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Rolo Tomassi

January 01, 1970

Not to be confused with Rollo Tomasi, an American post-hardcore band.

Rolo Tomassi are a British mathcore band formed in Sheffield in 2005. Their name is a reference to dialogue from the film L.A. Confidential. The band are known for their chaotic style and performances, and strong DIY ethic. They are currently signed to MNRK Heavy.[1]

Rolo Tomassi
Rolo Tomassi live at Slottsfjell Festival 2011 in Tunsberg, Norway. From left to right: Eva Korman, Edward Dutton and James Spence.
Background information
OriginStocksbridge, Sheffield, England
Genres
Years active2005 (2005)–present
Labels
MembersEva Korman
James Spence
Chris Cayford
Nathan Fairweather
Al Pott
Past membersJoseph Thorpe
Joe Nicholson
Edward Dutton
Tom Pitts

The band released two albums on Hassle Records: Hysterics (2008) and the Diplo-produced Cosmology (2010). After creating their own record label in 2011 called Destination Moon, they released Eternal Youth, a compilation album of B-sides, remixes and rarities from throughout their career, and their third album Astraea, in 2012 with the first line-up change in their career. They then released two albums on Holy Roar Records: Grievances (2015) and Time Will Die and Love Will Bury It (2018), before moving to their current label to release their sixth album, Where Myth Becomes Memory (2022).

History edit

Early years and the Mayday! label (2005–2008) edit

Shortly before the band formed, Eva Korman (née Spence) was in a small garage band for a few months as a keyboardist. The band was looking for an aggressive vocalist to help make it a six piece band, so Eva stepped up to give screaming a go.[2] To practice she and her brother, James Spence, would scream in their parents' car, with very loud music on; the music was to help overcome their shyness.[2] The two have collaborated in bands since they were both 13 years old.[2]

Rolo Tomassi formed in February 2005 in the town of Stocksbridge,[3] taking their name from a concept in the 1997 neo-noir film L.A. Confidential.[4] When Rolo Tomassi formed they sought to keep the band as DIY as possible; achieving this by hand-making their first releases and organizing many DIY shows.[5] Eva Spence went from being the keyboardist to the vocalist after they struggled to find a singer.[6] Not long after forming, the band had written some songs and immediately began to perform at local venues/pubs to small crowds. At this time they released some of their first material on to a 3 Track Demo CD which they could sell at the shows in which they were performing. The demo CD-R was released under James Spence's (keyboardist/vocalist) independent label which he named "Mayday!". There are eight releases under this label. After a split EP with Mirror! Mirror! (limited to 333 copies and released through Speedowax) the band signed to Holy Roar Records and released a self-titled EP featuring re-recorded songs from previous demos and EPs along with new songs.

One of their first concerts was supporting Bring Me the Horizon in February 2005 at the Classic Rock Bar in Sheffield.[7]

Hysterics and Cosmology (2008–2011) edit

Main article: Hysterics (Rolo Tomassi album)
Main article: Cosmology (album)

In June 2008, Rolo Tomassi were given a spot at Download Festival.[8] In September they released their debut album Hysterics. Supporting this release the band opened for Pulled Apart By Horses in Britain and for Jane's Addiction in the United States.[9]

In 2009 Rolo Tomassi started their "Subs Club" series. This was a series of 7" vinyls singles released every three months with a cover track and remixes[10] and a 7" single, Rolo Tomassi / Throats Split, jointly release with the band Throats. In February and March of that year Rolo Tomassi supported Fucked Up and The Bronx in the Shred Yr Face 2 tour.[5][10] Later in this year, they performed at South by Southwest festival.[2] This led to be an important performance in their career as they were watched by American producer Thomas Pentz, better known by his stage name Diplo, who mentioned them in a Pitchfork Media interview,[2][9] when asked to name "One Obscure Band You Think Should Be More Popular".[11] The band contacted him thinking he might do a remix for them but he responded by offering to produce their second album.[9] The band wished to wrap their album's completion around Diplo's schedule so they wrote the album in three months.[2]

 
Rolo Tomassi performing at the Camden Crawl in 2010. (From left to right) Joe Nicholson, Eva Spence, Edward Dutton, James Spence and Joseph Thorpe.

Towards the end of October 2009, the band flew to Los Angeles to record their second album, in a studio which James considered "unassuming, a well hidden and fantastic place".[12] Artwork for their second album was, like that for Hysterics, designed by Simon Moody. Recording finished on 31 October and the album, titled Cosmology was released in May 2010 was released. With a hope that Cosmology was a clear and definite progression from Hysterics[12] James Spence felt had they corrected the short-comings of their first album.[9] Because it was not co-written by Diplo, like with his typical projects, he helped add flourishes to the album.[2] Diplo's influence on Eve Spence's developed vocal range has been noted. Because their producer had typically worked with female solo artists such as Bonde do Rolê, M.I.A. and Santigold, he helped cross techniques from them over to Eva.[2][9][12] Particularly with demoing songs, where the band would write a demo and give it to Eva to sing and interpret in her own room for hours.[9]

The band played on the Ronnie James Dio Stage at Download Festival[13] and played on the NME/Radio 1 tent at Reading and Leeds in August 2010. James Spence commented on the Download show saying it was the biggest show of their career to date.[13] In the band's blog in June 2010 it was written that there might eventually be a Discography styled release in the future which would l allows people to hear all of the band's material released before the Rolo Tomassi EP. On 7 August 2010 they played at the Hevy Music Festival near Folkestone, England. Throughout October and November 2010 Rolo Tomassi supported The Dillinger Escape Plan on their UK tour.[14] On 19 December 2010, the band planned to conclude the year with a free show at the Bloomsbury Ballroom in London, which was to be filmed as part of a documentary and live recording release from the band. However, the show was cancelled due to the ill health of Eva Spence, and so a new UK Tour was announced for May.[15]

