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Pyaasa

January 06, 2023

For the Indian Hindi-language film, see Pyaasa (2002 film).

Pyaasa (Hindi pronunciation: [pjɑːsɑː]; transl. Thirsty) is a 1957 Indian Hindi drama film directed and produced by Guru Dutt, who stars alongside Mala Sinha, Waheeda Rehman, Rehman, and Johnny Walker. Set in Calcutta, it focuses on the disillusioned Urdu poet Vijay (Dutt), whose works are underestimated by publishers and panned for writing on social issues rather than romantic topics. The film follows his encounters with the golden-hearted prostitute Gulabo (Waheeda Rehman) and his former girlfriend Meena (Sinha), how the former helps him to get his poetry published, the success of his works, and his romantic relationship with Gulabo.

Pyaasa
Theatrical release poster
Directed byGuru Dutt
Screenplay by
Story byGuru Dutt
Produced byGuru Dutt
Starring
CinematographyV. K. Murthy
Edited byY. G. Chawhan
Music byS. D. Burman
Production
company
Release date
  • 22 February 1957 (1957-02-22)
Running time
153 minutes[1]
CountryIndia
LanguagesHindi
Urdu[2]
Box office₹29 million[3]

The role of Vijay was initially offered to Dilip Kumar which he declined owing to the impact of doing intense films on his health. Later, in an interview, he also said that he found the character of Vijay in Pyaasa similar to that of Devdas and admitted Pyaasa was one of three movies he regretted turning down. Guru Dutt, later accepted the role himself and the film went on to become one of the most commercially successful movies of the year.[4][5] Pyaasa is a classic and is considered one of the best films of Indian cinema.[6] It was remade into the Telugu film Mallepoovu (1978).[7]

Plot

Vijay is an unsuccessful, idealistic Urdu poet in Calcutta whose works are not taken seriously by publishers.[8] They condemn Vijay for writing on social problems such as unemployment and poverty, rather than those on conventional romantic topics. His brothers also dislike his occupation, trying to sell his poems as waste paper. Unable to bear their taunting, he stays away from home and, beside that, find the poems his brother has sold.

Around this time, Vijay encounters a prostitute named Gulabo, who buys and is enamoured with his works and, consequently, fall for him, and his former girlfriend Meena; he finds out that the latter has married the publisher Ghosh due to financial security. Ghosh hires him as a servant to find out more about him and Meena. A dead beggar to whom Vijay gave his coat and whom he tries to save unsuccessfully from the path of a running train is mistaken for Vijay. Gulabo goes to Ghosh and gets his poems published. Ghosh does so feeling he can exploit the poems and make a killing. The poems are very successful. However, Vijay is alive and in the hospital after the train mishap.

Ghosh and Shyam, Vijay's close friend, refuse to recognise him and he is committed to a mental asylum since he insists that he is Vijay and is thought to be mad. Vijay's brothers too are bought off by Ghosh not to recognise him and a memorial is held for the dead poet. Vijay, with the help of his friend Abdul Sattar escapes from the mental asylum and reaches the memorial service, where he denounces this corrupt and materialistic world. Seeing that Vijay is alive, his friend and brothers side with a rival publisher for more money and declare that this is Vijay. At a function to honour him, Vijay becomes sick of all the hypocrisy in the world around him and declares he is not Vijay. He then leaves with Gulabo to start a new life.

Cast

Production

Development

Pyaasa was based on a story idea called Kashmakash, written by Guru Dutt sometime in 1947 or '48, when he was 22. The film's theme and philosophy was inspired by his life experiences in early struggling days of his life. It is also surmised that the story is based on the life of the film's lyricist Sahir Ludhianvi who had a failed affair with poet and writer Amrita Pritam.[10]

Till the project was started in 1956, several changes were made in the original story in assistance with Abrar Alvi like originally the protagonist was to be a painter.[11][12] In the original ending, Guru Dutt wanted to show that Vijay left all alone, but on the distributors' insistence the ending was changed. There was a debate between writer Abrar Alvi and Dutt on film's ending. Abrar wanted the protagonist to accept and compromise with the prevailing material social reality; Guru Dutt insisted otherwise.[13][14]

The film was originally titled Pyaas (thirst), but Dutt later changed it to Pyaasa to better describe the film.[15]

Waheeda Rehman's character in Pyaasa was inspired from a real life character. Abrar Alvi and his friends were visiting Bombay and they decided to visit the red light area. Alvi got talking to a girl who called herself Gulabo. According to Alvi "As I left, she thanked me in a broken voice, saying that it was the first time that she had been treated with respect, in a place where she heard only abuses. I used her exact words in the film."[16]

Casting

Dutt wanted Dilip Kumar to play the leading role in the movie, which the 'tragedy king' declined. One major reason that is cited for the decline is the impact of doing intense films on Dilip Kumar's health. Reportedly, the doctors had advised him to take up lighter roles for sometime. Another possible reason that is cited is the alleged disagreement between him and Dutt over the film's distribution rights. Thus, Dutt himself played the role and movie went on to become one of the most commercially successful movies of the year.[17][5][4]

The role of Shyam was originally to be played by Dutt's real life friend, Johnny Walker, but was then also assigned to one of Dutt's assistant directors.

