prevalent in the 1940s.[4]

In the 1960s, horror films like The Innocents (1961), The Haunting (1963), and Rosemary's Baby (1968) used supernatural elements but were not directly about the paranormal. Other horror films used supernatural themes to code elements being censored by the Motion Picture Production Code (or the Hays Code). The Haunting featured a female protagonist interested in another woman, and she was a queer coded character. Such characters were commonplace in the history of supernatural horror films.[6] Sue Matheson wrote of Rosemary's Baby, "[It] popularized depictions of witchcraft, demonic activity, and the Devil on screen and generated a wave of supernatural horror movies."[7] By the 1970s, the films The Exorcist (1973) and The Omen (1976) revived the supernatural horror genre. Literature was used as source material like with the earliest films, with the written works of Stephen King being adapted into Carrie (1976) and The Shining (1980). The film Poltergeist (1982) was also a genre highlight in the 1980s.[8]

In the 2000s, violent horror films called "torture porn" were popular. By the end of the decade, supernatural horror reclaimed their popularity. The found footage film The Blair Witch Project had achieved fame in 1999, and in the late 2000s, Paranormal Activity succeeded with the same film technique, which led to a film series that lasted until the mid-2010s.[9]

Box office

The highest-grossing supernatural horror film, adjusted for inflation, is The Exorcist (1973). It has an unadjusted gross of over $441 million with the original release and 2000 re-release combined;[10] the estimated adjusted gross in 2019 is over $1.04 billion.[11] The highest-grossing supernatural horror film, unadjusted for inflation, is It (2017) with a worldwide gross of $701 million.[12]

In 2013, Variety's Andrew Stewart said supernatural horror films grossed more at the box office than other horror sub-genres. Stewart said, "Generally speaking, playability for that subset of horror films—meaning slasher and torture porn pics—is far less reliable... That's why filmmakers, who are looking to cash in on the often lucrative business of making low-budget horror movies, should skip the slasher genre and stick to good ole’ fashioned spectral storytelling."[13]

Use of music

Joe Tompkins wrote that following the 1950s, many "Gothic and supernatural horror movies utilize dissonance, atonality, and unusual configurations of instruments to signify all sorts of anomalous, paranormal activity". He wrote that Black Sunday (1960) and The Haunting (1963) "make use of atonal clusters, which operate in sharp contrast to tonal music and thus provide antagonistic symbols for supernatural evil and good (respectively)". He also highlighted that The Amityville Horror (1979) and Poltergeist (1982) "employ various thematic materials ranging from soft-sounding lullabies to atonal outbursts".[14]

According to Janet K. Halfyard, supernatural horror-comedy films deploy various strategies to using music "to simultaneously locate the film within—or at least close to—the horror genre, while at the same time encouraging the audience to laugh instead of scream".[15]

References

  1. ^ Buffam, Noelle (March 26, 2011). "Supernatural-Horror". scriptlab.com. The Script Lab. Retrieved November 19, 2017.
  2. ^ Clasen, Mathias (2017). Why Horror Seduces. Oxford University Press. pp. 3–4. ISBN 978-0-19-066651-4.
  3. ^ a b Meehan, Paul (2010). Horror Noir: Where Cinema’s Dark Sisters Meet. McFarland. pp. 4–6. ISBN 978-0-7864-6219-3.
  4. ^ a b Derry, Charles (2009). Dark Dreams 2.0: A Psychological History of the Modern Horror Film from the 1950s to the 21st Century. McFarland. pp. 23–29. ISBN 978-0-7864-3397-1.
  5. ^ Smuts, Aaron. "Cognitive and Philosophical Approaches to Horror". In Benshoff 2017, pp. 6, 18
  6. ^ Chappell, Caitlin (May 2, 2020). "From the Psychological to the Supernatural: Horror in the 1960s". Comic Book Resources. Retrieved May 5, 2020.
  7. ^ Matheson, Sue (2017). "The Fall of a Domestic Angel: Horror and Hierophany in Rosemary's Baby (1968)". In Van Riper, A. Bowdoin; Miller, Cynthia J. (eds.). Divine Horror: Essays on the Cinematic Battle Between the Sacred and the Diabolical. McFarland. p. 64. ISBN 978-1-4766-2984-1.
  8. ^ Staff (October 21, 2015). "How Horror Movies Have Changed Since Their Beginning". nyfa.edu. New York Film Academy. Retrieved January 4, 2020.
  9. ^ Blicq, Tom (December 7, 2014). "15 Great Supernatural Horror Movies Worth Your Time". Taste of Cinema. Retrieved January 4, 2020.
  10. ^ Mendelson, Scott (September 22, 2017). "Box Office: 'It' Is Now The Highest-Grossing R-Rated Horror Movie Ever". Forbes. Retrieved October 9, 2018.
  11. ^ Whitten, Sarah (July 22, 2019). "Hollywood doesn't adjust the box office for inflation, but if it did, these would be the top 10 highest-grossing films of all time in the US". CNBC. Retrieved April 21, 2021.
  12. ^ "Supernatural Horror Movies". The Numbers. Retrieved April 21, 2021.
  13. ^ Stewart, Andrew (September 16, 2013). "Five Examples of Why You Should Stick to the Supernatural When Making a Horror Movie". Variety. Retrieved October 9, 2018.
  14. ^ Tompkins, Joe. "Mellifluous Terror". In Benshoff 2017, p. 199
  15. ^ Halfyard, Janet K. "Mischief Afoot: Supernatural Horror-comedies and the Diabolus in Musica". In Lerner, Neil (ed.). Music in the Horror Film: Listening to Fear. Taylor & Francis. p. 21. ISBN 978-1-135-28044-4.

