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Oliver Twist (2005 film)

Oliver Twist is a 2005 drama film directed by Roman Polanski. The screenplay by Ronald Harwood adapts Charles Dickens's 1838 novel of the same name. It is an international co-production of the United Kingdom, the Czech Republic, France and Italy.

Oliver Twist
Theatrical release poster
Directed byRoman Polanski
Screenplay byRonald Harwood
Based onOliver Twist
1837 novel
by Charles Dickens
Produced by
Starring
CinematographyPaweł Edelman
Edited byHervé de Luze
Music byRachel Portman
Distributed by
Release dates
  • 11 September 2005 (2005-09-11) (TIFF)
  • 23 September 2005 (2005-09-23) (United States)
  • 7 October 2005 (2005-10-07) (United Kingdom)
Running time
130 minutes[1]
Countries
  • United Kingdom
  • Czech Republic
  • France
  • Italy
LanguageEnglish
Budget$60 million [2]
Box office$42.6 million[2]

The film premiered at the 2005 Toronto International Film Festival on 11 September 2005 before going into limited release in the United States on 23 September. It received mixed to positive reviews from critics, but was a commercial failure.

Plot

Nine-year-old orphaned Oliver Twist is taken to the workhouse by the beadle Mr. Bumble. After daring to ask for more food, Oliver is sold as an apprentice to Mr. Sowerberry, a local undertaker, but runs away following harsh treatment.

Oliver travels a seven-day journey to London where he befriends a young boy named Jack Dawkins, better known as the Artful Dodger, who takes him to join a gang of pickpockets led by the villainous Fagin. He also becomes acquainted with Nancy, a former pupil of Fagin's who is in love with Fagin's associate, Bill Sikes. Dodger and his friend Charley Bates take Oliver out to teach him to pick pockets - it ends in disaster when Oliver is falsely arrested for stealing from Mr. Brownlow. However, Mr. Brownlow decides to take Oliver in and care for him when he learns of the boy's innocence.

Fagin and Sikes become worried that Oliver will bring down the authorities onto them, so force Nancy to help bring Oliver back. Sikes forces Oliver to help him rob Mr. Brownlow's house at gunpoint - Oliver is wounded in a shootout between Sikes and Mr. Brownlow. Sikes and Fagin later decided that Oliver knows too much and will likely 'peach' on them. Sikes suggests that they kill the boy, to which Fagin agrees, despite caring for the boy. Nancy overhears this and manages to inform Mr. Brownlow of Fagin's plan, managing to keep Sikes out of it. However, unbeknownst to her, Dodger has been sent by Fagin to spy on her and tells Fagin and Sikes, the latter of whom murders her.

Nancy's murder becomes public and the police across the city intend to arrest both Sikes and Fagin, for murder and abduction, respectively. Sikes' dog, Bullseye, leads the authorities to the gang's hideout. Sikes uses Oliver as a hostage whilst attempting to escape, but accidentally hangs himself. Oliver is brought back to live with Mr. Brownlow and goes to visit Fagin in jail. He is sad to see Fagin, who was kind to him, hallucinating and even more devastated to hear that Fagin will be executed for his crimes. The film ends with Oliver and Mr. Brownlow returning home to continue their lives, whilst a crowd gather to witness preparations of Fagin's hanging.

Cast

Production

In Twist by Polanski, a bonus feature on the DVD release of the film, Roman Polanski discusses his decision to make yet another screen adaptation of the Dickens novel. He realized nearly forty years had passed since Oliver Twist had been adapted for a feature film, and felt it was time for a new version. Screenwriter Ronald Harwood, with whom he had collaborated on The Pianist, welcomed the opportunity to work on the first Dickens project in his career.

For authenticity, all scenes featuring pickpocket skills were choreographed by stage pickpocket James Freedman and magician Martyn Rowland.

The film was shot in Prague, Beroun, and Žatec in the Czech Republic.

Differences from the Novel

Due to the complex plot, several characters and events were omitted or changed.

The film does not explain where Oliver was raised prior to arriving at the workhouse. Mr. Bumble's role is reduced - there is no mention of him losing his job at the workhouse. Additionally, the characters of Monks (Oliver's half brother) and the Widow Corney are absent, therefore omitting any plot to destroy the locket proving Oliver's identity as well as Fagin and Monks' plan to prevent Oliver from inheriting his father's fortune by having him commit a crime. To make up for the absence of Monks, there is a plot in which Fagin and Sikes conspire to murder Oliver - an event which does not occur in the novel.