With the setting up of their own record label Destination Moon records Rolo Tomassi released Eternal Youth; an anthology of rare and non-album material including acoustic versions, remixes of their own work by various artists and a cover of Throats. This release was accompanied by a short list of tour dates across the UK in May 2011, which were confirmed to be the only tour date Rolo Tomassi would do in 2011.[16][17] On 8 July 2011, Rolo Tomassi headlined the Red Bull Bedroom Jam Stage at Sonisphere.[18] Rolo Tomassi expressed interest in working with Anthony Gonzalez or Kurt Ballou respectively of M83 and Converge as producers for the third album. In July James Spence said that the third album had not progressed far enough for them to search for producers.[18] He also stated that they, as of July, they had at least two songs created, with a lyrical concept that surfaces as focuses on self-reflection.[19]

Astraea (2012–2013) edit

Main article: Astraea (album)
 
Rolo Tomassi playing 2000 Trees, 2012

In an interview with Kerrang!, Eva Korman confirmed that the band were self-producing their third full-length with Hysterics producer Jason Sanderson. Regarding the sound of the album, she said that it would be "more direct and heavier", but also noted that the band would "never shy away from being experimental". A May release date was initially projected.[20] In early February 2012 Rolo Tomassi announced the release of a new single: "Old Mystics". The single was uploaded to the band's Facebook profile to stream for free. Release of the single was scheduled for 26 March. The band announced a few days after releasing "Old Mystics" for streaming that it would probably not appear on the new album, but just be a stand-alone single.[21] Alongside the announcement of "Old Mystics" the band also announced that they had two brand new members following the departure of Joseph Thorpe and Joe Nicholson. Their replacements were Chris Cayford, current vocalist and former guitarist of No Coast, and Nathan Fairweather who plays in Brontide.[22] Eva Spence said in an interview that Joe Nicholson wanted to pursue taking a chemistry degree at university, while Joe Thorpe's departure was more to do with personal differences.[21]

Rolo Tomassi completed their first tour of the year as the main support for Architects on a 14 date tour.[23] They also stated that they were entering the studio to record their third album in June, with an October release date expected.[24] To support the album's October release Rolo Tomassi projected an 11 date headline tour of the United Kingdom in late October with Oathbreaker and Goodtime Boys.[25] On 16 August 2012, the band announced that their new album would be titled Astraea, with the release date set to be 5 November.[26]

In May 2013 the band did a short British tour with Bastions, the band was noted for only costing five pound a ticket for all venues.[27] On 31 August Rolo Tomassi headlined the first year of Bridgwater based music festival Morbid Mash Up which featured over 20 other bands.[28] In September Rolo Tomassi performed on three out of the four dates of the Japanese touring festival Reverberation Festival.[29] In September and October, starting just three days after their Japanese performances Rolo Tomassi completed a 13 date tour of Australia with Australian bands Totally Unicorn, Safe Hands and Stockades.[30] It marked the first time the band had been in the country since 2010.[31]

Grievances and Time Will Die And Love Will Bury It (2014– 2019) edit

Main articles: Grievances (Rolo Tomassi album) and Time Will Die and Love Will Bury It

Throughout most of 2014 the band was dormant in writing new songs for a fourth album to succeed Astraea. In mid September the band announced a three date tour in the UK with Brontide, their album being released next year and that they are releasing a split EP with Stockades.[32]

The group's fourth full-length album, Grievances, was released on 1 June 2015 through Holy Roar, with an American release through Ipecac.[3] In June 2015 the band's cover for Deftones's Digital Bath was released on Kerrang!'s Ultimate Rock Heroes compilation disc.

In 2017 they had a minimal tour schedule which features appearances at the Two Thousand Trees and Tech Fest festivals in the UK also teased the unveiling of new material with a promotional website lovewillburyit.com.[33][34] On 5 November the band released the first single from their new album "Rituals" on BBC Radio 1, with a music video accompanying it the next day.[35][36] On 4 November Rolo Tomassi performed one headline show in London at the Borderline with support from label mates Conjurer.[34] Here they performed two new songs, "Rituals" and "The Hollow Hour".[37] In December Rolo Tomassi performed their first concerts in the United States, supporting The Number Twelve Looks Like You on their Nuclear. Sad. Nuclear. 12 year anniversary tour.[38]

Rolo Tomassi's fifth album Time Will Die And Love Will Bury It was released on 2 March 2018 on Holy Roar Records. It was recorded, like Grievances, at The Ranch in Southampton with Lewis Johns as producer.[36][39] It was accompanied by a tour through the UK and Europe through March and April.[35] The album was well received by critics, with review aggregator Metacritic giving the album a score of 92/100, making it the second highest rated album of 2018.[40]

The band has performed at a series of European festivals across the summer period, a six date UK tour in November with Blood Command and Cassus,[41] and will be touring the US in November and December again supporting The Number Twelve Looks Like You.[42]

Eva Spence featured on The Number Twelve Looks Like You song "Of Fear" from their 2019 comeback album, Wild Gods, though in the physical album inlay she is listed under the name Eva Korman.[43]

Where Myth Becomes Memory (2020–present) edit

On 8 September 2020, the band confirmed that they had ended their relationship with Holy Roar Records in light of allegations of sexual misconduct against the label's owner, Alex Fitzpatrick.[44]

In recording of their new album Where Myth Becomes Memory, the band except for Korman recorded at The Ranch in Southampton; whilst Korman, now living in Bergen County, New Jersey, recorded her vocal tracks at Brady Street Recordings nearby.[45][7]

On 17 August 2021, Rolo Tomassi released a new single "Cloaked", along with the announcement that the band had signed to MNRK Heavy.[46] This was followed by the release of "Drip" in November 2021, wherein the band also announced their next album would be titled Where Myth Becomes Memory.[47] A third single, "Closer", was released in January 2022.[48] The album is set for release on 4 February 2022.

