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Het Loo Palace

Het Loo Palace (Dutch: Paleis Het Loo [paːˈlɛis ɦɛt ˈloː], meaning "The Lea") is a palace in Apeldoorn, Netherlands, built by the House of Orange-Nassau.

Paleis Het Loo
The cour d'honneur and the palace front
Location in Gelderland in the Netherlands
General information
TypePalace
Architectural styleDutch Baroque
LocationApeldoorn, Netherlands
AddressKoninklijk Park 1
Coordinates52°14′03″N 5°56′45″E / 52.234167°N 5.945833°E / 52.234167; 5.945833
Construction started1684
Completed1686
Renovated1976–1982
ClientWilliam III of England
Mary II of England
OwnerDutch state
Technical details
Floor area36,042 m2 (387,950 sq ft)
Design and construction
Architect(s)Jacob Roman
Johan van Swieten
Daniel Marot

History edit

The symmetrical Dutch Baroque building was designed by Jacob Roman and Johan van Swieten and was built between 1684 and 1686 for stadtholder-king William III and his consort Princess Mary. The garden was designed by Claude Desgotz.

 
Het Loo and its gardens, in a late-17th-century engraving

After the elder House of Orange-Nassau had become extinct with the death of William III of England in 1702, he left all his estates in the Netherlands to his cousin Johan Willem Friso of the House of Nassau-Dietz in his Last Will. However, the King of Prussia claimed them, as he also descended from the Princes of Orange, and the Houses of Orange-Nassau and Hohenzollern had, a few generations before, made an inheritance contract. Therefore, most of the older properties, though not including Het Loo, were in fact taken over by the Hohenzollerns, who never lived there. Johan Willem Friso's son, William IV, Prince of Orange, finally took over Het Loo Palace, Soestdijk Palace, as well as Huis ten Bosch Palace near The Hague. His widow later bought back several of the older properties in and around The Hague from Frederick William I of Prussia in 1732.

 
Queen Mary's bedroom

The palace then remained a summer-residence of the House of Orange-Nassau until the death of Queen Wilhelmina in 1962. In 1960 Queen Wilhelmina had declared that when she died the private estate surrounding the palace would go to the State. She did, however, request that it would be returned to her family if the Dutch were to abolish the monarchy. The former crown properties surrounding the palace became property of the Dutch State in 1962 when Wilhelmina died at Het Loo Palace. Her daughter, Queen Juliana, never lived there, but her younger daughter, Princess Margriet, lived in the right wing until 1975.

The building was renovated between 1976 and 1982. Since 1984, the palace has been a state museum open to the general public, showing interiors with original furniture, objects and paintings of the House of Orange-Nassau. It also houses a library devoted to the House of Orange-Nassau and the Museum van de Kanselarij der Nederlandse Orden (Museum of the Netherlands Orders of Knighthood's Chancellery) with books and other material concerning decorations and medals. The building is a rijksmonument and is among the Top 100 Dutch heritage sites.

Architecture edit

 
Photograph of the gardens, restored according to Desgotz's design.

The Dutch Baroque architecture of Het Loo takes pains to minimize the grand stretch of its construction, so emphatic at Versailles, and present itself as just a fine gentleman's residence. Het Loo is not a palace but, as the title of its engraved portrait (illustration, below) states, a "Lust-hof" (a retreat, or "pleasure house"). Nevertheless, it is situated entre cour et jardin ("between courtyard and garden") as Versailles and its imitators, and even as fine Parisian private houses are. The dry paved and gravelled courtyard, lightly screened from the road by a wrought-iron grille, is domesticated by a traditional plat of box-bordered green, the homely touch of a cross in a circle one might find in a bourgeois garden. The volumes of the palace are rhythmically broken in their massing. They work down symmetrically, expressing the subordinate roles of their use and occupants, and the final outbuildings in Marot's plan extend along the public thoroughfare, like a well-made and delightfully ordinary street.

