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Revanta

January 01, 1970

Revanta or Raivata (Sanskrit: रेवन्त, lit. "brilliant") is a minor Hindu deity. According to the Rig-Veda, Revanta is the youngest son of the sun-god Surya, and his wife Saranyu.

Revanta
The divine master of horses
7th century statue of Revanta from Sarnath, Eastern Uttar Pradesh
AffiliationGuhyakas
AbodeHimalaya
WeaponSword
MountHorse
Personal information
Parents
SiblingsAshvins, Yamaraja, Yami, Shani, Tapati and Shraddhadeva Manu

Revanta is chief of the Guhyakas, supernatural beings – like the Yakshas – who are believed to live as forest dwellers in the Himalayas.[1][2]

Images and sculptures of Revanta often show him as a huntsman on a horse, with a bow and arrow. The worship of Revanta was especially common in medieval Eastern India (Bihar and Bengal) with many archaeological finds indicating the existence of a cult dedicated to him that began in the 6th century A.D.[3]

Legends edit

The tale of Revanta's birth is narrated in scriptures like the Vishnu Purana and the Markandeya Purana. Once, Sanjna (Saranyu), the daughter of celestial architect Vishvakarma and wife of Surya, unable to take the fervour of the Sun-god, repaired to the forests to engage in devout austerities in the form of a mare. She placed her shadow Chhaya, who looked just like Sanjna in her position as Surya's wife. When Surya realised that Chhaya was not the real Sanjna, he searched for Sanjna and finally found her in the forests of Uttar Kuru. There, Surya approached Sanjna disguised as a horse. Their union produced the twin-Ashvins and Revanta.[4] In the Kurma Purana, the Linga Purana[5], the Agni Purana[6] and the Matsya Purana, the mother of Revanta is named Ratri (Rajni), another wife of Surya. While in another chapter of the Markandeya Purana, he is son of Chhaya and his brothers are the Saturn-god Shani, Tapati and Savarni Manu.[7][8]

The Markandeya Purana further adds he was assigned the duty as chief of Guhyakas by Surya and to protect mortals "amid the terrors of forests and other lonely places, of great conflagration, of enemies and robbers." Sometimes, Revanta is depicted as combating robbers in reliefs.[9]

Another tale from the Devi Bhagavata Purana has a passing reference to Revanta. Once when Revanta – riding on the seven headed horse Uchaishravas – went to Vishnu's abode, Vishnu's wife Lakshmi was mesmerized with the horse and ignored a question asked by Vishnu. Thus, she was cursed by her husband to become a mare.[10]

Iconography edit

 
11th century statue of Revanta from Bengal

The Markandeya Purana describes Revanta as "holding a sword and bow, clad in an armour, riding on horseback, and carrying arrows and a quiver".[11] The Kalika Purana describes him carrying a sword in right hand and a whip in his left, seated on a white horse. Thus he is called Haya-Vahana, one who rides a horse. Varahamihira describes him as accompanied by attendants for hunting.[11]

In sculpture, Revanta is often depicted with the Guhyakas, whose chief he is, in scenes of hunting. Apart from the attributes described in texts like the sword, bow; he sometimes also carries a cup of wine in his hand. Revanta is often depicted wearing long boots reaching up to the calves, unlike other Hindu divinities – except Surya – who are depicted barefoot.[12][13] Revanta is depicted seated on a horse and accompanied by a hunting dog. Revanta's attendants are depicted with various hunting weapons like lances and swords. Some of them are shown blowing a conch or beaming drums or holding an umbrella over the head of their lord, the umbrella being the symbol of royalty.[14] Also, some of them are depicted as flying or holding wine or water jars. Sometimes, an attendant carries a dead boar in his shoulder or the dog chasing a boar.[15]

Worship edit

Revanta was worshipped as guardian deity of warriors and horses, protector from the dangers of forests and the patron god of hunting.[14] The worship of Revanta is closely associated with Saura, the sect of Surya. Often, scriptures like the Vishnudharmottara Purana and the Kalika Purana recommend worship of Revanta alongside Surya or according to the rituals of Sun worship.[11] The Shabha-kalpa-druma records Revanta's worship after Surya's, in the Hindu month of Ashvin by warriors.[16] Nakula, the fourth Pandava, is believed to have written the Ashavashastram on horses. He suggests worship of Raivata to protect horses from ghosts.[16]

The worship of Revanta was popular in the early-medieval period, particularly in Rajasthan. Revanta is mostly depicted in Vaishnava and Surya temples.[17] There is a stone inscription that talks about a temple to Revanta, as the principal deity, in Vikranapur (modern Kotgaph, Madhya Pradesh) built by the Kalachuri king Ratnadeva II.[18]