Bibliography

Further reading

  • Cherry, Brigid (2009). Horror. Routledge Film Guidebooks. Routledge. pp. 7, 48, 154, 194–197. ISBN 978-0-415-45667-8.
  • Dyson, Jeremy (1997). Bright Darkness: The Lost Art of the Supernatural Horror Film. Cassell. ISBN 978-0-304-70037-0.

External links

February 12, 2023
supernatural, horror, film, film, genre, that, combines, aspects, horror, film, supernatural, film, supernatural, occurrences, such, films, often, include, ghosts, demons, many, supernatural, horror, films, have, elements, religion, common, themes, genre, afte. Supernatural horror film is a film genre that combines aspects of horror film and supernatural film Supernatural occurrences in such films often include ghosts and demons and many supernatural horror films have elements of religion Common themes in the genre are the afterlife the Devil and demonic possession Not all supernatural horror films focus on religion and they can have more vivid and gruesome violence 1 Contents 1 Comparisons 2 History 3 Box office 4 Use of music 5 References 6 Bibliography 7 Further reading 8 External linksComparisons EditFor such films and other media critics distinguish supernatural horror from psychological horror Mathias Clasen writes in Why Horror Seduces Supernatural horror involves some kind of suspension or breach of physical law usually embodied in or caused by some kind of supernatural agency such as an uncanny monster or a ghost psychological horror on the other hand does not involve violations of physical law but features naturalistic if often implausible menaces and scenarios 2 Paul Meehan also distinguishes supernatural horror films from psychological horror The threat to societal order comes from something preternatural or anomalous a haunted house a curse or a monster like a vampire or a werewolf 3 Charles Derry writing in Dark Dreams 2 0 contrasted supernatural horror and pseudoscientific horror as two basic methods of explaining things away in horror stories Derry wrote Into the supernatural group one could fit all the monsters and horrors that are somehow involved with religions and ritual highlighting witchcraft Egyptology and reincarnation and zombies 4 Aaron Smuts considers horror to be a genre with two main sub types supernatural horror and realist horror and that they have different charms 5 History Edit Dracula and Frankenstein the first two Universal Monsters releases from 1931 Supernatural horror became prevalent in the 1920s and the early 1930s with German Expressionist films Paul Meehan said the style created a nightmarish netherworld of supernatural fear The genre became more commercially popular in the 1930s with Universal Studios producing Universal Monsters films and the films were set in a mythical Transylvania or other Eastern European locale in an unreal fantasy world far divorced from everyday Meehan said This served to make the creatures of the night that populated these films into harmless chimeras comfortably ensconced in the faraway past In the early 1940s supernatural horror films had more contemporary settings but the genre was ultimately superseded by psychological horror films By the end of World War II the supernatural horror genre met its demise being overshadowed by the atrocities of the war By the 1950s science fiction horror films had replaced supernatural horror films and psychological horror films also became more popular in the same decade ultimately eclipsing supernatural horror 3 The few supernatural horror films that were produced in the 1950s were often set in haunted houses a continuation of haunted house films prevalent in the 1940s 4 In the 1960s horror films like The Innocents 1961 The Haunting 1963 and Rosemary s Baby 1968 used supernatural elements but were not directly about the paranormal Other horror films used supernatural themes to code elements being censored by the Motion Picture Production Code or the Hays Code The Haunting featured a female protagonist interested in another woman and she was a queer coded character Such characters were commonplace in the history of supernatural horror films 6 Sue Matheson wrote of Rosemary s Baby It popularized depictions of witchcraft demonic activity and the Devil on screen and generated a wave of supernatural horror movies 7 By the 1970s the films The Exorcist 1973 and The Omen 1976 revived the supernatural horror genre Literature was used as source material like with the earliest films with the written works of Stephen King being adapted into Carrie 1976 and The Shining 1980 The film Poltergeist 1982 was also a genre highlight in the 1980s 8 In the 2000s violent horror films called torture porn were popular By