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Plagiarism and Literary Property in the Romantic Period

Plagiarism and Literary Property in the Romantic Period is a non-fiction book written by Tilar J. Mazzeo. In the book, Mazzeo shows that Romantic-period ideas surrounding plagiarism are at variance with twentieth-century perceptions. Also, Mazzeo shows that concern about the ethics, legality and morality of plagiarism has its origins during the Romantic era. The book was originally published in 2007 by the University of Pennsylvania Press.[1][2][3] At the end of the book is a bibliography, chapter notes, and an index.[4] The book has 115 citations on Google Scholar.[5]

Plagiarism and Literary Property in the Romantic Period
Book cover
AuthorTilar J. Mazzeo
CountryUS
SubjectHistory, literature, romantic period, UK
GenreNon-fiction
PublisherUniversity of Pennsylvania Press
Publication date
2007
Media typePrint, ebook
Pages256
ISBN9780812239676
OCLC315523301
WebsiteBook Web page

Chapter titles edit

The chapter titles are as follows, as derived from the table of contents:[6]

1. Romantic Plagiarism and the Critical Inheritance
2. Coleridge, Plagiarism, and Narrative Mastery
3. Property and the Margins of Literary Print Culture
4. "The Slip-Shod Muse": Byron, Originality, and Aesthetic Plagiarism
5. Monstrosities Strung into an Epic: Travel Writing and the Defense of "Modern" Poetry
6. Poaching on the Literary Estate: Class, Improvement, and Enclosure
  • There is also a Preface, an Afterword, Notes, and a Bibliography.

About the author edit

Tilar J. Mazzeo is a cultural historian,[7] American wine author,[8] and author of several bestselling works of narrative nonfiction. She was the Clara C. Piper Associate Professor of English at Colby College in Maine from 2004 to 2019.[9] She is currently Professeure Associée in the Département de Littératures et Langues du Monde at the Université de Montréal in Canada.[10]

In 2006 she released her book Plagiarism and Literary Property in the Romantic Period. Charles McGrath, a reviewer for The New York Times wrote, in part that "...Romantics [as in the Romantic era], [are] supposedly the first generation to conceive of literary ownership in the modern sense, [and] really thought about the issue, according to Tilar J. Mazzeo... In style and methodology, Ms. Mazzeo's new book is an academic wheezer, a retooled dissertation perhaps, but it's also [intelligent] and insightful, and points out that 18th-century writers took a certain amount of borrowing for granted. What mattered was whether you were [underhanded] about it and, even more important, whether you improved upon what you took, by weaving it seamlessly into your own text and adding some new context or insight."[11]

Mazzeo, a U.S.-Canadian dual national, is married to Dr. Robert Miles, a Canadian professor of English. Mazzeo lives in Saanichton, British Columbia. She is the proprietor of and winemaker at Parsell Vineyards.[12] Mazzeo has held previous teaching appointments at the University of Wisconsin, Oregon State University, and the University of Washington. She was the Jenny McKeon Moore Writer in Residence in the Creative Writing and English program at George Washington University from 2010 to 2011. She was the Washington Scholar at Pembroke College, Cambridge, the UK in the late 1990s. She was the editor of digital scholarly editions at Romantic Circles from 2005 to 2019 and has been featured as a preeminent teacher of creative/narrative nonfiction with the Teaching Company / Great Courses.

References edit

  1. ^ Temple, Kathryn (October 2008). "Book review". American Historical Review. American Historical Association. 113 (4): 1239–1240. doi:10.1086/ahr.113.4.1239. JSTOR 30223390.
  2. ^ Russett, Margaret (Autumn 2007). "Book review". The Wordsworth Circle. University of Chicago Press. 38 (4): 169–170. doi:10.1086/TWC24045297. JSTOR 24045297.
  3. ^ Mandell, Laura (2009). "Book review". Keats-Shelley Journal. Keats Shelley Association of America. 58: 160–162. JSTOR 25735173.
  4. ^ Mazzeo, Tilar J. (January 4, 2013). Plagiarism and Literary Property in the Romantic Period. University of Pennsylvania Press. doi:10.9783/9780812202731. ISBN 9780812202731 – via DeGruyter.
  5. ^ Google Scholar. Retrieved January 28, 2020.
  6. ^ Book page. University of Pennsylvania Press. Retrieved May 26, 2020.
  7. ^ "Interview: Tilar Mazzeo". My French Life, September 15, 2011, By Judy MacMahon
  8. ^ "Search Results Napa Valley Wine Writers' « The Wine Economist". Retrieved May 4, 2019.
  9. ^ "Author Q&A: Tilar Mazzeo’s new book checks into the Hotel Ritz Paris during Nazi occupation". Portland Press-Herald, May 4, 2014. Frank O. Smith.
  10. ^ "Tilar Mazzeo". Centre de recherche interuniversitaire sur les humanités numériques (in French). Retrieved May 4, 2019.
  11. ^ McGrath, Charles (January 7, 2007). "Plagiarism: Everybody Into the Pool". The New York Times. Retrieved May 5, 2019.
  12. ^ "OUR STORY". Parsell Vineyard. Retrieved May 4, 2019.

Further reading edit

  • Sample: Preface and Chapter 1. Google Books. Retrieved January 28, 2020.
  • Chapter 6 sample. Project Muse. 2014. Retrieved January 3, 2020.
  • McGrath, Charles (January 7, 2007). "Plagiarism: Everybody Into the Pool". The New York Times. Retrieved January 3, 2020.