Pyaasa was to be made with actresses Nargis Dutt and Madhubala in the roles Mala Sinha and Waheeda Rehman played eventually. But the two actresses couldn't decide which role they wanted to play and Dutt eventually opted for two, then new actresses, Mala and Waheeda.[18]

Filming

Guru Dutt wanted to film red light area scenes on locations in Calcutta (now Kolkata), but the crew was attacked by a group of pimps. Guru Dutt however, recreated sets in Bombay on the basis of photos taken at Kolkata.

Release and reception

After a slow opening, Pyaasa went on to be a major commercial success of the year. This gave Guru Dutt the confidence to make a repeat on a grand scale. However, Kaagaz Ke Phool went on to be a commercial disaster. The movie picked up a cult following the world over in the 1980s, long after Guru Dutt died.[13][19]

Soundtrack

The movie boasts one of the best performances of S.D. Burman, Sahir Ludhianvi, Geeta Dutt and Mohammed Rafi to produce one of the most lyrical Hindi musicals.[according to whom?] Sahir's work in the film's music was particularly praised; As stated in The Hindu, "While for Pyaasa, a film considered the brainchild of Guru Dutt, the soul behind the film was its lyricist Sahir Ludhianvi".[20] Pyaasa marked the last collaboration of the long-lasting team of composer Burman and lyricist Ludhianvi.[21]

The popular song "Hum Aapki Aankhon Mein" was added to the movie on behest of distributors to bring some relief in rather pessimistic film. It was never planned in the original cut.[13][22][23] The song "Sar Jo Tera Chakraye", actually composed by R.D. Burman, S. D. Burman's son was originally inspired from a tune from the British film Harry Black, which was later released in India as Harry Black and The Tiger. He later recreated it so well that when the producer of Harry Black and the Tiger visited India, he heard the song and not only failed to recognise the tune, but applauded him on it.[13]

In 2004, as part of Sight & Sound's feature "celebrating the relationship between cinema and music", Pyaasa was listed as one of The Best Music in Film and was named by Olivier Assayas as one of his favourites, who called its music as "possibly one of the most remarkable transpositions of poetry on screen."[24]

No.TitleSinger(s)Length
1."Aaj Sajan Mohe Ang Lagalo"Geeta Dutt04:56
2."Ham Aapki Aankhon Me"Geeta Dutt, Mohammad Rafi05:42
3."Jaane Kya Tune Kahi"Geeta Dutt04:10
4."Jaane Woh Kaise Log"Hemant Kumar04:49
5."Sar Jo Tera Chakraye"Mohammad Rafi04:33
6."Ye Duniya Agar Mil Bhi Jaye"Mohammad Rafi05:08
7."Ye Hanste Huye Phool"Mohammad Rafi07:50
8."Jinhen Naaz Hai Hind Par"Mohammad Rafi06:06
9."Tang Aa Chuke Hain Kashm-e-Kashe Zindagi Se"Mohammad Rafi04:23
10."Ho lakh musibat raste mein"Geeta Dutt, Mohammad Rafi01:37

Restoration

This film has been digitised and restored by Mumbai-based Ultra Media & Entertainment, thus becoming the first Indian film to be restored to its original.[25] As per the report, the original camera negative had come to them from the archives completely melted, with parts damaged or lost. Their biggest challenge was the flickering. Every frame was at a different angle and there was no stability. After several clean-ups, they managed to retrieve the actual content from the original camera negative, but it lacked clarity and depth. 45 restoration experts worked for almost 4 months on over 2 lakh (200,000) frames. The original monaural soundtrack was remastered at 24-bit from the 35 mm optical soundtrack. The company sent it to the 72nd Venice International Film Festival held in 2015, where it competed with 20 other restored classics and was selected to be screened as part of the Venice Classics section along with 11 other films from all over the world.[26]

Legacy

Pyaasa is regarded as one of the greatest films ever made.[27][28] It frequently features on world cinema's greatest films lists.[28][27] It was one of the earliest films to have achieved a healthy blend of artistic as well as commercial mainstream traits.[29][30][31]

Filmmakers in India, to this day cite Pyaasa as their inspiration. It is one of the most revered and respected films in India and remains a popular favourite among cinephiles and filmmakers of Hindi Cinema.[32][33]

