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Oliver Hill (architect)

December 29, 2022

Oliver Falvey Hill (15 June 1887 – 29 April 1968)[1] was a British architect, landscape architect, and garden designer. Starting as a follower of Edwin Lutyens, in the 1920s he gained a reputation as a designer of country houses. He turned towards architectural modernism in the 1930s, though in doing so he did not abandon his appreciation of natural materials. His plans made abundant use of curving lines. He also became known for luxurious interior decoration. Hill was the architect of the Midland Hotel in Morecambe, Lancashire and of the British pavilion at the Paris Exposition of 1937.

Midland Hotel, Morecambe (1933)

Early years

Oliver Hill was born at 89 Queen's Gate, Kensington, to William Neave Hill, a London businessman, and his wife Kate Ida née Franks.[1] The family had roots in Aberdeen and he retained a lifelong affection for Scotland, choosing to serve in the London Scottish Regiment during World War I.[2] He ultimately gained the rank of captain.[3]

 
Moor Close, Berkshire (1914)

Hill was educated at Uppingham School. Following the suggestion of Edwin Lutyens, his early mentor, Hill's first step towards architecture was to gain experience in a builder's yard.[4] In 1907 he became a pupil of architect William Flockhart. An interest in garden design was stimulated by a visit to the Garden of Eden in Venice, the garden of Frederic and Caroline Eden. She subsequently introduced him to her sister, the garden designer Gertrude Jekyll, who became a friend. Setting up his own office, Hill's first major project (1910–14) was Moor Close, in Berkshire,[5] where he created a complementary composition of terraces and gardens around a Jacobethan house which he extended.[6][7]

Between the wars

In the 1920s Hill produced a number of Arts and Crafts style country houses, the best-known being The Thatched House in Warwickshire, Woodhouse Copse in Surrey, and Cock Rock in Devon.[8] This group of three closely related designs, in which Hill produced distinctive combinations of locally sourced materials such as weatherboarding, thatch, brick and stone, was important in establishing his early reputation as a country house designer.[9] The influence of Lutyens continued to be felt in Hill's country houses,[4] and some of his town houses of the period have also been called "Lutyenesque".[10]

Hill turned towards architectural modernism in the 1930s. On visiting the Stockholm Exhibition of 1930 he was impressed by the works of Gunnar Asplund. He was also influenced by his friend Christopher Hussey, Raymond McGrath and Mansfield Forbes. His work continued to be marked by his appreciation of the textures of natural materials,[11] as well as by a predeliction for curving lines, including very free or irregular ones.[12]

 
Midland Hotel, central tower (1933)

Hill's first major modernist project was Joldwynds in Surrey.[11] The dominant feature of the Joldwynds plan, a curving front with a central, large-windowed circular stair-tower, recurred at the Midland Hotel in Lancashire, and at Holthanger, now known as Cherry Hill in Surrey.[4] Landfall in Dorset had a circular stairhall as the house's central feature.[13] The Prospect Inn in Kent was an oval-shaped pub, with a serpentine wall around the car park.[12]

Hill was the lead designer for the Frinton Park Estate, an attempt at a modernist settlement in Essex, where a number of his curving buildings were constructed before the project failed.[12] He was also the lead designer for the 1933 Exhibition of British Industrial Art in relation to the Home, in Dorland Hall, London, a successful showpiece for modernism conceived by Christopher Hussey, and also for the similar exhibition at Dorland Hall the following year.[14]

 
40 Chelsea Square, London (1930)
 
41 Chelsea Square, London (1934)

Hill also became known for luxurious interior decoration. The architectural historian Alan Powers has identified his style of decoration as "transitional modern",[15] or "Vogue Regency",[16] two roughly equivalent terms for a form of Art Deco.[17] The best-known example was the second Gayfere House in Westminster (that is, the second house of that name built by Hill, for the same client),[16] which featured mirrored walls and ceilings.[15] Others were 40 and 41 Chelsea Square, and Upper Terrace House. He collaborated with the interior decorator Syrie Maugham, the creator of the "all-white room", in a redecoration of her house, 213 King's Road.[16]

He designed the British pavilion at the Paris Exposition of 1937.[18] When Frank Pick, the chairman of the Council for Art and Industry, appointed Hill as architect for the pavilion he told him to avoid modernism and to focus on the presentation of traditional crafts,[19] and there was considerable criticism that the result was underwhelming compared to the other pavilions' nationalistic projections of strength. The British budget for its pavilion was only a small fraction of Germany's, however. The main architectural element of Hill's pavilion was a simple white box, but it contained a spiral ramp circling the display space, and other elements of the complex also contained prominent circular features.[20]