In 2016, an international public competition was held concerning the renovation and extension of the house and the main courtyard. KAAN Architecten’s winning proposal, which opens to the public in April 2023, adds over 5000 square meters of new facilities and amenities, all placed underground and within the existing wings.[1] The grass and gravel courtyard has been replaced with a large central fountain and skylight to a large ‘Grand Foyer’ where visitors can access the main house from new grand staircases as well as new temporary exhibit galleries.

Garden edit

The private "Great Garden" is situated behind the house. This Dutch Baroque garden, often nicknamed the "Versailles of Holland", actually serves to show more differences than similarities. It is still within the general Baroque formula established by André le Nôtre: perfect symmetry, axial layout radiating gravel walks, parterres with fountains, basins and statues.

 
The palace, seen from the gardens.

The garden as it appears in the engraving was designed by Le Nôtre's nephew, Claude Desgotz.[2] Throughout his military and diplomatic career, William of Orange was the continental antagonist of Louis XIV, the commander of the forces opposed to those of absolute power and Roman Catholicism. André Le Nôtre's main axis at Versailles, continued by the canal, runs up to the horizon. Daniel Marot and Desgotz's Het Loo garden does not dominate the landscape as Louis' German imitators do, though in his idealized plan, Desgotz extends the axis. The main garden, with conservative rectangular beds instead of more elaborately shaped ones, is an enclosed space surrounded by raised walks, as a Renaissance garden might be, tucked into the woods for private enjoyment, the garden not of a king but of a stadhouder. At its far end a shaded crosswalk of trees disguised the central vista. The orange trees set out in wooden boxes and wintered in an orangery, which were a feature of all gardens, did double duty for the House of Orange-Nassau.

 
Abduction of a Sabine woman by Albert Xavery

Outside the garden there are a few straight scenic avenues, for following the hunt in a carriage, or purely for the vista afforded by an avenue. Few of the "green rooms" cut into the woodlands in imitation of the cabinets de verdure of Versailles that are shown in the engraving were ever actually executed at Het Loo.

The patron of the Sun King's garden was Apollo. Peter the Great would opt for Samson, springing the jaws of Sweden's heraldic lion. William opted for Hercules.

In the 18th century, William IIIs Baroque garden as seen in the engraving was replaced by an English landscape garden.

The lost gardens of Het Loo were fully restored beginning in 1970 and completed in time to celebrate the building's 1984 tercentenary. Het Loo's new brickwork, latticework and ornaments are as raw as they must have been in 1684 and will mellow with time.

Het Loo House edit

Het Loo House was built in the palace grounds in 1975, as a home for Princess Margriet and Mr Pieter van Vollenhoven. It is largely single-storey and in a modern style of its time.

Visitors edit

The museum had 249,435 visitors in 2012 and 410,000 visitors in 2013. It was the 8th most visited museum in the Netherlands in 2013.[3]

Gallery edit

See also edit

Notes edit

  1. ^ "Paleis Het Loo".
  2. ^ Two proposals by Desgotz for the Great Garden, one substantially as it appears in the engraving, in the National Museum, Stockholm, are illustrated by Runar Strandberg, "The French formal garden after Le Nostre", in The French Formal Garden, Elizabeth B. MacDougall and F. Hamilton Hazlehurst, editors, 1974, (Dumbarton Oaks) figs 15 (substantially as executed) and 16.
  3. ^ van Lent, Daan; van Os, Pieter (27 December 2013). "Musea doen het goed: aantal bezoekers in 2013 fors gestegen" [Museums doing well: number of visitors rose sharply in 2013]. NRC Handelsblad (in Dutch). Retrieved 10 July 2014.