Notes edit

  1. ^ Monier-Williams Dictionary: Revanta
  2. ^ Monier-Williams Dictionary:Guhyaka
  3. ^ Jash, Pranabananda (1978). "THE CULT OF REVANTA IN EASTERN INDIA". Proceedings of the Indian History Congress. 39: 990–999.
  4. ^ Singh 1997, pp. 2605–6
  5. ^ J. L. Shastri, Editor (1951). The Linga-Purana, Part 1. Motilal Banarsidass. p. 259. {{cite book}}: |first= has generic name (help)
  6. ^ J. L. Shastri, G. P. Bhatt (1998-01-01). Agni Purana Unabridged English Motilal. p. 735.
  7. ^ Danielou, Alain (1991), The Myths and Gods of India: The Classic Work on Hindu Polytheism, Inner Traditions / Bear & Company, p. 96, ISBN 0-89281-354-7.
  8. ^ A Talaqdar of Oudh (2008), "XI", The Matsya Puranam: Part I, The Sacred books of the Hindus, vol. 18, Cosmo Publications, p. 32, ISBN 978-81-307-0532-3
  9. ^ Vibhuti Bhushan Mishra (1973), Religious Beliefs and Practices of North India During the Early Mediaeval Period, BRILL, p. 37, ISBN 90-04-03610-5.
  10. ^ Doniger O'Flaherty, Wendy (1980), Women, androgynes, and other mythical beasts, University of Chicago Press, p. 218, ISBN 0-226-61850-1.
  11. ^ a b c Singh 1997, p. 2606
  12. ^ Singh 1997, pp. 2611, 2613
  13. ^ Kalia, Asha (1982), Art of Osian Temples: Socio-Economic and Religious Life in India, 8th-12th Centuries A.D., Abhinav Publications, pp. 119–120, ISBN 0-391-02558-9.
  14. ^ a b A History of Zoroastrianism by Mary Boyce, Frantz Grenet, Roger Beck pp.485-6
  15. ^ Singh 1997, pp. 2606–14
  16. ^ a b Singh 1997, pp. 2607
  17. ^ Singh 1997, p. 2609
  18. ^ Singh 1997, pp. 2615–16

References edit

  • Singh, Nagendra Kumar (1997), "Revanta in Puranic Literature and Art", Encyclopaedia of Hinduism, vol. 44, Anmol Publications, pp. 2605–19, ISBN 81-7488-168-9.

Further reading edit

  • Iconography of Revanta by Brijendra Nath Sharma, Published 1975, Abhinav Publications,86 pages, ISBN 0-7128-0116-2.
  • M. L. Carter (1988), Revanta, an Indian Cavalier God, Annali dell'Istituto Orientale di Napoli, vol. 48, fasc. 2 (1988)

