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Palatine Chapel, Aachen

The Palatine Chapel in Aachen is an early medieval chapel and remaining component of Charlemagne's Palace of Aachen in what is now Germany. Although the palace itself no longer exists, the chapel was preserved and now forms the central part of Aachen Cathedral. It is Aachen's major landmark and a central monument of the Carolingian Renaissance. The chapel held the remains of Charlemagne. Later it was appropriated by the Ottonians and coronations were held there from 936 to 1531.[1]

Exterior view
Interior view
Throne of Charlemagne in the palace chapel

As part of Aachen Cathedral, the chapel is designated as a UNESCO World Heritage Site.[2]

History edit

Charlemagne began the construction of the Palatine Chapel around 792, along with the building of the rest of the palace structures.[3] It was consecrated in 805 by Pope Leo III in honour of the Virgin Mary. The building is a centrally planned, domed chapel. The east end had a square apse, and was originally flanked by two basilican structures, now lost but known through archaeology. The chapel was entered through a monumental atrium, to the west. The plan and decoration of the building combines elements of Classical, Byzantine and Pre-Romanesque, and opulent materials as the expression of a new royal house, ruled by Charlemagne.

The architect responsible, Odo of Metz, is named in a tenth-century inscription around the dome: Insignem hanc dignitatis aulam Karolus caesar magnus instituit; egregius Odo magister explevit, Metensi fotus in urbe quiescit. Nothing more is known of him. The building he designed has a simple exterior and a complex interior, with a double shell octagonal dome resting on heavy piers, a two-story elevation, and elaborate revetment[4] and decoration.

In 936 Otto I, the first Holy Roman Emperor of the Ottonian dynasty, took advantage of the chapel's close association with Charlemagne and held his coronation as King of Germany there. Holy Roman Emperors continued to be crowned in the Palatine Chapel until 1531.[1] In 1000, in what was most likely a symbolic exhibition, Otto III placed the tomb of Charlemagne in the chapel and paid homage to his remains.[5] The original tomb was probably a sepulchral niche, afterwards known as the "Karlsmemorie", but destroyed in 1788.[6]

Structure edit

 
Floor plan of Aachen Cathedral with Charlemagne's palace chapel highlighted in the center

There is a sixteen-sided ambulatory with a gallery overhead encircling the central octagonal dome. The plan and decoration owe much to the sixth-century Basilica of San Vitale, Ravenna. Indeed, Charlemagne visited Ravenna three times, the first in 787. In that year he wrote to Pope Hadrian I and requested "mosaic, marbles, and other materials from floors and walls" in Rome and Ravenna, for his palace.

The construction, including barrel and groin vaults and an octagonal cloister-vault in the dome, reflects late Roman, or Pre-Romanesque, practices rather than the Byzantine techniques employed at San Vitale, and its plan simplifies the complex geometry of the Ravenna building. Multi-coloured marble veneer is used to create a sumptuous interior. The chapel makes use of ancient spolia, conceivably from Ravenna (Einhard claimed they were from Rome and Ravenna), as well as newly carved materials. The bronze decoration is of extraordinarily high quality, especially the doors with lions heads and the interior railings, with their Corinthian order columns and acanthus scrolls.

The Aachen Royal complex (English subtitles)

The dome was decorated originally with a fresco, and later with mosaic. In the Baroque period, it was replaced by stucco. The original mosaic was reproduced in the 19th century with the same iconography as the original. It depicts the twenty-four elders of the Apocalypse bearing crowns and standing around the base of the dome. Above the main altar, and facing the royal throne, is an image of Christ in Majesty.[7] The upper gallery of the chapel was the royal space, with a special throne area for the king, then emperor, which let onto the liturgical space of the church and onto the atrium outside as well.

The inscription above the ground floor archer reads: "CUM LAPIDES VIVI PACIS CONPAGE LIGANTUR INQUE PARES NUMEROS OMNIA CONVENIENT CLARET OPUS DOMINI, TOTAM QUI CONSTRUIT AULAM EFFECTUSQUE PIIS DAT STUDIIS HOMINUM QUORUM PERFECTUI DECORIS STRUCTURA MANEBIT SI PERFECTA AUCTOR PROTEGAT ATQUE REGAT SIC DEUS HOC TUTUM STABILI FUNDAMINE TEMPLUM QUOD PRINCEPS CAROLUS CONDIDIT ESSE VELIT".[8]

The main entrance is dominated by a westwork comprising the western facade including the entrance vestibule, rooms at one or more levels above, and one or more towers. These overlook the atrium of the church. The addition of a westwork to churches is one of the Carolingian contributions to Western architectural traditions.