Characteristics edit

Musical style edit

 
Eva Korman

Their music has been difficult to classify simply because of the band's resistance to being identified with one single genre.[49] Described as "like a polished chrome King Crimson for the 21st Century"[50] they have typically been acknowledged as being mathcore,[9][51][52] a tag which summarises the theoretical complexity of their music, such as odd time signatures like 9/8 and 13/8[53] and polyrhythmic drumming.[54] They have been identified as "falling somewhere between grindcore, progressive and alternative rock"[19] and have been categorised as experimental rock,[9] Nintendocore,[6][52][55] post-metal,[51] post-hardcore,[56] progressive hardcore,[13][50][57][58] progressive rock[28] and screamo.[52][59] The band has been critical of the label Nintendocore being attributed to their work.[45]

The band utilises two vocalists in their music, a quality which "immediately creates a rich and textured sonic world".[60] Eva Spence's vocal style was acknowledged by Michael Wilson of the BBC as bi-polar; swapping between "fragile lullabies to blood-curdling scowls".[61] Her singing voice is in a soprano vocal range and has been compared to the stylings of Alison Goldfrapp of Goldfrapp and Elizabeth Fraser of the Cocteau Twins.[62][63]

Their earlier work – such as Hysterics, Cosmology and their demos and extended plays – was known for its use of jazz breakdowns and swapping chaotically between explosive mathcore, calm atmospheric experimental music and acid-jazz.[36][49][55][64] Their music is also noted for sharing traits with Nintendocore for the use of 8-bit synthesizers and in terms of chaos and sound.[55] The compilation album Eternal Youth by the band gave insight into their musical development since their inception in 2005 with their demos onto their latest b-side releases with Hassle records.

Their style developed further into their pop, ambient, shoegaze and space rock elements for their third album Astraea[50][65] and has been jokingly dubbed as cosmic-core.[66] For one of the b-sides from the album – "Mezmerizer" – NME journalist Hamish MacBain classed it as a "space rock ballad".[67] For the album, the band decided to base its name on the goddess of the same name, a reference to the Spence siblings admiration for Greek mythology and a desire to pick a title which made the album "sound big and like this proper body of work".[54] The non-album single "Old Mystics" and the song from the album "The Scales of Balance" both make reference to the "Golden Age" declared by Astraea.[54]

Their next three albums have been seen by the band as belonging to a trilogy.[68] In contrast to the lighter tone developed on Astraea, their fourth album Grievances frentic and dark in it composition- utilising pianos and violins for a darker character.[6] Guitarist Chris Crayford described this album "really moody and full of pain".[68] Their fifth album Time Will Die and Love Will Bury It was described by James Spence as "continues in the vein of Grievances' darkness"[36] and Crayford saw it as "more ethereal" than its predecessor.[68] Where Myth Becomes Memory is described by Crayford as "direct, focused, and considered".[68]

Influences edit

Rolo Tomassi's influences are said to range through screamo, classical, jazz and progressive rock.[69] Blood Brothers, Brian Eno, Cardiacs, jazz saxophonist John Coltrane, Converge, Goldfrapp, the Dillinger Escape Plan, King Crimson, the Locust and the Mars Volta are all considered influences on Rolo Tomassi's work.[4][9][36][58] Rolo Tomassi have noted how the Dillinger Escape Plan are a huge influence on the band, with Edward Dutton in an interview saying that "they're one of the few stock bands that you can draw from one of the five of us".[14] The fractured structure of their songs are considered to be heavily influenced by The Mars Volta.[69] Ryan Bird of Rock Sound cited At the Drive-In's album Relationship of Command as an influence on Rolo Tomassi's work, saying "opening the mainstream's mind toward fiercely confrontational, independent rock, it was unthought-of that a band like Rolo Tomassi could be successful pre-ROC [sic]."[70] James Spence wrote a guest blog on Clash Music writing about his interest in At The Drive-in, which began with seeing the video for "One Armed Scissor": "I remember being captivated by the way they played and how much the guitarist, Omar, was freaking out. Almost like he was attacking his instrument. It resonated with me somewhat and I was intrigued by it."[71] He commented further on the album's influence, noting "the odd sounds, the samples, the weird, almost undecipherable lyrics."[71] According to Spence, touring with Gojira and Loathe influenced the heavy parts of their music.[72]

Live performances edit

The band's members have been called "insane hardcore acrobats" for their energetic live performances.[13] When James Spence commented on Rolo Tomassi's live performances, he stated that he felt people who didn't listen to them typically enjoyed their live performances and that "We just want people to enjoy us however they want to."[28] Noisey writer Hannah Ewens notes how lead singer Eva Korman embodies "a soft image in a hard environment" and notes that her movements onstage "while thrashing and aggressive, are balletic and graceful in their anger".[6]

When playing songs from their debut album Hysterics coming closer to their second album's release, they played songs from it faster than originally recorded as their musicianship had improved greatly.[9] Because of the membership change and the wish to play older music at live performances, James Spence used guitar tablature and his own knowledge of the songs written to teach newer members Chris Cayford and Nathan Fairweather.[2] In 2018 drummer Tom Pitts noted how the live shows were more unconventional and "punky" in the tempo of the gigs when he first joined in 2014, however the band in recent years is focused more precision and started playing with a clicker as he drums.[39]

Band members edit

Current members edit

  • Eva Korman – lead vocals (2005–present)
  • James Spence – backing and lead vocals, keyboards, piano, synthesizers (2005–present)
  • Chris Cayford – guitar (2012–present)
  • Nathan Fairweather – bass guitar (2012–present)
  • Al Pott – drums (2018–present)

