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Shakudō

Shakudō (赤銅) is a Japanese billon of gold and copper (typically 4–10% gold, 96–90% copper), one of the irogane class of colored metals, which can be treated to develop a black, or sometimes indigo, patina, resembling lacquer. Unpatinated shakudō visually resembles bronze; the dark color is induced by the niiro artificial patination process, involving boiling in a solution, generally including rokushō.

Unpatinated shakudō

Naming edit

The characters in the name shaku-dō mean "red" and "copper" but combined they represent this material which begins with a darkened coppery-bronze color and is then modified to black or near-black.

History edit

Early uses edit

The word "shakudō" first appears in records of the Japanese Nara period (710-784 AD), but it is not clear to what it referred (it could have been some form of copper, or a form of the now-known material). There are actual pieces known from the 12th century onwards. Shakudō was historically used to construct or decorate Japanese sword ("nihonto") fittings such as tsuba, menuki, and kozuka, as well as other small ornaments, sliding door catches, and small boxes.

Introduction to the West edit

Shakudō was introduced to the West in the mid-19th century.

Possible origins edit

Materials like shakudo were historically thought to be specific to the Chinese and Japanese, and perhaps other Asian, milieu, but recent studies have noted close similarities to certain decorative alloys used in ancient Egypt, Greece, and Rome.[1]

 
Fuchi. Shakudo, gold, copper alloy (sentoku).[2] The Walters Art Museum.

Production edit

The origins of shakudo date back to a period when Japan was still importing significant techniques and materials from Korea and China, but accounts of production all derive from much later, and little is known of their evolution. By the Meiji period, the initial production process entailed the heating of copper, addition of fine gold, and some addition of shirome, a by-product of copper production containing iron, arsenic and other elements. In the Edo period, it appears that the process may have used nigurome rather than copper; nigurome being itself a pre-made mix of copper and shirome.[3] The resulting alloy was then allowed to rest in ingot moulds in heated water, before being shaped, and annealed at around 650 °C. In cooled form, the metal was then surface-finished using the niiro process. The modern process tends to omit the shirome, working with copper and gold, and other additives directly if needed.

Use edit

Due to the expensive gold content, shakudō was normally limited to accents or small items such as tsuba. Larger historical objects (such as vases) that are described as shakudō may be mislabeled, especially if the glossy blue-black color is not evident. Unpatinated or repolished shakudō will not spontaneously patinate in air.

Modern artisans have revived the use of shakudō as a striking design element, in the making of jewelry, vessels, and for the technique of mokume-gane.

Shakudō is sometimes inaccurately used as a general term for damascened decorative metal inlays of Japanese origin. These were widely known in the West as Amita damascene, from the name of a 20th-century manufacturer of such items for export. Amita damascene included shakudo, shibuichi, gold, silver, and bronze for inlays.

See also edit

  • Shibuichi – Historically Japanese copper alloy
  • Kuromido – Historically Japanese copper-arsenic alloy
  • Mokume-gane – Japanese mixed-metal laminate
  • Japanese sword – Type of traditionally made sword from Japan
  • Corinthian bronze – Highly valuable metal alloy in classical antiquity
  • Hepatizon – Alloy also known as Black Corinthian Bronze
  • Electrum – Alloy of gold and silver
  • Tumbaga – Non-specific alloy of gold and copper used in pre-Columbian Mesoamerica
  • Panchaloha – Term for traditional five-metal alloys used for Hindu artifacts

Further reading edit

  1. ^ "Secret of Achilles' Shield". New Scientist 1994-01-22.
  2. ^ "Fuchi with Hollyhocks". The Walters Art Museum.
  3. ^ Oguchi, Hachiro (December 1983). "Japanese Shakudo". Gold Bulletin (World Gold Council). 16 (4): 125–127. doi:10.1007/BF03214636.

