Onryō

For the Japanese professional wrestler, see Onryo (wrestler).

In Japanese traditional beliefs and literature, onryō (怨霊, lit. 'vengeful spirit', sometimes rendered "wrathful spirits", "hatred spirits", "resentful spirits", “ruthless spirits”, “dark spirits”, “fallen spirits”, “downcast spirits”)^[1] are a type of ghost (yūrei) believed to be capable of causing harm in the world of the living, injuring or killing enemies, or even causing natural disasters to exact vengeance to "redress" the wrongs it received while alive, then taking their spirits from their dying bodies. Onryō are often depicted as wronged women, who are traumatized, envied, disappointed, bitter, or just furious by what happened during life and exact revenge in death. These kinds of ghosts appear extremely vengeful, ruthless, heartless, brutal, cruel, deranged, egotistical, selfish, bloodthirsty, and cold-hearted.^[2]

Ukiyo-e by Utagawa Yoshitsuya depicts the moment when Emperor Sutoku, who died in exile, became an onryō.

The headstone of Taira no Masakado, located between the skyscrapers of Ōtemachi near Tokyo Station, was renovated in 2021 when the surrounding skyscrapers were rebuilt, but the headstone was never moved.

Ukiyo-e by Tsukioka Yoshitoshi depicting Sugawara no Michizane as the Tenjin (kami of thunder.). After Sugawara no Michizane's death, lightning struck the palace, killing and injuring many of the powerful people involved in his banishment, and Sugawara no Michizane was enshrined in the Tenmangū (Shinto shrines) as the Tenjin.

Onryō from the Kinsei-Kaidan-Shimoyonohoshi (近世怪談霜夜星)

Emperor Sutoku, Taira no Masakado, and Sugawara no Michizane are called the Three Great Onryō of Japan (日本三大怨霊, Nihon Sandai Onryō) because they are considered to be the most powerful and revered onryō in Japanese history. After they died with resentment and anger, there was a series of deaths of political opponents, natural disasters, and wars, and the rulers enshrined them as kami and deified them in Shinto shrines to appease their resentment and anger that had turned into onryō.^[3][4]

Onryō are used as subjects in various traditional Japanese performing arts such as Noh, Kabuki, and Rakugo; for example, hannya is a Noh mask representing a female onryō.^[5]

The Japanese people's reverence for onryō has been passed down to the present day. The head mound of Taira no Masakado (将門塚, Masakado-zuka or Shōmon-zuka), located between skyscrapers near Tokyo Station, was to be moved several times as part of urban redevelopment projects, but each move resulted in the death of a construction worker and a series of accidents. Although the buildings surrounding the Taira no Masakado mound have been rebuilt many times, the mound has remained intact between the high-rise buildings. Even today, the mound is carefully maintained.^[6]

The term goryō (御霊) is often used as a synonym for onryō, but the term goyō is more commonly used to refer to the onryō that have become the object of the people's reverence after a noble person has died a politically unjust death. Goryō Shinko (御霊信仰) refers to the belief that the onryō of people who have died unfortunate deaths cause hauntings and disasters, and the belief that they are enshrined as kami to appease them.^[7][8][9]

Origin

While the origin of onryō is unclear, belief in their existence can be traced back to the 8th century and was based on the idea that powerful and enraged souls of the dead could influence, harm, and kill the living. The earliest onryō cult that developed was around Prince Nagaya who died in 729;^[1] and the first record of possession by the onryō spirit affecting health is found in the chronicle Shoku Nihongi (797), which states that "Fujiwara Hirotsugu (藤原広嗣)'s soul harmed Genbō to death" (Hirotsugu having died in a failed insurrection, named the "Fujiwara no Hirotsugu Rebellion", after failing to remove his rival, the priest Genbō, from power).^[10][11]

Vengeance

According to the belief of Ikiryō, a person's soul or spirit exists naturally when it is stable or in balance. When too much hatred or resentment brews, it can become separated from the body, resulting in the spirit becoming an onryō. This can allegedly also occur in individuals who died an untimely death.^[12]

Traditionally in Japan, onryō driven by vengeance were thought capable of causing not only their enemy's death, as in the case of Hirotsugu's vengeful spirit held responsible for killing the priest Genbō,^[13] but causing natural disasters such as earthquakes, fires, storms, drought, famine and pestilence,^[1] as in the case of Prince Sawara's spirit embittered against his brother, the Emperor Kanmu.^[14] In common parlance, such vengeance exacted by supernatural beings or forces is termed tatari (祟り).^[1]

The Emperor Kanmu had accused his brother Sawara, possibly falsely, of plotting to remove him from the throne. Sawara was then exiled, and died by fasting. According to a number of scholars, the reason that the Emperor moved the capital to Nagaoka-kyō thence to Kyoto was an attempt to avoid the wrath of his brother's spirit, according to a number of scholars.^[14] This not succeeding entirely, the emperor tried to lift the curse by appeasing his brother's ghost, by performing Buddhist rites to pay respect, and granting Prince Sawara the posthumous title of emperor.^[14]

A well-known example of appeasement of the onryō spirit is the case of Sugawara no Michizane, who had been politically disgraced and died in exile. It was believed to cause the death of his calumniators in quick succession, as well as catastrophes (especially lightning damage), and the court tried to appease the wrathful spirit by restoring Michizane's old rank and position.^[1] Michizane became deified in the cult of the Tenjin, with Tenman-gū shrines erected around him.