In the novel, it is left ambiguous as to how Oliver and Mr. Brownlow are related. As in many versions (such as the 1997 Disney version and the 1948 adaptation by David Lean), Brownlow is made Oliver's grandfather, however, unlike in previous versions, this relationship is more implied than explicitly stated.

Due to the absence of the Maylie family, Oliver is not left by Sikes to die during the burglary, rather he is taken back to Fagin's. The Artful Dodger is not deported to Australia and, therefore, plays a larger role in some of the later events in the story. Firstly, like in David Lean's 1948 film and the 1974 animated version produced by Filmation, he is sent by Fagin (instead of Noah Claypole who appears only in the earlier scenes) to spy on Nancy, indirectly causing her death by informing Fagin and Sikes that she has informed on them. Secondly, it is Dodger (instead of Charley Bates, whose role is also smaller in the film than the novel) who turns against Fagin and attempts to give up Sikes to the police for murdering Nancy. However, his ultimate fate is left unknown after Sikes' death.

Reception

The film received mixed to positive reviews, holding a 61% score on Rotten Tomatoes based on 143 reviews, averaging 6.3/10. The consensus reads, "Polanski's version of Dickens' classic won't have audiences asking for more because while polished and directed with skill, the movie's a very impersonal experience."[3] Metacritic assigned a score of 65, indicating 'generally favorable reviews.'[4]

A. O. Scott of The New York Times called it a "bracingly old-fashioned" film that "does not embalm its source with fussy reverence" but "rediscovers its true and enduring vitality." He added, "the look of the movie... is consistent with its interpretation of Dickens's worldview, which could be plenty grim but which never succumbed to despair. There is just enough light, enough grace, enough beauty, to penetrate the gloom and suggest the possibility of redemption. The script... is at once efficient and ornate, capturing Dickens's narrative dexterity and his ear for the idioms of English speech."[5]

Roger Ebert of the Chicago Sun-Times was similarly positive; he lauded the film as "visually exact and detailed without being too picturesque."[6] Mick LaSalle of the San Francisco Chronicle praised it as a "grounded and unusually matter-of-fact adaptation," continuing, "Polanski does justice to Dickens' moral universe, in which the motives and worldview of even the worst people are made comprehensible."[7]

Lisa Schwarzbaum of Entertainment Weekly graded the film B+ and commented, "On the face of it, Roman Polanski's Oliver Twist is in the tradition of every faithful Oliver Twist ever filmed – a photogenic, straightforward, CliffsNotes staging of Charles Dickens' harrowing story... Yet precisely because this is by Roman Polanski, it's irresistible to read his sorrowful and seemingly classical take, from a filmmaker known as much for the schisms in his personal history as for the lurches in his work, as something much more personal and poignant."[8]

However, Peter Travers of Rolling Stone rated two out of four stars, calling it "drab and unfeeling" while "lacking the Polanski stamp." He further felt Barney Clark's performance as Oliver was "bereft of personality."[9] Todd McCarthy of Variety echoed Travers' sentiments about Clark, labelling him "disappointingly wan and unengaging," while writing that the film was "conventional, straightforward" and "a respectable literary adaptation, but [lacking] dramatic urgency and intriguing undercurrents."[10]

In the UK press, Peter Bradshaw of The Guardian opined that while "[Polanski's] Oliver Twist does not flag or lose its way and is always watchable, the book's original power and force have not been rediscovered."[11] Philip French of The Observer wrote that the film was "generally disappointing, though by no means badly acted," and alleged that it lacked "any serious point of view about individuality, society, community."[12]

Home media

Sony Pictures released the film on DVD on 24 January 2006. It is in anamorphic widescreen format, with audio tracks and subtitles in English and French. Bonus features include Twist by Polanski, in which the director reflects on the making of the film; The Best of Twist, which includes interviews with production designer Allan Starski, costume designer Anna B. Sheppard, cinematographer Paweł Edelman, editor Hervé de Luze, and composer Rachel Portman; and Kidding with Oliver Twist, which focuses on the young actors in the cast.