Former members edit

  • Joseph Thorpe – bass guitar (2005–2011)[22]
  • Joe Nicholson – guitar (2005–2011)[22]
  • Edward Dutton – drums (2005–2013)
  • Tom Pitts – drums, backing vocals (2014–2018)

Timeline edit

Discography edit

Main article: Rolo Tomassi discography

Studio albums edit

References edit

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External links edit

  Media related to Rolo Tomassi at Wikimedia Commons

  • Official MySpace

January 01, 1970
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Not to be confused with Rollo Tomasi an American post hardcore band Rolo Tomassi are a British mathcore band formed in Sheffield in 2005 Their name is a reference to dialogue from the film L A Confidential The band are known for their chaotic style and performances and strong DIY ethic They are currently signed to MNRK Heavy 1 Rolo TomassiRolo Tomassi live at Slottsfjell Festival 2011 in Tunsberg Norway From left to right Eva Korman Edward Dutton and James Spence Background informationOriginStocksbridge Sheffield EnglandGenresMathcoreprogressive rockexperimental rockpost hardcorepost metalYears active2005 2005 presentLabelsMNRK Heavy Hassle Destination Moon Holy Roar IpecacMembersEva KormanJames SpenceChris CayfordNathan FairweatherAl PottPast membersJoseph Thorpe Joe NicholsonEdward DuttonTom Pitts The band released two albums on Hassle Records Hysterics 2008 and the Diplo produced Cosmology 2010 After creating their own record label in 2011 called Destination Moon they released Eternal Youth a compilation album of B sides remixes and rarities from throughout their career and their third album Astraea in 2012 with the first line up change in their career They then released two albums on Holy Roar Records Grievances 2015 and Time Will Die and Love Will Bury It 2018 before moving to their current label to release their sixth album Where Myth Becomes Memory 2022 Contents 1 History 1 1 Early years and the Mayday label 2005 2008 1 2 Hysterics and Cosmology 2008 2011 1 3 Astraea 2012 2013 1 4 Grievances and Time Will Die And Love Will Bury It 2014 2019 1 5 Where Myth Becomes Memory 2020 present 2 Characteristics 2 1 Musical style 2 2 Influences 2 3 Live performances 3 Band members 3 1 Current members 3 2 Former members 3 3 Timeline 4 Discography 4 1 Studio albums 5 References 6 External linksHistory editEarly years and the Mayday label 2005 2008 edit Shortly before the band formed Eva Korman nee Spence was in a small garage band for a few months as a keyboardist The band was looking for an aggressive vocalist to help make it a six piece band so Eva stepped up to give screaming a go 2 To practice she and her brother James Spence would scream in their parents car with very loud music on the music was to help overcome their shyness 2 The two have collaborated in bands since they were both 13 years old 2 Rolo Tomassi formed in February 2005 in the town of Stocksbridge 3 taking their name from a concept in the 1997 neo noir film L A Confidential 4 When Rolo Tomassi formed they sought to keep the band as DIY as possible achieving this by hand making their first releases and organizing many DIY shows 5 Eva Spence went from being the keyboardist to the vocalist after they struggled to find a singer 6 Not long after forming the band had written some songs and immediately began to perform at local venues pubs to small crowds At this time they released some of their first material on to a 3 Track Demo CD which they could sell at the shows in which they were performing The demo CD R was released under James Spence s keyboardist vocalist independent label which he named Mayday There are eight releases under this label After a split EP with Mirror Mirror limited to 333 copies and released through Speedowax the band signed to Holy Roar Records and released a self titled EP featuring re recorded songs from previous demos and EPs along with new songs One of their first concerts was supporting Bring Me the Horizon in February 2005 at the Classic Rock Bar in Sheffield 7 Hysterics and Cosmology 2008 2011 edit Main article Hysterics Rolo Tomassi album Main article Cosmology album In June 2008 Rolo Tomassi were given a spot at Download Festival 8 In September they released their debut album Hysterics Supporting this release the band opened for Pulled Apart By Horses in Britain and for Jane s Addiction in the United States 9 In 2009 Rolo Tomassi started their Subs Club series This was a series of 7 vinyls singles released every three months with a cover track and remixes 10 and a 7 single Rolo Tomassi Throats Split jointly release with the band Throats In February and March of that year Rolo Tomassi supported Fucked Up and The Bronx in the Shred Yr Face 2 tour 5 10 Later in this year they performed at South by Southwest festival 2 This led to be an important performance in their career as they were watched by American producer Thomas Pentz better known by his stage name Diplo who mentioned them in a Pitchfork Media interview 2 9 when asked to name One Obscure Band You Think Should Be More Popular 11 The band contacted him thinking he might do a remix for them but he responded by offering to produce their second album 9 The band wished to wrap their album s completion around Diplo s schedule so they wrote the album in three months 2 nbsp Rolo Tomassi performing at the Camden Crawl in 2010 From left to right Joe Nicholson Eva Spence Edward Dutton James Spence and Joseph Thorpe Towards the end of October 2009 the band flew to Los Angeles to record their second album in a studio which James considered unassuming a well hidden and fantastic place 12 Artwork for their second album was like that for Hysterics designed by Simon Moody Recording finished on 31 October and the album titled Cosmology was released in May 2010 was released With a hope that Cosmology was a clear and definite progression from Hysterics 12 James Spence felt had they corrected the short comings of their first album 9 Because it was not co written by Diplo like with his typical projects he helped add flourishes to the