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Sally Smart

April 11, 2024

Sally Smart (born 1960) is an Australian contemporary artist known for her large-scale assemblage installations that incorporate a range of media, including felt cut-outs, painted canvas, drawings, screen-printing, printed fabric and photography, performance and video.[1][2] Her art addresses gender and identity politics and questions the relationships between body and culture, including trans-national ideas that shaped cultural history. She has exhibited widely throughout Australia and internationally, and her works are held in major galleries in Australia and around the world.

Sally Smart
Born1960 (age 63–64)
Quorn, South Australia, Australia
NationalityAustralian
EducationVictorian College of the Arts, University of Melbourne
South Australian School of Art, Adelaide
Known forPainting, collage, installation
Notable work
  • The Log Dance (2012)
  • Flauberts Puppets (2011)
  • In Her Nature (2011)
AwardsRedlands Westpac Art Prize, Sydney
Websitesallysmart.com

Early life and education edit

Smart was born in 1960, in Quorn, South Australia.[3][4][5] Her great-aunt was Bessie Davidson, an Australian-born artist whose success in France in the first half of the twentieth century encouraged Smart in her determination to become an artist.[6] Smart obtained a Diploma in Graphic Design from the South Australian School of Art, Adelaide in 1981,[3][4][5][7] and completed a Post-graduate Diploma in Painting at the Victorian College of the Arts, Melbourne (1988),[8] followed by a Master of Fine Arts in 1991, also at the Victorian College of the Arts.[3][4][7]

Work edit

Smart's early work reflected the influence of Collage in painting in Australian art during the 1980s.[9] By the 1990s, "cutting and pasting ha[d] come to the fore" in Smart's work,[9] and she was creating "composition[s] of cut-out shapes [that] meander[] over the walls".[10]

The themes of gender and identity were central to Smart's work from the beginning.[11] Her 1996/1997 work, The Unhomely Body, reflects in its title "the idea of something being unsettling because it contains the familiar rendered unfamiliar, through the emergence of what was previously suppressed. Here the domestic environment is acknowledged as the historical site of female confinement."[9] In her work Femmage Shadows and Symptoms (1999 and later), Smart used the word femmage [fr], created by feminist Miriam Schapiro, to explicitly link to historic traditions of women's making in many mediums and techniques, and feminist political discussions of such women's work,[8][12] with this large-scale installation "creating a surrealistic, dream-like pattern in which the viewer can discover suggestive images that are likely to trigger memories of childhood impressions".[10] In this work, the themes of the home and inner emotions were further developed and exposed, represented also by Smart dressing herself in a costume made up of women's internal body parts.[10]

 
Shadow Trees in Melbourne

From 2006, Smart exhibited her Exquisite Pirate installation series internationally. One critic considered the name "a good analogy for Smart’s approach to making art",[8] partly referencing the surrealist technique exquisite corpse,[8] and also implying a strategy of breaking rules for profit, or, "In this case, for stunning visual invention, where phantasmagorical apparitions appear, wreak havoc and disappear into a sea of detail".[8] Another reviewer perceived "a mass of fragments that are forever being reordered and rearranged to forge new meanings and modes of understanding .... Smart explores and eloquently articulates the complexities of these processes".[13]

In her most recent[when?] installations, The Choreography of Cutting (The Pedagogical Puppet Projects), Smart "investigat[es] .. three seemingly disparate topics: the historical Avant-Garde, traditional Indonesian folk art and the act of cutting", exploring links between the costume designs of the early 20th century Ballets Russes and traditional Javanese puppetry. Designs were digitally cut up and rearranged, quotes from Gertrude Stein, Pina Bausch, Rudolph von Laban and others were "metaphorically ... ‘cut’ from their original contexts" and "scrawled" over two walls, "us[ing] a process that necessitated the entire body: reaching, bending and moving across the length and height of the canvas: [Smart] has inevitably acted out the topic of investigation". Video works were also incorporated, choreographing puppets and shadows.[14]

