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Pulse (2001 film)

January 01, 1970

Pulse (回路, Kairo; "Circuit") is a 2001 Japanese techno-horror film directed by Kiyoshi Kurosawa. The film was screened in the Un Certain Regard section at the 2001 Cannes Film Festival.[4] The movie was well-received critically and has a cult following.[5] An English-language remake, also titled Pulse, debuted in 2006 and spawned two sequels. The script was also adapted into a novel of the same name by Kurosawa himself.[6]

Pulse
Theatrical release poster
Directed byKiyoshi Kurosawa
Written byKiyoshi Kurosawa[1]
Produced by
  • Shun Shimizu
  • Seiji Okuda
  • Ken Inoue
  • Atsuyuki Shomoda[1]
Starring
CinematographyJun'ichirô Hayashi[1]
Edited byJunichi Kikuchi[1]
Music byTakefumi Haketa[1]
Production
companies
Distributed byToho
Release date
  • 3 February 2001 (2001-02-03) (Japan)
Running time
119 minutes[1]
CountryJapan
LanguageJapanese
Box office$318,451[3]

Plot edit

The plot centers on ghosts invading the world of the living via the Internet. It features two parallel plotlines that eventually converge. In the first, Michi Kudo has recently moved to Tokyo and begun working at a shop that sells plants. Her co-workers include Junko Sasano, Toshio Yabe, and Taguchi, who has been missing for several days while working on a computer disk for the shop's sales. Michi goes to Taguchi's apartment and finds him distracted and aloof; while Michi is looking for the disk, she notices Taguchi’s apartment is eerily quiet. She then turns back to speak with Taguchi and finds him dead after hanging himself, his corpse visibly decaying making Michi question who was she talking to initially. Michi and her friends inspect the disk he left behind and discover it contains an image of Taguchi staring into his own computer monitor, on which Taguchi staring into his monitor can be seen - creating an endless series of images. In the other monitor on his desk, they discover a ghostly face staring out into Taguchi's room.

Yabe receives a phone call and hears a distorted voice saying "help me". Upon checking his phone, he sees the same image found on Taguchi's disk. He goes to Taguchi's apartment and sees a black stain on the wall where he hanged himself, as well as a paper with "how to make a forbidden room" (akazu no ma no tsukurikata) written on it. He notices a door sealed with red tape and enters it, where he encounters a ghost. Yabe becomes depressed and tells Michi that he saw something horrible in "the forbidden room".

Michi receives a call like the one Yabe got. She goes to check on Yabe and finds a black stain on the wall like the one in Taguchi's apartment. She panics when she realizes Junko has unsealed and entered a "forbidden room". Inside, she witnesses Junko being cornered by a ghost, and rescues her. Junko becomes catatonic from the encounter. She later steps toward the wall and becomes a black stain, which then dissolves and scatters as Michi tries in vain to stop it. Worried, Michi goes to check on her mother, who lives outside Tokyo.

The second plotline follows Ryosuke Kawashima, a university economics student who has recently signed up to a new internet service provider. His computer accesses a website by itself, showing him disturbing images of people alone in dark rooms exhibiting bizarre behavior. That night, Ryosuke wakes up to find his computer on again with the disturbing images displaying and frantically unplugs it. The next day he visits the university computer lab looking for answers and meets Harue Karasawa, a post-graduate computer science student, who suggests he either bookmark the page or screen capture the images for her to examine. Ryosuke attempts to do so, but finds that his computer will not follow his commands. Instead, a video plays of a man with his head in a plastic bag sitting in a room with the words "HELP ME" written all over the walls.

A graduate student who Harue is working with explains to Ryosuke his theory that the souls of the dead have begun to invade the physical world. Harue confides her lifelong feelings of isolation to Ryosuke, then begins acting strangely, suggesting that ghosts would want to trap humans in their own loneliness rather than kill them. Ryosuke tries to escape with her to a faraway place on the train. However, their train stops, and Harue, seized by a desire to return home, runs away. Upon returning to her apartment, she witnesses the man with the plastic bag shoot himself on her computer. Harue then presses the "enter" key and sees a video of herself in the present moment on the screen. As she embraces the invisible figure watching her, Harue happily says that she is "not alone". When Ryosuke makes it to her apartment, she has vanished.

