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Polyptoton

Polyptoton /ˌpɒlɪpˈttɒn/ is the stylistic scheme in which words derived from the same root are repeated (such as "strong" and "strength"). A related stylistic device is antanaclasis, in which the same word is repeated, but each time with a different sense.[1] Another related term is figura etymologica.[2]

Other definition edit

In inflected languages polyptoton is the same word being repeated but appearing each time in a different case. (for example, "Iuppiter", "Iovis", "Iovi", "Iovem", "Iove" [in Latin being the nominative, genitive, dative, accusative, and ablative forms of "Iuppiter" (the god Jupiter), respectively]).

Genesis edit

The form is relatively common in Latin Christian poetry and prose in a construction called the superlative genitive, in phrases such as sanctum sanctorum ("holy of holies"), and found its way into languages such as Old English, which naturally preferred the prevalent alliteration that is part and parcel of polyptoton—in fact, polyptoton is "much more prevalent in Old English verse than in Latin verse." The specific superlative genitive in Old English, however, occurs only in Latinate Christian poems, not in secular poetry.[3]

Historical instances and usages edit

It is also used in public speaking, and several examples can be found in Churchill's speeches.[4]

G. K. Chesterton frequently employed this device to create paradox:

It is the same with all the powerful of to-day; it is the same, for instance, with the high-placed and high-paid official. Not only is the judge not judicial, but the arbiter is not even arbitrary.

— G.K. Chesterton, The Man on Top (1912)[5]

In combination with verbal active and passive voices, it points out the idea of a latent reciprocity:

Judge not, that ye be not judged

— Matthew 7:1[6]

An alternative way to use the device is to develop polyptoton over the course of an entire novel, which is done in Mary Shelley's Frankenstein. Shelley combines polyptoton with periphrastic naming, which is the technique of referring to someone using several indirect names. The creature in Frankenstein is referred to by many terms, such as "fiend", "devil", "being", and "ogre". However, the first term that Shelley uses in reference to the creature is "wretch". Throughout the novel, various forms of this are used, such as "wretchedly" and "wretchedness", which may be seen as polyptoton. According to Duyfhuizen, the gradual development of polyptoton in Frankenstein is significant because it symbolizes the intricacies of one's own identity.[7]

Examples edit

  • "Who shall watch the watchmen themselves?" (Quis custodiet ipsos custodes?) — Juvenal
  • "Thou art of blood, joy not to make things bleed." — Sir Philip Sidney
  • "With eager feeding food doth choke the feeder." — William Shakespeare, Richard II II,i,37
  • "The Greeks are strong, and skillful to their strength / Fierce to their skill, and to their fierceness valiant" — William Shakespeare, Troilus and Cressida I, i, 7-8
  • "Love is not love / Which alters when it alteration finds / Or bends with the remover to remove." — William Shakespeare, Sonnet 116
  • "The greatest weakness of all weaknesses is to fear too much to appear weak." — Jacques-Bénigne Bossuet
  • "Do not listen to the reasoners; there has been too much reasoning in France, and reasoning has banished reason." — Joseph de Maistre, Considerations on France, criticizing the Cult of Reason during the French Revolution
  • "People complain of the despotism of princes; they ought to complain of the despotism of man. We are all born despots." — Joseph de Maistre, Against Rousseau
  • "Deep into that darkness peering / Long I stood there wondering, fearing / Doubting, dreaming dreams no mortal ever dared to dream before." — Edgar Allan Poe, The Raven
  • "The expropriators are expropriated." — Karl Marx, Das Kapital
  • "To be ignorant of one’s ignorance is the malady of the ignorant." — Amos Bronson Alcott
  • "Diamond me no diamonds, prize me no prizes…" — Alfred, Lord Tennyson, Lancelot and Elaine
  • "Absolute power corrupts absolutely." — Lord Acton
  • "If we lose our sanity, we can but howl the lugubrious howl of idiots, the howl of the utterly lost howling their nowhereness." — D. H. Lawrence
  • "The healthy man does not torture others—generally it is the tortured who turn into torturers." — Carl Jung
  • "There is no end of it, the voiceless wailing / No end to the withering of withered flowers / To the movement of pain that is painless and motionless / To the drift of the sea and the drifting wreckage / The bone’s prayer to Death its God. Only the hardly, barely prayable / Prayer of the one Annunciation." — T. S. Eliot, The Dry Salvages
  • "Love is an irresistible desire to be irresistibly desired." — Robert Frost
  • "Not as a call to battle, though embattled we are." — John F. Kennedy, Inaugural Address, January 20, 1961.
  • "The young are generally full of revolt, and are often pretty revolting about it." — Mignon McLaughlin
  • "Reality isn’t made of matter, but what matters." — Jordan Peterson
  • "What was done to me was monstrous. And they created a monster." — V in V for Vendetta
  • "Secrets aren't secret. They're just hidden treasures, waiting to be exploited." — Stephen White, Dry Ice
  • "I am a disciple of discipline!" — David Goggins