References

  1. ^ "OLIVER TWIST (PG)". British Board of Film Classification. 3 August 2005. Retrieved 17 December 2012.
  2. ^ a b "Oliver Twist (2005) – Box Office Mojo". Boxofficemojo.com. Retrieved 16 September 2017.
  3. ^ Rotten Tomatoes (2012). "Oliver Twist (1999)". Rotten Tomatoes. Flixster, Inc. Retrieved 18 August 2012.
  4. ^ "Oliver Twist". Metacritic. Retrieved 16 September 2017.
  5. ^ A.O. Scott (23 September 2005). "Dickensian Deprivations Delivered From the Gut". The New York Times. The New York Times Company. Retrieved 18 August 2012.
  6. ^ ROGER EBERT (30 September 2005). "OLIVER TWIST (PG-13)". rogerebert.com. Retrieved 18 August 2012.
  7. ^ Mick LeSalle (30 September 2005). "Polanski refuses to twist Dickens into tearjerker". San Francisco Chronicle. Retrieved 18 August 2012.
  8. ^ Lisa Schwarzbaum (21 September 2005). "Oliver Twist (2005)". EW.com. Entertainment Weekly Inc. Retrieved 18 August 2012.
  9. ^ "Oliver Twist". Rolling Stone. Retrieved 16 September 2017.
  10. ^ . Archived from the original on 18 August 2009. Retrieved 12 July 2009.
  11. ^ Bradshaw, Peter (7 October 2005). "Oliver Twist". Theguardian.com.
  12. ^ French, Philip (9 October 2005). "Oliver Twist". Theguardian.com.