As people begin vanishing in great numbers, evacuations of Tokyo begin, and a full-scale invasion of the Kanto region by the ghosts is underway. Ryosuke meets Michi in her broken-down car, and after helping her repair it, she goes with him to search for Harue. They find Harue in an abandoned factory, who unveils herself by removing a plastic bag from her head, before subsequently shooting herself, mirroring the man she saw on the computer. When Ryosuke and Michi's car runs out of gas, Ryosuke enters a warehouse to search for fuel, carrying a gas can with him. While searching the warehouse, he accidentally drops the can’s cap, which rolls through the open doorway of a "forbidden room". When he walks inside the room to retrieve it, the door locks behind him and he encounters a ghost who insists that it is "real" and tells him that "death was eternal loneliness". Although he tries to resist the ghost's influence, Ryosuke loses the will to live, and Michi drags him to safety. They drive through a deserted, ravaged Tokyo, encountering apocalyptic scenery as well as an American C-130 Hercules military cargo plane that falls out of the sky and explodes. After locating a small motorboat and travelling into Tokyo Bay, the pair are found and brought aboard a ship departing from Tokyo, manned by a small group of survivors who tell them that similar events are happening worldwide.

Returning to the first scene of the film, Michi and the captain of the ship talk on the lower deck. As the ship heads for Latin America, the captain encourages Michi, telling her that she is doing the right thing by continuing to live. She returns to her room on the ship, where she sees Ryosuke sitting against the wall with his eyes closed. He fades into a shadow as Michi declares that she has found happiness, being alone with her last friend in the world.

Cast edit

Release edit

Pulse was first released in Japan on February 3, 2001, where it was distributed by Toho.[1]

Distant Horizon purchased worldwide distribution rights to the film from Daiei.[7] The film premiered in the Un Certain Regard category at the Cannes Film Festival.[7]

Home video edit

The film was released on DVD by Magnolia Home Entertainment on February 21, 2006.[8] Arrow Video published Blu-ray release of the film in July 2017.[9]

As of October 2019, it is included as part of the subscription service run by the BFI.

Critical reception edit

The review aggregator Rotten Tomatoes gives the film a rating of 76% based on 55 reviews, and a rating average of 6.8/10. The website's critical consensus reads: "A sinister spine-tingling techno-thriller whose artistry lies in the power of suggestion rather than a barrage of blood and guts or horror shop special effects".[10]

AllMovie praised the film, writing: "The first 30 minutes of Kairo is perhaps some of the most unnerving, frightening sequences to come down the pike in a long time".[11] Anita Gates of The New York Times wrote: "There are very few moments in Kiyoshi Kurosawa's fiercely original, thrillingly creepy horror movie that don't evoke a dreamlike dread of the truly unknown".[10] Slant gave the film four stars out of four: "Kurosawa's movies have a genuinely unnerving effect on the viewer because they deal with the kind of loneliness that exists in an overcrowded world. [...] Pulse is his strongest elucidation of this theme, treating the World Wide Web as a literal snare forging sinewy connections between strangers where the ultimate destination is chaos".[12] The Guardian called it "an incredibly creepy horror film" that, in the same way as Ring, "finds chills in the most dingy and mundane of locales; skillful deployment of grisly little moments and disturbing, cryptic imagery produce the requisite mood of dread and gloom".[13] Film Threat wrote: "What's worse than a horror film that frightens you sleepless is one that disturbs you to depression".[14] The Washington Post commented: "Pulse is best enjoyed if it's not questioned too closely. It lives visually in a way it cannot live intellectually".[15]

Entertainment Weekly was critical of the film, writing: "watching Pulse [...] you could almost die of anticipation", commenting that "nothing in the two snail-paced hours [...] makes close to a shred of sense".[16] The Seattle Times criticized the film's storyline and length, writing "while it's rattling your nerves, Pulse leaves your brain wanting more",[17] and The Village Voice called the film "at least half an hour too long".[18]

In 2012, Jaime N Christley of Slant listed the film as one of the greatest of all time.[19] In the early 2010s, Time Out conducted a poll with several authors, directors, actors and critics who have worked within the horror genre to vote for their top horror films.[20] The film was ranked as number 65 on the 2020 version of the same list.[21]