Hawker has described how Smart's "art reflects the subversive nature of the Avant-garde in women's art practice. Questions of gender and identity are key concerns in her work, and Smart seek particular inspiration from, and engages with, early twentieth-century innovative modernist women artists."[15]

Smart has exhibited internationally, including at the Singapore Art Museum, Singapore; Wooyang Museum of Contemporary Art, Korea; Galeri Canna, Jakarta; Fukuoka Art Museum, Japan; Dark Heart: 2014 Adelaide Biennial of Australian Art, Art Gallery of South Australia, Adelaide; The Pedagogical Puppet Contemporary Galleries, University of Connecticut, USA; Herbert F. Johnson Museum of Art, Cornell University, New York; and Iberia Center for Contemporary Art, Beijing, China.[citation needed]

Smart lives and works Melbourne, Victoria.[14]

Recognition and awards edit

Other roles edit

Selected exhibitions edit

Solo exhibitions (selection) edit

Smart has exhibited extensively throughout Australia[1] and internationally, including China, United States, Belgium, Hong Kong, Brazil, New Zealand, Spain and Japan.

  • The Unhomely Body
  • Femmage Shadows and Symptoms[10]
  • 1999, Fukuoka Art Museum, Fukuoka, Japan[23]
  • 2001, G2 Gallery Auckland New Zealand[23]
  • 2010, McClelland Gallery + Sculpture Park, Langwarrin, Australia[23]
  • Family Tree House, 2001, Galeria Barro Senna Sao Paulo, Brazil[23]
  • Sally Smart, 2003, Kalli Rolfe Contemporary Art, Melbourne[24]
  • The Exquisite Pirate[13][25][26][6]
  • 2006, Postmasters Gallery, New York[27][28]
  • 2006, Greenaway Art Gallery, Adelaide[23]
  • 2006, Dangerous Waters: Cornell University, Herbert F. Johnson Museum of Art, Ithaca, New York[23]
  • 2007, Yawk, Yawk: 24HR Art, Darwin, NT, Australia[23]
  • 2007, North Sea: Ter Caemer-Meert Contemporary, Kortrijk, Belgium[23]
  • 2008, Installation, Scope Basel, Basel, Switzerland[23]
  • 2009, South China Sea: OV Gallery, Shanghai, China[23]
  • 2012, Purdy Hicks Gallery, London, UK[23][29]
  • Decoy Nest
  • Flaubert’s Puppets, 2011, Postmasters Gallery, New York, NY, USA[23]
  • Performativities (Work On Paper), 2011, Amelia Johnson Contemporary, Hong Kong, China[23]
  • The Log Dance (In Her Nature)
  • 2011, Breenspace, Sydney, Australia[23]
  • 2012, ArtHK 2012, Amelia Johnson Contemporary, Hong Kong, China[23]
  • I Build My Time, 2012, Fehitly Contemporary, Melbourne, Australia[23]
  • Choreographing Collage, 2013, Breenspace Sydney, Australia[23]
  • The Choreography of Cutting (The Pedagogical Puppet Projects)[12][31]
  • 2013, Greenaway Art Gallery, Adelaide, Australia[23]
  • 2015, Purdy Hicks Gallery, London, UK[32]
  • 2016, Postmasters Gallery, New York[23]
  • 2017, Sarah Scout Presents, Melbourne, Australia[14]
  • 2018, Tony Raka Art Gallery, Ubud, and P.A.R.A.D.E. at BIASA, Kerobokan, Indonesia[33]
  • The Shadow Trees Sculpture Installation, 2014, Victoria Harbour, Docklands, Melbourne, Australia[23]