Examples

Possibly the most famous onryō is Oiwa, from the Yotsuya Kaidan. In this story the husband remains unharmed; however, he is the target of the onryō's vengeance. Oiwa's vengeance on him is not physical retribution, but rather psychological torment.

Other examples include:

How a Man's Wife Became a Vengeful Ghost and How Her Malignity Was Diverted by a Master of Divination

In this tale from the medieval collection Konjaku Monogatarishū, an abandoned wife is found dead with a full head of hair intact and her bones still attached. The husband, fearing retribution from her spirit, asks a diviner for aid. The husband must endure while grabbing her hair and riding astride her corpse. She complains of the heavy load and leaves the house to "go looking" (presumably for her husband), but after a day she gives up and returns, after which the diviner is able to complete her exorcism with an incantation.^[15][16]

Of a Promise Broken

In this tale from the Izumo area recorded by Lafcadio Hearn, a samurai vows to his dying wife never to remarry. He soon breaks this promise, and the ghost of the deceased wife murders her husband's new young bride, ripping her head off. A watchman chases down the apparition, and, while slashing his sword, recites a Buddhist prayer, destroying the ghost of the dead wife.^[17]

In media

The onryō is a staple of the J-Horror genre, most notable being Sadako Yamamura and Kayako Saeki from the Ring and Ju-On franchises, respectively. The characters in these works are almost exclusively women who were wronged in life and returned as onryō to wreak havoc on the living and obtain revenge.^[18]

In The Ring Sadako Yamamura is the main antagonist. Her origin is from the Ring novel series by Koji Suzuki, where she haunts and kills people through tapes on a TV. Before her death she is raped by a doctor with smallpox, who seals her in a well where she dies. Before Sadako dies she promises to take revenge on the world, and becomes an onryō.

The aforementioned Yotsuya Kaidan has been made into numerous movies and retold many times over the course of Japanese history. The story revolves around Tamiya Iemon and his wife Oiwa. Their relationship is not a happy one, and through some set of circumstances Iemon gives Oiwa a powder that permanently disfigures her face. Upon realizing this Oiwa takes her own life and that of her baby. After her death she comes back to haunt Iemon and his new wife, becoming an onryō.^[19]

Banchō Sarayashiki is another Japanese ghost story that has been retold many ways. In this story Okiku, a beautiful maid, is the target of desire for the samurai whose house she works at, Aoyama Tessan. She continually refuses his advances, and in a fit of rage Tessan hides one of 10 expensive plates that Okiku is in charge of counting. When Okiku cannot find the 10th plate she recounts them obsessively, panicking more each time. Tessan tells her he will forgive her losing the plate if she becomes his mistress, but even then she refuses him. At her refusal Tessan throws her into a well on the property, where she dies. After this, every night Okiku rises from the well, softly counting to 9, and then letting out a horrendous shriek once she reaches 10. She has become an onryō.^[20]

Hisako (久子, "Eternal Child" or "Everlasting Child"), from the third entry of the fighting game Killer Instinct, is an onryō who died while defending her village. She still haunts her old village and will take vengeance on anyone who desecrates its ruins with her naginata. She has pale white skin and long black hair like most onryō.^[21]

In 2018, the asymmetrical horror game Dead by Daylight released the Shattered Bloodline chapter DLC, and with it came Rin Yamaoka, The Spirit. The Spirit is an onryō who returns from the dead after being brutally murdered by her father.^[22] In March 2022, Sadako Yamamura was added as a playable character.^[23]

The term onryō is also present in the game Phasmophobia. It is one of 24 ghost types that the player can identify, and is noted for treating lit candles like a crucifix.

Yoshie Kimura, the main antagonist from Death Forest, is an Onryō. She died when exploring the forest with her classmate, from being beaten to death by an unknown person.

Physical appearance

Traditionally,^{[citation needed]} onryō and other yūrei (ghosts) had no particular appearance. However, with the rising of popularity of kabuki during the Edo period, a specific costume was developed.

Highly visual in nature, and with a single actor often assuming various roles within a play, kabuki developed a system of visual shorthand that allowed the audience to instantly clue in as to which character is on stage, as well as emphasize the emotions and expressions of the actor.