It is, in particular, praised for its technical bravura, storytelling, theme and romantic idealism.[18][31][27] Its soundtrack was the first major of its type in carrying the narrative forward– utilising songs which are a major part of Hindi Cinema's mainstream films and transposing poetry on screen.[34][35][36] In 2004, it's soundtrack was listed by Sight and Sound magazine as one of The Best Music in Film.[24]

The film is considered to be ahead of its time. At the time of its release, the theme of the film was unconventional and hence wasn't widely admired by critics and its acceptance by audience was doubted.[37][38] It didn't receive any award at the post year's Filmfare ceremony. Even though the film had an unconventional theme and no major actor or actress at the time it was made, Pyaasa managed to be the third highest grosser of the year.[39]

The film received international acclaim in 1980s when it was first released in Europe, subsequently becoming a big commercial success there, long after Guru Dutt died and is now considered a "seminal landmark" in the history of Indian cinema.[31][40][41][19][22][42]

Guru Dutt and his later movies, including Pyaasa, have a large cult following, particularly in France, Germany, South Asia and parts of East Asia (Japan, Singapore, etc). It was a huge commercial success during its 1984 French Premiere, something Guru Dutt never witnessed during his lifetime. Since then, the movie has been screened to huge mass appeal the world over, like the recent screening at 72nd Venice International Film Festival held in Italy, in September 2015.[25]

With the commercial success of noirs: Baazi (Navketan Films), Jaal (Navketan Films), Aar Paar; thriller: CID (produced by Dutt), as well as comedy: Mr. & Mrs. '55, Guru Dutt and his studio were financially secure and established. From 1957, he could now make movies he really wanted to make, including Pyaasa.[43]

Pyaasa is often listed among greatest films ever made. In 2002, Pyaasa was ranked among Top 160 on the Sight & Sound critics' and directors' poll of all-time greatest films.[44] In 2005, Pyaasa was the only Hindi film to make it to the "100 Greatest Films of All Time" list by Time magazine, which called it "the soulfully romantic of the lot."[45] In 2017, Taste of Cinema ranked it among "25 Most Influential Asian Movies of All Time".[46]

On the occasion of Valentine's Day 2011, Time declared it as one of the "Top 10 Romantic Movies".[47] It was listed in Taste of Cinema's "Top 30 Best Romantic Movies of All Time" list in 2016.[48] It is frequently voted in Time Reader's Choice Top 10 movies.[49]

Indiatimes ranks it among "25 Must See Bollywood Movies".[50] On the centenary of Indian cinema in 2013, CNN- IBN listed it among "100 Greatest Indian films of all time", calling it "The most soulful romantic Hindi film ever made".[51] It was also included among NDTV's "20 Greatest Indian Films" citing, "the cinematic mastery on display in Pyaasa has rarely been replicated in mainstream Indian cinema";[52] British Film Institute's "Top 5 of India's Greatest Films" poll in 2002;[53] Time's "Top 3 of Bollywood's Best Classics";[54] Esquire's '10 Best Bollywood Movies' calling it, "the ultimate posthumous dream";[55] Outlook's 'Top 5 of Hindi Cinema's Greatest Films' poll of 25 leading Indian Directors in 2003;[56] Time-Out's 'Top 5 of Bollywood's Best Movies' poll in 2015 and numerous other polls of greatest films.[57]

In 2013, to celebrate the centenary year of Indian cinema by selecting one essential Indian film from each decade, The Guardian named Pyaasa as the 'Quintessential Indian Classic of 1950s' decade citing, "The 1950s is the hardest decade from which to pick a film. Guru Dutt's melodramatic Pyaasa or 'The desirous one' is 'extraordinary', a film that draws on all the features of a mainstream movie to achieve a high aesthetic, from the beautiful photography of the Christ-like tormented poet, the beauty of the streetgirl (Waheeda Rehman) and the wonderful music with some of the great Sahir Ludhianvi's best lyrics."[58] In 2019, the British Film Institute named it the 'Greatest Musical of 1957', stating, "Until his tragic overdose in 1964, its director-producer-star Guru Dutt was one of Indian cinema's boldest talents and Pyaasa is his masterpiece."[59] It was also part of BFI Screen Guides' 100 Film Musical book.[60]

In 2011, the British author Nasreen Munni Kabir published The Dialogue of Pyaasa, which contains original dialogues for the film in Hindi and Urdu as well as its translation in English.[2]