External links

oliver, twist, 2005, film, oliver, twist, 2005, drama, film, directed, roman, polanski, screenplay, ronald, harwood, adapts, charles, dickens, 1838, novel, same, name, international, production, united, kingdom, czech, republic, france, italy, oliver, twistthe. Oliver Twist is a 2005 drama film directed by Roman Polanski The screenplay by Ronald Harwood adapts Charles Dickens s 1838 novel of the same name It is an international co production of the United Kingdom the Czech Republic France and Italy Oliver TwistTheatrical release posterDirected byRoman PolanskiScreenplay byRonald HarwoodBased onOliver Twist 1837 novelby Charles DickensProduced byRoman Polanski Robert Benmussa Alain SardeStarringBen Kingsley Jamie Foreman Barney Clark Leanne Rowe Edward Hardwicke Mark StrongCinematographyPawel EdelmanEdited byHerve de LuzeMusic byRachel PortmanDistributed byTriStar Pictures Sony Pictures Releasing United States Pioneer Films United Kingdom SPI International Czech Republic Pathe Distribution France Medusa Distribuzione Italy Release dates11 September 2005 2005 09 11 TIFF 23 September 2005 2005 09 23 United States 7 October 2005 2005 10 07 United Kingdom Running time130 minutes 1 CountriesUnited Kingdom Czech Republic France ItalyLanguageEnglishBudget 60 million 2 Box office 42 6 million 2 The film premiered at the 2005 Toronto International Film Festival on 11 September 2005 before going into limited release in the United States on 23 September It received mixed to positive reviews from critics but was a commercial failure Contents 1 Plot 2 Cast 3 Production 4 Differences from the Novel 5 Reception 6 Home media 7 References 8 External linksPlot EditNine year old orphaned Oliver Twist is taken to the workhouse by the beadle Mr Bumble After daring to ask for more food Oliver is sold as an apprentice to Mr Sowerberry a local undertaker but runs away following harsh treatment Oliver travels a seven day journey to London where he befriends a young boy named Jack Dawkins better known as the Artful Dodger who takes him to join a gang of pickpockets led by the villainous Fagin He also becomes acquainted with Nancy a former pupil of Fagin s who is in love with Fagin s associate Bill Sikes Dodger and his friend Charley Bates take Oliver out to teach him to pick pockets it ends in disaster when Oliver is falsely arrested for stealing from Mr Brownlow However Mr Brownlow decides to take Oliver in and care for him when he learns of the boy s innocence Fagin and Sikes become worried that Oliver will bring down the authorities onto them so force Nancy to help bring Oliver back Sikes forces Oliver to help him rob Mr Brownlow s house at gunpoint Oliver is wounded in a shootout between Sikes and Mr Brownlow Sikes and Fagin later decided that Oliver knows too much and will likely peach on them Sikes suggests that they kill the boy to which Fagin agrees despite caring for the boy Nancy overhears this and manages to inform Mr Brownlow of Fagin s plan managing to keep Sikes out of it However unbeknownst to her Dodger has been sent by Fagin to spy on her and tells Fagin and Sikes the latter of whom murders her Nancy s murder becomes public and the police across the city intend to arrest both Sikes and Fagin for murder and abduction respectively Sikes dog Bullseye leads the authorities to the gang s hideout Sikes uses Oliver as a hostage whilst attempting to escape but accidentally hangs himself Oliver is brought back to live with Mr Brownlow and goes to visit Fagin in jail He is sad to see Fagin who was kind to him hallucinating and even more devastated to hear that Fagin will be executed for his crimes The film ends with Oliver and Mr Brownlow returning home to continue their lives whilst a crowd gather to witness preparations of Fagin s hanging Cast EditBen Kingsley as Fagin Jamie Foreman as William Bill Sikes Barney Clark as Oliver Twist Leanne Rowe as Nancy Edward Hardwicke as Mr Brownlow Harry Eden as The Artful Dodger Jack Dawkins Mark Strong as Toby Crackit Frances Cuka as Mrs Bedwin Lewis Chase as Charley Bates Michael Heath as Mr Sowerberry Gillian Hanna as Mrs Sowerberry Chris Overton as Noah Claypole Jeremy Swift as Mr Bumble Paul Brooke as Mr Grimwig Ian McNeice as Mr Limbkins Alun Armstrong as Magistrate Fang Liz Smith as Old Woman Patrick Godfrey as BooksellerProduction EditThis section does not cite any sources Please help improve this section by adding citations to reliable sources Unsourced material may be challenged and removed February 2015 Learn how and when to remove this template message In Twist by Polanski a bonus feature on the DVD release of the film Roman Polanski discusses his decision to make yet another screen adaptation of the Dickens novel He realized nearly forty years had passed since Oliver Twist had been adapted for a feature film and felt it was time for a new version Screenwriter Ronald Harwood with whom he had collaborated on The Pianist welcomed the opportunity to work on the first Dickens project in his career For authenticity all scenes featuring pickpocket skills were choreographed by stage pickpocket James Freedman and magician Martyn Rowland The film was shot in Prague Beroun and Zatec in the Czech Republic Differences from the Novel EditDue to the complex plot several characters and events were omitted or changed The film does not explain where Oliver was raised prior to arriving at the workhouse Mr Bumble s role is reduced there is no mention of him losing his job at the workhouse Additionally the characters of Monks Oliver s half brother and the Widow Corney are absent therefore omitting any plot to destroy the locket proving Oliver s identity as well as Fagin and Monks plan to prevent Oliver from inheriting his father s fortune by having him commit a crime To make up for the absence of Monks there is a plot in which Fagin and Sikes conspire to murder Oliver an event which