External links edit

  • (in Dutch) Paleis Het Loo
  • Paleis Het Loo

palace, this, article, needs, additional, citations, verification, please, help, improve, this, article, adding, citations, reliable, sources, unsourced, material, challenged, removed, find, sources, news, newspapers, books, scholar, jstor, july, 2008, learn, . This article needs additional citations for verification Please help improve this article by adding citations to reliable sources Unsourced material may be challenged and removed Find sources Het Loo Palace news newspapers books scholar JSTOR July 2008 Learn how and when to remove this message Het Loo Palace Dutch Paleis Het Loo paːˈlɛis ɦɛt ˈloː meaning The Lea is a palace in Apeldoorn Netherlands built by the House of Orange Nassau Paleis Het LooThe cour d honneur and the palace frontLocation in Gelderland in the NetherlandsGeneral informationTypePalaceArchitectural styleDutch BaroqueLocationApeldoorn NetherlandsAddressKoninklijk Park 1Coordinates52 14 03 N 5 56 45 E 52 234167 N 5 945833 E 52 234167 5 945833Construction started1684Completed1686Renovated1976 1982ClientWilliam III of EnglandMary II of EnglandOwnerDutch stateTechnical detailsFloor area36 042 m2 387 950 sq ft Design and constructionArchitect s Jacob RomanJohan van SwietenDaniel Marot Contents 1 History 2 Architecture 3 Garden 4 Het Loo House 5 Visitors 6 Gallery 7 See also 8 Notes 9 External linksHistory editThe symmetrical Dutch Baroque building was designed by Jacob Roman and Johan van Swieten and was built between 1684 and 1686 for stadtholder king William III and his consort Princess Mary The garden was designed by Claude Desgotz nbsp Het Loo and its gardens in a late 17th century engraving After the elder House of Orange Nassau had become extinct with the death of William III of England in 1702 he left all his estates in the Netherlands to his cousin Johan Willem Friso of the House of Nassau Dietz in his Last Will However the King of Prussia claimed them as he also descended from the Princes of Orange and the Houses of Orange Nassau and Hohenzollern had a few generations before made an inheritance contract Therefore most of the older properties though not including Het Loo were in fact taken over by the Hohenzollerns who never lived there Johan Willem Friso s son William IV Prince of Orange finally took over Het Loo Palace Soestdijk Palace as well as Huis ten Bosch Palace near The Hague His widow later bought back several of the older properties in and around The Hague from Frederick William I of Prussia in 1732 nbsp Queen Mary s bedroom The palace then remained a summer residence of the House of Orange Nassau until the death of Queen Wilhelmina in 1962 In 1960 Queen Wilhelmina had declared that when she died the private estate surrounding the palace would go to the State She did however request that it would be returned to her family if the Dutch were to abolish the monarchy The former crown properties surrounding the palace became property of the Dutch State in 1962 when Wilhelmina died at Het Loo Palace Her daughter Queen Juliana never lived there but her younger daughter Princess Margriet lived in the right wing until 1975 The building was renovated between 1976 and 1982 Since 1984 the palace has been a state museum open to the general public showing interiors with original furniture objects and paintings of the House of Orange Nassau It also houses a library devoted to the House of Orange Nassau and the Museum van de Kanselarij der Nederlandse Orden Museum of the Netherlands Orders of Knighthood s Chancellery with books and other material concerning decorations and medals The building is a rijksmonument and is among the Top 100 Dutch heritage sites Architecture edit nbsp Photograph of the gardens restored according to Desgotz s design The Dutch Baroque architecture of Het Loo takes pains to minimize the grand stretch of its construction so emphatic at Versailles and present itself as just a fine gentleman s residence Het Loo is not a palace but as the title of its engraved portrait illustration below states a Lust hof a retreat or pleasure house Nevertheless it is situated entre cour et jardin between courtyard and garden as Versailles and its imitators and even as fine Parisian private houses are The dry paved and gravelled courtyard lightly screened from the road by a wrought iron grille is domesticated by a traditional plat of box bordered green the homely touch of a cross in a circle one might find in a bourgeois garden The volumes of the palace are rhythmically broken