Later years

Hill blamed Adolf Hitler for ending his career, as his post-war career consisted of many designs but few built works. His designs covered a wide array of styles and his last house built in the 1960s, The Priory at Long Newnton, Gloucestershire, harked back to the 17th century.[21]

Personal life

Hill was elected a Fellow of the Royal Institute of British Architects in 1923. He was also a Fellow of the Royal Society of Arts and a Fellow of the Institute of Landscape Architects.[22]

He kept a London townhouse first at 19 West Eaton Place,[23] and later at 35 Cliveden Place.[18] He also maintained a country residence, first from the mid 1920s at Valewood Farm, in Haslemere, Surrey,[24] and then from 1948 at Daneway House, the former house and workshop of the Arts and Crafts architect-designer Ernest Gimson, in Sapperton, Gloucestershire.[25]

In 1953 he married Margaret Jeanette Beverley; they had no children. She was the daughter of architect Samuel Beverley,[1] and the granddaughter of theatrical architect Frank Verity. The sculptor Simon Verity is Hill's great-nephew,[26] who has described his informal apprenticeship to Hill during his last years.[27]

Works

 
Bus shelter at Newbury Park tube station (1949)

Writings

  • Fair Horizon: Buildings of To-day (1950)
  • Scottish Castles of the Sixteenth and Seventeenth Centuries (1953)
  • English Country Houses: Caroline, 1625–1685 (with John Cornforth) (1966)