The scene where Yabe encounters a ghost for the first time has received attention for being especially frightening without using jump scares or loud sound effects; Scott Tobias, writing for The A.V. Club, described it as "arguably the signature sequence in all of J-horror".[22][23]

See also edit

References edit

  1. ^ a b c d e f g Pulse (booklet). Arrow Video. 2017. p. 2. FCD1396.
  2. ^ Elley, Derek (May 11, 2011). "Pulse". Variety. from the original on August 5, 2017. Retrieved August 4, 2017.
  3. ^ "Kairo (2001)". Box Office Mojo. Internet Movie Database. from the original on September 16, 2023. Retrieved February 20, 2021.
  4. ^ . festival-cannes.com. Archived from the original on 2012-10-09. Retrieved 21 October 2009.
  5. ^ Scott Tobias (19 November 2008). "The New Cult Canon: Pulse". The A.V. Club. from the original on 26 July 2021. Retrieved 29 June 2012.
  6. ^ Mes, Tom (March 9, 2009). "Midnight Eye book review: Mon effroyable histoire du cinéma". Midnight Eye. from the original on March 25, 2023. Retrieved March 12, 2016.
  7. ^ a b Harris, Dana (April 25, 2001). "Distant Horizon Nabs Rights to Japan's 'Kairo'". Variety. Vol. 271, no. 40. p. 28. ISSN 0011-5509.
  8. ^ Bill Gibron (20 February 2006). "Pulse (Kairo)". DVD Talk. from the original on 2 December 2016. Retrieved 1 December 2016.
  9. ^ Jonathan Barkan (9 September 2016). "Kiyoshi Kurosawa's 'Kairo' ('Pulse') Getting the Arrow Video Treatment!". Bloody Disgusting. from the original on 2 December 2016. Retrieved 1 December 2016.
  10. ^ a b "Pulse (Kairo) (2001)". Rotten Tomatoes. from the original on 12 December 2016. Retrieved 2 January 2017.
  11. ^ Jonathan Crow. "Pulse (2001)". AllMovie. from the original on 12 May 2012. Retrieved 29 June 2012.
  12. ^ Jeremiah Kipp (20 June 2005). "Pulse". Slant Magazine. from the original on 22 October 2012. Retrieved 29 June 2012.
  13. ^ Andrew Pulver (3 February 2006). "Pulse". guardian.co.uk. from the original on 21 September 2014. Retrieved 29 June 2012.
  14. ^ Styna Chyn (29 June 2005). "Kairo". Film Threat. from the original on 22 January 2021. Retrieved 29 June 2012.
  15. ^ Stephen Hunter (23 November 2005). "'Pulse': A Quiet Game of Doom". The Washington Post. from the original on 2 April 2015. Retrieved 29 June 2012.
  16. ^ Owen Glieberman (16 November 2005). "Pulse". Entertainment Weekly. Retrieved 29 June 2012.
  17. ^ Jeff Shannon (2 December 2005). ""Pulse": The IT gods help us". The Seattle Times. from the original on 5 May 2023. Retrieved 5 May 2023.
  18. ^ J. Hoberman (1 November 2005). "Feardotcom". The Village Voice. from the original on 5 May 2023. Retrieved 5 May 2023.
  19. ^ Christley, Jaime N (2012). . Sight & Sound. Archived from the original on 2015-09-10. Retrieved 2012-12-05.
  20. ^ "The 100 best horror films". Time Out. from the original on January 20, 2013. Retrieved April 13, 2014.
  21. ^ NF. . Time Out. Archived from the original on April 24, 2014. Retrieved April 13, 2014.
  22. ^ Tobias, Scott (20 November 2008). "The New Cult Canon: "Pulse"". The A.V. Club. from the original on 1 November 2022. Retrieved 1 November 2022.
  23. ^ Navarro, Meagan (25 May 2021). "The Most Terrifying Scene In 'Pulse' Proves Dread Is Just As Effective As Conventional Scares". Slash Film. from the original on 1 November 2022. Retrieved 1 November 2022.