References

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Bibliography

External links

  • Pyaasa at IMDb
  • Urbain Bizot, Thirst and Mourning

January 06, 2023
pyaasa, indian, hindi, language, film, 2002, film, hindi, pronunciation, pjɑːsɑː, transl, thirsty, 1957, indian, hindi, drama, film, directed, produced, guru, dutt, stars, alongside, mala, sinha, waheeda, rehman, rehman, johnny, walker, calcutta, focuses, disi. For the Indian Hindi language film see Pyaasa 2002 film Pyaasa Hindi pronunciation pjɑːsɑː transl Thirsty is a 1957 Indian Hindi drama film directed and produced by Guru Dutt who stars alongside Mala Sinha Waheeda Rehman Rehman and Johnny Walker Set in Calcutta it focuses on the disillusioned Urdu poet Vijay Dutt whose works are underestimated by publishers and panned for writing on social issues rather than romantic topics The film follows his encounters with the golden hearted prostitute Gulabo Waheeda Rehman and his former girlfriend Meena Sinha how the former helps him to get his poetry published the success of his works and his romantic relationship with Gulabo PyaasaTheatrical release posterDirected byGuru DuttScreenplay byAbrar Alvi Guru DuttStory byGuru DuttProduced byGuru DuttStarringGuru Dutt Mala Sinha Waheeda Rehman Rehman Johnny WalkerCinematographyV K MurthyEdited byY G ChawhanMusic byS D BurmanProductioncompanyGuru Dutt Films Pvt Ltd Release date22 February 1957 1957 02 22 Running time153 minutes 1 CountryIndiaLanguagesHindi Urdu 2 Box office 29 million 3 The role of Vijay was initially offered to Dilip Kumar which he declined owing to the impact of doing intense films on his health Later in an interview he also said that he found the character of Vijay in Pyaasa similar to that of Devdas and admitted Pyaasa was one of three movies he regretted turning down Guru Dutt later accepted the role himself and the film went on to become one of the most commercially successful movies of the year 4 5 Pyaasa is a classic and is considered one of the best films of Indian cinema 6 It was remade into the Telugu film Mallepoovu 1978 7 Contents 1 Plot 2 Cast 3 Production 3 1 Development 3 2 Casting 3 3 Filming 4 Release and reception 5 Soundtrack 6 Restoration 7 Legacy 8 References 9 Bibliography 10 External linksPlot EditVijay is an unsuccessful idealistic Urdu poet in Calcutta whose works are not taken seriously by publishers 8 They condemn Vijay for writing on social problems such as unemployment and poverty rather than those on conventional romantic topics His brothers also dislike his occupation trying to sell his poems as waste paper Unable to bear their taunting he stays away from home and beside that find the poems his brother has sold Around this time Vijay encounters a prostitute named Gulabo who buys and is enamoured with his works and consequently fall for him and his former girlfriend Meena he finds out that the latter has married the publisher Ghosh due to financial security Ghosh hires him as a servant to find out more about him and Meena A dead beggar to whom Vijay gave his coat and whom he tries to save unsuccessfully from the path of a running train is mistaken for Vijay Gulabo goes to Ghosh and gets his poems published Ghosh does so feeling he can exploit the poems and make a killing The poems are very successful However Vijay is alive and in the hospital after the train mishap Ghosh and Shyam Vijay s close friend refuse to recognise him and he is committed to a mental asylum since he insists that he is Vijay and is thought to be mad Vijay s brothers too are bought off by Ghosh not to recognise him and a memorial is held for the dead poet Vijay with the help of his friend Abdul Sattar escapes from the mental asylum and reaches the memorial service where he denounces this corrupt and materialistic world Seeing that Vijay is alive his friend and brothers side with a rival publisher for more money and declare that this is Vijay At a function to honour him Vijay becomes sick of all the hypocrisy in the world around him and declares he is not Vijay He then leaves with Gulabo to start a new life Cast EditGuru Dutt as Vijay Mala Sinha as Meena Ghosh Waheeda Rehman as Gulabo This was her first major leading role in Hindi cinema 9 Rehman as Mr Ghosh Johnny Walker as Abdul Sattar Leela Mishra as Vijay s mother Kumkum as Juhi Shyam Kapoor as Shyam Mehmood as Vijay s brother Tun Tun as Pushplata Moni Chatterjee as ChatterjeeProduction EditDevelopment Edit Pyaasa was based on a story idea called Kashmakash written by Guru Dutt sometime in 1947 or 48 when he was 22 The film s theme and philosophy was inspired by his life experiences in early struggling days of his life It is also surmised that the story is based on the life of the film s lyricist Sahir Ludhianvi who had a failed affair with poet and writer Amrita Pritam 10 Till the project was started in 1956 several changes were made