Group exhibitions (selection) edit

  • 2015–2016 Conversation: Endless Acts in Human History, National Gallery of Indonesia[34][35]
  • 2013 COLLECTIVE IDENTITY(IeS): THIS IS THAT TIME – Lake Macquarie City Art Gallery[11]
  • 2012 Contemporary Australia: Women – Gallery of Modern Art, Queensland[15][36]
  • 2002 Arid Arcadia: art of the Flinders Ranges, Art Gallery of South Australia[37]
  • 1998 Unhomely, Wooyang Museum of Contemporary Art, Korea[38]

Collections edit

References edit

  1. ^ a b c "Sally Smart". Museum of Contemporary Art Australia. Retrieved 1 March 2018.
  2. ^ "The Vizard Foundation Art Collection of the 1990s: Australian Art and Artists from the Decade – Sally Smart".
  3. ^ a b c . Visual Arts Australia. Archived from the original on 28 March 2020. Retrieved 1 March 2018.
  4. ^ a b c d e f g McCulloch, Alan; McCulloch, Susan; Childs, Emily McCulloch (2006). The New McCulloch's Encyclopedia of Australian Art (4th ed.). Aus Art Editions with The Miegunyah Press. pp. 890–891. ISBN 0-522-85317-X.
  5. ^ a b Germaine, Max (1991). A Dictionary of Women Artists of Australia. Sydney, Australia: Craftsman House. p. 414. ISBN 9768097132.
  6. ^ a b Lindsay, Robert (2007). "Sally Smart". In Payes, Sonia (ed.). Untitled : portraits of Australian artists. South Yarra, Victoria: Macmillan Art Publishing. pp. 320–325. ISBN 978-1-876832-28-5.
  7. ^ a b "Sally Smart". The National Association for the Visual Arts (NAVA). 1 May 2014. Retrieved 9 March 2018.
  8. ^ a b c d e Lindsay, Robert (2007). "Sally Smart". In Payes, Sonia (ed.). Untitled: Portraits of Australian Artists. Macmillan Education AU. p. 320. ISBN 978-1-876832-28-5. Retrieved 4 November 2018.
  9. ^ a b c d McKenzie, Robyn (24 September 1997). "In reality, there's no place like home". The Age. Melbourne. p. C7 (bottom left). Retrieved 4 November 2018.
  10. ^ a b c d Marshall, Christopher (2001). "Symbols and Emotions". Macmillan Interpreting Art: A Guide for Students. Sydney, Australia: Macmillan Education. pp. 58–59. ISBN 978-0-7329-6606-5. Retrieved 4 November 2018.
  11. ^ a b "Education Resource Kit – A Case Study: Collective Identity(IeS): this is that time" (PDF). Lake Macquarie City Art Gallery. 2013. Retrieved 4 November 2018.
  12. ^ a b McKenzie, Janet (17 September 2014). "Sally Smart: interview". Studio International. Retrieved 4 November 2018.
  13. ^ a b Miles, Melissa (2006). "Sally Smart: The exquisite pirate". Eyeline. 60: 38–39. ISSN 0818-8734. Retrieved 4 November 2018.
  14. ^ a b c Winata, Amelia (21 March 2017). "Preview, Review: Sally Smart: The Choreography of Cutting". Art Guide Australia. Retrieved 4 November 2018.
  15. ^ a b Hawker, Michael (2012). "Sally Smart: A Cast of Dancers". In Ewington, Julie (ed.). Contemporary Australia: women. Brisbane, Queensland: Queensland Art Gallery. p. 128. ISBN 978-1-921503-38-2.
  16. ^ "Sally Smart". Redlands Konica Minolta Art Prize. 23 February 2020. Retrieved 29 December 2021.
  17. ^ "Renowned artist Sally Smart to open solo exhibition at Southbank". The University of Melbourne Precinct. 3 October 2017. Retrieved 4 November 2018.
  18. ^ Council of Trustees of the National Gallery of Victoria. "NGV 07/08 Annual Report" (PDF). Retrieved 2 June 2022.
  19. ^ National Association for the Visual Arts. "2016 NAVA Annual Report" (PDF). Retrieved 2 June 2022.