album 2 Diplo s influence on Eve Spence s developed vocal range has been noted Because their producer had typically worked with female solo artists such as Bonde do Role M I A and Santigold he helped cross techniques from them over to Eva 2 9 12 Particularly with demoing songs where the band would write a demo and give it to Eva to sing and interpret in her own room for hours 9 The band played on the Ronnie James Dio Stage at Download Festival 13 and played on the NME Radio 1 tent at Reading and Leeds in August 2010 James Spence commented on the Download show saying it was the biggest show of their career to date 13 In the band s blog in June 2010 it was written that there might eventually be a Discography styled release in the future which would l allows people to hear all of the band s material released before the Rolo Tomassi EP On 7 August 2010 they played at the Hevy Music Festival near Folkestone England Throughout October and November 2010 Rolo Tomassi supported The Dillinger Escape Plan on their UK tour 14 On 19 December 2010 the band planned to conclude the year with a free show at the Bloomsbury Ballroom in London which was to be filmed as part of a documentary and live recording release from the band However the show was cancelled due to the ill health of Eva Spence and so a new UK Tour was announced for May 15 With the setting up of their own record label Destination Moon records Rolo Tomassi released Eternal Youth an anthology of rare and non album material including acoustic versions remixes of their own work by various artists and a cover of Throats This release was accompanied by a short list of tour dates across the UK in May 2011 which were confirmed to be the only tour date Rolo Tomassi would do in 2011 16 17 On 8 July 2011 Rolo Tomassi headlined the Red Bull Bedroom Jam Stage at Sonisphere 18 Rolo Tomassi expressed interest in working with Anthony Gonzalez or Kurt Ballou respectively of M83 and Converge as producers for the third album In July James Spence said that the third album had not progressed far enough for them to search for producers 18 He also stated that they as of July they had at least two songs created with a lyrical concept that surfaces as focuses on self reflection 19 Astraea 2012 2013 edit Main article Astraea album nbsp Rolo Tomassi playing 2000 Trees 2012 In an interview with Kerrang Eva Korman confirmed that the band were self producing their third full length with Hysterics producer Jason Sanderson Regarding the sound of the album she said that it would be more direct and heavier but also noted that the band would never shy away from being experimental A May release date was initially projected 20 In early February 2012 Rolo Tomassi announced the release of a new single Old Mystics The single was uploaded to the band s Facebook profile to stream for free Release of the single was scheduled for 26 March The band announced a few days after releasing Old Mystics for streaming that it would probably not appear on the new album but just be a stand alone single 21 Alongside the announcement of Old Mystics the band also announced that they had two brand new members following the departure of Joseph Thorpe and Joe Nicholson Their replacements were Chris Cayford current vocalist and former guitarist of No Coast and Nathan Fairweather who plays in Brontide 22 Eva Spence said in an interview that Joe Nicholson wanted to pursue taking a chemistry degree at university while Joe Thorpe s departure was more to do with personal differences 21 Rolo Tomassi completed their first tour of the year as the main support for Architects on a 14 date tour 23 They also stated that they were entering the studio to record their third album in June with an October release date expected 24 To support the album s October release Rolo Tomassi projected an 11 date headline tour of the United Kingdom in late October with Oathbreaker and Goodtime Boys 25 On 16 August 2012 the band announced that their new album would be titled Astraea with the release date set to be 5 November 26 In May 2013 the band did a short British tour with Bastions the band was noted for only costing five pound a ticket for all venues 27 On 31 August Rolo Tomassi headlined the first year of Bridgwater based music festival Morbid Mash Up which featured over 20 other bands 28 In September Rolo Tomassi performed on three out of the four dates of the Japanese touring festival Reverberation Festival 29 In September and October starting just three days after their Japanese performances Rolo Tomassi completed a 13 date tour of Australia with Australian bands Totally Unicorn Safe Hands and Stockades 30 It marked the first time the band had been in the country since 2010 31 Grievances and Time Will Die And Love Will Bury It 2014 2019 edit Main articles Grievances Rolo Tomassi album and Time Will Die and Love Will Bury It Throughout most of 2014 the band was dormant in writing new songs for a fourth album to succeed Astraea In mid September the band announced a three date tour in the UK with Brontide their album being released next year and that they are releasing a split EP with Stockades 32 The group s fourth full length album Grievances was released on 1 June 2015 through Holy Roar with an American release through Ipecac 3 In June 2015 the band s cover for Deftones s Digital Bath was released on Kerrang s Ultimate Rock Heroes compilation disc In 2017 they had a minimal tour schedule which features appearances at the Two Thousand Trees and Tech Fest festivals in the UK also teased the unveiling of new material with a promotional website lovewillburyit com 33 34 On 5 November the band released the first single from their new album Rituals on BBC Radio 1 with a music video accompanying it the next day 35 36 On 4 November Rolo Tomassi performed one headline show in London at the Borderline with support from label mates Conjurer 34 Here they performed two new songs Rituals and The Hollow Hour 37 In December Rolo Tomassi performed their first concerts in the United States supporting The Number Twelve Looks Like