See also edit

Footnotes edit

  1. ^ a b Jeep 2001, p. 1
  2. ^ UNESCO 1992
  3. ^ Conant 1994, p. 47
  4. ^ Gould 2013
  5. ^ Garrison 2012, pp. 62–63
  6. ^ Bayer 2014
  7. ^ McClendon 2005[page needed]
  8. ^ Deutsche Königspfalzen = Beiträge zu ihrer historischen und archäologischen Erforschung / 8 Places of power. Lutz Fenske, Caspar Ehlers, Max-Planck-Institut für Geschichte. Göttingen: Vandenhoeck & Ruprecht. 2007. ISBN 978-3-525-35600-5. OCLC 160076176.{{cite book}}: CS1 maint: others (link)

References edit

  • Bayer, Clemens M. M. (2014). "Das Grab Karls des Grossen". In Pohle, Frank (ed.). Karl der Grosse: Orte der Macht: Essays (in German). Dresden: Sandstein Verlag. pp. 382–91. ISBN 978-3-95498-092-5.
  • Conant, Kenneth J. (1994) [1959]. Carolingian and Romanesque Architecture (4th ed.). New Haven, CT: Yale University Press. ISBN 0-3000-5298-7. LCCN 78149801.
  • Garrison, Eliza (2012). Ottonian Imperial Art and Portraiture: The Artistic Patronage of Otto III and Henry II. Farnham, UK: Ashgate. ISBN 978-0-7546-6968-5. LCCN 2011013779.
  • Gould, Andrew (8 January 2013). "Marble Revetments". Orthodox Arts Journal. Retrieved 15 May 2015.
  • Jeep, John M., ed. (2001). Medieval Germany: An Encyclopedia. New York, NY: Garland Pub. ISBN 978-0-8240-7644-3. LCCN 00061780.
  • McClendon, Charles B. (2005). The Origins of Medieval Architecture: Building in Europe: A.D 600-900. New Haven, CT: Yale University Press. pp. 108–119. ISBN 0-3001-0688-2. LCCN 2004023967.
  • UNESCO (1992). "Aachen Cathedral". UNESCO. World Heritage List. from the original on 10 May 2015. Retrieved 15 May 2015.

External links edit

  • Official Website of Aachen Cathedral (in German)
  • Aachen Cathedral, inː Sacred Destinations (online travel guide)