in the original story in assistance with Abrar Alvi like originally the protagonist was to be a painter 11 12 In the original ending Guru Dutt wanted to show that Vijay left all alone but on the distributors insistence the ending was changed There was a debate between writer Abrar Alvi and Dutt on film s ending Abrar wanted the protagonist to accept and compromise with the prevailing material social reality Guru Dutt insisted otherwise 13 14 The film was originally titled Pyaas thirst but Dutt later changed it to Pyaasa to better describe the film 15 Waheeda Rehman s character in Pyaasa was inspired from a real life character Abrar Alvi and his friends were visiting Bombay and they decided to visit the red light area Alvi got talking to a girl who called herself Gulabo According to Alvi As I left she thanked me in a broken voice saying that it was the first time that she had been treated with respect in a place where she heard only abuses I used her exact words in the film 16 Casting Edit Dutt wanted Dilip Kumar to play the leading role in the movie which the tragedy king declined One major reason that is cited for the decline is the impact of doing intense films on Dilip Kumar s health Reportedly the doctors had advised him to take up lighter roles for sometime Another possible reason that is cited is the alleged disagreement between him and Dutt over the film s distribution rights Thus Dutt himself played the role and movie went on to become one of the most commercially successful movies of the year 17 5 4 The role of Shyam was originally to be played by Dutt s real life friend Johnny Walker but was then also assigned to one of Dutt s assistant directors Pyaasa was to be made with actresses Nargis Dutt and Madhubala in the roles Mala Sinha and Waheeda Rehman played eventually But the two actresses couldn t decide which role they wanted to play and Dutt eventually opted for two then new actresses Mala and Waheeda 18 Filming Edit Guru Dutt wanted to film red light area scenes on locations in Calcutta now Kolkata but the crew was attacked by a group of pimps Guru Dutt however recreated sets in Bombay on the basis of photos taken at Kolkata Release and reception EditAfter a slow opening Pyaasa went on to be a major commercial success of the year This gave Guru Dutt the confidence to make a repeat on a grand scale However Kaagaz Ke Phool went on to be a commercial disaster The movie picked up a cult following the world over in the 1980s long after Guru Dutt died 13 19 Soundtrack EditThe movie boasts one of the best performances of S D Burman Sahir Ludhianvi Geeta Dutt and Mohammed Rafi to produce one of the most lyrical Hindi musicals according to whom Sahir s work in the film s music was particularly praised As stated in The Hindu While for Pyaasa a film considered the brainchild of Guru Dutt the soul behind the film was its lyricist Sahir Ludhianvi 20 Pyaasa marked the last collaboration of the long lasting team of composer Burman and lyricist Ludhianvi 21 The popular song Hum Aapki Aankhon Mein was added to the movie on behest of distributors to bring some relief in rather pessimistic film It was never planned in the original cut 13 22 23 The song Sar Jo Tera Chakraye actually composed by R D Burman S D Burman s son was originally inspired from a tune from the British film Harry Black which was later released in India as Harry Black and The Tiger He later recreated it so well that when the producer of Harry Black and the Tiger visited India he heard the song and not only failed to recognise the tune but applauded him on it 13 In 2004 as part of Sight amp Sound s feature celebrating the relationship between cinema and music Pyaasa was listed as one of The Best Music in Film and was named by Olivier Assayas as one of his favourites who called its music as possibly one of the most remarkable transpositions of poetry on screen 24 No TitleSinger s Length1 Aaj Sajan Mohe Ang Lagalo Geeta Dutt04 562 Ham Aapki Aankhon Me Geeta Dutt Mohammad Rafi05 423 Jaane Kya Tune Kahi Geeta Dutt04 104 Jaane Woh Kaise Log Hemant Kumar04 495 Sar Jo Tera Chakraye Mohammad Rafi04 336 Ye Duniya Agar Mil Bhi Jaye Mohammad Rafi05 087 Ye Hanste Huye Phool Mohammad Rafi07 508 Jinhen Naaz Hai Hind Par Mohammad Rafi06 069 Tang Aa Chuke Hain Kashm e Kashe Zindagi Se Mohammad Rafi04 2310 Ho lakh musibat raste mein Geeta Dutt Mohammad Rafi01 37Restoration EditThis film has been digitised and restored by Mumbai based Ultra Media amp Entertainment thus becoming the first Indian film to be restored to its original 25 As per the report the original camera negative had come to them from the archives completely melted with parts damaged or lost Their biggest challenge was the flickering Every frame was at a different angle and there was no stability After several clean ups they managed to retrieve the actual content from the original camera negative