See also edit

References edit

  1. ^ "Polyptoton - Definition and Examples of Polyptoton". Literary Devices. 2014-03-31. Retrieved 2021-04-19.
  2. ^ "RHETORICAL TERMS | Dickinson College Commentaries". dcc.dickinson.edu. Retrieved 2021-04-19.
  3. ^ Fleming, Damian (2012). "Rex regum et cyninga cyning: 'Speaking Hebrew' in Cynewulf's Elene". In Michael Fox; Manish Sharma (eds.). Old English Literature and the Old Testament. Toronto: U of Toronto P. pp. 229–52. ISBN 9780802098542.
  4. ^ "A Rhetorical analysis of Winston Churchill's speech: We Shall Fight on the Beaches" (PDF).
  5. ^ Farnsworth 2011, p. 72.
  6. ^ Farnsworth 2011, p. 63.
  7. ^ Duyfhuizen, Bernard (1995). "Periphrastic Naming In Mary Shelley's Frankenstein". Studies in the Novel. 27 (4): 477.

Sources edit

  • Corbett, Edward P.J. Classical Rhetoric for the Modern Student. Oxford University Press, New York, 1971.
  • Ward Farnsworth (2011). Farnsworth's Classical English Rhetoric. David R. Godine Publisher. pp. 63–73. ISBN 978-1-56792-385-8.
  • Toswell, M. J. “Polyptoton in Old English Texts.” Early English Poetic Culture and Meter: The Influence of G. R. Russom, edited by M. J. Toswell and Lindy Brady, pp. 111–130. Medieval Institute Publications, Kalamazoo, 2016. JSTOR, www.jstor.org/stable/j.ctvvnccj.11.