References

  1. ^ a b c Powers, Alan. "Hill, Oliver Falvey". Oxford Dictionary of National Biography (online ed.). Oxford University Press. doi:10.1093/ref:odnb/37545. (Subscription or UK public library membership required.)
  2. ^ Powers (1989), pp. 5–7.
  3. ^ "A First World War 14 London Regiment".
  4. ^ a b c Guise and Brook (2008), pp. 20–21.
  5. ^ a b Ottewill, David (1989). The Edwardian Garden. New Haven: Yale University Press. pp. 180–82. ISBN 0-300-04338-4.
  6. ^ Historic England. "Moor Close (1390303)". National Heritage List for England. Retrieved 10 February 2015.
  7. ^ Historic England. "Newbold College (formerly Moor Close) (1000547)". National Heritage List for England. Retrieved 10 February 2015.
  8. ^ Powers (1989), p. 11.
  9. ^ Vanden Berghe, Vanessa (2013). "Oliver Hill: A Window on Regionalism in Britain during the Interwar Period". In Meganck, Leen; Van Santvoort, Linda; De Maeyer, Jan (eds.). Regionalism and Modernity: Architecture in Western Europe 1914–1940. Leuven: Leuven University Press. pp. 185–187. ISBN 978-90-5867-918-5.
  10. ^ Powers (1989), pp. 17–18.
  11. ^ a b Powers (1989), pp. 25–28.
  12. ^ a b c d e f Powers (2005), pp. 140–41.
  13. ^ Powers (1989), p. 29.
  14. ^ Powers (1989), pp. 36–40.
  15. ^ a b Powers (2008), pp. 38–41.
  16. ^ a b c Powers (1989), pp. 19–22.
  17. ^ Powers (2008), p. 63.
  18. ^ a b c d e Powers (1989), pp. 75–76.
  19. ^ Saler, Michael T. (1999). The Avant-Garde in Interwar England : Medieval Modernism and the London Underground. Oxford: Oxford University Press. pp. 158–159. ISBN 0-19-514718-9.
  20. ^ Crinson, Mark (2004). "Architecture and 'national projection' between the wars". In Arnold, Dana (ed.). Cultural Identities and the Aesthetics of Britishness. Manchester: Manchester University Press. pp. 191–194. ISBN 0-7190-6768-5.
  21. ^ Giles Worsley (27 July 2002). . The Telegraph. Archived from the original on 22 December 2010. Retrieved 1 October 2014.
  22. ^ "Obituary. Mr Oliver Hill". The Times. London. 1 May 1968. p. 12.
  23. ^ a b c d Powers (1989), pp. 64–66.
  24. ^ Powers (1989), p. 24.
  25. ^ Powers (1989), p. 55.
  26. ^ Powers (1989), pp. 58–60.
  27. ^ 'A young craftsman at Daneway House', Matrix, no. 35, Summer 2018, 1-8
  28. ^ Historic England. "Wilbraham House and wall to right (1358161)". National Heritage List for England. Retrieved 30 September 2016.
  29. ^ Historic England. "Gayfere Lodge (1357022)". National Heritage List for England. Retrieved 12 October 2016.
  30. ^ a b c d e f Powers (1989), pp. 72–73.
  31. ^ a b c Powers (1989), pp. 65–66.
  32. ^ Historic England. "Fox Steep (1154924)". National Heritage List for England. Retrieved 30 September 2016.
  33. ^ Historic England. "Sandhill (1269720)". National Heritage List for England. Retrieved 30 September 2016.
  34. ^ Historic England. "Dolphin House (1269719)". National Heritage List for England. Retrieved 30 September 2016.
  35. ^ Historic England. "Merryfields House and attached walls and gazebo (1213533)". National Heritage List for England. Retrieved 30 September 2016.
  36. ^ Powers (1989), p. 69.
  37. ^ Historic England. "North House and Gayfere House (1357066)". National Heritage List for England. Retrieved 19 February 2015.
  38. ^ a b c Powers (1989), pp. 70–71.
  39. ^ Historic England. "40 Chelsea Square (1358140)". National Heritage List for England. Retrieved 6 December 2017.
  40. ^ Powers (2005), pp. 138–39.
  41. ^ Historic England. "41 Chelsea Square (1189675)". National Heritage List for England. Retrieved 6 December 2017.
  42. ^ Historic England. "Cherry Hill (1294180)". National Heritage List for England. Retrieved 30 September 2016.
  43. ^ Historic England. "55, Quendon Way (1376783)". National Heritage List for England. Retrieved 30 September 2016.
  44. ^ Historic England. "Seaspan (1392229)". National Heritage List for England. Retrieved 30 September 2016.
  45. ^ Historic England. "The Round House (1337115)". National Heritage List for England. Retrieved 30 September 2016.
  46. ^ Historic England. "Landfall and attached screen walls and terrace, Non Civil Parish (1267436)". National Heritage List for England. Retrieved 18 April 2022.
  47. ^ Historic England. "Burrows Wood (1391775)". National Heritage List for England. Retrieved 30 September 2016.
  48. ^ Holland, Jessica (December 2013). "Building of the Month - Three Lane Ends Infants' School, Castleford, Yorkshire". C20 Twentieth Century Society. Retrieved 25 November 2022.
  49. ^ "Castleford Three Lane Ends Business Centre, Methley Road, Castleford" (PDF). Wakefield Council. Retrieved 25 November 2022.
  50. ^ Historic England. "Higher Trayne (1281942)". National Heritage List for England. Retrieved 30 September 2016.
  51. ^ Historic England. "The Pavilion (1329898)". National Heritage List for England. Retrieved 30 September 2016.
  52. ^ Powers (1989), p. 77.

Sources

  • Guise, Barry; Brook, Pam (2008). The Midland Hotel: Morecambe's White Hope. Lancaster: Palatine Books. ISBN 978-1-874181-55-2.
  • Powers, Alan (1989). Oliver Hill: Architect and Lover of Life 1887–1968. London: Mouton Publications. ISBN 0-9514250-0-5.
  • Powers, Alan (2005). Modern: The Modern Movement in Britain. London: Merrell. ISBN 1-85894-255-1.
  • Powers, Alan (2008). The Twentieth Century House in Britain: From the Archives of Country Life. London: Aurum Press. ISBN 978-1-84513-012-1.

External links

  • Oliver Hill and the enigma of British modernism during the inter-war period PhD thesis by Vanessa Vanden Berghe (September 2013)