January 01, 1970
revanta, raivata, sanskrit, वन, brilliant, minor, hindu, deity, according, veda, youngest, surya, wife, saranyu, divine, master, horses7th, century, statue, from, sarnath, eastern, uttar, pradeshaffiliationguhyakasabodehimalayaweaponswordmounthorsepersonal, in. Revanta or Raivata Sanskrit र वन त lit brilliant is a minor Hindu deity According to the Rig Veda Revanta is the youngest son of the sun god Surya and his wife Saranyu RevantaThe divine master of horses7th century statue of Revanta from Sarnath Eastern Uttar PradeshAffiliationGuhyakasAbodeHimalayaWeaponSwordMountHorsePersonal informationParentsSurya father Saranyu mother SiblingsAshvins Yamaraja Yami Shani Tapati and Shraddhadeva Manu Revanta is chief of the Guhyakas supernatural beings like the Yakshas who are believed to live as forest dwellers in the Himalayas 1 2 Images and sculptures of Revanta often show him as a huntsman on a horse with a bow and arrow The worship of Revanta was especially common in medieval Eastern India Bihar and Bengal with many archaeological finds indicating the existence of a cult dedicated to him that began in the 6th century A D 3 Contents 1 Legends 2 Iconography 3 Worship 4 Notes 5 References 6 Further readingLegends editThe tale of Revanta s birth is narrated in scriptures like the Vishnu Purana and the Markandeya Purana Once Sanjna Saranyu the daughter of celestial architect Vishvakarma and wife of Surya unable to take the fervour of the Sun god repaired to the forests to engage in devout austerities in the form of a mare She placed her shadow Chhaya who looked just like Sanjna in her position as Surya s wife When Surya realised that Chhaya was not the real Sanjna he searched for Sanjna and finally found her in the forests of Uttar Kuru There Surya approached Sanjna disguised as a horse Their union produced the twin Ashvins and Revanta 4 In the Kurma Purana the Linga Purana 5 the Agni Purana 6 and the Matsya Purana the mother of Revanta is named Ratri Rajni another wife of Surya While in another chapter of the Markandeya Purana he is son of Chhaya and his brothers are the Saturn god Shani Tapati and Savarni Manu 7 8 The Markandeya Purana further adds he was assigned the duty as chief of Guhyakas by Surya and to protect mortals amid the terrors of forests and other lonely places of great conflagration of enemies and robbers Sometimes Revanta is depicted as combating robbers in reliefs 9 Another tale from the Devi Bhagavata Purana has a passing reference to Revanta Once when Revanta riding on the seven headed horse Uchaishravas went to Vishnu s abode Vishnu s wife Lakshmi was mesmerized with the horse and ignored a question asked by Vishnu Thus she was cursed by her husband to become a mare 10 Iconography edit nbsp 11th century statue of Revanta from Bengal The Markandeya Purana describes Revanta as holding a sword and bow clad in an armour riding on horseback and carrying arrows and a quiver 11 The Kalika Purana describes him carrying a sword in right hand and a whip in his left seated on a white horse Thus he is called Haya Vahana one who rides a horse Varahamihira describes him as accompanied by attendants for hunting 11 In sculpture Revanta is often depicted with the Guhyakas whose chief he is in scenes of hunting Apart from the attributes described in texts like the sword bow he sometimes also carries a cup of wine in his hand Revanta is often depicted wearing long boots reaching up to the calves unlike other Hindu divinities except Surya who are depicted barefoot 12 13 Revanta is depicted seated on a horse and accompanied by a hunting dog Revanta s attendants are depicted with various hunting weapons like lances and swords Some of them are shown blowing a conch or beaming drums or holding an umbrella over the head of their lord the umbrella being the symbol of royalty 14 Also some of them are depicted as flying or holding wine or water jars Sometimes an attendant carries a dead boar in his shoulder or the dog chasing a boar 15 Worship editRevanta was worshipped as guardian deity of warriors and horses protector from the dangers of forests and the patron god of hunting 14 The worship of Revanta is closely associated with Saura the sect of Surya Often scriptures like the Vishnudharmottara Purana and the Kalika Purana recommend worship of Revanta alongside Surya or according to the rituals of Sun worship 11 The Shabha kalpa druma records Revanta s worship after Surya s in the Hindu month of Ashvin by warriors 16 Nakula the fourth Pandava is believed to have written the Ashavashastram on horses He suggests worship of Raivata to protect horses from ghosts 16 The worship of Revanta was popular in the early medieval period particularly in Rajasthan Revanta is mostly depicted in Vaishnava and Surya temples 17 There is a stone inscription that talks about a temple to Revanta as the principal deity in Vikranapur modern Kotgaph Madhya Pradesh built by the Kalachuri king Ratnadeva II 18 Notes edit Monier Williams Dictionary Revanta Monier Williams Dictionary Guhyaka Jash Pranabananda 1978 THE CULT OF REVANTA IN EASTERN INDIA Proceedings of the Indian History Congress 39 990 999 Singh 1997 pp 2605 6 J L Shastri Editor 1951 The Linga Purana Part 1 Motilal Banarsidass p 259 a href Template Cite book html title Template Cite book cite book a first has generic name help J L Shastri G P Bhatt 1998 01 01 Agni Purana Unabridged English Motilal p 735 Danielou Alain 1991 The Myths and Gods of India The Classic Work on Hindu Polytheism Inner Traditions Bear amp Company p 96 ISBN 0 89281 354 7 A Talaqdar of Oudh 2008 XI The Matsya Puranam Part I The Sacred books of the Hindus vol 18 Cosmo Publications p 32 ISBN 978 81 307 0532 3 Vibhuti Bhushan Mishra 1973 Religious Beliefs and Practices of North India During the Early Mediaeval Period BRILL p 37 ISBN 90 04 03610 5 Doniger O Flaherty Wendy 1980 Women androgynes and other mythical beasts University of Chicago Press p 218 ISBN 0 226 61850 1 a b c Singh 1997 p 2606 Singh 1997 pp 2611 2613 Kalia Asha 1982 Art of Osian Temples Socio Economic and Religious Life in India 8th 12th Centuries A D Abhinav Publications pp 119 120 ISBN 0 391 02558 9 a b A History of Zoroastrianism by Mary Boyce Frantz Grenet Roger Beck pp 485 6 Singh 1997 pp 2606 14 a b Singh 1997 pp 2607 Singh 1997 p 2609 Singh 1997 pp 2615 16References editSingh Nagendra Kumar 1997 Revanta in Puranic Literature and Art Encyclopaedia of Hinduism vol 44 Anmol Publications pp 2605 19 ISBN 81 7488 168 9 Further reading editIconography of Revanta by Brijendra Nath Sharma Published 1975 Abhinav Publications 86 pages ISBN 0 7128 0116 2 M L Carter 1988 Revanta an Indian Cavalier God Annali dell Istituto Orientale di Napoli vol 48 fasc 2 1988 Retrieved from https en wikipedia org w index php title Revanta amp oldid 1222864567, wikipedia, wiki, book, books, library,

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