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Look up polyptoton in Wiktionary the free dictionary Polyptoton ˌ p ɒ l ɪ p ˈ t oʊ t ɒ n is the stylistic scheme in which words derived from the same root are repeated such as strong and strength A related stylistic device is antanaclasis in which the same word is repeated but each time with a different sense 1 Another related term is figura etymologica 2 Contents 1 Other definition 2 Genesis 3 Historical instances and usages 4 Examples 5 See also 6 References 7 SourcesOther definition editIn inflected languages polyptoton is the same word being repeated but appearing each time in a different case for example Iuppiter Iovis Iovi Iovem Iove in Latin being the nominative genitive dative accusative and ablative forms of Iuppiter the god Jupiter respectively Genesis editThe form is relatively common in Latin Christian poetry and prose in a construction called the superlative genitive in phrases such as sanctum sanctorum holy of holies and found its way into languages such as Old English which naturally preferred the prevalent alliteration that is part and parcel of polyptoton in fact polyptoton is much more prevalent in Old English verse than in Latin verse The specific superlative genitive in Old English however occurs only in Latinate Christian poems not in secular poetry 3 Historical instances and usages editIt is also used in public speaking and several examples can be found in Churchill s speeches 4 G K Chesterton frequently employed this device to create paradox It is the same with all the powerful of to day it is the same for instance with the high placed and high paid official Not only is the judge not judicial but the arbiter is not even arbitrary G K Chesterton The Man on Top 1912 5 In combination with verbal active and passive voices it points out the idea of a latent reciprocity Judge not that ye be not judged Matthew 7 1 6 An alternative way to use the device is to develop polyptoton over the course of an entire novel which is done in Mary Shelley s Frankenstein Shelley combines polyptoton with periphrastic naming which is the technique of referring to someone using several indirect names The creature in Frankenstein is referred to by many terms such as fiend devil being and ogre However the first term that Shelley uses in reference to the creature is wretch Throughout the novel various forms of this are used such as wretchedly and wretchedness which may be seen as polyptoton According to Duyfhuizen the gradual development of polyptoton in Frankenstein is significant because it symbolizes the intricacies of one s own identity 7 Examples edit Who shall watch the watchmen themselves Quis custodiet ipsos custodes Juvenal Thou art of blood joy not to make things bleed Sir Philip Sidney With eager feeding food doth choke the feeder William Shakespeare Richard II II i 37 The Greeks are strong and skillful to their strength Fierce to their skill and to their fierceness valiant William Shakespeare Troilus and Cressida I i 7 8 Love is not love Which alters when it alteration finds Or bends with the remover to remove William Shakespeare Sonnet 116 The greatest weakness of all weaknesses is to fear too much to appear weak Jacques Benigne Bossuet Do not listen to the reasoners there has been too much reasoning in France and reasoning has banished reason Joseph de Maistre Considerations on France criticizing the Cult of Reason during the French Revolution People complain of the despotism of princes they ought to complain of the despotism of man We are all born despots Joseph de Maistre Against Rousseau Deep into that darkness peering Long I stood there wondering fearing Doubting dreaming dreams no mortal ever dared to dream before Edgar Allan Poe The Raven The expropriators are expropriated Karl Marx Das Kapital To be ignorant of one s ignorance is the malady of the ignorant Amos Bronson Alcott Diamond me no diamonds prize me no prizes Alfred Lord Tennyson Lancelot and Elaine Absolute power corrupts absolutely Lord Acton If we lose our sanity we can but howl the lugubrious howl of idiots the howl of the utterly lost howling their nowhereness D H Lawrence The healthy man does not torture others generally it is the tortured who turn into torturers Carl Jung There is no end of it the voiceless wailing No end to the withering of withered flowers To the movement of pain that is painless and motionless To the drift of the sea and the drifting wreckage The bone s prayer to Death its God Only the hardly barely prayable Prayer of the one Annunciation T S Eliot The Dry Salvages Love is an irresistible desire to be irresistibly desired Robert Frost Not as a call to battle though embattled we are John F Kennedy Inaugural Address January 20 1961 The young are generally full of revolt and are often pretty revolting about it Mignon McLaughlin Reality isn t made of matter but what matters Jordan Peterson What was done to me was monstrous And they created a monster V in V for Vendetta Secrets aren t secret They re just hidden treasures waiting to be exploited Stephen White Dry Ice I am a disciple of discipline David GogginsSee also editAntanaclasis Cognate object Figura etymologica Legal doubletReferences edit Polyptoton Definition and Examples of Polyptoton Literary Devices 2014 03 31 Retrieved 2021 04 19 RHETORICAL TERMS Dickinson College Commentaries dcc dickinson edu Retrieved 2021 04 19 Fleming Damian 2012 Rex regum et cyninga cyning Speaking Hebrew in Cynewulf s Elene In Michael Fox Manish Sharma eds Old English Literature and the Old Testament Toronto U of Toronto P pp 229 52 ISBN 9780802098542 A Rhetorical analysis of Winston Churchill s speech We Shall Fight on the Beaches PDF Farnsworth 2011 p 72harvnb error no target CITEREFFarnsworth2011 help Farnsworth 2011 p 63harvnb error no target CITEREFFarnsworth2011 help Duyfhuizen Bernard 1995 Periphrastic Naming In Mary Shelley s Frankenstein Studies in the Novel 27 4 477 Sources editCorbett Edward P J Classical Rhetoric for the Modern Student Oxford University Press New York 1971 Ward Farnsworth 2011 Farnsworth s Classical English Rhetoric David R Godine Publisher pp 63 73 ISBN 978 1 56792 385 8 Toswell M J Polyptoton in Old English Texts Early English Poetic Culture and Meter The Influence of G R Russom edited by M J Toswell and Lindy Brady pp 111 130 Medieval Institute Publications Kalamazoo 2016 JSTOR www jstor org stable j ctvvnccj 11 Retrieved from https en wikipedia org w index php title Polyptoton amp oldid 1218914940, wikipedia, wiki, book, books, library,

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