but it lacked clarity and depth 45 restoration experts worked for almost 4 months on over 2 lakh 200 000 frames The original monaural soundtrack was remastered at 24 bit from the 35 mm optical soundtrack The company sent it to the 72nd Venice International Film Festival held in 2015 where it competed with 20 other restored classics and was selected to be screened as part of the Venice Classics section along with 11 other films from all over the world 26 Legacy EditPyaasa is regarded as one of the greatest films ever made 27 28 It frequently features on world cinema s greatest films lists 28 27 It was one of the earliest films to have achieved a healthy blend of artistic as well as commercial mainstream traits 29 30 31 Filmmakers in India to this day cite Pyaasa as their inspiration It is one of the most revered and respected films in India and remains a popular favourite among cinephiles and filmmakers of Hindi Cinema 32 33 It is in particular praised for its technical bravura storytelling theme and romantic idealism 18 31 27 Its soundtrack was the first major of its type in carrying the narrative forward utilising songs which are a major part of Hindi Cinema s mainstream films and transposing poetry on screen 34 35 36 In 2004 it s soundtrack was listed by Sight and Sound magazine as one of The Best Music in Film 24 The film is considered to be ahead of its time At the time of its release the theme of the film was unconventional and hence wasn t widely admired by critics and its acceptance by audience was doubted 37 38 It didn t receive any award at the post year s Filmfare ceremony Even though the film had an unconventional theme and no major actor or actress at the time it was made Pyaasa managed to be the third highest grosser of the year 39 The film received international acclaim in 1980s when it was first released in Europe subsequently becoming a big commercial success there long after Guru Dutt died and is now considered a seminal landmark in the history of Indian cinema 31 40 41 19 22 42 Guru Dutt and his later movies including Pyaasa have a large cult following particularly in France Germany South Asia and parts of East Asia Japan Singapore etc It was a huge commercial success during its 1984 French Premiere something Guru Dutt never witnessed during his lifetime Since then the movie has been screened to huge mass appeal the world over like the recent screening at 72nd Venice International Film Festival held in Italy in September 2015 25 With the commercial success of noirs Baazi Navketan Films Jaal Navketan Films Aar Paar thriller CID produced by Dutt as well as comedy Mr amp Mrs 55 Guru Dutt and his studio were financially secure and established From 1957 he could now make movies he really wanted to make including Pyaasa 43 Pyaasa is often listed among greatest films ever made In 2002 Pyaasa was ranked among Top 160 on the Sight amp Sound critics and directors poll of all time greatest films 44 In 2005 Pyaasa was the only Hindi film to make it to the 100 Greatest Films of All Time list by Time magazine which called it the soulfully romantic of the lot 45 In 2017 Taste of Cinema ranked it among 25 Most Influential Asian Movies of All Time 46 On the occasion of Valentine s Day 2011 Time declared it as one of the Top 10 Romantic Movies 47 It was listed in Taste of Cinema s Top 30 Best Romantic Movies of All Time list in 2016 48 It is frequently voted in Time Reader s Choice Top 10 movies 49 Indiatimes ranks it among 25 Must See Bollywood Movies 50 On the centenary of Indian cinema in 2013 CNN IBN listed it among 100 Greatest Indian films of all time calling it The most soulful romantic Hindi film ever made 51 It was also included among NDTV s 20 Greatest Indian Films citing the cinematic mastery on display in Pyaasa has rarely been replicated in mainstream Indian cinema 52 British Film Institute s Top 5 of India s Greatest Films poll in 2002 53 Time s Top 3 of Bollywood s Best Classics 54 Esquire s 10 Best Bollywood Movies calling it the ultimate posthumous dream 55 Outlook s Top 5 of Hindi Cinema s Greatest Films poll of 25 leading Indian Directors in 2003 56 Time Out s Top 5 of Bollywood s Best Movies poll in 2015 and numerous other polls of greatest films 57 In 2013 to celebrate the centenary year of Indian cinema by selecting one essential Indian film from each decade The Guardian named Pyaasa as the Quintessential Indian Classic of 1950s decade citing The 1950s is the hardest decade from which to pick a film Guru Dutt s melodramatic Pyaasa or The desirous one is extraordinary a film that draws on all the features of a mainstream movie to achieve a high aesthetic from the beautiful photography of the Christ like tormented poet the beauty of the streetgirl Waheeda Rehman and the wonderful music with some of the great Sahir Ludhianvi s best lyrics 58 In 2019 the British Film Institute named it the