December 29, 2022
oliver, hill, architect, oliver, falvey, hill, june, 1887, april, 1968, british, architect, landscape, architect, garden, designer, starting, follower, edwin, lutyens, 1920s, gained, reputation, designer, country, houses, turned, towards, architectural, modern. Oliver Falvey Hill 15 June 1887 29 April 1968 1 was a British architect landscape architect and garden designer Starting as a follower of Edwin Lutyens in the 1920s he gained a reputation as a designer of country houses He turned towards architectural modernism in the 1930s though in doing so he did not abandon his appreciation of natural materials His plans made abundant use of curving lines He also became known for luxurious interior decoration Hill was the architect of the Midland Hotel in Morecambe Lancashire and of the British pavilion at the Paris Exposition of 1937 Midland Hotel Morecambe 1933 Contents 1 Early years 2 Between the wars 3 Later years 4 Personal life 5 Works 6 Writings 7 References 8 Sources 9 External linksEarly years EditOliver Hill was born at 89 Queen s Gate Kensington to William Neave Hill a London businessman and his wife Kate Ida nee Franks 1 The family had roots in Aberdeen and he retained a lifelong affection for Scotland choosing to serve in the London Scottish Regiment during World War I 2 He ultimately gained the rank of captain 3 Moor Close Berkshire 1914 Hill was educated at Uppingham School Following the suggestion of Edwin Lutyens his early mentor Hill s first step towards architecture was to gain experience in a builder s yard 4 In 1907 he became a pupil of architect William Flockhart An interest in garden design was stimulated by a visit to the Garden of Eden in Venice the garden of Frederic and Caroline Eden She subsequently introduced him to her sister the garden designer Gertrude Jekyll who became a friend Setting up his own office Hill s first major project 1910 14 was Moor Close in Berkshire 5 where he created a complementary composition of terraces and gardens around a Jacobethan house which he extended 6 7 Between the wars EditIn the 1920s Hill produced a number of Arts and Crafts style country houses the best known being The Thatched House in Warwickshire Woodhouse Copse in Surrey and Cock Rock in Devon 8 This group of three closely related designs in which Hill produced distinctive combinations of locally sourced materials such as weatherboarding thatch brick and stone was important in establishing his early reputation as a country house designer 9 The influence of Lutyens continued to be felt in Hill s country houses 4 and some of his town houses of the period have also been called Lutyenesque 10 Hill turned towards architectural modernism in the 1930s On visiting the Stockholm Exhibition of 1930 he was impressed by the works of Gunnar Asplund He was also influenced by his friend Christopher Hussey Raymond McGrath and Mansfield Forbes His work continued to be marked by his appreciation of the textures of natural materials 11 as well as by a predeliction for curving lines including very free or irregular ones 12 Midland Hotel central tower 1933 Hill s first major modernist project was Joldwynds in Surrey 11 The dominant feature of the Joldwynds plan a curving front with a central large windowed circular stair tower recurred at the Midland Hotel in Lancashire and at Holthanger now known as Cherry Hill in Surrey 4 Landfall in Dorset had a circular stairhall as the house s central feature 13 The Prospect Inn in Kent was an oval shaped pub with a serpentine wall around the car park 12 Hill was the lead designer for the Frinton Park Estate an attempt at a modernist settlement in Essex where a number of his curving buildings were constructed before the project failed 12 He was also the lead designer for the 1933 Exhibition of British Industrial Art in relation to the Home in Dorland Hall London a successful showpiece for modernism conceived by Christopher Hussey and also for the similar exhibition at Dorland Hall the following year 14 40 Chelsea Square London 1930 41 Chelsea Square London 1934 Hill also became known for luxurious interior decoration The architectural historian Alan Powers has identified his style of decoration as transitional modern 15 or Vogue Regency 16 two roughly equivalent terms for a form of Art Deco 17 The best known example was the second Gayfere House in Westminster that is the second house of that name built by Hill for the same client 16 which featured mirrored walls and ceilings 15 Others were 40 and 41 Chelsea Square and Upper Terrace House He collaborated with the interior