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Rule a Wife and Have a Wife

Rule a Wife and Have a Wife is a late Jacobean stage comedy written by John Fletcher. It was first performed in 1624 and first published in 1640. It is a comedy with intrigue that tells the story of two couples that get married with false pretenses.

A programme printed on silk for a performance of Rule a Wife and Have a Wife in Jersey on 20 December 1809

The play was licensed for performance by Sir Henry Herbert, the Master of the Revels, on 19 October 1624. It was performed by the King's Men, who performed it at Court twice in that season. The 1640 quarto was printed at Oxford by Leonard Lichfield, the printer to the University of Oxford. It was later reprinted in the second Beaumont and Fletcher folio of 1679. It was revived in the Restoration era in an adaptation, like many of Fletcher's plays; the revised version was printed in 1697 and repeatedly thereafter, and proved to be among the dramatist's most popular works.[1]

External evidence, including Herbert's entry in his records and the 1640 quarto, assigns the play to Fletcher alone. The play's internal evidence of style and textual preferences confirms Fletcher's solo authorship: "Fletcher's sole responsibility for it has never been questioned." It is the last play he wrote on his own with no co-author.[2]

The play's title refers to an old saying ("Every man can rule a shrew but he that has her"), which suggests that men who offer advice have such easy expertise — but if you actually have such a wife, it's not that easy.[3]

Song edit

Henry Purcell’s song "There’s not a Swain" is traditionally sung in this play at the beginning of Act 3. The song was published in the April 1694 issue of the Gentleman’s Journal, where it is titled "A Song the Notes by Mr. Henry Purcell The Words fitted to the Tune by N Henley Esq". The tune of the song occurs, without lyrics, as a hornpipe in The Fairy-Queen, Purcell's musical adaptation of Shakespeare's A Midsummer Night's Dream. The song also occurs in Joyful Cuckoldom with a note that it is from the play Rule a Wife and Have a Wife.[4]

Characters edit

  • Michael Perez, the "Copper Captain". "Copper captain" does not occur in the play, but Estifania calls him a "man of copper". "Copper" suggests a less valuable treasure.
  • Donna Margarita, wanton heiress and married to Leon. "Margarita" is from the Greek word meaning "pearl"–the play contains puns based on this.
  • Estifania, Margarita's maid and Perez' wife
  • Leon, Altea's brother
  • Don Juan de Castro, a Spanish Colonel
  • Duke of Medina, commander of the Spanish Armada
  • Sanchio, army officer
  • Alonzo, army officer
  • Altea, gentlewoman to Margarita
  • Cacafogo, a rich usurer. The name is an obscene insult, Spanish for "excreter of fire".
  • Lorenzo
  • Donna Clara
  • Old woman, landlady of the place where Estifania and Perez stay. The part is traditionally played by a man for comedy.
  • Maid, old woman's daughter. Also portrayed by a man.
  • Servant
  • Coachman
  • Boy, a boy appears at the start of act 3 to sing a song. The original song is lost. Henry Purcell's song "There's Not a Swain" is a later replacement.[5]

Setting edit

A Spanish town and a country house.

Synopsis edit

The first scene of act one begins with Juan and Perez, both officers, conversing about their attempts to recruit soldiers for the war in the Low Countries. They are fed up with war and talk about getting out of war by wedding a wealthy wife. The next scene finds Sanchio and Alonzo considering if they will let themselves be recruited. They discuss the dangers of war and compare it to the dangers of venereal disease. The decide that marriage to a wealthy wife is the best way. The play, with the threat of war, helps to explain why the men will agree to marriage terms that are less than ideal.

Margarita is a wealthy heiress. She marries the soldier, Leon, on condition that he doesn't mind if she has lovers. Leon, it turns out, does mind, and his objections escalate to show that he won't be happy as a cuckold. He manages to get Margarita to tame her erotic desires. To demonstrate that they now trust each other, they join together to abuse and frustrate her next potential lover, the Duke, by making him think that the noise coming from beneath the stairs is the devil coming to claim his soul. It is actually a drunken Cacafogo making the noise.