  20. ^ National Association for the Visual Arts. "2017 NAVA Annual Report" (PDF). Retrieved 2 June 2022.
  21. ^ National Association for the Visual Arts. "2018 NAVA Annual Report" (PDF). Retrieved 2 June 2022.
  22. ^ National Association for the Visual Arts. "2019 NAVA Annual Report" (PDF). Retrieved 2 June 2022.
  23. ^ a b c d e f g h i j k l m n o p q r s t u v w x y z aa Smart, Sally. "Postmasters". Postmasters Gallery. Retrieved 10 April 2018.
  24. ^ a b "Darkness and day". The Age. Melbourne. 24 September 2003. Retrieved 4 November 2018.
  25. ^ Catlin, Roger (30 October 2008). "Pirates, Wrecks and Storm-tossed Seas". Hartford Courant. Hartford, Connecticut: 14. Retrieved 4 November 2018.
  26. ^ "Take a swim through 'Dangerous Waters'". Star-Gazette. Elmira, New York: 2D. 31 August 2006. Retrieved 4 November 2018.
  27. ^ "Sally Smart". Artnet. Retrieved 9 April 2018.
  28. ^ Heartney, Eleanor (June–July 2006). "Sally Smart at Postmasters". Art in America. 94 (6): 193. Retrieved 4 November 2018.
  29. ^ "Past exhibitions: Sally Smart – The Exquisite Pirate". PurdyHicks. Retrieved 4 November 2018.
  30. ^ "Sally Smart The Choreography of Cutting" (PDF). Postmasters Gallery. Retrieved 9 April 2018.
  31. ^ Fensham, Rachel (2018). "On Choreography: Femmage, collage, assemblage". Performance Research. 23 (4–5): 266–272. doi:10.1080/13528165.2018.1513206. S2CID 192665693.
  32. ^ "Past exhibitions: Sally Smart – The Choreography of Cutting". PurdyHicks. Retrieved 4 November 2018.
  33. ^ Horstman, Richard (26 June 2018). "Smart's East-meets-West immersive puppetry exhibits delight in Bali". The Jakarta Post. Retrieved 4 November 2018.
  34. ^ King, Natalie (20 January 2016). "Entang Wiharso and Sally Smart in Conversation". Ocula. Retrieved 4 November 2018.
  35. ^ Fischer, Michael M J (2017). "The Work of Epic Art in a Post-Wayang World: An Anthropologist Reads Entang Wiharso and Sally Smart's Conversations". Conversations. Yogyakarta, Indonesia: Black Goat Studio Publications.
  36. ^ "Past exhibitions: Contemporary Australia: Women". GOMA. Retrieved 11 January 2019.
  37. ^ Radok, Stephanie (December 2002). "Arid Arcadia: art of the Flinders Ranges – Review". Artlink. Retrieved 4 November 2018.
  38. ^ "Past Exhibitions: Unhomely". Wooyang Museum of Contemporary Art. Korea.
  39. ^ "Family Tree House (Shadows and Symptoms) 1999–2002". National Gallery of Australia collection. Retrieved 4 November 2018.
  40. ^ "Spider Artist (sew me) 1989". National Gallery of Australia. Retrieved 4 November 2018.
  41. ^ "The choreography of cutting (the pedagogical puppet projects) 2012–15". National Gallery of Australia. Retrieved 4 November 2018.
  42. ^ "NGV Collection Online: Sally Smart". NGV (National Gallery of Australia). Retrieved 4 November 2018.
  43. ^ "Conversation piece #II". Art Gallery of South Australia Collection. Retrieved 4 November 2018.
  44. ^ "Exquisite pirate (self)". Art Gallery of South Australia Collection. Retrieved 4 November 2018.
  45. ^ "Artist: Sally Smart". Queensland Art Gallery Gallery of Modern Art. Retrieved 4 November 2018.
  46. ^ "Collection: Artist – Sally Smart". Auckland Art Gallery Toi o Tamaki. Retrieved 4 November 2018.
  47. ^ "Search our Collections: Sally Smart". Johnson Museum of Art. Retrieved 4 November 2018.
  48. ^ "Imaginary Anatomy (Mirror)". The British Museum Collection Online. Retrieved 4 November 2018.