does not occur in the novel In the novel it is left ambiguous as to how Oliver and Mr Brownlow are related As in many versions such as the 1997 Disney version and the 1948 adaptation by David Lean Brownlow is made Oliver s grandfather however unlike in previous versions this relationship is more implied than explicitly stated Due to the absence of the Maylie family Oliver is not left by Sikes to die during the burglary rather he is taken back to Fagin s The Artful Dodger is not deported to Australia and therefore plays a larger role in some of the later events in the story Firstly like in David Lean s 1948 film and the 1974 animated version produced by Filmation he is sent by Fagin instead of Noah Claypole who appears only in the earlier scenes to spy on Nancy indirectly causing her death by informing Fagin and Sikes that she has informed on them Secondly it is Dodger instead of Charley Bates whose role is also smaller in the film than the novel who turns against Fagin and attempts to give up Sikes to the police for murdering Nancy However his ultimate fate is left unknown after Sikes death Reception EditThe film received mixed to positive reviews holding a 61 score on Rotten Tomatoes based on 143 reviews averaging 6 3 10 The consensus reads Polanski s version of Dickens classic won t have audiences asking for more because while polished and directed with skill the movie s a very impersonal experience 3 Metacritic assigned a score of 65 indicating generally favorable reviews 4 A O Scott of The New York Times called it a bracingly old fashioned film that does not embalm its source with fussy reverence but rediscovers its true and enduring vitality He added the look of the movie is consistent with its interpretation of Dickens s worldview which could be plenty grim but which never succumbed to despair There is just enough light enough grace enough beauty to penetrate the gloom and suggest the possibility of redemption The script is at once efficient and ornate capturing Dickens s narrative dexterity and his ear for the idioms of English speech 5 Roger Ebert of the Chicago Sun Times was similarly positive he lauded the film as visually exact and detailed without being too picturesque 6 Mick LaSalle of the San Francisco Chronicle praised it as a grounded and unusually matter of fact adaptation continuing Polanski does justice to Dickens moral universe in which the motives and worldview of even the worst people are made comprehensible 7 Lisa Schwarzbaum of Entertainment Weekly graded the film B and commented On the face of it Roman Polanski s Oliver Twist is in the tradition of every faithful Oliver Twist ever filmed a photogenic straightforward CliffsNotes staging of Charles Dickens harrowing story Yet precisely because this is by Roman Polanski it s irresistible to read his sorrowful and seemingly classical take from a filmmaker known as much for the schisms in his personal history as for the lurches in his work as something much more personal and poignant 8 However Peter Travers of Rolling Stone rated two out of four stars calling it drab and unfeeling while lacking the Polanski stamp He further felt Barney Clark s performance as Oliver was bereft of personality 9 Todd McCarthy of Variety echoed Travers sentiments about Clark labelling him disappointingly wan and unengaging while writing that the film was conventional straightforward and a respectable literary adaptation but lacking dramatic urgency and intriguing undercurrents 10 In the UK press Peter Bradshaw of The Guardian opined that while Polanski s Oliver Twist does not flag or lose its way and is always watchable the book s original power and force have not been rediscovered 11 Philip French of The Observer wrote that the film was generally disappointing though by no means badly acted and alleged that it lacked any serious point of view about individuality society community 12 Home media EditSony Pictures released the film on DVD on 24 January 2006 It is in anamorphic widescreen format with audio tracks and subtitles in English and French Bonus features include Twist by Polanski in which the director reflects on the making of the film The Best of Twist which includes interviews with production designer Allan Starski costume designer Anna B Sheppard cinematographer Pawel Edelman editor Herve de Luze and composer Rachel Portman and Kidding with Oliver Twist which focuses on the young actors in the cast References Edit OLIVER TWIST PG British Board of Film Classification 3 August 2005 Retrieved 17 December 2012 a b Oliver Twist 2005 Box Office Mojo Boxofficemojo com Retrieved 16 September 2017 Rotten Tomatoes 2012 Oliver Twist 1999 Rotten Tomatoes Flixster Inc Retrieved 18 August 2012 Oliver Twist Metacritic Retrieved 16 September 2017 A O Scott 23 September 2005 Dickensian Deprivations Delivered From the Gut The New York Times The New York Times Company Retrieved 18 August 2012 ROGER EBERT 30 September 2005 OLIVER TWIST PG 13 rogerebert com Retrieved 18 August 2012 Mick LeSalle 30 September 2005 Polanski refuses to twist Dickens into tearjerker San Francisco Chronicle Retrieved 18 August 2012 Lisa Schwarzbaum 21 September 2005 Oliver Twist 2005 EW com Entertainment Weekly Inc Retrieved 18 August 2012 Oliver Twist Rolling Stone Retrieved 16 September 2017 Oliver Twist Review Read Variety s Analysis of the Movie Oliver Twist Archived from the original on 18 August 2009 Retrieved 12 July 2009 Bradshaw Peter 7 October 2005 Oliver Twist Theguardian com French Philip 9 October 2005 Oliver Twist Theguardian com External links EditOliver Twist at IMDb Oliver Twist at AllMovie Oliver Twist at the TCM Movie Database Oliver Twist at Rotten Tomatoes Oliver Twist at Metacritic Retrieved from https en wikipedia org w index php title Oliver Twist 2005 film amp oldid 1132000622, wikipedia, wiki, book, books, library,

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