the end of the decade supernatural horror reclaimed their popularity The found footage film The Blair Witch Project had achieved fame in 1999 and in the late 2000s Paranormal Activity succeeded with the same film technique which led to a film series that lasted until the mid 2010s 9 Box office EditThe highest grossing supernatural horror film adjusted for inflation is The Exorcist 1973 It has an unadjusted gross of over 441 million with the original release and 2000 re release combined 10 the estimated adjusted gross in 2019 is over 1 04 billion 11 The highest grossing supernatural horror film unadjusted for inflation is It 2017 with a worldwide gross of 701 million 12 In 2013 Variety s Andrew Stewart said supernatural horror films grossed more at the box office than other horror sub genres Stewart said Generally speaking playability for that subset of horror films meaning slasher and torture porn pics is far less reliable That s why filmmakers who are looking to cash in on the often lucrative business of making low budget horror movies should skip the slasher genre and stick to good ole fashioned spectral storytelling 13 Use of music EditJoe Tompkins wrote that following the 1950s many Gothic and supernatural horror movies utilize dissonance atonality and unusual configurations of instruments to signify all sorts of anomalous paranormal activity He wrote that Black Sunday 1960 and The Haunting 1963 make use of atonal clusters which operate in sharp contrast to tonal music and thus provide antagonistic symbols for supernatural evil and good respectively He also highlighted that The Amityville Horror 1979 and Poltergeist 1982 employ various thematic materials ranging from soft sounding lullabies to atonal outbursts 14 According to Janet K Halfyard supernatural horror comedy films deploy various strategies to using music to simultaneously locate the film within or at least close to the horror genre while at the same time encouraging the audience to laugh instead of scream 15 References Edit Buffam Noelle March 26 2011 Supernatural Horror scriptlab com The Script Lab Retrieved November 19 2017 Clasen Mathias 2017 Why Horror Seduces Oxford University Press pp 3 4 ISBN 978 0 19 066651 4 a b Meehan Paul 2010 Horror Noir Where Cinema s Dark Sisters Meet McFarland pp 4 6 ISBN 978 0 7864 6219 3 a b Derry Charles 2009 Dark Dreams 2 0 A Psychological History of the Modern Horror Film from the 1950s to the 21st Century McFarland pp 23 29 ISBN 978 0 7864 3397 1 Smuts Aaron Cognitive and Philosophical Approaches to Horror In Benshoff 2017 pp 6 18 Chappell Caitlin May 2 2020 From the Psychological to the Supernatural Horror in the 1960s Comic Book Resources Retrieved May 5 2020 Matheson Sue 2017 The Fall of a Domestic Angel Horror and Hierophany in Rosemary s Baby 1968 In Van Riper A Bowdoin Miller Cynthia J eds Divine Horror Essays on the Cinematic Battle Between the Sacred and the Diabolical McFarland p 64 ISBN 978 1 4766 2984 1 Staff October 21 2015 How Horror Movies Have Changed Since Their Beginning nyfa edu New York Film Academy Retrieved January 4 2020 Blicq Tom December 7 2014 15 Great Supernatural Horror Movies Worth Your Time Taste of Cinema Retrieved January 4 2020 Mendelson Scott September 22 2017 Box Office It Is Now The Highest Grossing R Rated Horror Movie Ever Forbes Retrieved October 9 2018 Whitten Sarah July 22 2019 Hollywood doesn t adjust the box office for inflation but if it did these would be the top 10 highest grossing films of all time in the US CNBC Retrieved April 21 2021 Supernatural Horror Movies The Numbers Retrieved April 21 2021 Stewart Andrew September 16 2013 Five Examples of Why You Should Stick to the Supernatural When Making a Horror Movie Variety Retrieved October 9 2018 Tompkins Joe Mellifluous Terror In Benshoff 2017 p 199 Halfyard Janet K Mischief Afoot Supernatural Horror comedies and the Diabolus in Musica In Lerner Neil ed Music in the Horror Film Listening to Fear Taylor amp Francis p 21 ISBN 978 1 135 28044 4 Bibliography EditBenshoff Harry M ed 2017 A Companion to the Horror Film ISBN 978 1 119 33501 6 Further reading EditCherry Brigid 2009 Horror Routledge Film Guidebooks Routledge pp 7 48 154 194 197 ISBN 978 0 415 45667 8 Dyson Jeremy 1997 Bright Darkness The Lost Art of the Supernatural Horror Film Cassell ISBN 978 0 304 70037 0 External links EditList of supernatural horror films at Rotten Tomatoes 10 great supernatural horror films of the 21st century at British Film Institute Retrieved from https en wikipedia org w index php title Supernatural horror film amp oldid 1132959231, wikipedia, wiki, book, books, library,

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