You on their Nuclear Sad Nuclear 12 year anniversary tour 38 Rolo Tomassi s fifth album Time Will Die And Love Will Bury It was released on 2 March 2018 on Holy Roar Records It was recorded like Grievances at The Ranch in Southampton with Lewis Johns as producer 36 39 It was accompanied by a tour through the UK and Europe through March and April 35 The album was well received by critics with review aggregator Metacritic giving the album a score of 92 100 making it the second highest rated album of 2018 40 The band has performed at a series of European festivals across the summer period a six date UK tour in November with Blood Command and Cassus 41 and will be touring the US in November and December again supporting The Number Twelve Looks Like You 42 Eva Spence featured on The Number Twelve Looks Like You song Of Fear from their 2019 comeback album Wild Gods though in the physical album inlay she is listed under the name Eva Korman 43 Where Myth Becomes Memory 2020 present edit On 8 September 2020 the band confirmed that they had ended their relationship with Holy Roar Records in light of allegations of sexual misconduct against the label s owner Alex Fitzpatrick 44 In recording of their new album Where Myth Becomes Memory the band except for Korman recorded at The Ranch in Southampton whilst Korman now living in Bergen County New Jersey recorded her vocal tracks at Brady Street Recordings nearby 45 7 On 17 August 2021 Rolo Tomassi released a new single Cloaked along with the announcement that the band had signed to MNRK Heavy 46 This was followed by the release of Drip in November 2021 wherein the band also announced their next album would be titled Where Myth Becomes Memory 47 A third single Closer was released in January 2022 48 The album is set for release on 4 February 2022 Characteristics editMusical style edit nbsp Eva Korman Their music has been difficult to classify simply because of the band s resistance to being identified with one single genre 49 Described as like a polished chrome King Crimson for the 21st Century 50 they have typically been acknowledged as being mathcore 9 51 52 a tag which summarises the theoretical complexity of their music such as odd time signatures like 9 8 and 13 8 53 and polyrhythmic drumming 54 They have been identified as falling somewhere between grindcore progressive and alternative rock 19 and have been categorised as experimental rock 9 Nintendocore 6 52 55 post metal 51 post hardcore 56 progressive hardcore 13 50 57 58 progressive rock 28 and screamo 52 59 The band has been critical of the label Nintendocore being attributed to their work 45 The band utilises two vocalists in their music a quality which immediately creates a rich and textured sonic world 60 Eva Spence s vocal style was acknowledged by Michael Wilson of the BBC as bi polar swapping between fragile lullabies to blood curdling scowls 61 Her singing voice is in a soprano vocal range and has been compared to the stylings of Alison Goldfrapp of Goldfrapp and Elizabeth Fraser of the Cocteau Twins 62 63 Their earlier work such as Hysterics Cosmology and their demos and extended plays was known for its use of jazz breakdowns and swapping chaotically between explosive mathcore calm atmospheric experimental music and acid jazz 36 49 55 64 Their music is also noted for sharing traits with Nintendocore for the use of 8 bit synthesizers and in terms of chaos and sound 55 The compilation album Eternal Youth by the band gave insight into their musical development since their inception in 2005 with their demos onto their latest b side releases with Hassle records Their style developed further into their pop ambient shoegaze and space rock elements for their third album Astraea 50 65 and has been jokingly dubbed as cosmic core 66 For one of the b sides from the album Mezmerizer NME journalist Hamish MacBain classed it as a space rock ballad 67 For the album the band decided to base its name on the goddess of the same name a reference to the Spence siblings admiration for Greek mythology and a desire to pick a title which made the album sound big and like this proper body of work 54 The non album single Old Mystics and the song from the album The Scales of Balance both make reference to the Golden Age declared by Astraea 54 Their next three albums have been seen by the band as belonging to a trilogy 68 In contrast to the lighter tone developed on Astraea their fourth album Grievances frentic and dark in it composition utilising pianos and violins for a darker character 6 Guitarist Chris Crayford described this album really moody and full of pain 68 Their fifth album Time Will Die and Love Will Bury It was described by James Spence as continues in the vein of Grievances darkness 36 and Crayford saw it as more ethereal than its predecessor 68 Where Myth Becomes Memory is described by Crayford as direct focused and considered 68 Influences edit Rolo Tomassi s influences are said to range through screamo classical jazz and progressive rock 69 Blood Brothers Brian Eno Cardiacs jazz saxophonist John Coltrane Converge Goldfrapp the Dillinger Escape Plan King Crimson the Locust and the Mars Volta are all considered influences on Rolo Tomassi s work 4 9 36 58 Rolo Tomassi have noted how the Dillinger Escape Plan are a huge influence on the band with Edward Dutton in an interview saying that they re one of the few stock bands that you can draw from one of the five of us 14 The fractured structure of their songs are considered to be heavily influenced by The Mars Volta 69 Ryan Bird of Rock Sound cited At the Drive In s album Relationship of Command as an influence on Rolo Tomassi s work saying opening the mainstream s mind toward fiercely confrontational independent rock it was unthought of that a band like Rolo Tomassi could be successful pre ROC sic 70 James Spence wrote a guest blog on Clash Music writing about his interest in At The Drive in which began with seeing the video for One Armed Scissor I remember being captivated by the way they played and how much the guitarist Omar was freaking out