External links edit

  • Official website

April 11, 2024
sally, smart, born, 1960, australian, contemporary, artist, known, large, scale, assemblage, installations, that, incorporate, range, media, including, felt, outs, painted, canvas, drawings, screen, printing, printed, fabric, photography, performance, video, a. Sally Smart born 1960 is an Australian contemporary artist known for her large scale assemblage installations that incorporate a range of media including felt cut outs painted canvas drawings screen printing printed fabric and photography performance and video 1 2 Her art addresses gender and identity politics and questions the relationships between body and culture including trans national ideas that shaped cultural history She has exhibited widely throughout Australia and internationally and her works are held in major galleries in Australia and around the world Sally SmartBorn1960 age 63 64 Quorn South Australia AustraliaNationalityAustralianEducationVictorian College of the Arts University of MelbourneSouth Australian School of Art AdelaideKnown forPainting collage installationNotable workThe Log Dance 2012 Flauberts Puppets 2011 In Her Nature 2011 AwardsRedlands Westpac Art Prize SydneyWebsitesallysmart wbr com Contents 1 Early life and education 2 Work 3 Recognition and awards 4 Other roles 5 Selected exhibitions 5 1 Solo exhibitions selection 5 2 Group exhibitions selection 6 Collections 7 References 8 External linksEarly life and education editSmart was born in 1960 in Quorn South Australia 3 4 5 Her great aunt was Bessie Davidson an Australian born artist whose success in France in the first half of the twentieth century encouraged Smart in her determination to become an artist 6 Smart obtained a Diploma in Graphic Design from the South Australian School of Art Adelaide in 1981 3 4 5 7 and completed a Post graduate Diploma in Painting at the Victorian College of the Arts Melbourne 1988 8 followed by a Master of Fine Arts in 1991 also at the Victorian College of the Arts 3 4 7 Work editSmart s early work reflected the influence of Collage in painting in Australian art during the 1980s 9 By the 1990s cutting and pasting ha d come to the fore in Smart s work 9 and she was creating composition s of cut out shapes that meander over the walls 10 The themes of gender and identity were central to Smart s work from the beginning 11 Her 1996 1997 work The Unhomely Body reflects in its title the idea of something being unsettling because it contains the familiar rendered unfamiliar through the emergence of what was previously suppressed Here the domestic environment is acknowledged as the historical site of female confinement 9 In her work Femmage Shadows and Symptoms 1999 and later Smart used the word femmage fr created by feminist Miriam Schapiro to explicitly link to historic traditions of women s making in many mediums and techniques and feminist political discussions of such women s work 8 12 with this large scale installation creating a surrealistic dream like pattern in which the viewer can discover suggestive images that are likely to trigger memories of childhood impressions 10 In this work the themes of the home and inner emotions were further developed and exposed represented also by Smart dressing herself in a costume made up of women s internal body parts 10 nbsp Shadow Trees in MelbourneFrom 2006 Smart exhibited her Exquisite Pirate installation series internationally One critic considered the name a good analogy for Smart s approach to making art 8 partly referencing the surrealist technique exquisite corpse 8 and also implying a strategy of breaking rules for profit or In this case for stunning visual invention