in their massing They work down symmetrically expressing the subordinate roles of their use and occupants and the final outbuildings in Marot s plan extend along the public thoroughfare like a well made and delightfully ordinary street In 2016 an international public competition was held concerning the renovation and extension of the house and the main courtyard KAAN Architecten s winning proposal which opens to the public in April 2023 adds over 5000 square meters of new facilities and amenities all placed underground and within the existing wings 1 The grass and gravel courtyard has been replaced with a large central fountain and skylight to a large Grand Foyer where visitors can access the main house from new grand staircases as well as new temporary exhibit galleries Garden editThe private Great Garden is situated behind the house This Dutch Baroque garden often nicknamed the Versailles of Holland actually serves to show more differences than similarities It is still within the general Baroque formula established by Andre le Notre perfect symmetry axial layout radiating gravel walks parterres with fountains basins and statues nbsp The palace seen from the gardens The garden as it appears in the engraving was designed by Le Notre s nephew Claude Desgotz 2 Throughout his military and diplomatic career William of Orange was the continental antagonist of Louis XIV the commander of the forces opposed to those of absolute power and Roman Catholicism Andre Le Notre s main axis at Versailles continued by the canal runs up to the horizon Daniel Marot and Desgotz s Het Loo garden does not dominate the landscape as Louis German imitators do though in his idealized plan Desgotz extends the axis The main garden with conservative rectangular beds instead of more elaborately shaped ones is an enclosed space surrounded by raised walks as a Renaissance garden might be tucked into the woods for private enjoyment the garden not of a king but of a stadhouder At its far end a shaded crosswalk of trees disguised the central vista The orange trees set out in wooden boxes and wintered in an orangery which were a feature of all gardens did double duty for the House of Orange Nassau nbsp Abduction of a Sabine woman by Albert Xavery Outside the garden there are a few straight scenic avenues for following the hunt in a carriage or purely for the vista afforded by an avenue Few of the green rooms cut into the woodlands in imitation of the cabinets de verdure of Versailles that are shown in the engraving were ever actually executed at Het Loo The patron of the Sun King s garden was Apollo Peter the Great would opt for Samson springing the jaws of Sweden s heraldic lion William opted for Hercules In the 18th century William IIIs Baroque garden as seen in the engraving was replaced by an English landscape garden The lost gardens of Het Loo were fully restored beginning in 1970 and completed in time to celebrate the building s 1984 tercentenary Het Loo s new brickwork latticework and ornaments are as raw as they must have been in 1684 and will mellow with time Het Loo House editHet Loo House was built in the palace grounds in 1975 as a home for Princess Margriet and Mr Pieter van Vollenhoven It is largely single storey and in a modern style of its time Visitors editThe museum had 249 435 visitors in 2012 and 410 000 visitors in 2013 It was the 8th most visited museum in the Netherlands in 2013 3 Gallery edit nbsp Dinner Room nbsp The new diningroom nbsp nbsp The Main Stair nbsp The Backside of the palaceSee also editList of Baroque residences De Naald a monument near Het Loo Het Oude LooNotes edit Paleis Het Loo Two proposals by Desgotz for the Great Garden one substantially as it appears in the engraving in the National Museum Stockholm are illustrated by Runar Strandberg The French formal garden after Le Nostre in The French Formal Garden Elizabeth B MacDougall and F Hamilton Hazlehurst editors 1974 Dumbarton Oaks figs 15 substantially as executed and 16 van Lent Daan van Os Pieter 27 December 2013 Musea doen het goed aantal bezoekers in 2013 fors gestegen Museums doing well number of visitors rose sharply in 2013 NRC Handelsblad in Dutch Retrieved 10 July 2014 External links edit nbsp Wikimedia Commons has media related to Het Loo Palace in Dutch Paleis Het Loo Paleis Het Loo Paleis Het Loo National Museum Library Retrieved from https en wikipedia org w index php title Het Loo Palace amp oldid 1219697672, wikipedia, wiki, book, books, library,

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