External links edit

  • Oguchi, Hachiro. Japanese Shakudo: Its History, Properties and Production from Gold-Containing Alloys. Gold Bulletin, 16, 4, 1983, pp. 125–132 doi:10.1007/BF03214636
  • History of the Amita Damascene Company

shakudō, 赤銅, japanese, billon, gold, copper, typically, gold, copper, irogane, class, colored, metals, which, treated, develop, black, sometimes, indigo, patina, resembling, lacquer, unpatinated, shakudō, visually, resembles, bronze, dark, color, induced, niir. Shakudō 赤銅 is a Japanese billon of gold and copper typically 4 10 gold 96 90 copper one of the irogane class of colored metals which can be treated to develop a black or sometimes indigo patina resembling lacquer Unpatinated shakudō visually resembles bronze the dark color is induced by the niiro artificial patination process involving boiling in a solution generally including rokushō Unpatinated shakudō Contents 1 Naming 2 History 2 1 Early uses 2 2 Introduction to the West 2 3 Possible origins 3 Production 4 Use 5 See also 6 Further reading 7 External linksNaming editThe characters in the name shaku dō mean red and copper but combined they represent this material which begins with a darkened coppery bronze color and is then modified to black or near black History editEarly uses edit The word shakudō first appears in records of the Japanese Nara period 710 784 AD but it is not clear to what it referred it could have been some form of copper or a form of the now known material There are actual pieces known from the 12th century onwards Shakudō was historically used to construct or decorate Japanese sword nihonto fittings such as tsuba menuki and kozuka as well as other small ornaments sliding door catches and small boxes Introduction to the West edit Shakudō was introduced to the West in the mid 19th century Possible origins edit Materials like shakudo were historically thought to be specific to the Chinese and Japanese and perhaps other Asian milieu but recent studies have noted close similarities to certain decorative alloys used in ancient Egypt Greece and Rome 1 nbsp Fuchi Shakudo gold copper alloy sentoku 2 The Walters Art Museum Production editThe origins of shakudo date back to a period when Japan was still importing significant techniques and materials from Korea and China but accounts of production all derive from much later and little is known of their evolution By the Meiji period the initial production process entailed the heating of copper addition of fine gold and some addition of shirome a by product of copper production containing iron arsenic and other elements In the Edo period it appears that the process may have used nigurome rather than copper nigurome being itself a pre made mix of copper and shirome 3 The resulting alloy was then allowed to rest in ingot moulds in heated water before being shaped and annealed at around 650 C In cooled form the metal was then surface finished using the niiro process The modern process tends to omit the shirome working with copper and gold and other additives directly if needed Use editDue to the expensive gold content shakudō was normally limited to accents or small items such as tsuba Larger historical objects such as vases that are described as shakudō may be mislabeled especially if the glossy blue black color is not evident Unpatinated or repolished shakudō will not spontaneously patinate in air Modern artisans have revived the use of shakudō as a striking design element in the making of jewelry vessels and for the technique of mokume gane Shakudō is sometimes inaccurately used as a general term for damascened decorative metal inlays of Japanese origin These were widely known in the West as Amita damascene from the name of a 20th century manufacturer of such items for export Amita damascene included shakudo shibuichi gold silver and bronze for inlays See also editShibuichi Historically Japanese copper alloy Kuromido Historically Japanese copper arsenic alloy Mokume gane Japanese mixed metal laminate Japanese sword Type of traditionally made sword from Japan Corinthian bronze Highly valuable metal alloy in classical antiquity Hepatizon Alloy also known as Black Corinthian Bronze Electrum Alloy of gold and silver Tumbaga Non specific alloy of gold and copper used in pre Columbian Mesoamerica Panchaloha Term for traditional five metal alloys used for Hindu artifactsFurther reading edit Secret of Achilles Shield New Scientist 1994 01 22 Fuchi with Hollyhocks The Walters Art Museum Oguchi Hachiro December 1983 Japanese Shakudo Gold Bulletin World Gold Council 16 4 125 127 doi 10 1007 BF03214636 External links edit nbsp Wikimedia Commons has media related to Shakudō Oguchi Hachiro Japanese Shakudo Its History Properties and Production from Gold Containing Alloys Gold Bulletin 16 4 1983 pp 125 132 doi 10 1007 BF03214636 National Pollutant Inventory Copper and compounds fact sheet History of the Amita Damascene Company Retrieved from https en wikipedia org w index php title Shakudō amp oldid 1176730135, wikipedia, wiki, book, books, library,

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