Greatest Musical of 1957 stating Until his tragic overdose in 1964 its director producer star Guru Dutt was one of Indian cinema s boldest talents and Pyaasa is his masterpiece 59 It was also part of BFI Screen Guides 100 Film Musical book 60 In 2011 the British author Nasreen Munni Kabir published The Dialogue of Pyaasa which contains original dialogues for the film in Hindi and Urdu as well as its translation in English 2 References Edit Rajadhyaksha amp Willemen 1998 p 352 a b Dundoo Sangeetha Devi 4 February 2011 Pyaasa is immortal The Hindu Archived from the original on 23 July 2021 Retrieved 8 August 2021 Box Office 1957 Box Office India Archived from the original on 2 January 2010 Retrieved 3 June 2020 a b Dilip Kumar as Pyaasa hero is what Guru Dutt wanted 16 January 2021 Archived from the original on 22 October 2021 Retrieved 15 October 2021 a b 15 lesser known facts about Dilip Kumar The man who was Ram Aur Shyam Devdas and Salim The Indian Express 7 July 2021 Archived from the original on 27 October 2021 Retrieved 15 October 2021 An Gautam 27 November 2014 Pyaasa 1957 is an Eternal Classic Here s Why The Cinemaholic Archived from the original on 14 April 2021 Retrieved 15 October 2021 Chowdhary Y Sunita 24 June 2012 Hell of a formula The Hindu Archived from the original on 30 December 2021 Retrieved 30 December 2021 Thirst for Change Open 10 August 2016 Archived from the original on 1 May 2022 Retrieved 1 May 2022 Anindita Ghose August 2006 Of Names of Women in Hindi Cinema An Exploration in Semantics PDF e Social Sciences Archived from the original PDF on 24 December 2010 Retrieved 2 April 2009 Dutt Nirumpama 24 October 2020 Roundabout Pyaasa revisited on Sahir Ludhianvi s death anniversary in his Centenary year Hindustan Times Archived from the original on 7 January 2022 Retrieved 11 January 2022 Kabir Nasreen Munni Pyaasa is the Guru Dutt gift that keeps giving Scroll in Archived from the original on 20 April 2021 Retrieved 3 April 2021 robertemmetsweeney 28 February 2020 A Poet s Life Pyaasa 1957 R Emmet Sweeney Archived from the original on 2 March 2021 Retrieved 3 April 2021 a b c d Saran Sathya Alvi Abrar 2008 Ten Years with Guru Dutt Abrar Alvi s Journey Penguin Books India ISBN 978 0 670 08221 6 An Anthem And Two Counter Anthems Watching Pyaasa On The Big Screen In 2017 outlookindia com Archived from the original on 15 April 2021 Retrieved 15 April 2021 Lots in a movie name The Times of India 10 April 2010 Archived from the original on 3 November 2012 Retrieved 17 January 2012 3to6 a Complete Movie Portal Archived from the original on 28 January 2007 Retrieved 24 May 2007 How Guru Dutt became the reluctant hero of his masterpiece Pyaasa Scroll in Archived from the original on 14 April 2021 Retrieved 14 April 2021 a b Raheja Dinesh Pyaasa Guru Dutt s masterpiece Rediff Archived from the original on 14 April 2021 Retrieved 14 April 2021 a b Usman Yasser 7 January 2021 Guru Dutt An Unfinished Story An Unfinished Story Simon and Schuster ISBN 978 93 86797 89 6 Archived from the original on 23 September 2022 Retrieved 4 May 2021 Narayan Hari 10 July 2017 The unlikely auteurs The Hindu ISSN 0971 751X Archived from the original on 9 November 2020 Retrieved 4 April 2021 http hisunil 5 January 2021 SAHIR LUDHIANVI The Magician whose songs live on reverberating with love and life TheLeaflet Archived from the original on 5 January 2021 Retrieved 4 April 2021 a b New Book Chronicles the Making of Pyaasa www outlookindia com Archived from the original on 15 April 2021 Retrieved 15 April 2021 Mrandmrs55 8 January 2012 Guru Dutt and the Struggle to Break Free of Convention Mr amp Mrs 55 Classic Bollywood Revisited Archived from the original on 15 April 2021 Retrieved 15 April 2021 a b BFI Sight amp Sound The Best Music in Film 3 August 2012 Archived from the original on 3 August 2012 Retrieved 4 April 2021 a b Guru Dutt s Pyaasa restored for upcoming Venice Film Fest The Hindu PTI 26 August 2015 ISSN 0971 751X Archived from the original on 4 August 2021 Retrieved 3 April 2021 a href Template Cite news html title Template Cite news cite news a CS1 maint others link PYAASA GOES TO VENICE Mumbai Mirror 26 August 2015 Archived from the original on 28 August 2015 Retrieved 26 August 2015 a b c An Gautam 27 November 2014 Pyaasa 1957 is an Eternal Classic Here s Why The Cinemaholic Archived from the original on 14 April 2021 Retrieved 14 April 2021 a b Pyaasa R I Independent Cinema Office Archived from the original on 14 April 2021 Retrieved 14 April 2021 Usman Yasser 7 January 2021 Guru Dutt An Unfinished Story An Unfinished Story Simon and Schuster ISBN 978 93 86797 89 6 Archived from the original on 23 September 2022 Retrieved 4 May 2021 Pothukuchi Madhavi 14 July 2019 On Guru Dutt s birth anniversary a look at Pyaasa that continues to leave Indians in awe ThePrint Archived from the original on 21 September 2021 