External links edit

January 01, 1970
pulse, 2001, film, pulse, 回路, kairo, circuit, 2001, japanese, techno, horror, film, directed, kiyoshi, kurosawa, film, screened, certain, regard, section, 2001, cannes, film, festival, movie, well, received, critically, cult, following, english, language, rema. Pulse 回路 Kairo Circuit is a 2001 Japanese techno horror film directed by Kiyoshi Kurosawa The film was screened in the Un Certain Regard section at the 2001 Cannes Film Festival 4 The movie was well received critically and has a cult following 5 An English language remake also titled Pulse debuted in 2006 and spawned two sequels The script was also adapted into a novel of the same name by Kurosawa himself 6 PulseTheatrical release posterDirected byKiyoshi KurosawaWritten byKiyoshi Kurosawa 1 Produced byShun Shimizu Seiji Okuda Ken Inoue Atsuyuki Shomoda 1 StarringKumiko Asō Haruhiko Kato Koyuki Kurume ArisakaCinematographyJun ichiro Hayashi 1 Edited byJunichi Kikuchi 1 Music byTakefumi Haketa 1 ProductioncompaniesDaiei Film NTV Network Hakuhodo Imagica 2 Distributed byTohoRelease date3 February 2001 2001 02 03 Japan Running time119 minutes 1 CountryJapanLanguageJapaneseBox office 318 451 3 Contents 1 Plot 2 Cast 3 Release 4 Home video 5 Critical reception 6 See also 7 References 8 External linksPlot editThe plot centers on ghosts invading the world of the living via the Internet It features two parallel plotlines that eventually converge In the first Michi Kudo has recently moved to Tokyo and begun working at a shop that sells plants Her co workers include Junko Sasano Toshio Yabe and Taguchi who has been missing for several days while working on a computer disk for the shop s sales Michi goes to Taguchi s apartment and finds him distracted and aloof while Michi is looking for the disk she notices Taguchi s apartment is eerily quiet She then turns back to speak with Taguchi and finds him dead after hanging himself his corpse visibly decaying making Michi question who was she talking to initially Michi and her friends inspect the disk he left behind and discover it contains an image of Taguchi staring into his own computer monitor on which Taguchi staring into his monitor can be seen creating an endless series of images In the other monitor on his desk they discover a ghostly face staring out into Taguchi s room Yabe receives a phone call and hears a distorted voice saying help me Upon checking his phone he sees the same image found on Taguchi s disk He goes to Taguchi s apartment and sees a black stain on the wall where he hanged himself as well as a paper with how to make a forbidden room akazu no ma no tsukurikata written on it He notices a door sealed with red tape and enters it where he encounters a ghost Yabe becomes depressed and tells Michi that he saw something horrible in the forbidden room Michi receives a call like the one Yabe got She goes to check on Yabe and finds a black stain on the wall like the one in Taguchi s apartment She panics when she realizes Junko has unsealed and entered a forbidden room Inside she witnesses Junko being cornered by a ghost and rescues her Junko becomes catatonic from the encounter She later steps toward the wall and becomes a black stain which then dissolves and scatters as Michi tries in vain to stop it Worried Michi goes to check on her mother who lives outside Tokyo The second plotline follows Ryosuke Kawashima a university economics student who has recently signed up to a new internet service provider His computer accesses a website by itself showing him disturbing images of people alone in dark rooms exhibiting bizarre behavior That night Ryosuke wakes up to find his computer on again with the disturbing images displaying and frantically unplugs it The next day he visits the university computer lab looking for answers and meets Harue Karasawa a post graduate computer science student who suggests he either bookmark the page or screen capture the images for her to examine Ryosuke attempts to do so but finds that his computer will not follow his commands Instead a video plays of a man with his head in a plastic bag sitting in a room with the words HELP ME written all over the walls A graduate student who Harue is working with explains to Ryosuke his theory that the souls of the dead have begun to invade the physical world Harue confides her lifelong feelings of isolation to Ryosuke then begins acting strangely suggesting that ghosts would want to trap humans in their own loneliness rather than