where phantasmagorical apparitions appear wreak havoc and disappear into a sea of detail 8 Another reviewer perceived a mass of fragments that are forever being reordered and rearranged to forge new meanings and modes of understanding Smart explores and eloquently articulates the complexities of these processes 13 In her most recent when installations The Choreography of Cutting The Pedagogical Puppet Projects Smart investigat es three seemingly disparate topics the historical Avant Garde traditional Indonesian folk art and the act of cutting exploring links between the costume designs of the early 20th century Ballets Russes and traditional Javanese puppetry Designs were digitally cut up and rearranged quotes from Gertrude Stein Pina Bausch Rudolph von Laban and others were metaphorically cut from their original contexts and scrawled over two walls us ing a process that necessitated the entire body reaching bending and moving across the length and height of the canvas Smart has inevitably acted out the topic of investigation Video works were also incorporated choreographing puppets and shadows 14 Hawker has described how Smart s art reflects the subversive nature of the Avant garde in women s art practice Questions of gender and identity are key concerns in her work and Smart seek particular inspiration from and engages with early twentieth century innovative modernist women artists 15 Smart has exhibited internationally including at the Singapore Art Museum Singapore Wooyang Museum of Contemporary Art Korea Galeri Canna Jakarta Fukuoka Art Museum Japan Dark Heart 2014 Adelaide Biennial of Australian Art Art Gallery of South Australia Adelaide The Pedagogical Puppet Contemporary Galleries University of Connecticut USA Herbert F Johnson Museum of Art Cornell University New York and Iberia Center for Contemporary Art Beijing China citation needed Smart lives and works Melbourne Victoria 14 Recognition and awards editRedlands Westpac Art Prize Sydney 2004 16 Sackler Fellow Artist in Residence University of Connecticut USA 2012 citation needed Australia Council Fellowship 2014 citation needed Vice Chancellor s Fellow at the University of Melbourne 2017 17 Other roles editTrustee at the National Gallery of Victoria from 2001 to 2008 18 Board member Deputy Chair at the National Association for the Visual Arts NAVA from 2016 to 2019 19 20 21 22 Selected exhibitions editSolo exhibitions selection edit Smart has exhibited extensively throughout Australia 1 and internationally including China United States Belgium Hong Kong Brazil New Zealand Spain and Japan The Unhomely Body1996 Contemporary Art Centre of South Australia Adelaide Australia 23 1997 Robert Lindsay Gallery Melbourne Australia 9 Femmage Shadows and Symptoms 10 1999 Fukuoka Art Museum Fukuoka Japan 23 2001 G2 Gallery Auckland New Zealand 23 2010 McClelland Gallery Sculpture Park Langwarrin Australia 23 Shadow Farm 4 24 2000 Wollongong City Gallery Wollongong 4 23 2000 Monash University Museum of Art Melbourne 4 23 2001 Bendigo Art Gallery Bendigo 4 23 2002 Bond University Gallery Gold Coast 23 2002 Queensland University of Technology Brisbane 23 Family Tree House 2001 Galeria Barro Senna Sao Paulo Brazil 23 Sally Smart 2003 Kalli Rolfe Contemporary Art Melbourne 24 The Exquisite Pirate 13 25 26 6 2006 Postmasters Gallery New York 27 28 2006 Greenaway Art Gallery Adelaide 23 2006 Dangerous Waters Cornell University Herbert F Johnson Museum of Art Ithaca New York 23 2007 Yawk Yawk 24HR Art Darwin NT Australia 23 2007 North Sea Ter Caemer Meert Contemporary Kortrijk Belgium 23 2008 Installation Scope Basel Basel Switzerland 23 2009 South China Sea OV Gallery Shanghai China 23 2012 Purdy Hicks