A ghost costume consisted of three main elements:

• White burial kimono (白装束, shiro-shōzoku) or shini-shōzoku (死に装束). This garment was also worn during seppuku.
• Wild, unkempt long black hair that often hides their face until they choose to reveal it.
• Face make-up consisting of white foundation (oshiroi) coupled with dramatic face painting (kumadori) of blue shadows (藍隈, aiguma) "indigo fringe", much like villains are depicted in kabuki make-up artistry.^[24][25][a]

See also

• Ikiryō
• Eidolon
• Fatal Frame (video game)
• List of supernatural beings in Chinese folklore
• Ghosts in Vietnamese culture
• Japanese urban legends
• Kayako Saeki
• List of ghosts
• Muoi: The Legend of a Portrait (film)
• S-Ko
• Hisako
• Sadako Yamamura
• Taira no Masakado
• Vengeful ghost

Notes

1. In addition to blue, brown shadows (代赭隈, taishaguma) "red ochre fringe" or black kumadori (日本博学倶楽部 2005, p. 57) are also used.

Citations

1. Grappard, Allan G. (1988), "Religious practices", in Hall, John Whitney (ed.), The Cambridge History of Japan, vol. 2, pp. 559–, ISBN 978-0521223539
2. Lovelace, Ada (2008). "Ghostly and monstrous manifestations of women: Edo to contemporary". The Irish Journal of Gothic and Horror Studies (5): 30.
3. (in Japanese). Asahi Shimbun. 14 September 2019. Archived from the original on 4 March 2021. Retrieved 24 February 2023.
4. (in Japanese). The Gate. 22 January 2021. Archived from the original on 3 November 2022. Retrieved 24 February 2023.
5. Akira Kurabayashi (2013). 般若面を打つ 原寸型紙と詳細なプロセス写真で学ぶ. Japan Publications, Inc. pp. 6, 7, 39. ISBN 978-4817050823.
6. (in Japanese). President Online. 14 August 2022. Archived from the original on 28 September 2021. Retrieved 24 February 2023.
7. (in Japanese). Kotobank. Archived from the original on 6 February 2023. Retrieved 24 February 2023.
8. (in Japanese). Kotobank. Archived from the original on 6 February 2023. Retrieved 24 February 2023.
9. (in Japanese). Kotobank. Archived from the original on 6 February 2023. Retrieved 24 February 2023.
10. Suzuki 2011, 135 (note 2 to Chapter 2)
11. McCullough 1973, p. 97
12. Yamada, Yuji. 怨霊とは何か (What is [an] Onryo). Japan: Chuokoron-Shinsha.
13. McCullough, William H. (1973), Ōta, Saburo (太田三郎); Fukuda, Rikutaro (福田陸太郎) (eds.), "Spirit Possession in the Heian Period", Studies on Japanese Culture (日本文化研究論集), 1: 97; (Also printed in Nihon Bunka Kenkyū Kokusai Kaigi gijiroku (日本文化研究国際会議議事錄) (Volume 1, 1973, pp. 350- (p.356)
14. Suzuki, Yui (2011). Medicine Master Buddha: The Iconic Worship of Yakushi in Heian Japan. BRILL. pp. 29–31. ISBN 978-9004196018.
15. Ages ago; thirty-seven tales from the Konjaku monogatari collection (snippet). Translated by Jones, S. W. Cambridge, Massachusetts: Harvard University Press. 1959. p. 72. ISBN 9780674181366.
16. One of the texts cited by Jones: Haga, Yaichi (芳賀矢一), ed. (1921), 卷第廿四/第20: 人妻成悪靈除其害陰陽師語, Kōshō konjaku monogatari shū 攷証今昔物語集, vol. 3, p. 106
17. Hearn, Lafcadio (1901), "Of a Promise Broken", A Japanese miscellany, Little, Brown, pp. 15–26
18. O'Sullivan, Dan (2020-10-27). "Japan's Onryō Spirits Inhabit a Purgatory of Revenge and Cosmic Rage". Atlas Obscura. Retrieved 2021-05-04.
19. Tsuruya Nanboku IV (2013) [1825]. "Epic Yotsuya Ghost Tale". In Sumie Jones; Kenji Watanabe (eds.). An Edo Anthology: Literature from Japan's Mega-City, 1750-1850. University of Hawaiʻi Press. pp. 168–182. ISBN 978-0-8248-3776-1. OCLC 859157616.
20. "The Kaidan of Bancho Sarayashiki The Dish Mansion at Bancho". Grimoire of Horror. Retrieved 2022-04-11.
21. "Hisako". 12 December 2016.
22. "Shattered Bloodline - Dead by Daylight". deadbydaylight.com. Retrieved 2021-05-04.
23. "Dead by Daylight x Ringu Crossover Revealed". 15 February 2022.
24. 日本博学倶楽部 (2005). 「通」になれる古典芸能を楽しむ本: 落語・歌舞伎から能・狂言まで. PHP研究所. p. 57. ISBN 978-4569665498.
25. Parker, Helen S. E. (2006). Progressive Traditions: An Illustrated Study of Plot Repetition In Traditional Japanese Theatre. BRILL. p. 87. ISBN 978-9004145344.

Bibliography

• Iwasaka, Michiko and Toelken, Barre. Ghosts and the Japanese: Cultural Experiences in Japanese Death Legends, Utah State University Press, 1994. ISBN 0-87421-179-4

External links

• Ghoul Power - Onryou in the Movies Japanzine by Jon Wilks