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Plastic arts

Plastic arts are art forms which involve physical manipulation of a plastic medium by molding or modeling such as sculpture or ceramics. Less often the term may be used broadly for all the visual arts (such as painting, sculpture, film and photography), as opposed to literature and music.[1] Materials for use in the plastic arts, in the narrower definition, include those that can be carved or shaped, such as stone or wood, concrete, glass, or metal.

The term "plastic" has been used to mean certain synthetic organic resins ever since they were invented, but the term "plastic arts" long preceded them. The term should not be confused, either, with Piet Mondrian's concept of "Neoplasticism".

History

The oldest known plastic arts date to (30,000–34,000 BP).[2]

Philosophy

In contrast to the limiting of 'plastic arts' to sculpture and architecture by Friedrich Wilhelm Joseph Schelling in 1807,[3] the German critic August Wilhelm Schlegel (1767-1845) applied the concept not only to visual arts, but also poetry.

Classical poetry lines he saw utilizing plastic isolation, and rhyme falling under the Romantic (domain).[4]

In Schlegel's Viennese lectures (1809-1811), published in 1827 as On the Theory and History of the Plastic Arts, he contrasted the plasticism of Classical Art with picturesque Romanticism. He

"operated with the antinomy of terms plastic/pictorial, mechanically/ organically, finite/ infinite, and closed/accomplished. Schlegel stated that the spirit of the entire antique culture and poetry was plastic and that the spirit of modern culture, however, was picturesque (pittoresk)".

— [5]

These distinctions were carried over into Russian Romanticism aesthetics,

"Venevitinov objected to the indiscriminate use of the term 'pictures'. In his use of August Schlegel's term 'plastic' (plastisch, plastika) he argues for a return to the simple, primitive, enclosed, defined, limited, finite, corporeal, and plastic world of the ancients. There seem to have been two interpretations of the plastic - picturesque contrast (antitheses) in Romantic Idealist philosophy. As Venevitinov uses the contrast, and as August Schlegel intended it to be used when he defined it in Lecture I of Vorlesungen über dramatische Kunst und Literatur, it denoted the difference between the corporeal mind of the man of antiquity and the 'picturesque' mind of modern man. Ancient art appeals directly to the senses, modern art gives rise to mental pictures or images. The former is therefore real and corporeal, the latter ideal."

— [6]

Gallery

See also

References

  1. ^ "Merriam-Webster Online (entry for "plastic arts")". Merriam-webster.com. Retrieved 2011-10-30.
  2. ^ Witzel, E. J. Michael (2012). The Origins of the World's Mythologies. Oxford University Press. p. 260. ISBN 9780199710157. Apart from rock art, whether engraved, drawn, or painted, there also exist some examples of early sculptures and plastic art (30,000–34,000 bp )
  3. ^ Russian Romantic Criticism: An Anthology, edited by Lauren Gray Leighton, Published by Greenwood Publishing Group, 1987, ISBN 0313255849, ISBN 978-0313255847
  4. ^ The literary theories of August Wilhelm Schlegel by Ralph W. Ewton jnr, Published by Walter de Gruyter and Co (1972), ISBN 3110991632, ISBN 978-3110991635
  5. ^ Civic Art Then and Now: The Culture of Good Place-making by Charles C. Bohl, in Sitte, Hegemann and the Metropolis: Modern Civic Art and International Exchanges, edited by Charles Bohl and Jean-François Lejeune, Published by Routledge, 2009, ISBN 0415424070, ISBN 978-0415424073
  6. ^ Russian Romantic Criticism: An Anthology, edited by Lauren Gray Leighton, Published by Greenwood Publishing Group, 1987, ISBN 0313255849, ISBN 978-0313255847

Further reading

  • Barnes, A. C., The Art in Painting, 3rd ed., 1937, Harcourt, Brace & World, Inc., NY. OCLC 1572753
  • Bukumirovic, D. (1998). Maga Magazinovic. Biblioteka Fatalne srpkinje knj. br. 4. Beograd: Narodna knj.
  • Fazenda, M. J. (1997). Between the pictorial and the expression of ideas: the plastic arts and literature in the dance of Paula Massano. N.p.
  • Gerón, C. (2000). Enciclopedia de las artes plásticas dominicanas: 1844–2000. 4th ed. Dominican Republic s.n.
  • Schlegel, August Wilhelm., (1966) Vorlesungen uber dramatische Kunst und Literatur, Stuttgart: Kohlhammer Verlag, 1966, p. 21f.