Gallery London UK 23 29 Decoy Nest2008 Postmasters Gallery New York 30 2011 Greenaway Art Gallery Melbourne Australia 23 Flaubert s Puppets 2011 Postmasters Gallery New York NY USA 23 Performativities Work On Paper 2011 Amelia Johnson Contemporary Hong Kong China 23 The Log Dance In Her Nature 2011 Breenspace Sydney Australia 23 2012 ArtHK 2012 Amelia Johnson Contemporary Hong Kong China 23 I Build My Time 2012 Fehitly Contemporary Melbourne Australia 23 Choreographing Collage 2013 Breenspace Sydney Australia 23 The Choreography of Cutting The Pedagogical Puppet Projects 12 31 2013 Greenaway Art Gallery Adelaide Australia 23 2015 Purdy Hicks Gallery London UK 32 2016 Postmasters Gallery New York 23 2017 Sarah Scout Presents Melbourne Australia 14 2018 Tony Raka Art Gallery Ubud and P A R A D E at BIASA Kerobokan Indonesia 33 The Shadow Trees Sculpture Installation 2014 Victoria Harbour Docklands Melbourne Australia 23 Group exhibitions selection edit 2015 2016 Conversation Endless Acts in Human History National Gallery of Indonesia 34 35 2013 COLLECTIVE IDENTITY IeS THIS IS THAT TIME Lake Macquarie City Art Gallery 11 2012 Contemporary Australia Women Gallery of Modern Art Queensland 15 36 2002 Arid Arcadia art of the Flinders Ranges Art Gallery of South Australia 37 1998 Unhomely Wooyang Museum of Contemporary Art Korea 38 Collections editNational Gallery of Australia Canberra 39 40 41 National Gallery of Victoria Melbourne 42 Art Gallery of South Australia Adelaide 43 44 GOMA Queensland Art Gallery Brisbane 45 Museum of Contemporary Art Sydney 1 Auckland Art Gallery Toi o Tamaki Auckland New Zealand 46 Herbert F Johnson Museum Cornell University New York USA 47 British Museum London UK 48 References edit a b c Sally Smart Museum of Contemporary Art Australia Retrieved 1 March 2018 The Vizard Foundation Art Collection of the 1990s Australian Art and Artists from the Decade Sally Smart a b c Sally Smart Visual Arts Australia Archived from the original on 28 March 2020 Retrieved 1 March 2018 a b c d e f g McCulloch Alan McCulloch Susan Childs Emily McCulloch 2006 The New McCulloch s Encyclopedia of Australian Art 4th ed Aus Art Editions with The Miegunyah Press pp 890 891 ISBN 0 522 85317 X a b Germaine Max 1991 A Dictionary of Women Artists of Australia Sydney Australia Craftsman House p 414 ISBN 9768097132 a b Lindsay Robert 2007 Sally Smart In Payes Sonia ed Untitled portraits of Australian artists South Yarra Victoria Macmillan Art Publishing pp 320 325 ISBN 978 1 876832 28 5 a b Sally Smart The National Association for the Visual Arts NAVA 1 May 2014 Retrieved 9 March 2018 a b c d e Lindsay Robert 2007 Sally Smart In Payes Sonia ed Untitled Portraits of Australian Artists Macmillan Education AU p 320 ISBN 978 1 876832 28 5 Retrieved 4 November 2018 a b c d McKenzie Robyn 24 September 1997 In reality there s no place like home The Age Melbourne p C7 bottom left Retrieved 4 November 2018 a b c d Marshall Christopher 2001 Symbols and Emotions Macmillan Interpreting Art A Guide for Students Sydney Australia Macmillan Education pp 58 59 ISBN 978 0 7329 6606 5 Retrieved 4 November 2018 a b Education Resource Kit A Case Study Collective Identity IeS this is that time PDF Lake Macquarie City Art Gallery 2013 Retrieved 4 November 2018 a b McKenzie Janet 17 September 2014 Sally Smart interview Studio International Retrieved 4 November 2018 a b Miles Melissa 2006 Sally Smart The exquisite pirate Eyeline 60 38 39 ISSN 0818 8734 Retrieved 4 November 2018 a b c Winata Amelia 21 March 2017 Preview Review Sally Smart The Choreography of Cutting Art Guide Australia Retrieved 4 November 2018 a b Hawker Michael 2012 Sally Smart A Cast of Dancers In Ewington