kill them Ryosuke tries to escape with her to a faraway place on the train However their train stops and Harue seized by a desire to return home runs away Upon returning to her apartment she witnesses the man with the plastic bag shoot himself on her computer Harue then presses the enter key and sees a video of herself in the present moment on the screen As she embraces the invisible figure watching her Harue happily says that she is not alone When Ryosuke makes it to her apartment she has vanished As people begin vanishing in great numbers evacuations of Tokyo begin and a full scale invasion of the Kanto region by the ghosts is underway Ryosuke meets Michi in her broken down car and after helping her repair it she goes with him to search for Harue They find Harue in an abandoned factory who unveils herself by removing a plastic bag from her head before subsequently shooting herself mirroring the man she saw on the computer When Ryosuke and Michi s car runs out of gas Ryosuke enters a warehouse to search for fuel carrying a gas can with him While searching the warehouse he accidentally drops the can s cap which rolls through the open doorway of a forbidden room When he walks inside the room to retrieve it the door locks behind him and he encounters a ghost who insists that it is real and tells him that death was eternal loneliness Although he tries to resist the ghost s influence Ryosuke loses the will to live and Michi drags him to safety They drive through a deserted ravaged Tokyo encountering apocalyptic scenery as well as an American C 130 Hercules military cargo plane that falls out of the sky and explodes After locating a small motorboat and travelling into Tokyo Bay the pair are found and brought aboard a ship departing from Tokyo manned by a small group of survivors who tell them that similar events are happening worldwide Returning to the first scene of the film Michi and the captain of the ship talk on the lower deck As the ship heads for Latin America the captain encourages Michi telling her that she is doing the right thing by continuing to live She returns to her room on the ship where she sees Ryosuke sitting against the wall with his eyes closed He fades into a shadow as Michi declares that she has found happiness being alone with her last friend in the world Cast editKumiko Asō as Michi Kudo Haruhiko Kato as Ryosuke Kawashima Koyuki as Harue Karasawa Kurume Arisaka as Junko Sasano Masatoshi Matsuo as Toshio Yabe Shinji Takeda as Yoshizaki Jun Fubuki as Michi s mother Shun Sugata as Boss Kōji Yakusho as Ship Captain Show Aikawa as Employee Kenji Mizuhashi as TaguchiRelease editPulse was first released in Japan on February 3 2001 where it was distributed by Toho 1 Distant Horizon purchased worldwide distribution rights to the film from Daiei 7 The film premiered in the Un Certain Regard category at the Cannes Film Festival 7 Home video editThe film was released on DVD by Magnolia Home Entertainment on February 21 2006 8 Arrow Video published Blu ray release of the film in July 2017 9 As of October 2019 it is included as part of the subscription service run by the BFI Critical reception editThe review aggregator Rotten Tomatoes gives the film a rating of 76 based on 55 reviews and a rating average of 6 8 10 The website s critical consensus reads A sinister spine tingling techno thriller whose artistry lies in the power of suggestion rather than a barrage of blood and guts or horror shop special effects 10 AllMovie praised the film writing The first 30 minutes of Kairo is perhaps some of the most unnerving frightening sequences to come down the pike in a long time 11 Anita Gates of The New York Times wrote There are very few moments in Kiyoshi Kurosawa s fiercely original thrillingly creepy horror movie that don t evoke a dreamlike dread of the truly unknown 10 Slant gave the film four stars out of four Kurosawa s movies have a genuinely unnerving effect on the viewer because they deal with the kind of loneliness that exists in an overcrowded world Pulse is his strongest elucidation of this theme treating the World Wide Web as a literal snare forging sinewy connections between strangers where the ultimate destination is chaos 12 The Guardian called it an incredibly creepy horror film that in the same way as Ring finds chills in the most dingy and mundane of locales skillful deployment of grisly little moments and disturbing cryptic imagery produce the requisite mood of dread and gloom 13 Film Threat wrote What s worse