plastic, arts, forms, which, involve, physical, manipulation, plastic, medium, molding, modeling, such, sculpture, ceramics, less, often, term, used, broadly, visual, arts, such, painting, sculpture, film, photography, opposed, literature, music, materials, pl. Plastic arts are art forms which involve physical manipulation of a plastic medium by molding or modeling such as sculpture or ceramics Less often the term may be used broadly for all the visual arts such as painting sculpture film and photography as opposed to literature and music 1 Materials for use in the plastic arts in the narrower definition include those that can be carved or shaped such as stone or wood concrete glass or metal The term plastic has been used to mean certain synthetic organic resins ever since they were invented but the term plastic arts long preceded them The term should not be confused either with Piet Mondrian s concept of Neoplasticism Contents 1 History 2 Philosophy 3 Gallery 4 See also 5 References 6 Further readingHistory EditThe oldest known plastic arts date to 30 000 34 000 BP 2 Philosophy EditIn contrast to the limiting of plastic arts to sculpture and architecture by Friedrich Wilhelm Joseph Schelling in 1807 3 the German critic August Wilhelm Schlegel 1767 1845 applied the concept not only to visual arts but also poetry Classical poetry lines he saw utilizing plastic isolation and rhyme falling under the Romantic domain 4 In Schlegel s Viennese lectures 1809 1811 published in 1827 as On the Theory and History of the Plastic Arts he contrasted the plasticism of Classical Art with picturesque Romanticism He operated with the antinomy of terms plastic pictorial mechanically organically finite infinite and closed accomplished Schlegel stated that the spirit of the entire antique culture and poetry was plastic and that the spirit of modern culture however was picturesque pittoresk 5 These distinctions were carried over into Russian Romanticism aesthetics Venevitinov objected to the indiscriminate use of the term pictures In his use of August Schlegel s term plastic plastisch plastika he argues for a return to the simple primitive enclosed defined limited finite corporeal and plastic world of the ancients There seem to have been two interpretations of the plastic picturesque contrast antitheses in Romantic Idealist philosophy As Venevitinov uses the contrast and as August Schlegel intended it to be used when he defined it in Lecture I of Vorlesungen uber dramatische Kunst und Literatur it denoted the difference between the corporeal mind of the man of antiquity and the picturesque mind of modern man Ancient art appeals directly to the senses modern art gives rise to mental pictures or images The former is therefore real and corporeal the latter ideal 6 Gallery Edit Saytour Torchons Nimes Sarabande Musee des Tissus Lyon 2007 2008 Milton Becerra Ale ya Durban Segnini Gallery Miami 2009 La Ferte Bernard Festival Artec 2010 Bois de Belle Riviere Quebec 2010 MasterCard Visa If it wasn t for plastic money I wouldn t have any money at all Tyler Turkle 2006 Poured Acrylic 54 x 43 inchesSee also Edit Wikimedia Commons has media related to Plastic arts Visual arts portalArt materials Handicraft Media arts Plastic in art Visual arts Plastic number Recording mediumReferences Edit Merriam Webster Online entry for plastic arts Merriam webster com Retrieved 2011 10 30 Witzel E J Michael 2012 The Origins of the World s Mythologies Oxford University Press p 260 ISBN 9780199710157 Apart from rock art whether engraved drawn or painted there also exist some examples of early sculptures and plastic art 30 000 34 000 bp Russian Romantic Criticism An Anthology edited by Lauren Gray Leighton Published by Greenwood Publishing Group 1987 ISBN 0313255849 ISBN 978 0313255847 The literary theories of August Wilhelm Schlegel by Ralph W Ewton jnr Published by Walter de Gruyter and Co 1972 ISBN 3110991632 ISBN 978 3110991635 Civic Art Then and Now The Culture of Good Place making by Charles C Bohl in Sitte Hegemann and the Metropolis Modern Civic Art and International Exchanges edited by Charles Bohl and Jean Francois Lejeune Published by Routledge 2009 ISBN 0415424070 ISBN 978 0415424073 Russian Romantic Criticism An Anthology edited by Lauren Gray Leighton Published by Greenwood Publishing Group 1987 ISBN 0313255849 ISBN 978 0313255847Further reading EditBarnes A C The Art in Painting 3rd ed 1937 Harcourt Brace amp World Inc NY OCLC 1572753 Bukumirovic D 1998 Maga Magazinovic Biblioteka Fatalne srpkinje knj br 4 Beograd Narodna knj Fazenda M J 1997 Between the pictorial and the expression of ideas the plastic arts and literature in the dance of Paula Massano N p Geron C 2000 Enciclopedia de las artes plasticas dominicanas 1844 2000 4th ed Dominican Republic s n Schlegel August Wilhelm 1966 Vorlesungen uber dramatische Kunst und Literatur Stuttgart Kohlhammer Verlag 1966 p 21f This art related article is a stub You can help Wikipedia by expanding it vte Retrieved from https en wikipedia org w index php title Plastic arts amp oldid 1133910037, wikipedia, wiki, book, books, library,

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