decorator Syrie Maugham the creator of the all white room in a redecoration of her house 213 King s Road 16 He designed the British pavilion at the Paris Exposition of 1937 18 When Frank Pick the chairman of the Council for Art and Industry appointed Hill as architect for the pavilion he told him to avoid modernism and to focus on the presentation of traditional crafts 19 and there was considerable criticism that the result was underwhelming compared to the other pavilions nationalistic projections of strength The British budget for its pavilion was only a small fraction of Germany s however The main architectural element of Hill s pavilion was a simple white box but it contained a spiral ramp circling the display space and other elements of the complex also contained prominent circular features 20 Later years EditHill blamed Adolf Hitler for ending his career as his post war career consisted of many designs but few built works His designs covered a wide array of styles and his last house built in the 1960s The Priory at Long Newnton Gloucestershire harked back to the 17th century 21 Personal life EditHill was elected a Fellow of the Royal Institute of British Architects in 1923 He was also a Fellow of the Royal Society of Arts and a Fellow of the Institute of Landscape Architects 22 He kept a London townhouse first at 19 West Eaton Place 23 and later at 35 Cliveden Place 18 He also maintained a country residence first from the mid 1920s at Valewood Farm in Haslemere Surrey 24 and then from 1948 at Daneway House the former house and workshop of the Arts and Crafts architect designer Ernest Gimson in Sapperton Gloucestershire 25 In 1953 he married Margaret Jeanette Beverley they had no children She was the daughter of architect Samuel Beverley 1 and the granddaughter of theatrical architect Frank Verity The sculptor Simon Verity is Hill s great nephew 26 who has described his informal apprenticeship to Hill during his last years 27 Works Edit Bus shelter at Newbury Park tube station 1949 Moor Close Binfield Berkshire alterations 1910 14 5 Cour Carradale Kintyre Argyll 1920 22 23 Wilbraham House Chelsea London 1922 28 Gayfere House also known as Gayfere Lodge 29 12 Gayfere Street Westminster London 1923 26 23 and alterations 1934 36 30 The Thatched House Knowle Warwickshire 1923 29 31 Fox Steep Wargrave Berkshire 1924 32 Pottery exhibition stands at the British Empire Exhibition Wembley London 1924 23 Sandhill Aldeburgh Suffolk 1924 33 Woodhouse Copse Holmbury St Mary Surrey 1924 26 31 Cock Rock Croyde Devon 1925 26 31 Dolphin House Aldeburgh Suffolk 1926 34 Merryfields House Witney Oxfordshire 1927 35 Marylands Ewhurst Surrey 1927 31 36 Gayfere House corner of Gayfere Street Great Peter Street Westminster London 1929 32 37 the second house of this name Vernon House 40 Chelsea Square Chelsea London 1930 34 GII 38 39 Joldwynds Holmbury St Mary Surrey 1931 32 40 Upper Terrace House Hampstead London remodelling 1931 33 GII 38 Midland Hotel Morecambe Lancashire 1932 33 30 213 King s Road Chelsea London alterations 1932 33 38 Katherine House 41 Chelsea Square Chelsea London 1932 35 GII 30 41 Exhibition of British Industrial Art in relation to the Home Dorland Hall London 1933 30 Holthanger now known as Cherry Hill Virginia Water Wentworth Estate Surrey 1933 35 30 42 Exhibition of British Contemporary Industrial Design in the Home Dorland Hall London 1934 30 Frinton Park Estate Frinton Essex 1934 38 12 including Dawn 55 Quendon Way 1934 35 43 Seaspan 4 Audley Way 1934 35 44 The Round House c 1935 45 Landfall Poole Dorset 1936 38 46 12 Burrows Wood Gomshall Surrey 1936 39 47 Prospect Inn Minster in Thanet Kent 1936 39 12 British pavilion Paris Exposition of 1937 18 Three Lane Ends Infants School Methley Road Whitwood Mere Castleford Yorkshire 1937 39 18 48 Now known as Castleford Three Lane Ends Business Centre 49 Higher Trayne Berrynarbor Devon alterations c 1939 41 50 Bus shelter at Newbury Park tube station Ilford Essex 1947 50 18 The Pavilion Kingston upon Thames Surrey 1958 60 51 The Priory Long Newnton Gloucestershire 1963 66 52 Writings EditFair Horizon Buildings of To day 1950 Scottish Castles of the Sixteenth and Seventeenth Centuries 1953 English Country Houses Caroline 1625 1685 with John Cornforth 1966 References Edit a b c Powers Alan Hill Oliver Falvey Oxford Dictionary of National Biography online ed Oxford University Press doi 10 1093 ref odnb 37545 Subscription or UK public library membership required Powers 1989 pp 5 7 A First World War 14 London Regiment a b c Guise and Brook 2008 pp 20 21 a b Ottewill David 