50°46′29″N 6°05′04″E / 50.7747°N 6.08444°E / 50.7747; 6.08444

palatine, chapel, aachen, this, article, needs, additional, citations, verification, please, help, improve, this, article, adding, citations, reliable, sources, unsourced, material, challenged, removed, find, sources, news, newspapers, books, scholar, jstor, j. This article needs additional citations for verification Please help improve this article by adding citations to reliable sources Unsourced material may be challenged and removed Find sources Palatine Chapel Aachen news newspapers books scholar JSTOR January 2022 Learn how and when to remove this template message The Palatine Chapel in Aachen is an early medieval chapel and remaining component of Charlemagne s Palace of Aachen in what is now Germany Although the palace itself no longer exists the chapel was preserved and now forms the central part of Aachen Cathedral It is Aachen s major landmark and a central monument of the Carolingian Renaissance The chapel held the remains of Charlemagne Later it was appropriated by the Ottonians and coronations were held there from 936 to 1531 1 Exterior viewInterior viewThrone of Charlemagne in the palace chapelAs part of Aachen Cathedral the chapel is designated as a UNESCO World Heritage Site 2 Contents 1 History 2 Structure 3 See also 4 Footnotes 5 References 6 External linksHistory editCharlemagne began the construction of the Palatine Chapel around 792 along with the building of the rest of the palace structures 3 It was consecrated in 805 by Pope Leo III in honour of the Virgin Mary The building is a centrally planned domed chapel The east end had a square apse and was originally flanked by two basilican structures now lost but known through archaeology The chapel was entered through a monumental atrium to the west The plan and decoration of the building combines elements of Classical Byzantine and Pre Romanesque and opulent materials as the expression of a new royal house ruled by Charlemagne The architect responsible Odo of Metz is named in a tenth century inscription around the dome Insignem hanc dignitatis aulam Karolus caesar magnus instituit egregius Odo magister explevit Metensi fotus in urbe quiescit Nothing more is known of him The building he designed has a simple exterior and a complex interior with a double shell octagonal dome resting on heavy piers a two story elevation and elaborate revetment 4 and decoration In 936 Otto I the first Holy Roman Emperor of the Ottonian dynasty took advantage of the chapel s close association with Charlemagne and held his coronation as King of Germany there Holy Roman Emperors continued to be crowned in the Palatine Chapel until 1531 1 In 1000 in what was most likely a symbolic exhibition Otto III placed the tomb of Charlemagne in the chapel and paid homage to his remains 5 The original tomb was probably a sepulchral niche afterwards known as the Karlsmemorie but destroyed in 1788 6 Structure edit nbsp Floor plan of Aachen Cathedral with Charlemagne s palace chapel highlighted in the centerThere is a sixteen sided ambulatory with a gallery overhead encircling the central octagonal dome The plan and decoration owe much to the sixth century Basilica of San Vitale Ravenna Indeed Charlemagne visited Ravenna three times the first in 787 In that year he wrote to Pope Hadrian I and requested mosaic marbles and other materials from floors and walls in Rome and Ravenna for his palace The construction including barrel and groin vaults and an octagonal cloister vault in the dome reflects late Roman or Pre Romanesque practices rather than the Byzantine techniques employed at San Vitale and its plan simplifies the complex geometry of the Ravenna building Multi coloured marble veneer is used to create a sumptuous interior The chapel makes use of ancient spolia conceivably from Ravenna Einhard claimed they were from Rome and Ravenna as well as newly carved materials The bronze decoration is of extraordinarily high quality especially the doors with lions heads and the interior railings with their Corinthian order columns and acanthus scrolls source source source source source source source source track track track track The Aachen Royal complex English subtitles The dome was decorated originally with a fresco and later with mosaic In the Baroque period it was replaced by stucco The original mosaic was reproduced in the 19th century with the same iconography as the original It depicts the twenty four elders of the Apocalypse bearing crowns and standing around the base of the dome Above the main altar and facing the royal throne is an image of Christ in Majesty 7 The upper gallery of the chapel was the royal space with a special throne area for the king then emperor which let onto the liturgical space of the church and onto the atrium outside as well The inscription above the ground floor archer reads CUM LAPIDES VIVI PACIS CONPAGE LIGANTUR INQUE PARES NUMEROS OMNIA CONVENIENT CLARET OPUS DOMINI TOTAM QUI CONSTRUIT AULAM EFFECTUSQUE PIIS DAT STUDIIS HOMINUM QUORUM PERFECTUI DECORIS STRUCTURA MANEBIT SI PERFECTA AUCTOR PROTEGAT ATQUE REGAT SIC DEUS HOC TUTUM STABILI FUNDAMINE TEMPLUM QUOD PRINCEPS CAROLUS CONDIDIT ESSE VELIT 8 The main entrance is dominated by a westwork comprising the western facade including the entrance vestibule rooms at one or more levels above and one or more towers These overlook the atrium of the church The addition of a westwork to churches is one of the Carolingian contributions to Western architectural traditions See also editAachen penny of Charlemagne Carolingian architecture History of medieval Arabic and Western European domes Symbolism of domesFootnotes edit a b Jeep 2001 p 1 UNESCO 1992 Conant 1994 p 47 Gould 2013 Garrison 2012 pp 62 63 Bayer 2014 McClendon 2005 page needed Deutsche Konigspfalzen Beitrage zu ihrer historischen und archaologischen Erforschung 8 Places of power Lutz Fenske Caspar Ehlers Max Planck Institut fur Geschichte Gottingen Vandenhoeck amp Ruprecht 2007 ISBN 978 3 525 35600 5 OCLC 160076176 a href Template Cite book html title Template Cite book cite book a CS1 maint others link References editBayer Clemens M M 2014 Das Grab Karls des Grossen In Pohle Frank ed Karl der Grosse Orte der Macht Essays in German Dresden Sandstein Verlag pp 382 91 ISBN 978 3 95498 092 5 Conant Kenneth J 1994 1959 Carolingian and Romanesque Architecture 4th ed New Haven CT Yale University Press ISBN 0 3000 5298 7 LCCN 78149801 Garrison Eliza 2012 Ottonian Imperial Art and Portraiture The Artistic Patronage of Otto III and Henry II Farnham UK Ashgate ISBN 978 0 7546 6968 5 LCCN 2011013779 Gould Andrew 8 January 2013 Marble Revetments Orthodox Arts Journal Retrieved 15 May 2015 Jeep John M ed 2001 Medieval Germany An Encyclopedia New York NY Garland Pub ISBN 978 0 8240 7644 3 LCCN 00061780 McClendon Charles B 2005 The Origins of Medieval Architecture Building in Europe A D 600 900 New Haven CT Yale University Press pp 108 119 ISBN 0 3001 0688 2 LCCN 2004023967 UNESCO 1992 Aachen Cathedral UNESCO World Heritage List Archived from the original on 10 May 2015 Retrieved 15 May 2015 External links edit nbsp Wikimedia Commons has media related to Palatine Chapel in Aachen Official Website of Aachen Cathedral in German Aachen Cathedral inː Sacred Destinations online travel guide 50 46 29 N 6 05 04 E 50 7747 N 6 08444 E 50 7747 6 08444 Retrieved from https en wikipedia org w index php title Palatine Chapel Aachen amp oldid 1186062045, wikipedia, wiki, book, books, library,

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