Almost like he was attacking his instrument It resonated with me somewhat and I was intrigued by it 71 He commented further on the album s influence noting the odd sounds the samples the weird almost undecipherable lyrics 71 According to Spence touring with Gojira and Loathe influenced the heavy parts of their music 72 Live performances edit The band s members have been called insane hardcore acrobats for their energetic live performances 13 When James Spence commented on Rolo Tomassi s live performances he stated that he felt people who didn t listen to them typically enjoyed their live performances and that We just want people to enjoy us however they want to 28 Noisey writer Hannah Ewens notes how lead singer Eva Korman embodies a soft image in a hard environment and notes that her movements onstage while thrashing and aggressive are balletic and graceful in their anger 6 When playing songs from their debut album Hysterics coming closer to their second album s release they played songs from it faster than originally recorded as their musicianship had improved greatly 9 Because of the membership change and the wish to play older music at live performances James Spence used guitar tablature and his own knowledge of the songs written to teach newer members Chris Cayford and Nathan Fairweather 2 In 2018 drummer Tom Pitts noted how the live shows were more unconventional and punky in the tempo of the gigs when he first joined in 2014 however the band in recent years is focused more precision and started playing with a clicker as he drums 39 Band members editCurrent members edit Eva Korman lead vocals 2005 present James Spence backing and lead vocals keyboards piano synthesizers 2005 present Chris Cayford guitar 2012 present Nathan Fairweather bass guitar 2012 present Al Pott drums 2018 present Former members edit Joseph Thorpe bass guitar 2005 2011 22 Joe Nicholson guitar 2005 2011 22 Edward Dutton drums 2005 2013 Tom Pitts drums backing vocals 2014 2018 Timeline editDiscography editMain article Rolo Tomassi discography Studio albums edit Hysterics 2008 Cosmology 2010 Astraea 2012 Grievances 2015 Time Will Die and Love Will Bury It 2018 Where Myth Becomes Memory 2022 References edit Rolo Tomassi announce their signing to MNRK Heavy 18 August 2021 a b c d e f g h i Klotschkow Paul Rolo Tomassi Nottingham Culture LeftLion LeftLion Retrieved 8 September 2013 a b Murray Robin 18 February 2015 Rolo Tomassi Toast 10th Anniversary With New Album Clash Music Retrieved 21 November 2017 a b O Brien Jon Rolo Tomassi AllMusic AllMusic Rovi Retrieved 14 May 2012 a b Interviews Shred Yr Face 2 Eva Spence Rolo Tomassi Rock Sound Freeway Press 16 February 2009 Archived from the original on 2 December 2013 Retrieved 27 August 2013 a b c d Ewens Hannah 17 April 2015 Rolo Tomassi Have Been Subverting the Conventions of Heavy Music for a Decade Largely Unnoticed Noisey Retrieved 7 September 2017 a b Winwood Ian 17 November 2021 Rolo Tomassi A kind of magic Kerrang Retrieved 3 February 2022 Rolo Tomassi new bands are more exciting than KISS News NME 13 June 2008 Retrieved 12 December 2011 a b c d e f g h i j Doran John 21 April 2010 In Extremis Diplo And Behold A Rolo Tomassi Interview The Quietus Retrieved 9 September 2013 Only a great deal of hard graft can create an illusion of effortlessness and their combination of Cardiacs Locust King Crimson Runhild Gammelsaeter Mars Volta and Brian Eno feels so natural it s almost as if the band are doing themselves a disservice by not acting like spoilt pretentious avant rock beasts a b Rolo Tomassi Plan 7 Series Rock Sound Freeway Press 17 December 2008 Archived from the original on 3 December 2013 Retrieved 27 August 2013 Diplo 13 February 2009 Guest Lists Diplo Pitchfork Media Retrieved 10 September 2013 a b c Slater Luke 22 October 2009 Rolo Tomassi working with Diplo for album two Music News Drowned In Sound Drownedinsound Archived from the original on 7 October 2012 Retrieved 12 December 2011 a b c d Download 2010 Rolo Tomassi Play Biggest Show Ever Rock Sound Freeway Press 12 June 2010 Archived from the original on 21 December 2010 Retrieved 27 August 2013 a b Ellis Alex 2 November 2010 Interview with Rolo Tomassi 02 11 10 South Sonic Archived from the original on 27 August 2011 Retrieved 15 June 2010 Rolo Tomassi Confirm Last Show Of 2010 The Fly 9 November 2010 Retrieved 28 April 2012 Slater Luke 14 February 2011 Rolo Tomassi confirm Eternal Youth release date and tour Music News Drowned In Sound Drowned In Sound Archived from the original on 17 March 2011 Retrieved 12 June 2011 Free Stuff Rolo Tomassi mp3 from forthcoming b sides rarities album Eternal Youth Thrash Hits 14 April 2011 Retrieved 28 September 2011 a b Rolo Tomassi at Sonisphere We d love to make a record with M83 or Converge NME 9 July 2011 Retrieved 28 September 2011 a b Davidson Nico 27 July 2011 Interview Rolo Tomassi Sonisphere 2011 Sound Sphere Magazine Archived from the original on 29 November 2011 Retrieved 26 October 2011 James McMahon ed 14 January 2012 In the studio special Rolo Tomassi Kerrang No 1397 Bauer Media Group p 07 ISSN 0262 6624 a b Rolo Tomassi promise a hard hitting and more direct third album NME 3 February 2012 Retrieved 4 February 2012 a b c Rolo Tomassi Unveil New Track Old Mystics Announce New Members This Is Fake DIY 1 February 2012 Retrieved 1 February 2012 Architects and Rolo Tomassi announce UK headline tour NME 9 January 2012 Retrieved 24 April 2012 Cliffe Daniel 22 April 2012 Rolo Tomassi Nottingham Culture leftlion co uk Retrieved 22 May 2012 Rolo Tomassi Confirm Autumn Tour Supports This Is Fake DIY 26 June 2012 Retrieved 17 July 2012 Rolo Tomassi detail release of Astraea Punktastic 16 August 2012 Retrieved 16 August 2012 Rolo Tomassi Announce May Tour Post New Video Online Rock Sound Freeway Press 8 March 2013 Archived from the original on 12 March 2013 Retrieved 4 June 2013 a b c Bridgwater s first ever Morbid Mash Up prog rockers Rolo Tomassi to headline Bridgwater Mercury Newsquest Media 13 August 2013 Retrieved 9 September 2013 残響アーティスト集結 残響祭 