1989 The Edwardian Garden New Haven Yale University Press pp 180 82 ISBN 0 300 04338 4 Historic England Moor Close 1390303 National Heritage List for England Retrieved 10 February 2015 Historic England Newbold College formerly Moor Close 1000547 National Heritage List for England Retrieved 10 February 2015 Powers 1989 p 11 Vanden Berghe Vanessa 2013 Oliver Hill A Window on Regionalism in Britain during the Interwar Period In Meganck Leen Van Santvoort Linda De Maeyer Jan eds Regionalism and Modernity Architecture in Western Europe 1914 1940 Leuven Leuven University Press pp 185 187 ISBN 978 90 5867 918 5 Powers 1989 pp 17 18 a b Powers 1989 pp 25 28 a b c d e f Powers 2005 pp 140 41 Powers 1989 p 29 Powers 1989 pp 36 40 a b Powers 2008 pp 38 41 a b c Powers 1989 pp 19 22 Powers 2008 p 63 a b c d e Powers 1989 pp 75 76 Saler Michael T 1999 The Avant Garde in Interwar England Medieval Modernism and the London Underground Oxford Oxford University Press pp 158 159 ISBN 0 19 514718 9 Crinson Mark 2004 Architecture and national projection between the wars In Arnold Dana ed Cultural Identities and the Aesthetics of Britishness Manchester Manchester University Press pp 191 194 ISBN 0 7190 6768 5 Giles Worsley 27 July 2002 Master builder Oliver Hill The Telegraph Archived from the original on 22 December 2010 Retrieved 1 October 2014 Obituary Mr Oliver Hill The Times London 1 May 1968 p 12 a b c d Powers 1989 pp 64 66 Powers 1989 p 24 Powers 1989 p 55 Powers 1989 pp 58 60 A young craftsman at Daneway House Matrix no 35 Summer 2018 1 8 Historic England Wilbraham House and wall to right 1358161 National Heritage List for England Retrieved 30 September 2016 Historic England Gayfere Lodge 1357022 National Heritage List for England Retrieved 12 October 2016 a b c d e f Powers 1989 pp 72 73 a b c Powers 1989 pp 65 66 Historic England Fox Steep 1154924 National Heritage List for England Retrieved 30 September 2016 Historic England Sandhill 1269720 National Heritage List for England Retrieved 30 September 2016 Historic England Dolphin House 1269719 National Heritage List for England Retrieved 30 September 2016 Historic England Merryfields House and attached walls and gazebo 1213533 National Heritage List for England Retrieved 30 September 2016 Powers 1989 p 69 Historic England North House and Gayfere House 1357066 National Heritage List for England Retrieved 19 February 2015 a b c Powers 1989 pp 70 71 Historic England 40 Chelsea Square 1358140 National Heritage List for England Retrieved 6 December 2017 Powers 2005 pp 138 39 Historic England 41 Chelsea Square 1189675 National Heritage List for England Retrieved 6 December 2017 Historic England Cherry Hill 1294180 National Heritage List for England Retrieved 30 September 2016 Historic England 55 Quendon Way 1376783 National Heritage List for England Retrieved 30 September 2016 Historic England Seaspan 1392229 National Heritage List for England Retrieved 30 September 2016 Historic England The Round House 1337115 National Heritage List for England Retrieved 30 September 2016 Historic England Landfall and attached screen walls and terrace Non Civil Parish 1267436 National Heritage List for England Retrieved 18 April 2022 Historic England Burrows Wood 1391775 National Heritage List for England Retrieved 30 September 2016 Holland Jessica December 2013 Building of the Month Three Lane Ends Infants School Castleford Yorkshire C20 Twentieth Century Society Retrieved 25 November 2022 Castleford Three Lane Ends Business Centre Methley Road Castleford PDF Wakefield Council Retrieved 25 November 2022 Historic England Higher Trayne 1281942 National Heritage List for England Retrieved 30 September 2016 Historic England The Pavilion 1329898 National Heritage List for England Retrieved 30 September 2016 Powers 1989 p 77 Sources EditGuise Barry Brook Pam 2008 The Midland Hotel Morecambe s White Hope Lancaster Palatine Books ISBN 978 1 874181 55 2 Powers Alan 1989 Oliver Hill Architect and Lover of Life 1887 1968 London Mouton Publications ISBN 0 9514250 0 5 Powers Alan 2005 Modern The Modern Movement in Britain London Merrell ISBN 1 85894 255 1 Powers Alan 2008 The Twentieth Century House in Britain From the Archives of Country Life London Aurum Press ISBN 978 1 84513 012 1 External links EditOliver Hill and the enigma of British modernism during the inter war period PhD thesis by Vanessa Vanden Berghe September 2013 Retrieved from https en wikipedia org w index php title Oliver Hill architect amp oldid 1123738455, wikipedia, wiki, book, books, library,

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