Julie ed Contemporary Australia women Brisbane Queensland Queensland Art Gallery p 128 ISBN 978 1 921503 38 2 Sally Smart Redlands Konica Minolta Art Prize 23 February 2020 Retrieved 29 December 2021 Renowned artist Sally Smart to open solo exhibition at Southbank The University of Melbourne Precinct 3 October 2017 Retrieved 4 November 2018 Council of Trustees of the National Gallery of Victoria NGV 07 08 Annual Report PDF Retrieved 2 June 2022 National Association for the Visual Arts 2016 NAVA Annual Report PDF Retrieved 2 June 2022 National Association for the Visual Arts 2017 NAVA Annual Report PDF Retrieved 2 June 2022 National Association for the Visual Arts 2018 NAVA Annual Report PDF Retrieved 2 June 2022 National Association for the Visual Arts 2019 NAVA Annual Report PDF Retrieved 2 June 2022 a b c d e f g h i j k l m n o p q r s t u v w x y z aa Smart Sally Postmasters Postmasters Gallery Retrieved 10 April 2018 a b Darkness and day The Age Melbourne 24 September 2003 Retrieved 4 November 2018 Catlin Roger 30 October 2008 Pirates Wrecks and Storm tossed Seas Hartford Courant Hartford Connecticut 14 Retrieved 4 November 2018 Take a swim through Dangerous Waters Star Gazette Elmira New York 2D 31 August 2006 Retrieved 4 November 2018 Sally Smart Artnet Retrieved 9 April 2018 Heartney Eleanor June July 2006 Sally Smart at Postmasters Art in America 94 6 193 Retrieved 4 November 2018 Past exhibitions Sally Smart The Exquisite Pirate PurdyHicks Retrieved 4 November 2018 Sally Smart The Choreography of Cutting PDF Postmasters Gallery Retrieved 9 April 2018 Fensham Rachel 2018 On Choreography Femmage collage assemblage Performance Research 23 4 5 266 272 doi 10 1080 13528165 2018 1513206 S2CID 192665693 Past exhibitions Sally Smart The Choreography of Cutting PurdyHicks Retrieved 4 November 2018 Horstman Richard 26 June 2018 Smart s East meets West immersive puppetry exhibits delight in Bali The Jakarta Post Retrieved 4 November 2018 King Natalie 20 January 2016 Entang Wiharso and Sally Smart in Conversation Ocula Retrieved 4 November 2018 Fischer Michael M J 2017 The Work of Epic Art in a Post Wayang World An Anthropologist Reads Entang Wiharso and Sally Smart s Conversations Conversations Yogyakarta Indonesia Black Goat Studio Publications Past exhibitions Contemporary Australia Women GOMA Retrieved 11 January 2019 Radok Stephanie December 2002 Arid Arcadia art of the Flinders Ranges Review Artlink Retrieved 4 November 2018 Past Exhibitions Unhomely Wooyang Museum of Contemporary Art Korea Family Tree House Shadows and Symptoms 1999 2002 National Gallery of Australia collection Retrieved 4 November 2018 Spider Artist sew me 1989 National Gallery of Australia Retrieved 4 November 2018 The choreography of cutting the pedagogical puppet projects 2012 15 National Gallery of Australia Retrieved 4 November 2018 NGV Collection Online Sally Smart NGV National Gallery of Australia Retrieved 4 November 2018 Conversation piece II Art Gallery of South Australia Collection Retrieved 4 November 2018 Exquisite pirate self Art Gallery of South Australia Collection Retrieved 4 November 2018 Artist Sally Smart Queensland Art Gallery Gallery of Modern Art Retrieved 4 November 2018 Collection Artist Sally Smart Auckland Art Gallery Toi o Tamaki Retrieved 4 November 2018 Search our Collections Sally Smart Johnson Museum of Art Retrieved 4 November 2018 Imaginary Anatomy Mirror The British Museum Collection Online Retrieved 4 November 2018 External links editOfficial website Retrieved from https en wikipedia org w index php title Sally Smart amp oldid 1192067375, wikipedia, wiki, book, books, library,

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