than a horror film that frightens you sleepless is one that disturbs you to depression 14 The Washington Post commented Pulse is best enjoyed if it s not questioned too closely It lives visually in a way it cannot live intellectually 15 Entertainment Weekly was critical of the film writing watching Pulse you could almost die of anticipation commenting that nothing in the two snail paced hours makes close to a shred of sense 16 The Seattle Times criticized the film s storyline and length writing while it s rattling your nerves Pulse leaves your brain wanting more 17 and The Village Voice called the film at least half an hour too long 18 In 2012 Jaime N Christley of Slant listed the film as one of the greatest of all time 19 In the early 2010s Time Out conducted a poll with several authors directors actors and critics who have worked within the horror genre to vote for their top horror films 20 The film was ranked as number 65 on the 2020 version of the same list 21 The scene where Yabe encounters a ghost for the first time has received attention for being especially frightening without using jump scares or loud sound effects Scott Tobias writing for The A V Club described it as arguably the signature sequence in all of J horror 22 23 See also editList of ghost filmsReferences edit a b c d e f g Pulse booklet Arrow Video 2017 p 2 FCD1396 Elley Derek May 11 2011 Pulse Variety Archived from the original on August 5 2017 Retrieved August 4 2017 Kairo 2001 Box Office Mojo Internet Movie Database Archived from the original on September 16 2023 Retrieved February 20 2021 Festival de Cannes Kairo festival cannes com Archived from the original on 2012 10 09 Retrieved 21 October 2009 Scott Tobias 19 November 2008 The New Cult Canon Pulse The A V Club Archived from the original on 26 July 2021 Retrieved 29 June 2012 Mes Tom March 9 2009 Midnight Eye book review Mon effroyable histoire du cinema Midnight Eye Archived from the original on March 25 2023 Retrieved March 12 2016 a b Harris Dana April 25 2001 Distant Horizon Nabs Rights to Japan s Kairo Variety Vol 271 no 40 p 28 ISSN 0011 5509 Bill Gibron 20 February 2006 Pulse Kairo DVD Talk Archived from the original on 2 December 2016 Retrieved 1 December 2016 Jonathan Barkan 9 September 2016 Kiyoshi Kurosawa s Kairo Pulse Getting the Arrow Video Treatment Bloody Disgusting Archived from the original on 2 December 2016 Retrieved 1 December 2016 a b Pulse Kairo 2001 Rotten Tomatoes Archived from the original on 12 December 2016 Retrieved 2 January 2017 Jonathan Crow Pulse 2001 AllMovie Archived from the original on 12 May 2012 Retrieved 29 June 2012 Jeremiah Kipp 20 June 2005 Pulse Slant Magazine Archived from the original on 22 October 2012 Retrieved 29 June 2012 Andrew Pulver 3 February 2006 Pulse guardian co uk Archived from the original on 21 September 2014 Retrieved 29 June 2012 Styna Chyn 29 June 2005 Kairo Film Threat Archived from the original on 22 January 2021 Retrieved 29 June 2012 Stephen Hunter 23 November 2005 Pulse A Quiet Game of Doom The Washington Post Archived from the original on 2 April 2015 Retrieved 29 June 2012 Owen Glieberman 16 November 2005 Pulse Entertainment Weekly Retrieved 29 June 2012 Jeff Shannon 2 December 2005 Pulse The IT gods help us The Seattle Times Archived from the original on 5 May 2023 Retrieved 5 May 2023 J Hoberman 1 November 2005 Feardotcom The Village Voice Archived from the original on 5 May 2023 Retrieved 5 May 2023 Christley Jaime N 2012 Jaime N Christley BFI British Film Institute Sight amp Sound Archived from the original on 2015 09 10 Retrieved 2012 12 05 The 100 best horror films Time Out Archived from the original on January 20 2013 Retrieved April 13 2014 NF The 100 best horror films the list Time Out Archived from the original on April 24 2014 Retrieved April 13 2014 Tobias Scott 20 November 2008 The New Cult Canon Pulse The A V Club Archived from the original on 1 November 2022 Retrieved 1 November 2022 Navarro Meagan 25 May 2021 The Most Terrifying Scene In Pulse Proves Dread Is Just As Effective As Conventional Scares Slash Film Archived from the original on 1 November 2022 Retrieved 1 November 2022 External links editOfficial website nbsp Pulse at IMDb nbsp Pulse at AllMovie Pulse Kairo at Rotten Tomatoes Pulse at the Japanese Movie Database in Japanese Retrieved from https en wikipedia org w index php title Pulse 2001 film amp oldid 1217292999, wikipedia, wiki, book, books, library,

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