Retrieved 14 April 2021 a b c Cole Smithey Capsules PYAASA CLASSIC FILM PICK www colesmithey com Archived from the original on 14 April 2021 Retrieved 14 April 2021 Top 20 Bollywood classics that should not be remade Hindustan Times 10 April 2013 Archived from the original on 14 April 2021 Retrieved 14 April 2021 Joshi Sumit Bollywood Through Ages Best Book Reads ISBN 978 1 311 67669 6 Archived from the original on 7 April 2022 Retrieved 4 May 2021 Beeman William O 1981 The Use of Music in Popular Film East and West India International Centre Quarterly 8 1 77 87 ISSN 0376 9771 JSTOR 23001937 Archived from the original on 14 April 2021 Retrieved 14 April 2021 Greatest Visual Masterpieces 11 most beautiful Bollywood songs of all times bengalurureview com Archived from the original on 14 April 2021 Retrieved 14 April 2021 Khan Murtaza Ali Pyaasa 1957 Legendary Indian Auteur Guru Dutt s Epic Tale of Social and Moral Decline A Potpourri of Vestiges Archived from the original on 14 April 2021 Retrieved 14 April 2021 Pyaasa The Greatest Indian Film Ever Dhaam 13 October 2019 Archived from the original on 14 April 2021 Retrieved 14 April 2021 Pyaasa Review A Guru Dutt s Gem Way Ahead of Its Time Movierdo 11 July 2020 Archived from the original on 14 April 2021 Retrieved 14 April 2021 BoxOffice India com 12 February 2010 Archived from the original on 12 February 2010 Retrieved 14 April 2021 Feb 27 Bhatia 2011 Sidharth Is Pyaasa angry or is it just you The Asian Age Archived from the original on 14 April 2021 Retrieved 14 April 2021 Pyaasa Quad Cinema Archived from the original on 14 April 2021 Retrieved 14 April 2021 Dwyer Rachel 21 November 2015 A Poetic Tale of Redemption But Will Today s Audiences Like It The Wire Archived from the original on 1 December 2017 Retrieved 20 November 2017 Usman Yasser 7 January 2021 Guru Dutt An Unfinished Story An Unfinished Story Simon and Schuster ISBN 978 93 86797 89 6 Archived from the original on 19 July 2021 Retrieved 18 April 2021 2002 Sight amp Sound Top Films Survey of 253 International Critics amp Film Directors Cinemacom 2002 Archived from the original on 4 June 2012 Retrieved 19 April 2009 The Complete List Archived 31 May 2012 at the Wayback Machine All Time 100 Movies Time magazine 2005 Kotzathanasis Panos The 25 Most Influential Asian Movies Of All Time Taste of Cinema Movie Reviews and Classic Movie Lists Archived from the original on 19 April 2021 Retrieved 4 April 2021 Full List Top 10 Romantic Movies Time ISSN 0040 781X Archived from the original on 30 July 2021 Retrieved 20 April 2021 The Best Romantic Movies of All Time Taste of Cinema Movie Reviews and Classic Movie Lists Archived from the original on 17 April 2021 Retrieved 17 April 2021 All Time 100 Movies Time 12 February 2005 Archived from the original on 24 May 2005 Retrieved 22 May 2010 25 Must See Bollywood Movies Special Features Indiatimes Movies 15 October 2007 Archived from the original on 15 October 2007 Retrieved 3 April 2021 100 Years of Indian Cinema The 100 greatest Indian films of all time News18 17 April 2013 Archived from the original on 13 August 2019 Retrieved 3 April 2021 India s 20 greatest films NDTV Movies 28 February 2012 Archived from the original on 28 February 2012 Retrieved 4 April 2021 BFI Features South Asian Cinema Top Indian Films 15 May 2011 Archived from the original on 15 May 2011 Retrieved 17 April 2021 Best of Bollywood TIME TIME com Archived from the original on 24 December 2019 Retrieved 4 April 2021 Carey Emma 27 August 2020 The Best Bollywood Movies of All Time Open the Door Some of Cinema s Most Spectacular Films Esquire Archived from the original on 26 January 2021 Retrieved 4 April 2021 Bollywood s Best Films Outlook India Magazine Outlook India Archived from the original on 30 July 2021 Retrieved 4 April 2021 The Best Bollywood movies Time Out London Archived from the original on 17 August 2016 Retrieved 4 April 2021 Dwyer Rachel 25 July 2013 10 classics of Indian cinema decade by decade the Guardian Archived from the original on 10 June 2021 Retrieved 4 April 2021 The best musical of every year from the dawn of sound to the rise of the jukebox musical BFI Archived from the original on 17 April 2021 Retrieved 4 April 2021 BFI Screen Guides 100 Film Musicals IMDb Archived from the original on 23 September 2022 Retrieved 4 April 2021 Bibliography EditRajadhyaksha Ashish Willemen Paul 1998 1994 Encyclopaedia of Indian Cinema PDF Oxford University Press ISBN 0 19 563579 5 Kabir Nasreen Munni 2011 The Dialogue of Pyaasa Om Books International ISBN 978 93 80070 53 7 External links EditPyaasa at IMDb Urbain Bizot Thirst and Mourning Pyaasa Time Magazine All Time 100 Movies University of Iowa article Retrieved from https en wikipedia org w index php title Pyaasa amp oldid 1126997683, wikipedia, wiki, book, books, library,

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