Meanwhile, in the other part of the story, Margarita's servant, Estifania, weds Perez, the captain. She marries him by pretending that Margarita's wealthy house is hers. Estifania then finds out that Perez is poor — just as Estifania is. However, she pawns Perez's collection of tchotchkes to the usurer Cacafogo, who gives her, in exchange, a fortune, even though they are worthless. This amazes Perez so much that he submits to Estifania.

Both of these two stories use Cacafogo as a way to reconcile the two couples to each other. Perez and Margarita have each found partners who can be exploited to suit their needs, while Estifania and Leon have each succeeded in duping their partners by misrepresenting themselves, "[outfacing] them when the deception is revealed, [forcing] them to surrender, and then [relenting] somewhat for a harmonious resolution". Unlike Shakespeare's play The Taming of the Shrew, which shows a man taming a woman, Fletcher's two plots provide two tamers — a man and a woman.[6] There are two happy marriages at the end — a husband who rules his wife, and a wife who rules her husband — which provides a resolution for the plot, however the skeptical author provides for the audience a generous amount of ambiguity regarding these four.[7]

References edit

  1. ^ Alfred Claghorn Potter, A Bibliography of Beaumont and Fletcher, Cambridge, MA, Library of Harvard University, 1890; pp. 13-14.
  2. ^ E. H. C. Oliphant, The Plays of Beaumont and Fletcher, New Haven, Yale University Press, 1927; p. 146.
  3. ^ Hicklin, Christopher Lane. A Critical Modern-Spelling Edition of John Fletcher's "Rule a Wife and Have a Wife." 2010. ISBN 9780494721704
  4. ^ Purcell, Henry. ’'Works, Volume 21. Novello Publisher (1917)
  5. ^ Fletcher, John. John Fletcher - Rule a Wife, and Have a Wife: "Love's tongue is in his eyes". Stage Door. (2018) ISBN 978-1787376106.
  6. ^ Levin, Richard. The Multiple Plot in English Renaissance Drama. Chicago: University of Chicago Press (1971). p. 51-55 ISBN 978-0226475264
  7. ^ Hicklin, Christopher Lane. A Critical Modern-Spelling Edition of John Fletcher's "Rule a Wife and Have a Wife." 2010. ISBN 9780494721704

  This article incorporates text from a publication now in the public domainWood, James, ed. (1907). "Fletcher, John". The Nuttall Encyclopædia. London and New York: Frederick Warne.