9月に4都市展開 The four cities expand reverberation artists gathered reverberation Festival in September Natalie in Japanese Natasha Inc 1 June 2013 Retrieved 1 July 2013 Rolo Tomassi Announce Australian Tour themusic com au Street Press Australia Pty 13 June 2013 Retrieved 15 June 2013 Rolo Tomassi announce Australian tour Kill Your Stereo 12 June 2013 Archived from the original on 14 December 2013 Retrieved 15 June 2013 Rolo Tomassi Announce Small October Tour Kerrang Bauer Media Group 12 September 2014 Retrieved 6 October 2014 Davenport James 31 August 2017 Rolo Tomassi announce only UK headline show of 2017 Punktastic Archived from the original on 7 September 2017 a b Ackroyd Stephen 31 August 2017 Rolo Tomassi have announced their only UK headline show of 2017 Upsetmagazine Archived from the original on 7 September 2017 Retrieved 7 September 2017 a b Eede Christian 6 November 2017 Rolo Tomassi Announce New Album The Quietus Retrieved 21 November 2017 a b c d e Garland Emma 30 October 2017 Rolo Tomassi s Rituals Oozes with Release and Relief Noisey Retrieved 21 November 2017 Dedman Remfry 7 November 2017 Rolo Tomassi The Borderline gig review A savage and sublime display from one of the UK s most singular bands The Independent Retrieved 21 November 2017 The Number Twelve Looks Like You Announce Nuclear Sad Nuclear 12th Anniversary Tour The PRP 27 September 2017 Retrieved 21 November 2017 a b Tom Pitts on channeling Rocky Balboa with Rolo Tomassi Rhythm Music Radar 1 August 2018 Retrieved 9 November 2018 Best Music and Albums for 2018 Metacritic Retrieved 11 November 2018 Rolo Tomassi announce October tour Kerrang 27 June 2018 Retrieved 9 November 2018 Kennelty Greg 19 September 2018 The Number Twelve Looks Like You Announces U S Dates With Rolo Tomassi Metal Injection Retrieved 9 November 2018 The NoXII Looks Like You Wild Gods Discogs 20 September 2019 Retrieved 8 September 2020 Redrup Zach 8 September 2020 NEWS Rolo Tomassi leave Holy Roar Records Retrieved 8 September 2020 a b Mills Matt 2 February 2022 Masters of heaviness Rolo Tomassi I ve never expected music to offer me a living The Guardian Retrieved 3 February 2022 Weaver James 19 August 2021 Rolo Tomassi release new music video for Cloaked Distorted Sound Retrieved 19 August 2021 Breihan Tom 10 November 2021 Rolo Tomassi Drip Stereogum Stereogum Media Retrieved 12 January 2022 Rose Anna 12 January 2022 Rolo Tomassi release sombre new single Closer NME BandLab Technologies Retrieved 12 January 2022 a b Viles Phill 21 April 2009 This Is Nottingham Rolo Tomassi review in Nottingham This Is Nottingham Archived from the original on 27 April 2009 Retrieved 12 June 2011 a b c Doran John 5 November 2012 Reviews Rolo Tomassi Astraea The Quietus Retrieved 22 November 2012 a b A Rock Sound Guide To Yorkshire Metal Rock Sound No 176 London Freeway Press August 2013 ISSN 1465 0185 a b c Pertola Petteri 5 February 2013 Rolo Tomassi Astraea Rock Freaks Retrieved 11 August 2013 Dalziel Martin 6 May 2013 Review Rolo Tomassi at Beat Generator Live The Courier D C Thomson amp Co Archived from the original on 19 December 2013 Retrieved 19 May 2013 a b c Bychawski Adam 27 November 2012 The Scales of Balance Rolo Tomassi Clash Music Retrieved 9 June 2013 a b c Reid Sean 19 May 2010 Alter The Press Album Review Rolo Tomassi Cosmology Alter The Press Retrieved 15 June 2011 Gardner Noel 2012 Rolo Tomassi Astraea Review BBC Retrieved 22 May 2017 Darren Tayor ed January 2013 Top 50 Albums of the year Rock Sound No 169 London Freeway Press p 19 ISSN 1465 0185 Holding onto their tagged prog core style the sheffielders have managed to weave their eclectic influences into a more cohesive and flowing work here It s everything we love then for done better a b Brown Dean 18 April 2012 Architects Rolo Tomassi Stray From the Path 6 April 2012 Dublin Ireland Pop Matters Buzz Media Retrieved 24 April 2012 Lawrence Ben 19 July 2013 The best ways to make the most of the heatwave while it lasts Gigwise Retrieved 11 August 2013 Macmillan Pieter J Rolo Tomassi Astraea Releases Releases Drowned In Sound Drowned In Sound Archived from the original on 2 November 2012 Retrieved 22 November 2012 Wilson Michael 10 April 2012 Architects Rolo Tomassi Speakeasy Belfast BBC Retrieved 24 April 2012 Gardner Noel 31 October 2012 Three albums in the Sheffield five piece remain a remarkably singular band BBC Music BBC Retrieved 22 November 2012 Rolo Tomassi Cosmology Album Review Archived from the original on 21 February 2014 Retrieved 15 February 2013 Pia Camilla 19 May 2010 BBC Music Review of Rolo Tomassi Cosmology BBC Music Retrieved 14 November 2010 Rolo Tomassi New Album Reviews Music News from THE FLY The UK s Most Popular Music Magazine The Fly MAMA Group 2 November 2012 Archived from the original on 6 November 2012 Retrieved 22 November 2012 Otsa Jamie 25 October 2012 Rolo Tomassi Astraea ALBUM Review Ourzone Magazine Retrieved 22 November 2012 MacBain Hamish 7 February 2012 Rolo Tomassi Old Mystics A face melting firecracker NME IPC Media Retrieved 9 June 2013 a b c d Rogers Jack 1 February 2022 Rolo Tomassi s James Spence If Your Aim Isn t To Be Your Own Favourite Band What s The Point Features Rock Sound Magazine Retrieved 3 February 2022 a b Nicolson Barry 31 October 2008 NME Live Reviews Rolo Tomassi NME Retrieved 13 February 2012 Bird Ryan 11 October 2011 Darren Tayor ed Hall Of Fame Relationship Of Command Spitting in the face of popularity At The Drive In laid nu metal to rest with this white hit hardcore classic Rock Sound No 153 pp 48 49 ISSN 1465 0185 a b Spence James 25 April 2013 Rolo Tomassi Talk Relationship Of Command Clash Music Retrieved 9 June 2013 Longhurst Jake 3 February 2022 Interview Rolo Tomassi Impact Archived from the original on 3 February 2022 Retrieved 5 February 2022 External links edit nbsp Media related to Rolo Tomassi at Wikimedia Commons Official MySpace Retrieved from https en wikipedia org w index php title Rolo Tomassi amp oldid 1196526766, wikipedia, wiki, book, books, library,

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