External links edit

  • Official website

plagiarism, literary, property, romantic, period, fiction, book, written, tilar, mazzeo, book, mazzeo, shows, that, romantic, period, ideas, surrounding, plagiarism, variance, with, twentieth, century, perceptions, also, mazzeo, shows, that, concern, about, et. Plagiarism and Literary Property in the Romantic Period is a non fiction book written by Tilar J Mazzeo In the book Mazzeo shows that Romantic period ideas surrounding plagiarism are at variance with twentieth century perceptions Also Mazzeo shows that concern about the ethics legality and morality of plagiarism has its origins during the Romantic era The book was originally published in 2007 by the University of Pennsylvania Press 1 2 3 At the end of the book is a bibliography chapter notes and an index 4 The book has 115 citations on Google Scholar 5 Plagiarism and Literary Property in the Romantic PeriodBook coverAuthorTilar J MazzeoCountryUSSubjectHistory literature romantic period UKGenreNon fictionPublisherUniversity of Pennsylvania PressPublication date2007Media typePrint ebookPages256ISBN9780812239676OCLC315523301WebsiteBook Web page Contents 1 Chapter titles 2 About the author 3 References 4 Further reading 5 External linksChapter titles editThe chapter titles are as follows as derived from the table of contents 6 1 Romantic Plagiarism and the Critical Inheritance 2 Coleridge Plagiarism and Narrative Mastery 3 Property and the Margins of Literary Print Culture 4 The Slip Shod Muse Byron Originality and Aesthetic Plagiarism 5 Monstrosities Strung into an Epic Travel Writing and the Defense of Modern Poetry 6 Poaching on the Literary Estate Class Improvement and EnclosureThere is also a Preface an Afterword Notes and a Bibliography About the author editTilar J Mazzeo is a cultural historian 7 American wine author 8 and author of several bestselling works of narrative nonfiction She was the Clara C Piper Associate Professor of English at Colby College in Maine from 2004 to 2019 9 She is currently Professeure Associee in the Departement de Litteratures et Langues du Monde at the Universite de Montreal in Canada 10 In 2006 she released her book Plagiarism and Literary Property in the Romantic Period Charles McGrath a reviewer for The New York Times wrote in part that Romantics as in the Romantic era are supposedly the first generation to conceive of literary ownership in the modern sense and really thought about the issue according to Tilar J Mazzeo In style and methodology Ms Mazzeo s new book is an academic wheezer a retooled dissertation perhaps but it s also intelligent and insightful and points out that 18th century writers took a certain amount of borrowing for granted What mattered was whether you were underhanded about it and even more important whether you improved upon what you took by weaving it seamlessly into your own text and adding some new context or insight 11 Mazzeo a U S Canadian dual national is married to Dr Robert Miles a Canadian professor of English Mazzeo lives in Saanichton British Columbia She is the proprietor of and winemaker at Parsell Vineyards 12 Mazzeo has held previous teaching appointments at the University of Wisconsin Oregon State University and the University of Washington She was the Jenny McKeon Moore Writer in Residence in the Creative Writing and English program at George Washington University from 2010 to 2011 She was the Washington Scholar at Pembroke College Cambridge the UK in the late 1990s She was the editor of digital scholarly editions at Romantic Circles from 2005 to 2019 and has been featured as a preeminent teacher of creative narrative nonfiction with the Teaching Company Great Courses References edit Temple Kathryn October 2008 Book review American Historical Review American Historical Association 113 4 1239 1240 doi 10 1086 ahr 113 4 1239 JSTOR 30223390 Russett Margaret Autumn 2007 Book review The Wordsworth Circle University of Chicago Press 38 4 169 170 doi 10 1086 TWC24045297 JSTOR 24045297 Mandell Laura 2009 Book review Keats Shelley Journal Keats Shelley Association of America 58 160 162 JSTOR 25735173 Mazzeo Tilar J January 4 2013 Plagiarism and Literary Property in the Romantic Period University of Pennsylvania Press doi 10 9783 9780812202731 ISBN 9780812202731 via DeGruyter Google Scholar Retrieved January 28 2020 Book page University of Pennsylvania Press Retrieved May 26 2020 Interview Tilar Mazzeo My French Life September 15 2011 By Judy MacMahon Search Results Napa Valley Wine Writers The Wine Economist Retrieved May 4 2019 Author Q amp A Tilar Mazzeo s new book checks into the Hotel Ritz Paris during Nazi occupation Portland Press Herald May 4 2014 Frank O Smith Tilar Mazzeo Centre de recherche interuniversitaire sur les humanites numeriques in French Retrieved May 4 2019 McGrath Charles January 7 2007 Plagiarism Everybody Into the Pool The New York Times Retrieved May 5 2019 OUR STORY Parsell Vineyard Retrieved May 4 2019 Further reading editSample Preface and Chapter 1 Google Books Retrieved January 28 2020 Chapter 6 sample Project Muse 2014 Retrieved January 3 2020 McGrath Charles January 7 2007 Plagiarism Everybody Into the Pool The New York Times Retrieved January 3 2020 External links editOfficial website Retrieved from https en wikipedia org w index php title Plagiarism and Literary Property in the Romantic Period amp oldid 1144874335, wikipedia, wiki, book, books, library,

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