External links edit

  • Rule a Wife and Have a Wife at Project Gutenberg

rule, wife, have, wife, late, jacobean, stage, comedy, written, john, fletcher, first, performed, 1624, first, published, 1640, comedy, with, intrigue, that, tells, story, couples, that, married, with, false, pretenses, programme, printed, silk, performance, j. Rule a Wife and Have a Wife is a late Jacobean stage comedy written by John Fletcher It was first performed in 1624 and first published in 1640 It is a comedy with intrigue that tells the story of two couples that get married with false pretenses A programme printed on silk for a performance of Rule a Wife and Have a Wife in Jersey on 20 December 1809The play was licensed for performance by Sir Henry Herbert the Master of the Revels on 19 October 1624 It was performed by the King s Men who performed it at Court twice in that season The 1640 quarto was printed at Oxford by Leonard Lichfield the printer to the University of Oxford It was later reprinted in the second Beaumont and Fletcher folio of 1679 It was revived in the Restoration era in an adaptation like many of Fletcher s plays the revised version was printed in 1697 and repeatedly thereafter and proved to be among the dramatist s most popular works 1 External evidence including Herbert s entry in his records and the 1640 quarto assigns the play to Fletcher alone The play s internal evidence of style and textual preferences confirms Fletcher s solo authorship Fletcher s sole responsibility for it has never been questioned It is the last play he wrote on his own with no co author 2 The play s title refers to an old saying Every man can rule a shrew but he that has her which suggests that men who offer advice have such easy expertise but if you actually have such a wife it s not that easy 3 Contents 1 Song 2 Characters 3 Setting 4 Synopsis 5 References 6 External linksSong editHenry Purcell s song There s not a Swain is traditionally sung in this play at the beginning of Act 3 The song was published in the April 1694 issue of the Gentleman s Journal where it is titled A Song the Notes by Mr Henry Purcell The Words fitted to the Tune by N Henley Esq The tune of the song occurs without lyrics as a hornpipe in The Fairy Queen Purcell s musical adaptation of Shakespeare s A Midsummer Night s Dream The song also occurs in Joyful Cuckoldom with a note that it is from the play Rule a Wife and Have a Wife 4 Characters editMichael Perez the Copper Captain Copper captain does not occur in the play but Estifania calls him a man of copper Copper suggests a less valuable treasure Donna Margarita wanton heiress and married to Leon Margarita is from the Greek word meaning pearl the play contains puns based on this Estifania Margarita s maid and Perez wife Leon Altea s brother Don Juan de Castro a Spanish Colonel Duke of Medina commander of the Spanish Armada Sanchio army officer Alonzo army officer Altea gentlewoman to Margarita Cacafogo a rich usurer The name is an obscene insult Spanish for excreter of fire Lorenzo Donna Clara Old woman landlady of the place where Estifania and Perez stay The part is traditionally played by a man for comedy Maid old woman s daughter Also portrayed by a man Servant Coachman Boy a boy appears at the start of act 3 to sing a song The original song is lost Henry Purcell s song There s Not a Swain is a later replacement 5 Setting editA Spanish town and a country house Synopsis editThe first scene of act one begins with Juan and Perez both officers conversing about their attempts to recruit soldiers for the war in the Low Countries They are fed up with war and talk about getting out of war by wedding a wealthy wife The next scene finds Sanchio and Alonzo considering if they will let themselves be recruited They discuss the dangers of war and compare it to the dangers of venereal disease The decide that marriage to a wealthy wife is the best way The play with the threat of war helps to explain why the men will agree to marriage terms that are less than ideal Margarita is a wealthy heiress She marries the soldier Leon on condition that he doesn t mind if she has lovers Leon it turns out does mind and his objections escalate to show that he won t be happy as a cuckold He manages to get Margarita to tame her erotic desires To demonstrate that they now trust each other they join together to abuse and frustrate her next potential lover the Duke by making him think that the noise coming from beneath the stairs is the devil coming to claim his soul It is actually a drunken Cacafogo making the noise Meanwhile in the other part of the story Margarita s servant Estifania weds Perez the captain She marries him by pretending that Margarita s wealthy house is hers Estifania then finds out that Perez is poor just as Estifania is However she pawns Perez s collection of tchotchkes to the usurer Cacafogo who gives her in exchange a fortune even though they are worthless This amazes Perez so much that he submits to Estifania Both of these two stories use Cacafogo as a way to reconcile the two couples to each other Perez and Margarita have each found partners who can be exploited to suit their needs while Estifania and Leon have each succeeded in duping their partners by misrepresenting themselves outfacing them when the deception is revealed forcing them to surrender and then relenting somewhat for a harmonious resolution Unlike Shakespeare s play The Taming of the Shrew which shows a man taming a woman Fletcher s two plots provide two tamers a man and a woman 6 There are two happy marriages at the end a husband who rules his wife and a wife who rules her husband which provides a resolution for the plot however the skeptical author provides for the audience a generous amount of ambiguity regarding these four 7 References edit Alfred Claghorn Potter A Bibliography of Beaumont and Fletcher Cambridge MA Library of Harvard University 1890 pp 13 14 E H C Oliphant The Plays of Beaumont and Fletcher New Haven Yale University Press 1927 p 146 Hicklin Christopher Lane A Critical Modern Spelling Edition of John Fletcher s Rule a Wife and Have a Wife 2010 ISBN 9780494721704 Purcell Henry Works Volume 21 Novello Publisher 1917 Fletcher John John Fletcher Rule a Wife and Have a Wife Love s tongue is in his eyes Stage Door 2018 ISBN 978 1787376106 Levin Richard The Multiple Plot in English Renaissance Drama Chicago University of Chicago Press 1971 p 51 55 ISBN 978 0226475264 Hicklin Christopher Lane A Critical Modern Spelling Edition of John Fletcher s Rule a Wife and Have a Wife 2010 ISBN 9780494721704 nbsp This article incorporates text from a publication now in the public domain Wood James ed 1907 Fletcher John The Nuttall Encyclopaedia London and New York Frederick Warne External links editRule a Wife and Have a Wife at Project Gutenberg Retrieved from https en wikipedia org w index php title Rule a Wife and Have a Wife amp oldid 1160478749, wikipedia, wiki, book, books, library,

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